Autechre Anvil Vapre Mp3, Flac, Wma

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Autechre Anvil Vapre mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Anvil Vapre Country: UK Style: IDM, Experimental MP3 version RAR size: 1398 mb FLAC version RAR size: 1932 mb WMA version RAR size: 1478 mb Rating: 4.3 Votes: 854 Other Formats: WMA FLAC AU MP4 VOC MP1 DMF Tracklist 1 Second Bad Vilbel 9:47 2 Second Scepe 7:45 3 Second Scout 7:23 4 Second Peng 10:53 Companies, etc. Phonographic Copyright (p) – Warp Records Copyright (c) – Warp Records Manufactured By – MPO Broadcrest Credits Design – Chris Cunningham , The Designers Republic Producer – Ae* Written-By – Brown*, Booth* Notes ℗ & © 1995 Warp Records. All rights reserved. Made In England This version was manufactured by MPO Broadcrest. Three other pressings exists. One has "Mastered by Nimbus" in the CD matrix. Yet another has "Mastered by Mayking" in the CD matrix. And thirdly, a MPO variation, Anvil Vapre, with quite different matrix info. Barcode and Other Identifiers Barcode (Scanned): 5021603064027 Barcode (Text): 5 021603 064027 > Matrix / Runout: WAP64CD [MPO Swirl Logo] Mastering SID Code: IFPI LR61 Mould SID Code (Variant 1): IFPI RZ05 Mould SID Code (Variant 2): IFPI RZ21 Other versions Category Artist Title (Format) Label Category Country Year wap64cd Autechre Anvil Vapre (CD, EP) Warp Records wap64cd UK 1995 WAP64CDP Autechre Anvil Vapre (CD, EP, Promo) Warp Records WAP64CDP UK 1995 wap64 Autechre Anvil Vapre (12") Warp Records wap64 UK 1995 wap64r Autechre Anvil Vapre (12") Warp Records wap64r UK 1995 WAP 64 Autechre Anvil Vapre (12", W/Lbl) Warp Records WAP 64 UK 1995 Related Music albums to Anvil Vapre by Autechre Autechre - EPs 1991 - 2002 Autechre - LP5 Autechre & The Hafler Trio - æo³ & ³hæ Jake Slazenger - Nautilus Chris Clark - Empty The Bones Of You Autechre - Oversteps Autechre - EP7 Autechre - Tri repetae Autechre - Garbage GonjaSufi - A Sufi And A Killer.

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Felix Issue 1131, 1999
issue 1145 University Teachers Approve Strikes The Association of University Teachers voted for other actions less severe than (AUT) has voted to take industrial By Ed Sexton striking. The AUT claims that its mem• action, following a ballot of its mem• bers have not received the pay bers held last month. This will most increases that they are due, with the likely manifest itself as a one day strike General Secretary, David Friesman, later this month, which could affect commenting "vice-chancellors can pay lectures and exams for many students. themselves nearly 7% extra this year, The strike is the result of a failure to but offer their staff only half that reach agreement in the current pay amount, the more we do the less we dispute, which has gone on for several get." months. The debate on whether to go In late March the AUT authorised a ahead with the strike was due to be ballot of its members after rejecting held last Thursday, after Felix went to the 3% pay increase offered by the press. According to the AUT document University and Colleges Employers Asso• "Action for a fair deal" the most likely ciation (UCEA). Determined to pursue date for a 24 hour strike is Tuesday 25 a 10% pay increase, a ballot was May, but the text warns that "the Exec• announced for April, with a possible utive Committee is instructed to con• strike taking place at the end of May. sider calling further strike or strikes in In early April UCEA put forward their the early part of the next academic final offer of 3.5%, which was immedi• year".
