David Attenborough
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Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (Eds) Environmental Conflict and the Media, New York: Peter Lang
Morgan Richards (forthcoming 2013) ‘Greening Wildlife Documentary’, in Libby Lester and Brett Hutchins (eds) Environmental Conflict and the Media, New York: Peter Lang. GREENING WILDLIFE DOCUMENTARY Morgan Richards The loss of wilderness is a truth so sad, so overwhelming that, to reflect reality, it would need to be the subject of every wildlife film. That, of course, would be neither entertaining nor ultimately dramatic. So it seems that as filmmakers we are doomed either to fail our audience or fail our cause. — Stephen Mills (1997) Five years before the BBC’s Frozen Planet was first broadcast in 2011, Sir David Attenborough publically announced his belief in human-induced global warming. “My message is that the world is warming, and that it’s our fault,” he declared on the BBC’s Ten O’Clock News in May 2006. This was the first statement, both in the media and in his numerous wildlife series, in which he didn’t hedge his opinion, choosing to focus on slowly accruing scientific data rather than ruling definitively on the causes and likely environmental impacts of climate change. Frozen Planet, a seven-part landmark documentary series, produced by the BBC Natural History Unit and largely co-financed by the Discovery Channel, was heralded by many as Attenborough’s definitive take on climate change. It followed a string of big budget, multipart wildlife documentaries, known in the industry as landmarks1, which broke with convention to incorporate narratives on complex environmental issues such as habitat destruction, species extinction and atmospheric pollution. David Attenborough’s The State of the Planet (2000), a smaller three-part series, was the first wildlife documentary to deal comprehensively with environmental issues on a global scale. -
Sir David Attenborough
Sir David Attenborough David Attenborough is a wildlife film-maker and naturalist (a scientist who studies animals and their behaviour). He has been making television programmes for over 60 years and is considered by many to be a national treasure. Early Life David Frederick Attenborough was born in London on 8th May 1926. Growing up, he lived with his parents (Mary and Frederick) and his two brothers (Richard and John) on the campus of University College, Leicester, as his father was a principal there. In 1939, the Attenborough family fostered two German-Jewish girls called Irene and Helga, who became like sisters to David. As a child, David loved science and nature: he collected fossils, rocks, and other specimens, such as bird eggs. After finishing school, he went to Cambridge University to study natural sciences. Once he graduated, he was called to do two years’ service in the Royal Navy. He spent those two years in North Wales. Television In 1952, David joined the BBC (British Broadcasting Corporation) full time as a producer. In 1954, he began working on a series called ‘Zoo Quest’. This was filmed in many interesting places and showed animals in their natural environment. Something that hadn’t been done much before. The show was incredibly popular. David left the BBC in 1972 so he could write and produce his own shows. In 1979 he started a series called ‘Life on Earth’ which became popular. He continued to add to his ‘Life Collection’ for over 30 years, with each series focusing on a different plant or animal group. -
Hear Him Roar
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by DigitalCommons@USU Utah State University DigitalCommons@USU All USU Press Publications USU Press 2005 Hear Him Roar Andrew Wingfield Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Creative Writing Commons, and the Environmental Sciences Commons Recommended Citation Wingfield, A. (2005). Hear him oar:r A novel. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. (EAR(IM2OAR !.OVEL !NDREW7INGFIELD HEAR HIM ROAR HEAR HIM ROAR A Novel ANDREW WINGFIELD Utah State University Press Logan, Utah Copyright © 2005 Andrew Wingfield All rights reserved Utah State University Press Logan, Utah 84322-7800 www.usu.edu/usupress Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Wingfield, Andrew, 1966– Hear Him Roar : a novel / Andrew Wingfield p. cm. ISBN 0-87421-615-X (pbk. : alk. paper) 1. Wildlife management—fiction. 2. Midlife crisis—fiction. 3. Biologists—fiction. 4. Puma—fiction. 5. California—fiction. I. Title. PS3623.I6625 H43 2003 813/.6—dc22 2005013371 To Tania, for seeing Running with the deer. This is what she called it, because her dark hour was their hour also. They spent their days bedded down along the river. They would come up into the neighborhood after midnight to feed on lawns, shrubs, unfenced gardens. -
David Attenborough
