Hear Him Roar

Total Page:16

File Type:pdf, Size:1020Kb

Hear Him Roar View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All USU Press Publications USU Press 2005 Hear Him Roar Andrew Wingfield Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Creative Writing Commons, and the Environmental Sciences Commons Recommended Citation Wingfield, A. (2005). Hear him oar:r A novel. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. (EAR(IM2OAR !.OVEL !NDREW7INGFIELD HEAR HIM ROAR HEAR HIM ROAR A Novel ANDREW WINGFIELD Utah State University Press Logan, Utah Copyright © 2005 Andrew Wingfield All rights reserved Utah State University Press Logan, Utah 84322-7800 www.usu.edu/usupress Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Wingfield, Andrew, 1966– Hear Him Roar : a novel / Andrew Wingfield p. cm. ISBN 0-87421-615-X (pbk. : alk. paper) 1. Wildlife management—fiction. 2. Midlife crisis—fiction. 3. Biologists—fiction. 4. Puma—fiction. 5. California—fiction. I. Title. PS3623.I6625 H43 2003 813/.6—dc22 2005013371 To Tania, for seeing Running with the deer. This is what she called it, because her dark hour was their hour also. They spent their days bedded down along the river. They would come up into the neighborhood after midnight to feed on lawns, shrubs, unfenced gardens. Each night they traveled great distances, eating every green, tender thing they could find. Before dawn they would turn toward the river again, gliding through the neighborhood like a host of spir- its, dissolving back into the brush. She was the only one on the block who didn’t mind their ravenous eating. She understood that they were in trouble, multiplying as fast as the tracts and malls that were devouring their habitat and funneling them into the narrow greenbelt along the river. She understood that they were a public menace, not just for the yards they pillaged but also for the cars they wrecked, the arms and legs and skulls that cracked when people plowed into them on the roads. Every day at the insurance company she processed the claims, she heard her bosses moan about the deer, the money they were costing. She was a good employee, reliable, efficient, smart—too smart to challenge her bosses on the matter of the deer. Anyway her understanding with the deer was secret, never acknowledged openly to anyone but her boyfriend. She knew them. They knew her. She told him they ran with her, not away from her, and he believed it. She told him it wasn’t discipline that got her up and out an hour before dawn each day. She told him it was greed. For quiet. For unrestricted movement. For the sliver of each day that didn’t belong to anyone. Having that sliver helped her share the rest—with her kids, her bosses, him. The reporters asked if it had made him uncomfortable, her going off into the dark like that, alone. When he said of course, vii they thought he meant Of course, I feared for her safety. Because her safety is what they were asking about. But maybe he meant something else, or something more. Maybe he was talking about the way she would remove herself from his heavy, sleepy grasp and slip away into the darkness, going off to seek something she didn’t find with him, leaving the bed as eagerly as she’d entered it five hours before. He was glad she told him about the deer. Somehow this made it easier to have her leave his bed. He didn’t tell the reporters that, but he did tell them he took her seriously the two days before it happened, when she said something was different out there, some- thing she couldn’t put her finger on, a feeling down by the river, an uneasiness she sensed in the deer, in herself. If she had been super- stitious, she’d told him, she would have thought it was a ghost. That had to be what she thought at the moment of the attack. What else could she have thought? Did she think it was a person? No, people make noise. She would have heard a human attacker coming. She was well into her run by then, a good three miles upriver from her home, and deep into the runner’s trance. The muscles and the tendons all loose and warm. Heart pump- ing strong and steady, lungs feeling free. Eyes adjusted to the darkness, which was barely beginning to thin. By now she was getting what she came here for, the thing that always lured her back, the opening of pores, of glands, of emotions, the honing of senses that was also a kind of opening, a dissolving of boundaries, a blending with the darkness no one owns. Running with the deer, sharing this shadowy element that their presence defined for her. So of course she sensed it, as the deer did, or because they did. Something different, a presence faint but definite, like a word on the tip of the tongue, a sound on the very edge of human hearing, vague, so subtle as to be almost nothing, and for all this exciting, stimulating, and never more elusive than in the instant before it struck. It came from her right side, from far enough behind that she never saw it. The blow was so fierce that she didn’t touch ground viii again until she hit a spot twenty feet down the sloped embank- ment to the left of the trail. The force carried her another twelve feet down the slope, and her too-zealous