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Autechre Confield Mp3, Flac, Wma
Autechre Confield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Confield Country: UK Released: 2001 Style: Abstract, IDM, Experimental MP3 version RAR size: 1635 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1308 mb Rating: 4.3 Votes: 182 Other Formats: AU DXD AC3 MPC MP4 TTA MMF Tracklist 1 VI Scose Poise 6:56 2 Cfern 6:41 3 Pen Expers 7:08 4 Sim Gishel 7:14 5 Parhelic Triangle 6:03 6 Bine 4:41 7 Eidetic Casein 6:12 8 Uviol 8:35 9 Lentic Catachresis 8:30 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Published By – Warp Music Published By – Electric And Musical Industries Made By – Universal M & L, UK Credits Mastered By – Frank Arkwright Producer [AE Production] – Brown*, Booth* Notes Published by Warp Music Electric and Musical Industries p and c 2001 Warp Records Limited Made In England Packaging: White tray jewel case with four page booklet. As with some other Autechre releases on Warp, this album was assigned a catalogue number that was significantly ahead of the normal sequence (i.e. WARPCD127 and WARPCD129 weren't released until February and March 2005 respectively). Some copies came with miniature postcards with a sheet a stickers on the front that say 'autechre' in the Confield font. Barcode and Other Identifiers Barcode (Sticker): 5 021603 128125 Barcode (Printed): 5021603128125 Matrix / Runout (Variant 1 to 3): WARPCD128 03 5 Matrix / Runout (Variant 1 to 3, Etched In Inner Plastic Hub): MADE IN THE UK BY UNIVERSAL M&L Mastering SID Code
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Generative Rhythmic Models
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Scholarly Materials And Research @ Georgia Tech GENERATIVE RHYTHMIC MODELS A Thesis Presented to The Academic Faculty by Alex Rae In Partial Fulﬁllment of the Requirements for the Degree Master of Science in Music Technology in the Department of Music Georgia Institute of Technology May 2009 GENERATIVE RHYTHMIC MODELS Approved by: Professor Parag Chordia, Advisor Department of Music Georgia Institute of Technology Professor Jason Freeman Department of Music Georgia Institute of Technology Professor Gil Weinberg Department of Music Georgia Institute of Technology Date Approved: May 2009 TABLE OF CONTENTS LIST OF TABLES . v LIST OF FIGURES . vi SUMMARY . viii I INTRODUCTION . 1 1.1 Background . 6 1.1.1 Improvising Machines . 6 1.1.2 Theories of Creativity . 8 1.1.3 Creativity and Style Modeling . 10 1.1.4 Graphical Models . 10 1.1.5 Music Information Retrieval . 11 II QAIDA MODELING . 14 2.1 Introduction to Tabla . 15 2.1.1 Theka . 19 2.2 Introduction to Qaida . 20 2.2.1 Variations . 21 2.2.2 Tihai . 22 2.3 Why Qaida? . 22 2.4 Methods . 24 2.4.1 Symbolic Representation . 29 2.4.2 Variation Generation . 31 2.4.3 Variation Selection . 35 2.4.4 Macroscopic Structure . 38 2.4.5 Tihai . 38 2.4.6 Audio Output . 39 2.5 Evaluation . 40 iii III LAYER BASED MODELING . 47 3.1 Introduction to Layer-based Electronica . 49 3.2 Methods . 51 3.2.1 Source Separation . 55 3.2.2 Partitioning .
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Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time.
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Autechre Envane Mp3, Flac, Wma
Autechre Envane mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Envane Country: UK Released: 1997 Style: Abstract, IDM MP3 version RAR size: 1213 mb FLAC version RAR size: 1665 mb WMA version RAR size: 1291 mb Rating: 4.2 Votes: 410 Other Formats: MMF XM ADX AHX APE MP1 FLAC Tracklist 1 Goz Quarter 9:43 2 Latent Quarter 7:37 3 Laughing Quarter 7:05 4 Draun Quarter 10:50 Companies, etc. Published By – Warp Music Published By – EMI Music Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Credits Design – The Designers Republic Producer – Ae* Written-By – Brown*, Booth* Notes Warp Music EMI Music. (P) 1997 Warp Records Ltd (C) 1997 Warp Records Ltd. Made In England. Released in a standard jewel case with clear tray and 4-page booklet. "Goz Quarter" samples a lyric from Dr. Octagon's "No Awareness". Barcode and Other Identifiers Barcode (Printed): 5021603089020 Matrix / Runout (Variant 1): 83191 WAP89CD Matrix / Runout (Variant 2): 95637 WAP89CD 1:1:1 Matrix / Runout (Variant 3): 83191 WAP89CD 1:1:3: Matrix / Runout (Variant 4): WAP89CD Matrix / Runout (Variant 5): 83191 WAP89CD 1:1:4 Matrix / Runout (Variant 6): 83191 WAP89CD I:1:8 Mastering SID Code (Variant 1, 3, 5, 6): IFPI L042 Mastering SID Code (Variant 2): IFPI L041 Mastering SID Code (Variant 4): IFPI LR61 Mould SID Code (Variant 1, 5): none Mould SID Code (Variant 2): IFPI 7306 Mould SID Code (Variant 3): IFPI 7305 Mould SID Code (Variant 4): IFPI RZ08 Mould SID Code (Variant 6): IFPI 7303 Other versions Category Artist Title (Format) Label Category Country Year WAP 89 CDP Autechre Envane (CD, EP, Promo) Warp Records WAP 89 CDP UK 1997 WAP 89 Autechre Envane (12") Warp Records WAP 89 UK 1997 WAP89 Autechre Envane (12", W/Lbl, Sti) Warp Records WAP89 UK 1997 WAP 89X Autechre Envane (12") Warp Records WAP 89X UK 1997 WAP 89CD Autechre Envane (CD, EP, RP) Warp Records WAP 89CD UK Unknown Comments about Envane - Autechre Quendant One of my faves in the Autechre catalog.
