Felix Issue 1131, 1999
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Autechre Confield Mp3, Flac, Wma
Autechre Confield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Confield Country: UK Released: 2001 Style: Abstract, IDM, Experimental MP3 version RAR size: 1635 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1308 mb Rating: 4.3 Votes: 182 Other Formats: AU DXD AC3 MPC MP4 TTA MMF Tracklist 1 VI Scose Poise 6:56 2 Cfern 6:41 3 Pen Expers 7:08 4 Sim Gishel 7:14 5 Parhelic Triangle 6:03 6 Bine 4:41 7 Eidetic Casein 6:12 8 Uviol 8:35 9 Lentic Catachresis 8:30 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Published By – Warp Music Published By – Electric And Musical Industries Made By – Universal M & L, UK Credits Mastered By – Frank Arkwright Producer [AE Production] – Brown*, Booth* Notes Published by Warp Music Electric and Musical Industries p and c 2001 Warp Records Limited Made In England Packaging: White tray jewel case with four page booklet. As with some other Autechre releases on Warp, this album was assigned a catalogue number that was significantly ahead of the normal sequence (i.e. WARPCD127 and WARPCD129 weren't released until February and March 2005 respectively). Some copies came with miniature postcards with a sheet a stickers on the front that say 'autechre' in the Confield font. Barcode and Other Identifiers Barcode (Sticker): 5 021603 128125 Barcode (Printed): 5021603128125 Matrix / Runout (Variant 1 to 3): WARPCD128 03 5 Matrix / Runout (Variant 1 to 3, Etched In Inner Plastic Hub): MADE IN THE UK BY UNIVERSAL M&L Mastering SID Code -
Kenji Takimi’S Intentions Crue-L Nightlife As Isnowderigueurinthedance Jonny Coleman
Edited by Christopher Tarantino [email protected] Opera & Musical Theater Nightlife @MrTarantino P Carmen Metropolitan Opera House (at Lincoln Center), Upper West Side. Thu 19, Mon 23, Thu 26 Wed 4 at 7:30pm. $30–$475. Elina Garanca returns in the title role of Bizet’s classic, in this revival of Richard Eyre’s production. For this run of performances, Roberto Alagna is her Don Jose. P Iolanta/Bluebeard’s Castle Metropolitan Opera House (at Lincoln Center), Upper West Side. Sat 21 at 8pm. $25–$495. You get a lot for your money with director Mariusz Trelinski’s double bill of new productions. The glitz factor comes in the first half, as Anna Netrebko stars in Tchaikovsky’s Iolanta. The must-see half of the presentation comes afterward, with a gothic (and bondagey) take on Bartók’s Bluebeard’s Castle. Here soprano Nadja Michael and the Met Orchestra prove grimly seductive. P La Donna del Lago Metropolitan Opera House (at Lincoln Center), Upper West Side. Fri 20, Wed 25, Tue 3 at 7:30pm; Sat 28 at 1pm. $30– $387.50. Joyce DiDonato stars as Nightlife the lake-bound Elena in this new production of Rossini’s bel canto tragedy. Juan Diego Flórez sings the role of Giacomo V. Michele Mariotti conducts this new production, which is directed by Paul Curran. P Les Contes d’Hoffmann Kenji Takimi’s Crue-L intentions Metropolitan Opera House (at Lincoln Center), Upper West Side. The biggest name in Japan’s disco scene finally arrives in America. Sat 28 at 8pm. $25–$445. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
The Vocal Booth Is
For... With... Of... With... For... The Vocal Booth Weekender is an event that brings together like-minded, open hearted music lovers from around the globe. The diversity of the crowd matches For... the diversity of the music, yet there’s one thing that connects it all: soul. This community was started 10 years ago and has With... grown by word of mouth, creating an inclusive and intimate atmosphere that has people returning year- The Story Of on-year. Of... The vibe is reminiscent of clubbing back in the day, yet the broad range of DJs keeps the music fresh and current. The love of music is the glue that bonds this family together and the shared memories keep people Booth Weekender Vocal coming back for more. ANDY WARD The Story Of The Vocal Booth Cover photos: Andy Ward & Martin Clark Cover design: Andy Ward Weekender For... With... Of... With... For... The Vocal Booth Weekender is an event that brings together like-minded, open hearted music lovers from around the globe. The diversity of the crowd matches For... the diversity of the music, yet there’s one thing that connects it all: soul. This community was started 10 years ago and has With... grown by word of mouth, creating an inclusive and intimate atmosphere that has people returning year- The Story Of on-year. Of... The vibe is reminiscent of clubbing back in the day, yet the broad range of DJs keeps the music fresh and current. The love of music is the glue that bonds this family together and the shared memories keep people Booth Weekender Vocal coming back for more. -
Exploring Compositional Relationships Between Acousmatic Music and Electronica