David Attenborough Sir David Attenborough is a famous British wildlife film-maker. His TV shows have helped people learn lots about animals and their environments for over 60 years! His Early Life Attenborough loved to collect fossils and stones when he was a little boy. He studied zoology at university so he could learn all about animals and their habitats. “David Attenborough at Great Barrier Reef” by Department of Foreign Affairs and Trade is licensed Television under CC BY 2.0 In 1952, many people did not have a TV but Attenborough got a job at the BBC. He started to make TV shows about animals. The first TV show was called ‘Animal Patterns’. He talked about the colours and patterns of many amazing animals. In 1979, Attenborough made a show called ‘Life on Earth’. It was very popular. Since then, he has written and presented many more shows. Lately, he made ‘Blue Planet 2’ which showed people how awful plastic pollution is for our world. “Title of Image Used” by Author is licensed under CC BY 2.0 Page 1 of 3 visit twinkl.com David Atteborough Interesting Facts Date of Birth: 8th May 1926 Home: London, England Career: • He joined the BBC in 1952. • He became Sir David Attenborough in 1985. Did You Know…? • There is a ship called RRS Sir David Attenborough! • He is the oldest person to have ever visited the North Pole! • He became Sir David Attenborough in 1985. “Title of Image Used” by Author is licensed under CC BY 2.0 Page 2 of 3 visit twinkl.com David Attenborough Questions 1. -
UNESCO Kalinga Prize Winner – 1981 Sir David Attenborough
Glossary on Kalinga Prize Laureates UNESCO Kalinga Prize Winner – 1981 Sir David Attenborough A British Legend of Science Serials, Britain’s Best Known Natural History Film Maker & Arguably the World’s Foremost Television Naturalist [Born: May 8, 1926 in London, England …………] Mankind has Probably done more damage to the earth in the 20th Century than in all of Previous human history. ... David Attenborough “If we [humans] disappeared over right, the world would Probably be better off.” The Daily Telegraph, London, 12, November, 2005 … David Atenborough “It seems to me that natural world is the greatest source of excitement, the greatest source of visual beauty; the greatest source of intellectual interest . It is the greatest source of so much in life that makes life worth living.” … David Attenborough. 1 Glossary on Kalinga Prize Laureates David Attenborough : A Biographical Profile World’s Best Known Broadcasters, Humanists and Naturalists Born : May 8, 1926 London, England Residence : Richmond, London Nationality : British Field : Naturalist Alma mater : Clare College, Cambridge (Natural Sciences) Notable Prizes : Order of Merit, Order of the Companions of Honour, Royal Victorian Order, Order of the British Empire, Fellow of the Royal Society Sir David Frederick Attenborough, OM, CH, CVO, series is in production. He is also a former senior CBE, FRS (born on May 8, 1926 in London, England) manager at the BBC, having served as controller of is one of the world’s best known broadcasters and BBC2 and director of programming for BBC naturalists. Widely considered one of the pioneers Television in the 1960s and 1970s. of the nature documentary, his career as the He is the younger brother of director and actor respected face and voice of British natural history Richard Attenborough. -
DAVID ANDREW HEATH Self-Shooting PD/DV Director/Cameraman Email: [email protected], Website: Mobile: +44 7802 942 786
DAVID ANDREW HEATH Self-shooting PD/DV Director/Cameraman Email: [email protected], Website: www.adventurousfilms.co.uk, Mobile: +44 7802 942 786 BROADCAST EXPERIENCE Production company work Silverback Films – Director/wildlife camera/AP – February 2014 • “The Hunt” (BBC1) - TX 2015 (resigned due to family reasons) Outline Productions – Self-shooting PD/DV Director – July 2013 to October 2013 • “Great British Garden Revival” (BBC2) - TX December 2013 o Set up, directed and filmed approx. 20 two minute VTs (on Sony F800) o Main contributors were members of the public nd o Shot 2 camera on presenter links days (on Sony F800 + Canon 5d) Outline Productions – Self-shooting AP/ Wildlife Camera – July 2012 to July 2013 • “Britain’s Big Wildlife Revival” (BBC1) – 6 x 1 hour - TX August 2013 o “Assistant Producer” credits on “Woodland”, “Urban” and “Farmland” o Devised series content – habitats, species and talent - and shooting schedule o Researched and/or set up and filmed 15+ sync VTs/links for the series, shooting second camera on Sony F800, Canon 305 and Sony XDCAM HD350 o Worked with leading presenters including Ellie Harrison, Ben Fogle, Gordon Buchanan, Iolo Williams, Mike Dilger, Nick Baker, Bill Oddie, etc. o Made staffing recommendations and interviewed researchers o Drafted scripts in collaboration with Series Producer o Rough cut one sequence o “Wildlife Camera” credits on “Rivers”, “Coastal” and “Wetlands” o Shot wildlife footage across series – otters, kingfishers, bitterns, peregrines, bats, dragonflies, house sparrows, -