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Newslist Drone Records 31. January 2009
DR-90: NOISE DREAMS MACHINA - IN / OUT (Spain; great electro- acoustic drones of high complexity ) DR-91: MOLJEBKA PVLSE - lvde dings (Sweden; mesmerizing magneto-drones from Swedens drone-star, so dense and impervious) DR-92: XABEC - Feuerstern (Germany; long planned, finally out: two wonderful new tracks by the prolific german artist, comes in cardboard-box with golden print / lettering!) DR-93: OVRO - Horizontal / Vertical (Finland; intense subconscious landscapes & surrealistic schizophrenia-drones by this female Finnish artist, the "wondergirl" of Finnish exp. music) DR-94: ARTEFACTUM - Sub Rosa (Poland; alchemistic beauty- drones, a record fill with sonic magic) DR-95: INFANT CYCLE - Secret Hidden Message (Canada; long-time active Canadian project with intelligently made hypnotic drone-circles) MUSIC for the INNER SECOND EDITIONS (price € 6.00) EXPANSION, EC-STASIS, ELEVATION ! DR-10: TAM QUAM TABULA RASA - Cotidie morimur (Italy; outerworlds brain-wave-music, monotonous and hypnotizing loops & Dear Droners! rhythms) This NEWSLIST offers you a SELECTION of our mailorder programme, DR-29: AMON – Aura (Italy; haunting & shimmering magique as with a clear focus on droney, atmospheric, ambient music. With this list coming from an ancient culture) you have the chance to know more about the highlights & interesting DR-34: TARKATAK - Skärva / Oroa (Germany; atmospheric drones newcomers. It's our wish to support this special kind of electronic and with a special touch from this newcomer from North-Germany) experimental music, as we think its much more than "just music", the DR-39: DUAL – Klanik / 4 tH (U.K.; mighty guitar drones & massive "Drone"-genre is a way to work with your own mind, perception, and sub bass undertones that evoke feelings of total transcendence and (un)-consciousness-processes.
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Critic-2013-7.Pdf
Student Tickets $79 (+BF) WIN YOURSELF SOME TICKETS! TWO AWESOME CHANCES TO GET YOURSELF TO THE GIG THETHE QUESTQUEST FORFOR. THETHE ULTIMATEULTIMATE AEROGUITARSMITHAEROGUITARSMITH Thursday 18th April 12pm at Market Day RECREATERECREATE ANAN AEROSMITHAEROSMITH ANTHEMANTHEM and win your at tickets to the concert check out OUSA Facebook for details on how to win. STUDENT TICKETS $79(+BF) LIMITED NUMBERS AVAILABLE AT THIS PRICE, BOOK NOW AT FORSYTH BARR 2 | STADIUM, fb.com/critictearohi REGENT THEATRE OR THE EDGAR CENTER WITH STUDENT ID. EDITOR Callum Fredric [email protected] Issue 07 | April 15, 2013 | critic.co.nz DEPUTY EDITOR Zane Pocock [email protected] TECHNICAL EDITOR Sam Clark DESIGNER Dan Blackball 16 FEATURE WRITERS Loulou Callister-Baker, Maddy Phillipps NEWS FEATURES NEWS TEAM Zane Pocock, Claudia Herron, 06 | Anonymous Jerk Knocks 16 | Evidence of a Mid-Life Crisis Bella Macdonald Over Cones Loulou Callister-Baker discovers boxes in the attic containing evidence of a SECTION EDITORS 07 | Lord Monckton man’s mid-life crisis, complete with nude Sam McChesney, Basti Menkes, sketches and low-quality weed. Baz Macdonald, Josef Alton, 08 | Racist Danish Runs Gus Gawn, Tristan Keillor Rampant 20 | Three Fables of Dunedin’s Forgotten Flatters 09 | Driver admits liability in Shamelessly stealing Loulou’s idea, CONTRIBUTORS cycle death Callum Fredric tells three untold stories Thomas Stevenson, Josie Cochrane, from Dunedin’s past based on books and Sarah Bayly, Thomas Raethel, documents found at a friend’s flat. Sara Lamb-Miller, Jamie Breen, Catherine Poon, Nick Jolly, 26 | The Little Foetus in the Lucy Hunter, Gerard Barbalich, Pink Knitted Cap Campbell Ecklein, Jess Cole, A poem by Maddy Phillipps in memory Phoebe Harrop, Elsie Stone, of the little foetus in the pink knitted cap.
