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Cultural Representations of the Moors Murderers and Yorkshire Ripper Cases
CULTURAL REPRESENTATIONS OF THE MOORS MURDERERS AND YORKSHIRE RIPPER CASES by HENRIETTA PHILLIPA ANNE MALION PHILLIPS A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages School of Languages, Cultures, Art History, and Music College of Arts and Law The University of Birmingham October 2016 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. Abstract This thesis examines written, audio-visual and musical representations of real-life British serial killers Myra Hindley and Ian Brady (the ‘Moors Murderers’) and Peter Sutcliffe (the ‘Yorkshire Ripper’), from the time of their crimes to the present day, and their proliferation beyond the cases’ immediate historical-legal context. Through the theoretical construct ‘Northientalism’ I interrogate such representations’ replication and engagement of stereotypes and anxieties accruing to the figure of the white working- class ‘Northern’ subject in these cases, within a broader context of pre-existing historical trajectories and generic conventions of Northern and true crime representation. Interrogating changing perceptions of the cultural functions and meanings of murderers in late-capitalist socio-cultural history, I argue that the underlying structure of true crime is the counterbalance between the exceptional and the everyday, in service of which its second crucial structuring technique – the depiction of physical detail – operates. -
Whitehouse, Merzbow, Maurizio Bianchi, the Haters, Hanatarash, the Gerogerigege, Massona, Prurient, John Wiese…
As Loud as Possible As Loud as Possible Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Concert de Hanatarash, Toritsu Kasei Loft, Tokyo, 1985 (Photos : Gin Satoh) Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… Un parcours parmi les grandes figures du harsh noise, au sein de l’internationale du bruit sale de ses origines à nos jours. AS LOUD AS 48 POSSi- 49 bLe. Whitehouse, Merzbow, Maurizio Bianchi, The Haters, Hanatarash, The Gerogerigege, Massona, Prurient, John Wiese… A tour among the major figures in harsh noise, within dirty Noise International—from its inception to the present day. Fenêtre ouverte. Le bruit, c’est ce son fronde, indompta- juste une main pour sculpter, une intention pour guider, Mais comment la musique a-t-elle osé muter en ça ? ble, discordant, une puanteur dans l’oreille, comme l’a écrit à peine une idée pour le conceptualiser. Il n’est pas une Objectivement, si on regarde la tête du harsh noise, son Ambrose Bierce dans son Devil’s Dictionary, ce que tout musique bruyante mais une musique-bruit taillée, pas un nom, il faut tout de même se pencher un peu en arrière, le oppose et tout interdit à la musique. Le bruit sévère, le bruit genre, encore moins un mélange, car s’il est né d’amonts XXe siècle brouhaha, pour comprendre cette « birth-death dur, le harsh noise, c’est, pire encore, le chaos volontaire, la lisibles dans l’histoire de la musique, dans l’histoire du XXe experience », si l’on m’autorise à citer le titre d’un disque de crasse en liberté, même pas la musique de son-bruits rêvée siècle, il n’a dans sa pratique et sa nature d’autre horizon Whitehouse, le premier de surcroît. -
Think Issue 44 Kor5.Indd
FREE! 44 FFEB/MARCHEB/MARCH 0088 READ ANYTIME- READNOW Prague’s citymagazine Made You Look INTRO So, welcome to the (Chinese) year of that unjustly maligned Plastique, Caribou, Dead Kids, Black Lips, Whitest Boy denizen of laboratories, treadmills, and sewers—the rat. Rats Alive, etc.; and, of course, the Saint Patrick’s Day and Easter are truly given the short shrift of things in the west—it’s the Celebrations to liven things up. You’ll fi nd more about every name given to you if you ‘squeal’ on your partners in crime one of the above events in this very magazine. You’ll also or betray a cause, they’re considered dirty, are frequently still fi nd us taking a look at things such as the new Starbucks, the blamed for the spread of bubonic plague (the fl eas and the Tranzitdisplay Gallery, Diesel’s latest collection and more. squalid conditions were the actual culprits) and are subjected There are the usual critiques of fi lms (this will be an excellent to all kinds of nasty experiments in the name of a science month to hit the cinemas by the way) and a number of Woody they never get any benefi t from. What a deal. Fortunately, Allen fi lms available on video. You’ll also have a chance to the Chinese see the rat-people (those born in a rat-year) as meet and learn about the very interesting Seattle-based leaders, organized, intelligent and cunning, but likely to face designer and illustrator Shawn Wolfe and fi nd out why he a crisis of suff ering at some time. -