Grantsville High by Joshua Figueira Could Have Had No Idea His Life STAFF WRITER Would Come Full Circle Almost 30 When He First Set Foot Inside Years Later
FRONT PAGE A1 www.tooeletranscript.com TUESDAY Grads across the county celebrate See A9 TOOELETRANSCRIPT BULLETIN June 5, 2007 SERVING TOOELE COUNTY SINCE 1894 VOL. 114 NO. 004 50¢ Cops apprehend HANGIN’ ON suspect in Wal-Mart parking lot stabbing Eighteen-year-old from West Valley City claims to have ties to brutal Salvadoran gang by Suzanne Ashe STAFF WRITER Police have arrested a sus- pect in the recent stabbing of a Wal-Mart employee in Tooele. Eighteen-year-old Mariano Zacarias of West Valley City was booked into Tooele County Detention Center last week on suspicion of stabbing A.J. Hayden, 23, during an alterca- tion in the Wal-Mart parking lot early on the morning of May 13. threatened by Zacarias and sev- Zacarias has been charged with eral juveniles at 4:45 a.m. Two of attempted homicide and rioting. the employees went inside the store, but Hayden confronted According to Tooele City Police officer Lt. Paul Wimmer, three store employees were SEE STABBING ON A5 Native son takes over at Grantsville High by Joshua Figueira could have had no idea his life STAFF WRITER would come full circle almost 30 When he first set foot inside years later. Grantsville High School in the Last week, McCluskey, now fall of 1978 as a seventh grader, 41, was named the new principal 12-year-old Travis McCluskey of GHS, replacing Leon Jones, who moved within the school district to take the head job at photography / Maegan Burr Rose Springs Elementary. A cowboy attempts to stay on a horse during the bronco riding competition at the Deseret Peak Stampede Rodeo Saturday. -
Earth's Greatest Events
Nature’s Great Events has been co-authored by the award- Using groundbreaking filming techniques and state-of-the-art winning team of producers and writers behind the landmark scientific and photographic technologies, this highly BBC television series of the same name. anticipated book and television series explore six of the most spectacular natural phenomena on our planet. In the spirit of Karen Bass, Series Producer for Nature’s Great Events, is a Planet Earth and epic in every sense, Nature’s Great Events multiaward-winning Series Producer with a passion for travel charts seasonal and annual events that transform entire and natural history. Among her award-winning films are ecosystems and the life experiences of the thousands of Pygmy Chimp – The Last Great Ape, the first film to be made animals within them. about the bonobos of the Congo; Crocodile Wildlife Special; The six events include the flooding of the Okavango and numerous Natural World and Wildlife on One programs Delta, which turns sprawling swaths of desert into an elaborate on subjects ranging from the raccoons of New York to bat-eared maze of lagoons and swamps; the melting of 10 million square foxes in the Kalahari. Andes to Amazon, a landmark series kilometers of ice in the Arctic, which imperils polar bears about the natural history and extreme landscapes of South across the region; the migration of the Serengeti, where life is America, and Jungle, a series investigating the world’s on the edge for both predator and prey and where lions and rainforests, are among her recent successes. -
Nikon Owner Issue XVII.Pdf
a walk on the wild side the extraordinary life of by gillian greenwood “I know of no pleasure deeper than that which comes from contemplating Neilthe natural world and trying to understandLucas it” - Sir David Attenborough Neil Lucas, a dedicated Nikon Neil grew up with a wonderful user, is a producer for the plethora of wildlife all around BBC’s Natural History Unit. him, an idyllic childhood full He has worked with David of nesting kestrels, barn owls Attenborough on three of his and other creatures. One of major series: The Trials of Life, his most vivid early memories The Private Life of Plants and was of his father bringing The Life of Mammals, as well as into his bedroom a family of individual films for Wildlife on hedgehogs that normally lived One and The Natural World. He under the garden shed. As spent the early part of this year a child he drew everything in the depths of the rain forests of Kenya filming he could find, from insects to horses and driver ants for a future edition of The Natural World. imaginary country scenes with ducks and other He has just returned from working on a six-week farm animals. The prize toy of his early years shoot on Corfu, directing the filming of all the was a model Commer van with a detachable wildlife and second-unit shoots for a BBC drama cameraman that could be put on the front, from based on the story of Gerald Durrell, My Family which he would pretend to film spiders and and Other Animals, to be aired on Boxing Day woodlice around the house. -