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Social Spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay
Social spatialisation EXPLORING LINKS WITHIN CONTEMPORARY SONIC ART by Ben Ramsay This article aims to briefly explore some the compositional links that exist between Intelligent Dance Music (IDM) and acousmatic music. Whilst the central theme of this article will focus on compositional links it will suggest some ways in which we might use these links to enhance pedagogic practice and widen access to acousmatic music. In particular, the article is concerned with documenting artists within Intelligent Dance Music (IDM), and how their practices relate to acousmatic music composition. The article will include a hand full of examples of music which highlight this musical exchange and will offer some ways to use current academic thinking to explain how IDM and acousmatics are related, at least from a theoretical point of view. There is a growing body of compositional work and theoretical research that draws from both acousmatics and various forms of electronic dance music. Much of this work blurs the boundaries of electronic music composition, often with vastly different aesthetic and cultural outcomes. Elements of acousmatic composition can be found scattered throughout Intelligent Dance Music (IDM) and on the other side of the divide there are a number of composers who are entering the world of acousmatics from a dance music background. This dynamic exchange of ideas and compositional processes is resulting in an interesting blend of music which is able to sit quite comfortably inside an academic framework as well as inside a more commercial one. Whilst there are a number of genres of dance music that could be described in terms of the theories that would normally relate to acousmatic music composition practices, the focus of this article lies particularly with Intelligent Dance Music.
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Exploring Compositional Relationships Between Acousmatic Music and Electronica
Exploring compositional relationships between acousmatic music and electronica Ben Ramsay Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy De Montfort University Leicester 2 Table of Contents Abstract ................................................................................................................................. 4 Acknowledgements ............................................................................................................... 5 DVD contents ........................................................................................................................ 6 CHAPTER 1 ......................................................................................................................... 8 1.0 Introduction ................................................................................................................ 8 1.0.1 Research imperatives .......................................................................................... 11 1.0.2 High art vs. popular art ........................................................................................ 14 1.0.3 The emergence of electronica ............................................................................. 16 1.1 Literature Review ......................................................................................................... 18 1.1.1 Materials .............................................................................................................. 18 1.1.2 Spaces .................................................................................................................