Whitehouse, "Never Forget Death", "Halogen"
Brainwashed - Whitehouse, "Never Forget Death", "Halogen" Written by Creaig Dunton Sunday, 03 June 2012 22:03 - Last Updated Sunday, 03 June 2012 23:20 These two albums are two thirds of what I consider to be Whitehouse's most idiosyncratic, and therefore most compelling phase in their 26-plus years of activity. Culminating with 1995's Qual ity Time , which I have discussed at length before , the phase began here, with probably their most musical and understated (in relative terms, of course) works, respectively. Susan Lawly Quality Time was my initial exposure to Whitehouse, but by the time 1998's Mummy and Daddy was released, I had pretty much already digested much of their discography. Looking over their body of work, I see four distinct phases in their albums, from lyrics to vocals to the noises that which accompanies them. The first phase, beginning with 1980's Birthdeath Experience up until 1983's legendary Right to Kill perhaps shows their greatest and most productive evolution. At that point, consisting of William Bennett and whomever he was acquainted with at that time (including Steve Stapleton for a few live performances), the band went from an atonal anomaly: in a modern context, Birthdeath Experience and Total Sex sound almost quaint; to a violent monstrosity: New Britain and Right to Kill are just as powerful and disturbing 30 years later. 1 / 5 Brainwashed - Whitehouse, "Never Forget Death", "Halogen" Written by Creaig Dunton Sunday, 03 June 2012 22:03 - Last Updated Sunday, 03 June 2012 23:20 The "second coming" as it was heralded at the time began with 1985's Great White Death and saw the band as a power trio of sorts: Bennett in the lead, backed by author Peter Sotos and Kevin Tomkins (then formally, and now once again currently of Sutcliffe Jugend). -
Full Stock List 17.07.17
DRONE RECORDS - FULL STOCK LIST 17.07.17 (FALLEN) BLACK DEER Requiem (CD-EP, 2008, Latitudes GMT 0:15, €10.5) *AR (RICHARD SKELTON & AUTUMN RICHARDSON) Wolf Notes (LP, 2011, Type Records TYPE093V, €16.5) 1000SCHOEN Yoshiwara (do-CD, 2011, Nitkie label patch seven, €17) Amish Glamour (do-CD, 2012, Nitkie Records Patch ten, €17) 1000SCHOEN / AB INTRA Untitled (do-CD, 2014, Zoharum ZOHAR 070-2, €15.5) 15 DEGREES BELOW ZERO Under a Morphine Sky (CD, 2007, Force of Nature FON07, €8) Between Checks and Artillery. Between Work and Image (10inch, 2007, Angle Records A.R.10.03, €10) Morphine Dawn (maxi-CD, 2004, Crunch Pod CRUNCH 32, €7) 21 GRAMMS Water-Membrane (CD, 2012, Greytone grey009, €12) 23 SKIDOO Seven Songs (do-LP, 2012, LTM Publishing LTMLP 2528, €29.5) 2:13PM Anus Dei (CD, 2012, 213Records 213cd07, €10) Matkormano (LP, 2017, Specific Recordings , €15) 2KILOS & MORE 9,21 (mCD-R, 2006, Taalem alm 37, €5) 8floors lower (CD, 2007, Jeans Records 04, €13) 3/4HADBEENELIMINATED Theology (CD, 2007, Soleilmoon Recordings SOL 148, €19.5) Oblivion (CD, 2010, Die Schachtel DSZeit11, €14) Speak to me (LP, 2016, Black Truffle BT023, €17.5) 300 BASSES Sei Ritornelli (CD, 2012, Potlatch P212, €15) 400 LONELY THINGS same (LP, 2003, Bronsonunlimited BRO 000 LP, €12) 5IVE Hesperus (CD, 2008, Tortuga TR-037, €16) 5UU'S Crisis in Clay (CD, 1997, ReR Megacorp ReR 5uu2, €14) Hunger's Teeth (CD, 1994, ReR Megacorp ReR 5uu1, €14) 7JK (SIEBEN & JOB KARMA) Anthems Flesh (CD, 2012, Redroom Records REDROOM 010 CD , €13) 87 CENTRAL Formation (CD, 2003, Staalplaat -
Youtube Nightstick
Iron Claw - Skullcrusher - 1970 - YouTube Damon -[1]- Song Of A Gypsy - YouTube Chromakey Dreamcoat - YouTube Nightstick - Dream of the Witches' Sabbath/Massacre of Innocence (Air Attack) - YouTube Nightstick - Four More Years - YouTube Orange Goblin - The Astral Project - YouTube Orange Goblin - Nuclear Guru - YouTube Skepticism - Sign of the Storm - YouTube Cavity - Chase - YouTube Supercollider - YouTube Satin Black - YouTube Today Is The Day - Willpower - 2 - My First Knife - YouTube Alex G - Gnaw - YouTube Stereo Total - Baby Revolution - YouTube Add N To (X) Metal Fingers In My Body - YouTube 'Samurai' by X priest X (Official) - YouTube Bachelorette - I Want to be Your Girlfriend (Bored to Death ending credits) - YouTube Bachelorette - Her Rotating Head (Official) - YouTube The Bug - 'Fuck a Bitch' ft. Death Grips - YouTube Stumble On Tapes - Girlpool - YouTube Joanna Gruesome - Talking To Yr Dick - YouTube Joanna Gruesome - Lemonade Grrl - YouTube BLACK DIRT OAK "Demon Directive" - YouTube Black Dirt Oak - From The Jaguar Priest - YouTube alternative tv how much longer - YouTube Earthless - Lost in the Cold Sun - YouTube Electric Moon - The Doomsday Machine (2011) [Full Album] - YouTube CWC Music Video Holding Out For a Hero - YouTube La Femme - Psycho Tropical Berlin (Full Album) - YouTube Reverend Alicia - YouTube The Phi Mu Washboard Band - Love Hurts - YouTube BJ SNOWDEN IN CANADA - YouTube j-walk - plastic face (prod. cat soup) - YouTube BABY KAELY "SNEAKERHEAD" AMAZING 9 YEAR OLD RAPPER - YouTube Bernard + Edith - Heartache -