attacker ended up seven feet beyond her. The hard landing broke her left arm. When the attack resumed she raised both hands and both knees and began to fight. For her children, not herself. Because she knew she was dead. Almost immediately, long before she quit fighting, she accepted that. She had been selected. She had been watched. And now she had been struck by a killer so skilled, so discreet that in the seconds before it hit her she had imagined it was far away. The fighting was awful—vicious, bloody, long. She fought for the children, so they would know she fought. But she didn’t mind dying this death. He would understand this. Maybe that was why she’d let this one move in with her. She had chosen to run with the deer. And now, as the sky brightened beyond the canopy of branches, like a deer she dissolved. ix PART ONE COUGAR COUNTRY If you’re not born in THE SACRAMENTO VALLEY, it takes a few years for you to know the first day of fall when it comes. I’ve lived here for over thirty years, about half my life. By now I’ve learned to read sights like the one that greeted my eyes when I walked out the door that morning—a dozen or so yellow spade-shaped leaves that had dropped from the fruitless mulberry that shades the driveway. We were well into Indian summer at the time. Here that means chilly mornings and warm afternoons, a sky full of tawny light, and very little wind. Those leaves hadn’t blown down. They had let go. The temperature that morning was well above freezing, but still low enough that my old Pontiac Vera needed a little time to get warm. I got her running and left her to idle while I gathered up the fallen leaves and placed them around the base of one of my rosebushes, not thinking that those leaves might have some mes- sage for me about letting go, not thinking any such thing as I got my bike out of the garage and strapped it to the rack on Vera’s back bumper. By then she was ready to go. I live in one of this area’s middle-aged neighborhoods, close to the west bank of the Sacramento River, opposite downtown. Within seconds of the merge into sluggish traffic Vera and I rose to cross the river. The view from the elevated freeway bridge was wide open, but I was galled this morning, as I had been for a long stretch of mornings, by what I couldn’t see. A decade before, when Jean and I had agreed to shack up at her place, I’d started making this commute. Back then I would look left from here, toward downtown Sacramento, and glimpse the white dome of 3 4 / Hear Him Roar the Capitol. That old beauty was blocked now by a group of gar- ish glassy towers bankrolled by the Hackenbills and the Venuttis, two local families who started competing in the seventies to see who could make the most money selling flimsy houses and good weather to water-guzzling, road-choking, air-polluting suckers from everywhere. As a non-native, my only claim is that I showed up here when there was still plenty of room. Back then, on a sunny morning like this, I’d have seen the Sierras bulked up along the rim of the eastern sky. Today the mountains were hidden behind the dingy veil of smog that thickened with each windless day. My commute took me twenty miles east of the city, out where the land begins to wrinkle and tilt, climbing its bumpy way from the flat valley floor to the rolling hills above.
Recommended publications
  • ALL the TIME in the WORLD a Written Creative Work Submitted to the Faculty of San Francisco State University in Partial Fulfillm
    ALL THE TIME IN THE WORLD A written creative work submitted to the faculty of San Francisco State University In partial fulfillment of The Requirements for 2 6 The Degree 201C -M333 V • X Master of Fine Arts In Creative Writing by Jane Marie McDermott San Francisco, California January 2016 Copyright by Jane Marie McDermott 2016 CERTIFICATION OF APPROVAL I certify that I have read All the Time in the World by Jane Marie McDermott, and that in my opinion this work meets the criteria for approving a written work submitted in partial fulfillment of the requirements for the degree: Master of Fine Arts: Creative Writing at San Francisco State University. Chanan Tigay \ Asst. Professor of Creative Writing ALL THE TIME IN THE WORLD. Jane Marie McDermott San Francisco, California 2016 All the Time in the World is the story of gay young people coming to San Francisco in the 1970s and what happens to them in the course of thirty years. Additionally, the novel tells the stories of the people they meet along-the way - a lesbian mother, a World War II veteran, a drag queen - people who never considered that they even had a story to tell until they began to tell it. In the end, All the Time in the World documents a remarkable era in gay history and serves as a testament to the galvanizing effects of love and loss and the enduring power of friendship. I certify that the Annotation is a correct representation of the content of this written creative work. Date ACKNOWLEDGMENT Thanks to everyone in the San Francisco State University MFA Creative Writing Program - you rock! I would particularly like to give shout out to Nona Caspers, Chanan Tigay, Toni Morosovich, Barbara Eastman, and Katherine Kwik.