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Autechre Oversteps Mp3, Flac, Wma
Autechre Oversteps mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Oversteps Country: UK Released: 2010 Style: Abstract, IDM, Ambient MP3 version RAR size: 1108 mb FLAC version RAR size: 1851 mb WMA version RAR size: 1631 mb Rating: 4.7 Votes: 846 Other Formats: AAC APE AA XM MIDI AU MP2 Tracklist A1 r ess A2 ilanders A3 known B1 pt2ph8 B2 qplay B3 see on see B4 Treale C1 os veix3 C2 O=0 C3 d-sho qub D1 st epreo D2 redfall D3 krYlon D4 Yuop Companies, etc. Copyright (c) – Warp Records Limited Phonographic Copyright (p) – Warp Records Limited Credits Artwork [Art] – The Designers Republic Mastered By – NS* Producer [Ae Production] – Brown*, Booth* Notes The box set (printed and debossed rigid slipcase) consists of double heavyweight 180gram vinyl, each disc packed in its own printed inner and outer card sleeves and a 900mm x 600mm double- sided poster printed on Offenbach ultra fine stock, folded within its own card sleeve. Included free with all orders from Bleep.com is a 320kbps LAME encoded MP3 version of the album and 16bit / 44.1kHz or 24bit / 44.1kHz WAV (selectable) version of the album (available to download from Bleep.com). Copies bought elsewhere contain a download code for the 320kbps MP3 version. ℗ 2010 Warp Records Limited © 2010 Warp Records Limited Made in the EU Barcode and Other Identifiers Matrix / Runout (A Side run-out): 85685 1A WARPLP 210 NS Matrix / Runout (B Side run-out): 85685 1B WARPLP 210 Matrix / Runout (C Side run-out): 85685 1C WARPLP 210 NS Matrix / Runout (D Side run-out): 85685 1D WARPLP
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Nothing but Films and Music (And Frigid)15 Edi…Orial Issue #15 Has Been a Long Time Coming
nothing but films and music (and frigid)15 edi…orial Issue #15 has been a long time coming. It was really supposed to be out in mid-January to remind you all to come to the special Frigid at the Opera House. As it happened you didn’t need reminding, with 700 people showing up to chill with coke-snortin’ North Shore bimbos and several minor celebrities. In the space between #14 and #15 a lot has changed. Lucius, Sydney’s infamous poster terrorist, has hung up the sticky-tape and retired; edited by Degrassi is now assistant editor of 3D World; Luke is now thirty; Monkeyboy dale and yellow peril is about to fly out of the country for several years pillaging the Americas; Dale has developed an unhealthy fetish for crappy vinyl; I’ve become addicted designed by to Pokemon as a result of Luke’s evil spouse Grit; and the rest of us are dale about to move Frigid to the Hopetoun temporarily whilst the Globe is cyclic website refurbished. More on all that somewhere in this issue. richard & richard There have also been several festivals: Big Day Out and Vibes, in particular. I’m not sure but I have the feeling that we’re smack bang in the middle of a written by cultural malaise. You see, the economies of the States, Britain and even yellow peril here are apparently booming. That is supposed to make us all happy. At dale least that’s what that ‘trickle down’ effect thing is about. I reckon it makes neural us lazy and bored.
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Bel O W the Rad Ar
01 AGF 09 Moon Wiring Club “The Wires Are Fragile” “Purred Applause” Previously unreleased Previously unreleased BELOW THE RADAR 06 RADAR THE BELOW 02 Borngräber & Strüver 10 Douglas Quin “Dancing Queen (Edit)” “77º 37' S 165º 48' E (Excerpt)” From Urlaub (m=minimal) From Fathom (Taiga) 03 Mark Bradley 11 Sleeps In Oysters “Spiraling” “The Brambles In Starlight” From Cathedral Sound Ritual (Reverb Worship) From Lo! (Seed) 04 Chandeliers 12 Jo Thomas “Candy Apple” “Butterfly Sweet: Air” From Roulé (Captcha Records) Previously unreleased 05 Dalglish 13 Jo Thomas “3.9.2004” “Butterfly Sweet: Flutter” From Benacah Drann Deachd (Highpoint Lowlife) Previously unreleased 06 Eleven Twenty-Nine 14 Trembling Bells “Leaf In A Whirlwind” “A Boy's Dream” From Eleven Twenty-Nine (Northern-Spy) Previously unreleased 07 Mark Fell 15 John Wall & Alex Rodgers “Manitutshu 1.3 Razorwire Dub” “Three Fragments” Previously unreleased Previously unreleased 08 Ga'an 16 Wet Hair “I Of Intimate Forms Part I” “Echo Lady” From Ga'an (Captcha Records) From In Vogue Spirit (De Stijl) This compilation © 2011 The Wire thewire.co.uk Cover image by Mishka Henner 02 06 R Borngräber & Strüver “Dancing Queen (Edit)” From Urlaub m=minimal “Dancing Queen” is the last part of Borngräber & Strüver’s album Urlaub, the follow up to In G. It has nothing to do with ABBA. The duo have worked together since 1999, and in 2010 BELOW THE RADA THE BELOW they founded the label m=minimal, which aims to “give minimal 01 its true meaning again”. AGF “No other composing technique was as successful as “The Wires Are Fragile” minimalism,” say Borngräber & Strüver.
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