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Autechre Confield Mp3, Flac, Wma
Autechre Confield mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic Album: Confield Country: UK Released: 2001 Style: Abstract, IDM, Experimental MP3 version RAR size: 1635 mb FLAC version RAR size: 1586 mb WMA version RAR size: 1308 mb Rating: 4.3 Votes: 182 Other Formats: AU DXD AC3 MPC MP4 TTA MMF Tracklist 1 VI Scose Poise 6:56 2 Cfern 6:41 3 Pen Expers 7:08 4 Sim Gishel 7:14 5 Parhelic Triangle 6:03 6 Bine 4:41 7 Eidetic Casein 6:12 8 Uviol 8:35 9 Lentic Catachresis 8:30 Companies, etc. Phonographic Copyright (p) – Warp Records Limited Copyright (c) – Warp Records Limited Published By – Warp Music Published By – Electric And Musical Industries Made By – Universal M & L, UK Credits Mastered By – Frank Arkwright Producer [AE Production] – Brown*, Booth* Notes Published by Warp Music Electric and Musical Industries p and c 2001 Warp Records Limited Made In England Packaging: White tray jewel case with four page booklet. As with some other Autechre releases on Warp, this album was assigned a catalogue number that was significantly ahead of the normal sequence (i.e. WARPCD127 and WARPCD129 weren't released until February and March 2005 respectively). Some copies came with miniature postcards with a sheet a stickers on the front that say 'autechre' in the Confield font. Barcode and Other Identifiers Barcode (Sticker): 5 021603 128125 Barcode (Printed): 5021603128125 Matrix / Runout (Variant 1 to 3): WARPCD128 03 5 Matrix / Runout (Variant 1 to 3, Etched In Inner Plastic Hub): MADE IN THE UK BY UNIVERSAL M&L Mastering SID Code -
UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà Di Scienze Matematiche, Fisiche E Naturali Intelligent Dance Music
UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà di Scienze Matematiche, Fisiche e Naturali Corso di Laurea in Scienze e Tecnologie della Comunicazione Musicale Intelligent Dance Music: analisi formale comparativa tramite reti di Petri Relatore Ing. Luca Andrea Ludovico Correlatore Dott. Adriano Baratè Tesi di Laurea di Elena Melcarne Matr. 678930 Anno Accademico 2007-2008 1 2 Ringraziamenti Ringrazio, prima di tutti, i miei genitori che in ogni istante hanno saputo garantirmi la fiducia ed il sostegno senza i quali non sarei arrivata fin qui. Ringrazio anche i miei fratelli, Barbara e Stefano, che mi hanno premurosamente accudito e supportato sin da piccola e, per i loro saggi consigli nei momenti più critici della mia carriera universitaria. Ringrazio il Dott. Adriano Baratè e l’Ing. Luca Andrea Ludovico per la loro disponibilità e cordialità. Un grazie particolare anche a Dario, amico caro, che non ha mancato di essermi vicino nonostanze la distanza. Infine, un grazie a Francesco per essermi sempre accanto. Per il suo grande aiuto nella stesura della tesi e soprattutto perché contribuisce, di giorno in giorno, a saziare la mia curiosità musicale. 3 Indice Premesse 1 1 Musica elettronica: dalle origini ai nostri giorni 3 1.1 Introduzione ............................................................................................ 3 1.2 Russolo e l’arte dei rumori ..................................................................... 4 1.3 Musica elettronica di matrice colta ........................................................ 7 1.3.1 Da Parigi a Colonia: Musique concrète e elektronische Musik ................................... 8 1.3.2 Il minimalismo classico ........................................................... 11 1.4 Una nuova concezione di musica elettronica ..................................... 12 1.4.1 La metamorfosi dell’elettronica ........................................... 13 1.5 Chicago e Detroit: dalla house alla techno ......................................... -
Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