University of Exeter Institutional Repository, ORE
ORE Open Research Exeter TITLE Narrating the Natural History Unit: institutional orderings and spatial strategies AUTHORS Davies, Gail JOURNAL Geoforum DEPOSITED IN ORE 10 December 2013 This version available at http://hdl.handle.net/10871/14223 COPYRIGHT AND REUSE Open Research Exeter makes this work available in accordance with publisher policies. A NOTE ON VERSIONS The version presented here may differ from the published version. If citing, you are advised to consult the published version for pagination, volume/issue and date of publication 1 University of Exeter Institutional Repository, ORE https://ore.exeter.ac.uk/repository/ Article version: Post-print Citation: G. Davies (2000) 'Narrating the Natural History Unit: institutional orderings and spatial strategies' Geoforum, 31 (4): 539-551 Publisher website: http://www.sciencedirect.com/science/article/pii/S0016718500000221 This version is made available online in accordance with publisher policies. To see the final version of this paper, please visit the publisher’s website (a subscription may be required to access the full text). Please note: Before reusing this item please check the rights under which it has been made available. Some items are restricted to non-commercial use. Please cite the published version where applicable. Further information about usage policies can be found at: http://as.exeter.ac.uk/library/resources/openaccess/ore/orepolicies/ Contact the ORE team: [email protected] 2 Narrating the Natural History Unit: Institutional orderings and spatial strategies Gail Davies Abstract This paper develops a conceptualisation of institutional geographies through participation observation and interviews in the BBC’s Natural History Unit, and the approach of actor network theory. -
Colonial Hunting and Wildlife in British India, 1800-1935 By
Sahibs and Shikar: Colonial Hunting and Wildlife in British India, 1800-1935 by Swati Shresth Department of History Duke University 12.03.2009 Approved: ___________________________ Sumathi Ramaswamy, Supervisor ___________________________ Leela Prasad ___________________________ Janet Ewald ___________________________ Philip Stern ___________________________ John Thompson Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2009 i v ABSTRACT Sahibs and Shikar: Colonial Hunting and Wildlife in British India, 1800-1935 by Swati Shresth Department of History Duke University 12.03.2009 Approved: ___________________________ Sumathi Ramaswamy, Supervisor ___________________________ Leela Prasad ___________________________ Janet Ewald ___________________________ Philip Stern ___________________________ John Thompson Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2009 Copyright by Swati Shresth 2009 i v Abstract This dissertation explores the colonization of wildlife in nineteenth and early twentieth century British India. It discusses hunting and colonial policies on wildlife to explore the political, social and cultural concerns that influenced British interactions with Indian wildlife, with their compatriots and with natives. Hunting, I argue was deeply implicated in the exercise of power in all -
Barnaby Taylor
Barnaby Taylor Composer Barnaby is an Emmy-award winning composer, best known for his scores for landmark BBC series such as Wild Arabia (2013), the critically acclaimed Nature’s Great Events (2009) and Frozen Planet: On Thin Ice (2011), winner of the inaugural Music and Sound Award for Best Original Composition for TV. Drama credits include three seasons of the RTS Award-winning The Indian Doctor. Barnaby's first feature film, Camera Trap, directed by Alex Verner, will be released in by Pinewood/Cinema NX later this year, 2014. Music has always been a part of Barnaby’s life. He grew up around the folk music scene of which his singer-songwriter father, Allan Taylor, was a major part. Other interests led him to do a zoology degree that got him his first production jobs, as a film researcher at the BBC Natural History Unit and later at Icon Films, Bristol. However, this production work sparked his ambition to write music for picture and he was soon drawn back to his musical roots. Barnaby is sought after for his versatile, intuitive approach, and talent for working across musical genres. His scores range from the gritty and hard-hitting Calling the Shots (2005), a feature-length documentary for National Geographic on the Israeli Reuters News Agency, to lyrical acoustic scores, as heard in the BBC’s Bear Family and Me (2011). Barnaby works regularly with top-flight orchestras such as the Royal Philharmonic Orchestra and the BBC Concert Orchestra, to produce rich and dramatic scores, as heard in the three-part BBC series Ganges (2007) and, most recently, in the BBC’s Wild Arabia where the orchestral score was augmented with percussion and ethnic instruments recorded at Abbey Road studios.