    [Show full text]
  • The Cyborg Griffin: a Speculative Literary Journal
    Hollins University Hollins Digital Commons Cyborg Griffin: a Speculative Fiction Literary Journal 2014 The yC borg Griffin: ap S eculative Literary Journal Hollins University Follow this and additional works at: https://digitalcommons.hollins.edu/cyborg Part of the Fiction Commons, Higher Education Commons, and the Literature in English, North America Commons Recommended Citation Hollins University, "The yC borg Griffin: a Speculative Literary Journal" (2014). Cyborg Griffin: a Speculative Fiction Literary Journal. 3. https://digitalcommons.hollins.edu/cyborg/3 This Book is brought to you for free and open access by Hollins Digital Commons. It has been accepted for inclusion in Cyborg Griffin: a Speculative Fiction Literary Journal by an authorized administrator of Hollins Digital Commons. For more information, please contact [email protected], [email protected]. Volume IV 2014 The Cyborg Griffin A Speculative Fiction Literary Journal Hollins University ©2014 Tributes Editors Emily Catedral Grace Gorski Katharina Johnson Sarah Landauer Cynthia Romero Editing Staff Rachel Carleton AnneScott Draughon Kacee Eddinger Sheralee Fielder Katie Hall Hadley James Maura Lydon Michelle Mangano Laura Metter Savannah Seiler Jade Soisson-Thayer Taylor Walker Kara Wright Special Thanks to: Jeanne Larsen, Copperwing, Circuit Breaker, and Cyberbyte 2 Table of Malcontents Cover Design © Katie Hall Title Page Image © Taylor Hurley The Machine Princess Hadley James .........................................................................................
    [Show full text]
  • Acervo-Circovoador 2004-2009.Pdf
    2004/2009 Primeira Edição Rio de Janeiro 2017 Roberta Sá 19/01/2009 Foto Lucíola Villela EXTRA / Agência O Globo Sumário 6 Circo Voador 8.Apresentação 21.Linha do Tempo/ Coleção de MiniDV 2004/2009 7 Apresentação Depois de mais de sete anos fechado, o Circo 13/07/2004 Voador foi reinaugurado no dia 22 de julho de Foto Michel Filho 2004. Os anos entre o fechamento e a reabertura Agência O Globo foram de muita militância cultural, política e judicial, num movimento que reuniu pessoas da classe artística e políticos comprometidos com as causas culturais. Vencedor de uma ação popular, o Circo Voador ganhou o direito de voltar ao funcionamento, e a prefeitura do Rio de Janeiro ‒ que havia demolido o arcabouço anterior ‒ foi obrigada a construir uma nova estrutura para a casa. Com uma nova arquitetura, futurista e mais atenta às questões acústicas inerentes a uma casa de shows, o Circo retomou as atividades no segundo semestre de 2004 e segue ininterruptamente oferecendo opções de diversão, alegria e formação artística ao público do Rio e a todos os amantes de música e arte em geral. 8 Circo Voador Apresentação Uma característica do Acervo Circo Voador pós-reabertura é que a grande maioria dos eventos tem registro filmado. Ao contrário do período 1982-1996, que conta com uma cobertura significativa mas relativamente pequena (menos de 15% dos shows filmados), após 2004 temos mais de 95% dos eventos registrados em vídeo. O formato do período que este catálogo abrange, que vai de 2004 a 2009, é a fita MiniDV, extremamente popular à época por sua relação custo-benefício e pela resolução de imagem sensivelmente melhor do que outros formatos profissionais e semiprofissionais.