Exploring compositional relationships between acousmatic music and electronica Ben Ramsay Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy De Montfort University Leicester 2 Table of Contents Abstract ................................................................................................................................. 4 Acknowledgements ............................................................................................................... 5 DVD contents ........................................................................................................................ 6 CHAPTER 1 ......................................................................................................................... 8 1.0 Introduction ................................................................................................................ 8 1.0.1 Research imperatives .......................................................................................... 11 1.0.2 High art vs. popular art ........................................................................................ 14 1.0.3 The emergence of electronica ............................................................................. 16 1.1 Literature Review ......................................................................................................... 18 1.1.1 Materials .............................................................................................................. 18 1.1.2 Spaces ................................................................................................................. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
The Routledge Companion to Remix Studies
THE ROUTLEDGE COMPANION TO REMIX STUDIES The Routledge Companion to Remix Studies comprises contemporary texts by key authors and artists who are active in the emerging field of remix studies. As an organic interna- tional movement, remix culture originated in the popular music culture of the 1970s, and has since grown into a rich cultural activity encompassing numerous forms of media. The act of recombining pre-existing material brings up pressing questions of authen- ticity, reception, authorship, copyright, and the techno-politics of media activism. This book approaches remix studies from various angles, including sections on history, aes- thetics, ethics, politics, and practice, and presents theoretical chapters alongside case studies of remix projects. The Routledge Companion to Remix Studies is a valuable resource for both researchers and remix practitioners, as well as a teaching tool for instructors using remix practices in the classroom. Eduardo Navas is the author of Remix Theory: The Aesthetics of Sampling (Springer, 2012). He researches and teaches principles of cultural analytics and digital humanities in the School of Visual Arts at The Pennsylvania State University, PA. Navas is a 2010–12 Post- Doctoral Fellow in the Department of Information Science and Media Studies at the University of Bergen, Norway, and received his PhD from the Program of Art and Media History, Theory, and Criticism at the University of California in San Diego. Owen Gallagher received his PhD in Visual Culture from the National College of Art and Design (NCAD) in Dublin. He is the founder of TotalRecut.com, an online com- munity archive of remix videos, and a co-founder of the Remix Theory & Praxis seminar group. -
HALLS Eating Disorder Claims Life of Postgraduate
ill a DECEMBER 5, 1997 StudentVOL 28: ISSUE NO..1 I PLUS: GET FESTIVE WITH COMIC GENIUS HARRY ENFIELD lo We ve had a really h pw weeks' - Ijwmr anti, ftinterview they all really really want - the Spice Girls reveal all to Juice IT'S SNOW JOKE FOR ARCTIC TOM DEATH STUNS HALLS Eating disorder claims life of postgraduate AN ANOREXIC student weighed just By MATT GENEVER six stones when he was found dead friends at Oxley Flats for days prior to in his room by cleaners, an inquest the discovery of his body last week. beard on Tuesday. The 29-year-old Cambridge graduate Kevin Jenkins, a Geography and had been working as a site warden at the Geology Masters student at Leeds flats since moving in at the beginning of N-ICE AND EASY: Medic Tem Agornbar prepares for his trip Pi= Alys Tomlinson University, had not been seen by his PAGE 11, COLUMN 5 FULL. STORY • PAGE 3 SIDE: News 1-11, Comment 6-9, Features 13-15, Outlook 17.23, Sport 2428. Plus 28-page Juice magazine ' 2 NEWSDESK 243 4727 16, drastic measures, Found empty beer honks down back of sofa Leeds Student but luckily no food. Also Minerva's moan replaced scummy loo roll with And= which held in secret This week in Diary of a failed sex fiend turned arty student store in my room. Nnusenwtir 3pin so had that needed with new Bobhi ask for Jeremy as birthday may put up with cheap and England and Wales' plenty of Brown make-up. -
THE CHRONICLE Millennium, Whafs the Next Frontier? SEE P
ANNUAL SEND-HOME EDITION INSIDE Journey to the moon This month marks the 30th anniversary ot man's first moon landing. On the verge ot Ihe THE CHRONICLE millennium, whafs the next frontier? SEE p. 10 Duke sets school fund-raising record Donations leapt almost 30 percent in 1998-99, soaring to $330.9 million Propelled by the momentum of The Campaign for Duke and the humming national economy, Duke's fund-raisers surpassed the $300 million mark in 1998- 99 for the first time ever, pulling in a staggering $330.9 million. This Duke record marks a nearly 30 percent increase over the previous record—$254.8 million raised during the 1997-98 fiscal year. "It's so good it's scary," said Robert Shepard, vice pres ident for University development. "It's way higher than what we expected. We are obviously wonderfully sur prised.... I think at the beginning of the year, we were feeling if we could really approach $300 million, it would continue the upward trajectory, but to hit 330 was above all our expectations." President Nan Keohane said she was veiy pleased with the remarkable performance. "The enthusiasm of donors is really wonderful, and the staff deserves a lot of credit, too," she said. "We hope to keep this momentum for the future, since we have ambitious goals and real needs in several areas." The banner year makes Duke only the third school This year, Harvard's total decreased slightly to ever to break the $300 million barrier and could boost $451 million. Stanford, meanwhile, was $30 million CARRYING THE TORCH the University's fund-raising ranking after a fourth- ahead of last year's pace as of May 31, said Cecilia All the way from Athens, Greece, Special Olympics' torch of place finish in 1997-98. -