Whitehouse, Merzbow, Maurizio Bianchi, the Haters, Hanatarash, the Gerogerigege, Massona, Prurient, John Wiese…
As Loud as Possible As Loud as Possible Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… Un parcours parmi les grandes figures du harsh noise, au sein de l’internationale du bruit sale de ses origines à nos jours. AS LOUD AS 48 POSSi- 49 bLe. Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… A tour among the major figures in harsh noise, within dirty Noise International—from its inception to the present day. Fenêtre ouverte. Le bruit, c’est ce son fronde, indompta- juste une main pour sculpter, une intention pour guider, Mais comment la musique a-t-elle osé muter en ça ? ble, discordant, une puanteur dans l’oreille, comme l’a écrit à peine une idée pour le conceptualiser. Il n’est pas une Objectivement, si on regarde la tête du harsh noise, son Ambrose Bierce dans son Devil’s Dictionary, ce que tout musique bruyante mais une musique-bruit taillée, pas un nom, il faut tout de même se pencher un peu en arrière, le oppose et tout interdit à la musique. Le bruit sévère, le bruit genre, encore moins un mélange, car s’il est né d’amonts XXe siècle brouhaha, pour comprendre cette « birth-death dur, le harsh noise, c’est, pire encore, le chaos volontaire, la lisibles dans l’histoire de la musique, dans l’histoire du XXe experience », si l’on m’autorise à citer le titre d’un disque de crasse en liberté, même pas la musique de son-bruits rêvée siècle, il n’a dans sa pratique et sa nature d’autre horizon Whitehouse, le premier de surcroît. -
Cyclic Defrost Magazine Issue 11
SUSPEND YOUR DISBELIEF! UPDATE ##### “Guaranteed to turn heads” FLUX “Caribou’s new album is fan-fucking-tastic" RIP & BURN #### “It still sounds like nothing else on Featuring members of: the planet” MODEST MOUSE,THE BETA BAND MUSIC WEEK BLOOD BROTHERS, BUILT TO SPILL “Fresh and groundbreaking... FREE ASSOCIATION,AIRBORN AUDIO a welcome PITCHFORKMEDIA PRETTY GIRLS MAKE GRAVES return from the 8.4/10 influential artist” “A highly ANTI-POP CONSORTIUM organic blend of MURDER CITY DEVILS underground hip-hop and and indie-rock” ROOTS MANUVA STYLUS B+ FORMERLY DAN SNAITH’S “Short, blunt and skitless, AGCT seethes with everything post-aught genre-fucking needs” NEW ALBUM OUT NOW ON SELF-TITLED DEBUT OUT NOW ON ISSUE 11 CONTENTS CDITORIAL 4 COVER DESIGNER: JOE SCERRI/LAKE LUSTRE Hola! Welcome to issue eleven. This issue is our first mass assault on Europe with by Bim Ricketson two thousand copies touching down at Sonar 2005 in Barcelona along with a double CD sampler of Australian music courtesy of Austrade and the Australia Council. Perhaps 8 VELURE you are one of the lucky folk sitting back in the Catalunyan sun sipping on cava sud- We welcome your contributions and contact: by Anna Burns denly discovering that there is some great music on the other side of the world, or PO Box a2073 10 MONKFLY/FREQUENCY LAB alternately you are sitting snug and warm on a couch under a doona in share house- Sydney South by Angela Stengel hold in wintery St Kilda or Newtown wondering ‘where can I get a copy of this CD?’. -
Whitehouse, "Never Forget Death", "Halogen"
Brainwashed - Whitehouse, "Never Forget Death", "Halogen" Written by Creaig Dunton Sunday, 03 June 2012 22:03 - Last Updated Sunday, 03 June 2012 23:20 These two albums are two thirds of what I consider to be Whitehouse's most idiosyncratic, and therefore most compelling phase in their 26-plus years of activity. Culminating with 1995's Qual ity Time , which I have discussed at length before , the phase began here, with probably their most musical and understated (in relative terms, of course) works, respectively. Susan Lawly Quality Time was my initial exposure to Whitehouse, but by the time 1998's Mummy and Daddy was released, I had pretty much already digested much of their