    [Show full text]
  • Columbia Poetry Review Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Poetry Review Publications Spring 4-1-1992 Columbia Poetry Review Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cpr Part of the Poetry Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Poetry Review" (1992). Columbia Poetry Review. 5. https://digitalcommons.colum.edu/cpr/5 This Book is brought to you for free and open access by the Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Poetry Review by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. COLUMBIA POETRY REVIEW Columbia College/Chicago Spring 1992 Columbia Poetry Review is published in the spring of each year by the English Department of Columbia College, 600 South Michigan Avenue, Chicago, Illinois 60605. Submissions are encouraged and should be sent to the above address. Subscriptions and sample copies are available at $6.00 an issue. Copyright © I 992 by Columbia College. Grateful acknowledgement is made to Dr. Philip Klukoff, Chairman of the English Department; Dr. Sam Floyd, Academic Vice-President; Lya Rosenblum, D ean of Graduate Studies; Bert Gall, Administrative Vice­ President; and Mike Alexandroff, President of Columbia College. The cover photograph is by John Mulvany. Student Editors: John
    [Show full text]
  • The Pennsylvania State University Schreyer Honors College
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF ENGLISH UNDERNEATH, DEEP DOWN: A COLLECTION OF SHORT STORIES YARDYN SHRAGA SPRING 2019 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in English with honors in English Reviewed and approved* by the following: William Cobb Professor of English Thesis Supervisor Christopher Reed Professor of English, Visual Culture, and Women’s, Gender, and Sexuality Studies Honors Adviser * Signatures are on file in the Schreyer Honors College. i ABSTRACT This project considers the lives of seemingly anonymous passersby on public transport in various cities around the world. These stories deal with love; loss; the manifestation and transcendence of souls; growth; coming of age; coming into connection with oneself, as well as the world. The following collection is ultimately aimed at encouraging each reader to pause and consider other lives that often seem inconsequential. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ......................................................................................... iii Reflective Essay ........................................................................................................... iv Author’s Note............................................................................................................... 1 I. New York City.......................................................................................................... 2 II. Paris ........................................................................................................................
    [Show full text]
  • Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
    Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale.
    [Show full text]
  • Ysu1311869143.Pdf (795.38
    THIS IS LIFE: A Love Story of Friendship by Annie Murray Submitted in Partial Fulfillment of the Requirements for the Degree of M.F.A. in the NEOMFA Program YOUNGSTOWN STATE UNIVERSITY May, 2011 THIS IS LIFE: A Love Story of Friendship Annie Murray I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ________________________________________________________ Annie Murray, Student Date Approvals: ________________________________________________________ David Giffels, Thesis Advisor Date ________________________________________________________ Phil Brady, Committee Member Date ________________________________________________________ Mary Biddinger, Committee Member Date ________________________________________________________ Peter J. Kasvinsky, Dean, School of Graduate Studies and Research Date © A. Murray 2011 ABSTRACT This thesis explores the universal journey of self discovery against the specific backdrop of the south coast of England where the narrator, an American woman in her early twenties, lives and works as a barmaid with her female travel companion. Aside from outlining the journey from outsider to insider within a particular cultural context, the thesis seeks to understand the implications of a defining friendship that ultimately fails, the ways a young life is shaped through travel and loss, and the sacrifices a person makes when choosing a place to call home. The thesis follows the narrator from her initial departure for England at the age of twenty-two through to her final return to Ohio at the age of twenty-seven, during which time the friendship with the travel companion is dissolved and the narrator becomes a wife and a mother.
