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Изкуството В Европа: Art in Europe: Модели И Идентичности Models and Identities

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Изкуството В Европа: Art in Europe: Модели И Идентичности Models and Identities МОДЕЛИ ИИДЕНТИЧНОСТИ MODELS ANDIDENTITIES ART INEUROPE: ART ИЗКУСТВОТО ВЕВРОПА: ИЗКУСТВОТО Art Readings 2018 Изкуствоведски четения 2018 ИЗКУСТВОВЕДСКИ ЧЕТЕНИЯ Тематично годишно рецензирано издание за изкуствознание в два тома ART READINGS Thematic annual peer-reviewed edition in Art Studies in two volumes Международна редакционна колегия International Advisory Редактори от ИИИзк Board In-house Editorial Board Adrian Silvan (Romania) Kamelia Nikolova Elvira Popova (Mexico) Milena Bozhikova Fani Vavili-Tsinika (Greece) Milena Georgieva Marina Frolova-Walker (UK) Nadezhda Marinchevska Yana Hashamova (USA) Vesselina Penevska Institute of Art Studies 21 Krakra Str. 1504 Sofia, Bulgaria Tel.: 02 944 24 14; 02 489 00 95. Fax: 02 943 30 92 www.artstudies.bg © Институт за изследване на изкуствата, БАН, 2019 СЪДЪРЖАНИЕ Камелия Николова. Театърът на Галин Стоев и Иван Вирипаев: идентичност и различие ������������������������������������������������������������������������������� 9 Николай Йорданов. Театралното образование и театралната наука като фактори за формиране на българския драматургичен канон ���������� 21 Ина Божидарова. Драматургичната адаптация в съвременната сценична практика �������������������������������������������������������������������������������������� 31 Венета Дойчева. Алегорията като подстъп към културната ценност на телесното в българската драматургия �������������������������������������������������� 39 Кристина Япова. Идеите за музиката и клопките на тълкуването – две исторически поуки ������������������������������������������������������������������������������� 48 Гергана Костадинова. Third stream и музикалният авангард (средата на XX – XXI в.) ���������������������������������������������������������������������������� 57 Венцислав Димов. Властта и музиката за народа в социалистическа България ������������������������������������������������������������������������� 67 Йосиф Аструков. Фотографията като попкултура ��������������������������������� 78 Милена Георгиева. България, Балканите, Европа в международния поглед на в. „Българан“ (1904–1909) – политики и представи ���������������� 93 Антон Стайков. Метафори и пропаганда. Вестник „Папагал“ и Александър Жендов в периода 1939–1953 г. ����������������������������������������� 109 Мария Митева. Регулация на художествената практика в периода между двете световни войни – модели и идентичности. Ролята на Съюза на дружествата на художниците в България ������������� 125 Анна Топалджикова. Визията като средство за провеждане на смисъла на представлението �������������������������������������������������������������������� 137 Албена Тагарева. Сценографите в Народния театър в периода 1944–1968. Поколения и тенденции ��������������������������������������������������������� 148 Милена Михайлова. Идентичности през социализма: наложена „органическа свързаност“ с Партията, или за стремежа към творческа свобода в НРБ през 70-те години на XX век ����������������� 157 Нона Цекова. Пространство и материал в архитектурата – взаимовръзки от биомиметична гледна точка ���������������������������������������� 168 Стела Ташева. Образите на София в съвременното кино: автентичност и фантазия �������������������������������������������������������������������������� 184 Веселина Мирева. Архитектурни детайли и съединения, свързани с хартията: традиция и новаторство ���������������������������������������� 196 Ingeborg Bratoeva-Daraktchieva. Borders, Border-Crossing and Identity in Recent European Cinema ��������������������������������������������������� 207 Marian Țuțui. Types of Censorship in Romanian Film Industry ������������� 217 Mircea Valeriu Deaca. Kitchen Encounters: Scenes of Face to Face Dialogues in Films of Romanian New Cinema Directors ������������������ 225 Nadezhda Marinchevska. European Avant-Garde Visual Concepts in the Contemporary Bulgarian Animation ������������������������������������������������� 243 Радостина Нейкова. Съвременно изкуство за деца и юноши – между традиционното и дигиталното ����������������������������������������������������� 255 Ромео Попилиев. Политическият проект за обединението на мозаечното родно и мястото на театъра в него �������������������������������������� 269 Йоана Спасова-Дикова. Перформативните маскарадни изкуства в глобализиращия се свят на Изток и на Запад: сходства и различия ����� 278 Зорница Каменова. Особености на театралния език на Катя Петрова ���������������������������������������������������������������������������������������������� 291 Румяна Николова. Темите в драматургията на социалистическия реализъм ����������������������������������������������������������������������������������������������������� 301 Деян Статулов. Българското кино и възродителният процес.............. 