discography. Looking over their body of work, I see four distinct phases in their albums, from lyrics to vocals to the noises that which accompanies them. The first phase, beginning with 1980's Birthdeath Experience up until 1983's legendary Right to Kill perhaps shows their greatest and most productive evolution. At that point, consisting of William Bennett and whomever he was acquainted with at that time (including Steve Stapleton for a few live performances), the band went from an atonal anomaly: in a modern context, Birthdeath Experience and Total Sex sound almost quaint; to a violent monstrosity: New Britain and Right to Kill are just as powerful and disturbing 30 years later. 1 / 5 Brainwashed - Whitehouse, "Never Forget Death", "Halogen" Written by Creaig Dunton Sunday, 03 June 2012 22:03 - Last Updated Sunday, 03 June 2012 23:20 The "second coming" as it was heralded at the time began with 1985's Great White Death and saw the band as a power trio of sorts: Bennett in the lead, backed by author Peter Sotos and Kevin Tomkins (then formally, and now once again currently of Sutcliffe Jugend). -
Mémoire Alice Zoghaib
UNIVERSITE PARIS XVIII LES GENERATIONS D’APRES GUERRE, LES FESTIVALS ET L’EUROPE Marché européen du festival pop rock, sociologie des publics et partage culturel. Etude du Sziget Festival (Hongrie) Alice Zoghaib 2006 Ce mémoire a été réalisé dans le cadre du Master II de recherche en Gestion de la Culture au sein de l’Institut des Etudes Européennes Abréviations EMO : European Music Office EFRP : European Festival Research Project, groupe européen de recherché sur les festivals, dirigé par Dragan Klaic MAO : Musique Assistée par Ordinateur PECO : Pays d’Europe Centrale et Orientale UE : Union Européenne • EU28 : ensemble des Etats membres et pays candidats qui n’ont pas encore rejoint l’UE • EU25 : moyenne pondérée des 25 Etats membres à la date du 1er mai 2004 • EU15 : quinze Etats qui étaient membres de l’UE avant le 1er mai 2004 : o Autriche (AT), Belgique (BE), Danemark (DK), Finlande (FI), France (FR), Allemagne (DE), Grèce (EL), Irlande (IE), Italie (IT), Luxembourg (LU), Pays- Bas (NL), Portugal (PT), Espagne (ES), Suède (SE) et Royaume-Uni (UK) • NEM : nouveaux Etats membres qui ont adhéré à l’UE le 1er mai 2004 : o Chypre (CY), République tchèque (CZ), Estonie (EE), Hongrie (HU), Lettonie (LV), Lituanie (LT), Malte (MT), Pologne (PL), Slovaquie (SK) et Slovénie (SI) • CC : pays candidats qui ne sont pas encore membres de l’UE : Bulgarie (BG), Roumanie (RO) et Turquie (TR). USA : Etats Unis d’Amérique SOMMAIRE Remerciements.............................................................................................................................. 1 1. Introduction .......................................................................................................................... 2 1.1. Limitation du sujet....................................................................................................... 2 1.1.1. Limitation générale du sujet et structure............................................................. 2 1.1.2. Contexte et importance du sujet......................................................................... -
Catalogue a ‐ Z
Catalogue A ‐ Z A ? MARK AND MYSTERIANS "Same" LP CAMEO 1966 € 60 (US Garage‐Original Canada Pressing VG++++/VG+) 007 & SCENE " Landscapes" LP Detour € 12 (UK mod‐beat ' 70/ ' 80) 1‐2‐5 “Same” LP Misty lane € 13 (Garage punk dall’Olanda) 13th FLOOR ELEVATORS "Easter every Where" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Graeckle Debacle" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "The Psychedelic Sound Of…" CD Spalax € 15,00 ('60 US Psych) 13th FLOOR ELEVATORS "Unlock the Secret" CD Spalx € 15,00 ('66 US Psych) 20/20 "Giving It All" 7" LINE 1979 € 15 (US Power Pop) 27 DEVILS JOKING "The Sucking