Alwakeel IDM As A
IDM as a “Minor” Literature: The Treatment of Cultural and Musical Norms by “Intelligent Dance Music” RAMZY ALWAKEEL UNIVERSITY OF LEEDS (UK) Abstract This piece opens with a consideration of the etymology and application of the term “IDM”, before examining the treatment of normative standards by the work associated therewith. Three areas in particular will be focused upon: identity, tradition, and morphology. The discussion will be illuminated by three case studies, the first of which will consider Warp Records’ relationship to narrative; the two remaining will explore the work of Autechre and Aphex Twin with some reference to the areas outlined above. The writing of Deleuze and Guattari will inform the ideas presented, with particular focus being made upon the notions of “minority”, “deterritorialisation”, and “continuous variation”. Based upon the interaction of the wider IDM “text” with existing “constants”, and its treatment of itself, the present work will conclude with the suggestion that IDM be read as a “minor” literature. Keywords IDM, Deleuze, minority, genre, morphology, subjectivity, Autechre, Aphex Twin, Warp Can you really kiss the sky with your tongue in cheek? Simon Reynolds (1999: 193) Why have we kept our own names? Out of habit, purely out of habit. […] Also be- cause it’s nice to talk like everybody else, to say the sun rises, when everybody knows it’s only a matter of speaking. To reach, not the point where one no longer says I, but the point where it is no longer of any importance whether one says I. Deleuze and Guattari (2004: 3-4) Dancecult: Journal of Electronic Dance Music Culture 1(1) 2009, 1-21 ISSN 1947-5403 ©2009 Dancecult http://www.dancecult.net/ DOI 10.12801/1947-5403.2009.01.01.01 2 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 1 Introduction Etymologically, an attempt to determine what “IDM” actually signifies is problematic. -
The Moving Image Collection of Matador Records
New York University Tisch School of the Arts New York, NY We Are Underused The Moving Image Collection of Matador Records by Seth Anderson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Moving Image Archiving and Preservation May 7, 2012 Anderson - We Are Underused Table of Contents 1. Acknowledgments 3 2. Introduction and Scope 4 3. Collection History 6 4. Content Appraisal 10 5. Physical Appraisal 12 6. Format Assessment 21 7. Descriptive Systems 30 8. Intellectual Property 32 9. Recommendations 34 10. Work Plan and Budget 53 Appendix A: Workflow 58 Appendix B: Vendors 59 Appendix C: Videography 61 Appendix D: Inventory 79 2 Anderson - We Are Underused 1. Acknowledgments I would like to thank the staff of Matador Records and Beggars Group, especially Gabe Spierer, Patrick Amory, Robby Morris, and Jesper Eklow, for their time and assistance with this project; Nils Bernstein, Brett Vapnek, and Chris Lombardi for indulging me with interviews; Peter Oleksik, my advisor, who provided encouragement and guidance; the faculty of MIAP, and Alicia, for their constant support; my fellow Crazy Eights, we did it; and finally Ingrid Ostby for her love and support. 3 Anderson - We Are Underused 2. Introduction and Scope Since the record label’s founding twenty-three years ago, Matador Records has and continues to accumulate moving image materials for the promotion and documentation of the label’s artists. As a subsidiary of Beggars Group, an umbrella company that owns or distributes four independent record labels (including 4AD Records, XL Recordings, Rough Trade Records, and Matador Records), Matador continues to release new albums, generating more promotional media with each one. -
Sexion Q 2-3
www.ExpressGayNews.com • May 6, 2002 Q1 CYMK By Ian Drew that I’m a woman. My character is not even a “My act is basically sketch comedy. I upstate New York farm as some of the It’s Mother’s Day at the Voodoo Lounge, woman—she is a drag queen. Everybody’s always try to do something different so they happiest days of his life. He spent much of and the joint looks tamer than usual. different, and I give respect to people who wonder what I’m going to do next,” says the that time developing his talents in the arts, The Fort Lauderdale nightspot is want to be a woman and don’t like to be called diva. “As far as emceeing, I was awful when especially drama. usually packed to the rafters every Sunday drag queens. But that’s not me.” I first started. It took awhile to get the hang After graduation, Kenny returned to night for its popular drag revue, hosted by of it, but now it’s like going to group therapy. South Florida to be closer to his mother. one Daisy Deadpetals. The One and Only Daisy D. I get out all of my frustrations and laugh While working in a retail job at the Crowds usually break down the door to Daisy Deadpetals is not just any drag about them.” Sawgrass Mills Mall, he met a man who get in, but it is less than an hour before queen. started teaching him dance in a private showtime and the space is at only half the Besides her constant media presence in studio.