310 Теодора Дончева. Националната идентичност според възстановките от българските исторически документални филми...... 318 Петър Кърджилов. Европейските кинохроники, заснети в България до Балканската война, и информацията за тях, публикувана в периода януари 1908 – август 1912 г. от нюйоркското филмово списание “The Moving Picture World” ����������������������������������������������������� 329 Александър Стайков. Българският филмов пазар в общоевропейския контекст – взаимодействия и перспективи ������������� 348 Невелина Попова. Задкадровият глас и психологическите измерения на съвременната анимация ���������������������������������������������������� 356 Ирина Генова. Изкуството на Запада на страниците на списание ЛИК през 60-те години ������������������������������������������������������������ 368 Катерина Гаджева. Улицата в българската фотография от 1960-те години.Социалистическият град в европейски контекст ��������� 383 Вера Млечевска. Източници на информация до 80-те години на ХХ век относно модерното изкуство – граници на свободата на изразяване ��������������������������������������������������������������������������������������������� 393 Иван Кабаков. Графитите като изкуство на градското пространство в Европа ����������������������������������������������������������������������������� 406 Мария Андиркова. Краят на големия дебат какво изкуство ни е нужно. Никола Мавродинов и неговите критици �������������������������� 417 Мила Старейшинска-Ангелова. Художествената сцена в Ню Йорк през 1942 г. и ролята на Пеги Гугенхайм. Предпоставки за основаването на Аrt of This Century ��������������������������������������������������������� 428 Евгения Русинова. Проблеми на изобразителното изкуство в литературната периодика до 1944 г. – европейски и национални прочити ������������������������������������������������������������������������������������������������������ 437 Николай Поппетров. Българският изкуствовед – опит за профилиране (до средата на 40-те години на ХХ век). Към въпроса за европеизацията на едно формиращо се направление ������������������447 Михаил Мелтев. Глокализация и „риалити ТВ“ ���������������������������������� 458 Александър Донев. Аспекти на уестърнизацията в два съвременни германски филма ������������������������������������������������������������������ 464 Елица Гоцева. Развитие и европейско влияние на съвременната серийна телевизионна драма в САЩ ������������������������������������������������������ 473 Гергана Дончева. Международният кинофестивал в Солун: история и политики ����������������������������������������������������������������������������������� 482 Петя Александрова. Късометражните игрални филми като алтернативно кино ������������������������������������������������������������������������������������ 495 Стефка Венкова. Многогласната църковна музика у нас и ролята на Николай Николаев за утвърждаването ѝ ���������������������������� 502 Диана Данова-Дамянова. „Софийски музикални седмици“ – европейски български фестивал �������������������������������������������������������������� 512 Росица Драганова. Приспивната песен – традиционни и популярни примери от европейското минало (опит за съпоставка на етнологичните особености) ����������������������������������������������������������������� 523 Миглена Ценова-Нушева. Представления на японски традиционен театър в България между 2012 и 2017 година: взаимодействия с български педагози и творци ������������������������������������ 533 Милена Божикова. Акусматичната музика днес: критерии за аудио-визуална мнемоника и музиковедски анализи ������������������������ 544 Ангелина Петрова. Импулсът на чешкия модернизъм и обучението на Константин Илиев при Алоис Хаба като елемент на идеите за 12-тонова и модерна музика у нас 1946–1948 �������������������� 554 Ivan K. Yanakiev. Division of the Octave With More Than Twelve Notes – Concepts, Authors, Results ������������������������������������������������������������ 565 Емилия Караминкова-Кабакова. Формиране на творческо поколение в предучилищна възраст �������������������������������������������������������� 575 CONTENTS Kamelia Nikolova. Theatre of Galin Stoev and Ivan Viripaev: Identity and Difference ����������������������������������������������������������������������������������� 9 Nikolay Iordanov. How Theatre Education and Theatre Science Have Influenced the Formation of the Bulgarian Dramaturgical Canon ������ 21 Ina Bojidarova. Adaptation in the Contemporary Stage Practice ��������������� 31 Veneta Doytcheva. Allegory as an Access to the Cultural Value of the Corporeal in the Bulgarian Drama ���������������������������������������������������������� 39 Kristina Yapova. The Ideas about Music and the Traps of Interpretation: Two Lessons of History ��������������������������������������������������������
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