    [Show full text]
  • Sir David Attenborough
    Sir David Attenborough David Attenborough is a wildlife film-maker and naturalist (a scientist who studies animals and their behaviour). He has been making television programmes for over 60 years and is considered by many to be a national treasure. Early Life David Frederick Attenborough was born in London on 8th May 1926. Growing up, he lived with his parents (Mary and Frederick) and his two brothers (Richard and John) on the campus of University College, Leicester, as his father was a principal there. In 1939, the Attenborough family fostered two German-Jewish girls called Irene and Helga, who became like sisters to David. As a child, David loved science and nature: he collected fossils, rocks, and other specimens, such as bird eggs. After finishing school, he went to Cambridge University to study natural sciences. Once he graduated, he was called to do two years’ service in the Royal Navy. He spent those two years in North Wales. Television In 1952, David joined the BBC (British Broadcasting Corporation) full time as a producer. In 1954, he began working on a series called ‘Zoo Quest’. This was filmed in many interesting places and showed animals in their natural environment. Something that hadn’t been done much before. The show was incredibly popular. David left the BBC in 1972 so he could write and produce his own shows. In 1979 he started a series called ‘Life on Earth’ which became popular. He continued to add to his ‘Life Collection’ for over 30 years, with each series focusing on a different plant or animal group.
    [Show full text]
  • Red Purge Spreads in Czech
    5,000 County Scouts Stage Oceanport Fair SEE PAGE 15 Sunny, Mild Mostly sunny and mild to FINAL day. Clear and cool tonight. Red Bank, Freehold Partly cloudy tomorrow. Long Branch EDITION (Sea Details, Fata 2> 1 JMonmouth County's Home Newspaper for 92 Years /OL. 93, NO. 65 RED BANK, N.J., MONDAY, SEPTEMBER 29, 1969 26 PAGES Register Invites Candidates to Debate Issues KED BANK — The Daily issues, with an opportunity liam T. Cahill and former state Unfair Advertising and Register today invited the for county newsmen to ques- Democratic Gov. Robert B. Packaging Study Commission four candidates in the coas- tion them, the candidates Meyner, for the 10-debate se- because he owns two super- tal district 5B Assembly con* and Sen. Beadleston would ries they had scheduled, markets, opposed legislation test to meet face-to-face in enlighten the voters and "Their example should be mandating transparent pack- the newspaper's conference serve the public interest. followed at all levels of the aging of meat, and because room for a full discussion of Ask Reporters campaign," the Register his legislative aide, James the controversial issues in To assure that the inter- says. Neilland, is executive direc- their battle for election. views reach as many .voters Radio Station WRLB-FM tor of the N. J. Food Coun- The invitation is to Assem- as possible, the Register al- offered the district 5B candi- cil, an organization of super- blymen Joseph Azzolina and so invited newsmen from dates a half-hour last Friday market owners which has lob- James M.
    [Show full text]
  • David Attenborough
    David Attenborough Sir David Attenborough is a famous British wildlife film-maker. His TV shows have helped people learn lots about animals and their environments for over 60 years! His Early Life Attenborough loved to collect fossils and stones when he was a little boy. He studied zoology at university so he could learn all about animals and their habitats. “David Attenborough at Great Barrier Reef” by Department of Foreign Affairs and Trade is licensed Television under CC BY 2.0 In 1952, many people did not have a TV but Attenborough got a job at the BBC. He started to make TV shows about animals. The first TV show was called ‘Animal Patterns’. He talked about the colours and patterns of many amazing animals. In 1979, Attenborough made a show called ‘Life on Earth’. It was very popular. Since then, he has written and presented many more shows. Lately, he made ‘Blue Planet 2’ which showed people how awful plastic pollution is for our world. “Title of Image Used” by Author is licensed under CC BY 2.0 Page 1 of 3 visit twinkl.com David Atteborough Interesting Facts Date of Birth: 8th May 1926 Home: London, England Career: • He joined the BBC in 1952. • He became Sir David Attenborough in 1985. Did You Know…? • There is a ship called RRS Sir David Attenborough! • He is the oldest person to have ever visited the North Pole! • He became Sir David Attenborough in 1985. “Title of Image Used” by Author is licensed under CC BY 2.0 Page 2 of 3 visit twinkl.com David Attenborough Questions 1.