'Extreme' Music and Graphic Representation Online
University of Wollongong Research Online Faculty of Arts - Papers (Archive) Faculty of Arts, Social Sciences & Humanities 1-1-2010 'Extreme' music and graphic representation online Andrew M. Whelan University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/artspapers Part of the Arts and Humanities Commons, and the Social and Behavioral Sciences Commons Recommended Citation Whelan, Andrew M., 'Extreme' music and graphic representation online 2010, 466-474. https://ro.uow.edu.au/artspapers/1036 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘Extreme’ music and graphic representation online Andrew Whelan Faculty of Arts, University of Wollongong [email protected] Abstract ‘Extreme’ is a generic designator, applied positively by participants within a range of musical subcultures, and Previously obscure musical genres, traditionally used as a marketing feature by music magazines such as mediated by tape trading, mail order and the like, become Terrorizer (“extreme music – no boundaries”), Zero relatively public as they migrate into online environments. Tolerance (“extreme views on extreme music by extreme The niche is now easily available in ‘pirated’ format: mp3 people”), and Pit (“the extreme music magazine”). blogs post links to material which was previously only As one may assume, ‘extreme’ does not refer to available on limited-run cassette or vinyl. Such material contemporary state-funded opera, although that music also circulates widely on peer-to-peer networks, and may be considered extreme by many people unfamiliar listeners can conveniently find each other and new bands with it. -
Feral House 2017 Printed Books, Ebooks & Print-On-Demand Process Media
FERAL HOUSE 2017 PRINTED BOOKS, EBOOKS & PRINT-ON-DEMAND PROCESS MEDIA FOR FURTHER INFORMATION AND TO PLACE ONLINE ORDERS, PLEASE VISIT FERALHOUSE.COM FALL 2017 THE WAR NERD ILIAD Homer For too long The Iliad has been hijacked by Modern Prose unreadable writers. It began with Homer as a Translation by campfire tale and here it is, restored to life. You’ll John Dolan be amazed at how funny, raw and terrifying this doomed world of war really is. 978-1-62731-050-5 The War Nerd, Gary Brecher, is the nom de guerre Trade Paper of John Dolan, a poet, novelist, essayist and former 6 × 9 academic. Dolan now works with Mark Ames (of 260 pages eXile fame) to produce the Radio War Nerd weekly $22.95 podcast on military matters. UNDER AN IONIZED SKY From Chemtrails to Space Fence Lockdown Elana Freeland Under an Ionized Sky: From Chemtrails to Space Introduction by Fence Lockdown probes the saga of global agendas Clifford Carnicom hiding behind “climate change” misinformation. Freeland explores the nefarious motivations and 978-1-62731-053-6 terrifying implications of collusive international Trade Paper cabals who champion the modern methods of human 6 × 9 enslavement. From chemical ionization to antimatter 176 pages to the Internet of Things, a future of full spectrum $19.95 dominance is imminent. THE MUDD CLUB ROSE CITY VICE Portland in the ‘70s—Dirty Cops and Dirty Robbers Richard Boch The Mudd Cub was a loud, dirty dream with a 978-1-62731-051-2 radical aesthetic born of Punk, No Wave and the Phil Stanford Trade Paper celebrity-infused Downtown and East Village art, 978-1-62731-044-4 7 × 10 performance and music scene. -
Beck Reverend Horton Heat Mc 900 Ft