Effect" LP RAVE 1991 € 10 (US Garage VG/M‐) 3 NORMAL BEATLES "We Name Is Justice" DLP BUBACK € 23 (Beat from Germany) 39 CLOCKS "Cold Steel To The Heart " LP WHAT'S SO FUNNY ABOUT 1985 € 35 (Psychedelic Wave from Germany) 39 CLOCKS "Subnarcotic" LP WHAT'S SO FUNNY ABOUT 1982 € 35 (Psychedelic Wave from Germany 1988 Reissue) 39 CLOCKS "The Original Psycho Beat" LP WHAT'S SO FUNNY ABOUT 1993 € 20 (Psychedelic Wave from Germany) 3D INVISIBLES "Robot Monster" 7" NEUROTIC BOP 1994 € 5 (US Punk Rock) 3D INVISIBLES "They Won't StayDead" LP NEUROTIC BOP 1989 € 15 (US Punk Rock) 440’S “Gas Grass Or As” 7” Rockin’ Bones € 5 (US Punk) 5 LES “Littering..” 7” HAGCLAND 198? € 5 (Power Pop dal Belgio M‐/M‐) 5.6.7.8.'S "Can't Help It !" CD AUGOGO € 14 (Japan Garage i 7"M‐/M) 5.6.7.8's "Sho‐Jo‐Ji" 7" THIRD MAN € 9 (Garage Punk from Tokyo) 60 FT DOLLS "Afterglow" 7" DOLENT € 3 (Promo Only) 64 SPIDERS "Potty Swat" 7" REGAL SELECT 1989 € 17 (US Punk M‐/M‐) 68 COMEBACK "Do The Rub" 7" BAG OF HAMMERS 1994 € 7 (US Punk Blues) 68 COMEBACK "Flip,Flop,& Fly" 7" GET HIP 1994 € 13 (US Punk Blues) 68 COMEBACK "Great Million Sellers" 7" 1+2 1994 € 8 (US Punk Blues) 68 COMEBACK "High Scool Confidential" 7" PCP I. -
Basicbootcamps1#1 Selfintroduction:Basicgreetings
LESSON NOTES Basic Bootcamp S1 #1 Self Introduction: Basic Greetings in Bulgarian CONTENTS 2 Bulgarian 2 Romanization 2 English 2 Informal Bulgarian 3 Vocabulary 3 Sample Sentences 4 Vocabulary Phrase Usage 5 Grammar 5 Cultural Insight # 1 COPYRIGHT © 2012 INNOVATIVE LANGUAGE LEARNING. ALL RIGHTS RESERVED. BULGARIAN 1. ⇥⇤: ⌅⇧⌃⇤⇥⌥й, ⇤ ⌦↵м ⇥⇤. ⇤к ⌦⌥ к⇤ ⇥⇤✏? 2. ⇣⌃⇤: ⌅⇧⌃⇤⇥⌥й, ⇥⇤. ⌘ ⌦↵м ⇣⌃⇤. 3. ⇥⇤: ✓◆г ми ⌥ ⌫⌃и⇠⇡◆. 4. ⇣⌃⇤: ⇢⇤ ⌥◆ ⌦↵щ. ROMANIZATION 1. Iva: Zdravei, az sym Iva. Kak se kazvash? 2. Yura: Zdravei, Iva. Az sym Yura. 3. Iva: Mnogo mi e priyatno. 4. Yura: Na men syshto. ENGLISH 1. Iva: Hello. My name is Iva. What's your name? 2. Yura: Hello Iva. My name is Yura. 3. Iva: Nice to meet you. 4. Yura: Me too. INFORMAL BULGARIAN CONT'D OVER BULGARIANPOD101.COM BASIC BOOTCAMP S1 #1 - SELF INTRODUCTION: BASIC GREETINGS IN BULGARIAN 2 1. Iva: Zdravei, az sym Iva. Kak se kazvash? 2. Yura: Zdravei, Iva. Az sym Yura. 3. Iva: Mnogo mi e priyatno. 4. Yura: Na men syshto. VOCABULARY Bulgarian Romanization English ⇤ az I ✓◆г ми ⌥ ⌫⌃и⇠⇡◆ Nice to meet you. ◆⇤ ⌥◆ ⌦↵щ na men syshto me too к⇤ ⇥⇤м kazvam say hello (formal second person ⇧⌃⇤⇥⌥й⇡⌥ zdraveite plural form) SAMPLE SENTENCES ⇥ ⇤⌅⇧ ⇥⌅⌃⌥л ⌦↵р. ⇥ ⇧ ⌦↵⇥↵х, ✏ ⇣⌥ ⌥⌃⌘✏↵⇧. Az sym zybolekar. I told him that I love him. I am a dentist. ✓◆⌥⇣⌥ ⇧⌘ ⌘ят◆⌥ ⌫↵ ⇤ ⇥↵⌥⇥◆↵ ⇧. ⇠↵ ⇧ ◆ ⇤⌅⇡⌥ ✏ р◆⌥ ⌦↵⇢ ⇧⌘ лю⌃⌘⇧↵т↵ ◆↵⌘т⌦↵. I'm very glad for the acquaintance. Me too, my favorite drink is black coffee. BULGARIANPOD101.COM BASIC BOOTCAMP S1 #1 - SELF INTRODUCTION: BASIC GREETINGS IN BULGARIAN 3 ⇠↵ ⇧ ◆ ⇤⌅⇡⌥ ⇧⌘ ⇥↵ ⌅р⌧⌘ ⌅т. ⌥⇣↵т⌥ ◆⌦⌥й ⌦⌘х↵, ◆⌘ ⌦↵⇥⌧↵⇧ "⇠↵⇥⌫р↵⌧ ." It is my first time too. When somebody sneezes, we say "Bless you." ⌫р↵⌧ й, ⌥⌫↵⌧◆↵ ◆ ⇤⇧ ⇤ ⌧⌘ ⌫↵л⌘. -
Scarica Qui Il Numero Del Journal in Formato
DIGICULT Digital Art, Design & Culture Fondatore e Direttore: Marco Mancuso Comitato consultivo: Marco Mancuso, Lucrezia Cippitelli, Claudia D'Alonzo Editore: Associazione Culturale Digicult Largo Murani 4, 20133 Milan (Italy) http://www.digicult.it Testata Editoriale registrata presso il Tribunale di Milano, numero N°240 of 10/04/06. ISSN Code: 2037-2256 Licenze: Creative Commons Attribuzione-NonCommerciale-NoDerivati - Creative Commons 2.5 Italy (CC BY-NC-ND 2.5) Stampato e distribuito tramite Peecho Sviluppo ePub e Pdf: Loretta Borrelli Cover design: Eva Scaini INDICE Marco Mancuso Furtherfield.org: Coding Cultures – Part 1 ................................................................ 3 Barbara Sansone The Influencers, Il Festival Della Sovversione ........................................................ 