    [Show full text]
  • David Attenborough
    David Attenborough Sir David Attenborough is a famous British wildlife film-maker. His TV shows have helped people learn lots about animals and their environments for over 60 years! His Early Life Attenborough loved to collect fossils and stones when he was a little boy. He studied zoology at university so he could learn all about animals and their habitats. “David Attenborough at Great Barrier Reef” by Department of Foreign Affairs and Trade is licensed Television under CC BY 2.0 In 1952, many people did not have a TV but Attenborough got a job at the BBC. He started to make TV shows about animals. The first TV show was called ‘Animal Patterns’. He talked about the colours and patterns of many amazing animals. In 1979, Attenborough made a show called ‘Life on Earth’. It was very popular. Since then, he has written and presented many more shows. Lately, he made ‘Blue Planet 2’ which showed people how awful plastic pollution is for our world. “Title of Image Used” by Author is licensed under CC BY 2.0 Page 1 of 3 visit twinkl.com David Attenborough Interesting Facts Date of Birth: 8th May 1926 Home: London, England Career: • He joined the BBC in 1952. • He became Sir David Attenborough in 1985. Did You Know…? • There is a ship called RRS Sir David Attenborough! • He is the oldest person to have ever visited the North Pole! • He became Sir David Attenborough in 1985. “Title of Image Used” by Author is licensed under CC BY 2.0 Page 2 of 3 visit twinkl.com David Attenborough Questions 1.
    [Show full text]
  • Poesia Negra Das Américas Solano Trindade E Langston Hughes
    UNIVERSIDADE FEDERAL DE PERNAMBUCO - UFPE CENTRO DE ARTES E COMUNICAÇÃO - CAC DEPARTAMENTO DE LETRAS E COMUNICAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM LETRAS POESIA NEGRA DAS AMÉRICAS SOLANO TRINDADE E LANGSTON HUGHES ELIO FERREIRA DE SOUZA Recife/PE, outubro de 2006. ELIO FERREIRA DE SOUZA POESIA NEGRA DAS AMÉRICAS SOLANO TRINDADE E LANGSTON HUGHES Tese apresentada ao Programa de Pós- Graduação em Letras da Universidade Federal de Pernambuco, como requisito à obtenção do grau de Doutor em Letras, área de concentração Teoria da Literatura, linha de pesquisa Literatura Comparada, sob a orientação do Prof. Dr. Roland Walter. Recife/PE, outubro de 2006. Souza, Elio Ferreira de Poesia negra das Américas: Solano Trindade e Langston Hughes / Elio Ferreira de Souza. – Recife : O Autor, 2006. 369 folhas. Tese (doutorado) – Universidade Federal de Pernambuco. CAC. Letras, 2006. Inclui bibliografia. 1. Literatura negra - Américas. 2. Poesia negra. 3. Cultura negra. 4. Memória negra. 5. Negritude. 6. Diáspora negra. I. Título. 82 CDU (2.ed.) UFPE 800 CDD (22.ed.) CAC2007- 7 DEDICATÓRIA À minha mulher Francira, ao meu filho Irapuá e à minha filha Egbara, pelo carinho, incentivo e por compreenderem a minha ausência durante o período em que estive afastado de casa para cursar o Doutorado. Aos meus irmãos Maria Anésia, Elza Maria, Ilza Maria, Vitorino, Maria Onélia, Aluísio Filho, Betânia e Chico. Aos meus pais Aluísio Ferreira de Souza e Inez de Souza Rocha (in memoriam). AGRADECIMENTOS 9 Minha especial gratidão pelo Professor Doutor Roland Walter, pela orientação segura, atenciosa e a amizade que se construiu nesses quatro anos de convivência. 9 Agradeço à minha família pelo apoio e incentivo durante a realização deste trabalho.
    [Show full text]