GPO BECK One Foot In The Grave •K REVEREND HORTON HEAT Liquor In The Front • Sub Pop-lnterscope MC 900 FT JESUS One Step Ahead Of The Spider •american FIFTH COLUMN 36C •K VMJ! SOUNDGARDEN SURE THING! aRnivu CX LIGPT RIDE SPONTANEOUS COMBUSTION Your shirt will stink for weeks Recorded Live At CBGB 12-19-1993 Glamorous • Deaf As A Bat • Sea Sick • Bloody Mary • Mistletoe • Nub Elegy • Killer McHann • Dancing Naked Ladies • Fly On The Wall Boilermaker • Puss • Gladiator • Wheelchair Epidemic • Monkey Trick Fifteen tracks of teeth-loosening madness. CD. Cassette. Limited Edition Vinyl. gtdllt pace 3... Johnn Rebel Redeemed ash First of all, what everyone wants to know about a long-dis- tance interview with Johnny Cash: No, he didn't answer the phone and say "Hello—I'm Johnny Cash." Still, it is a little disconcerting at first, hearing that low ominous voice over the telephone, speaking from his Tennessee cabin, discussing the weather or reading off the address for his House Of Cash management office. "This is on album I've always wanted to do," he says of American Recordings. "I even had a name 25 years ago for this album, it was going to be called Johnny Cash Alone. Years later Ithought about it again and wanted to do an album like this, and call it Johnny Cash Up Close. But this same concept has been in my mind since the early '70s." About his first meeting with producer/label head Rick Rubin, Cash recalls, "I liked the way he talked. Because right off he said, 'I'm familiar with most of your work, and you know what you do best. -
The Lesser Work Isbn 978-1-68474-073-4
THE LESSER WORK ISBN 978-1-68474-073-4 No Copyright Published March 2021 THE LESSER WORK JLIAT WWW.JLIAT.COM Contents Part One. IF ITS NOT FREE ITS NOT ART 1 Part Two HIGH HOPES - War. 14 Part Three. FOLDING – making un-making. 39 Part Four. For the want of God. 53 Part Five. Signs. 67 Part Six. Trees. 75 Part Seven. 2020. 89 Appendix A. Hegel's Science of Logic. Appendix B. 8086 family Instruction Set. Appendix C. TO HAVE DONE WITH THE JUDGEMENT OF GOD by Antonin Artaud Part One. IF ITS NOT FREE ITS NOT ART - Capitalism, Marxism, Society and Freedom. “Beyond the rupture of the economic conditions of music, composition is revealed as the demand for a truly different system of organisation, a network within which a different kind of music and different social relations can arise. A music produced by each individual for himself, for pleasure outside of meaning, usage and exchange.” (Jacques Atali in “Noise The Political Economy of Music” p. 137.) The slogan “IF ITS NOT FREE ITS NOT ART” in the first case could be thought to be a critique of capitalism not only in music but in Art in general, and it is. The critique applies to the two 'Art Worlds', that of the 'Recording Stars', Bond Street galleries and auction houses where 'Art' as a commodity sells for millions, and makes contemporary artists millionaires whose 'factories' generate wealth and expensive trophies for the super rich, The 'Art Industry', where works are valued in monetary terms only1. And the alternative, 'radical' art collectives of critique of late capitalism2 and the promotion of political and social enfranchisement for all, and compensation for those identified as marginalised groups. -
MEMORABILIA. COLLECTING SOUNDS WITH… William Bennett's Lecture Transcript
Research > MEMORABILIA. COLLECTING MEMORABILIA. COLLECTING SOUNDS WITH… Memorabilia. Collecting Sounds with... is a new series from SOUNDS WITH… Ràdio Web MACBA that seeks to break through to unearth and reveal private collections of music and sound memorabilia. The William Bennett’s lecture transcript documentary series is being presented this spring at the Museu d'Art Contemporani de Barcelona (MACBA) in a prospective conference/listening format, where four collectors have been 01. Musical homeostasis: music not just to be heard invited to share the concerns and particular characteristics that have driven them to build their personal collections. This is a Just as art is not something just to be looked at, nor is music something to be historiography of sound collecting that reveals the unseen and simply heard: it has to be experienced – and that’s why format is a critical passionate work of the amateur collector while reconstructing component, a ‘transparent concession’, that is tragically overlooked nowadays; I multiple parallel histories such as the evolution of recording don’t mean that in a nostalgic hark back to the days of vinyl any more than how formats, archival issues, the sound collecting market and the your experience, at the very least, is profoundly affected by the sensory modalities evolution of musical styles beyond the marketplace. of having a real object, in this case a record sleeve to hold and to gaze at, vinyl to smell, to touch, to prepare; imagine how boring food would be if the experience William Bennett was invited to the Memorabilia. Collecting was reduced to our taking a small invisible pill every day for all the necessary Sounds with..