10 Loretta Borrelli Aha Pre-camp: Dal Reale Al Virtuale E Ritorno ..................................................... 14 Cristiano Poian Una Lettura Benjaminiana Della Software Art ....................................................... 17 Monica Ponzini Diva: Digital Video Art Fair ........................................................................................ 27 Giuseppe Cordaro Fabio Orsi Tra Sperimentazioni E Melodie ............................................................. 32 Alessandro Massobrio Macchina Autechre, A Live Experience .................................................................. 36 Bertram Niessen La Qualita’ Dello Spazio Per Pablo Valbuena ....................................................... -
A Brief History of Album Covers Pdf, Epub, Ebook
A BRIEF HISTORY OF ALBUM COVERS PDF, EPUB, EBOOK Jason Draper,Paul Du Noyer | 384 pages | 01 Aug 2008 | Flame Tree Publishing | 9781847862112 | English | London, United Kingdom A Brief History of Album Covers PDF Book What Can Appear on an Album Artwork? However, whatever form it takes, the majority of the record covers usually consist of the following elements: Album Information The easiest way to instantly get recognizable is to include the stage name pseudonym and album title in the cover design. Already the design of the Nirvana cover for Nevermind caused heated discussions. Naturally, it had a motorcycle erupting out of a graveyard with a giant bat looming over the tombstones in the background. These covers tweaked the formula a bit by printing a ton of broken up text on a flat blue and grey respectively. The rise of merchandising — and the special logos groups adopted — helped turn bands into brands. Many of the best-known Impulse! For listeners, music would never be the same without the album art. The King Cole Trio spent most of the rest of the year on the bestseller list, with many of its singles reaching No. But digitally, this is not needed. And, in such creative concept, album covers are one of the first things that an artist must take into consideration. I did have a bit of input, picking one or two that stood out for me and which I thought should have been included but, in the main, the list was theirs. The concept of album covers design has quite a long history, which dates back to around the s. -
Caesars in Flames Autechre
Nummer 2 • 2008 Sveriges största musiktidning Kristian Anttila Caesars In Flames Autechre KERS P2OC 3ISTE ROO R3 PT IN O O The Last Shadow Puppets Rick Ross , 4 H T E R & A A Sons and Daughters Montys Loco N S T 3 & O R S W K A C R O L Markus Krunegård Zilver Zurf D D S I O R 3 $ I N U V S S Donk Boys Witchcraft Karin Park T JOHNOSSI Med låtar som ”Man Must Dance”, ”Execution Song” och ”Santa Monica Bay” från den grammisnominerade debuten Johnossi gjorde den stockholmbaserade rockduon sig snabbt ett respekterat namn bland media och publik. Med liveframträdanden som slog knock out på konkurrensen spred sig ryktet snabbt även utanför vårt lands gränser och bandet har udner de gångna tre åren hunnit med en rad utlandsturnéer. Nya albumet ”All They Ever Wanted” som är producerat av Jari Haapalainen (Money- brother, The Bear Quartet, Laakso, The Concretes Ed Harcourt m.fl) och inspelad i Studio Gröndal är en självklar och träffsäker anhalt i bandets musikaliska resa. Albumet i butik 26/3 och den svenska turnén börjar dagen efter 27/3 med kick off i Norrköping. www.johnossi.com VERONICA MAGGIO Hennes debut ”Vatten & Bröd” kom 2006 och innehöll ett av de årets riktigt stora ra- diohits - ”Dumpa Mig”. Veronica vann en Grammis och nominerades till P3 Guld och Rockbjörnen och ”Dumpa Mig” blev årets mest spelade svenska låt i P3. Arbete med uppföljaren ”Och Vinnaren är” började egentligen som ett remixarbete med Kihlen (Snook, Maskinen) och slutade ett år senare med att hela skivan är skriven av Maggio tillsammans med Kihlen.