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Thesis Rests with Its Author
University of Bath PHD Identity in a post-communist Balkan state: A study in north Albania Saltmarshe, Douglas Award date: 1999 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 IDENTITY IN A POST-COMMUNIST BALKAN STATE: A STUDY IN NORTH ALBANIA Submitted by Douglas Saltmarshe for the degree of PhD of the University of Bath 1999 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with its author. This copy of the thesis has been supplied on condition that everyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the prior consent of its author. -
Woodland Archaeology Handbook Is Available to Download from the North Wessex Downs AONB Website At
TABLE OF CONTENTS Table of Contents.................................................................................i List of Figures ................................................................................... vi Abbreviations...................................................................................viii Welcome to the Woodland Archaeology Project ........................................... 3 What is Woodland Archaeology? ............................................................... 5 Aim of the Woodland Archaeology Project................................................... 7 Scope of the Woodland Archaeology Project ................................................ 9 About the Handbook............................................................................11 Who can Volunteer? ............................................................................13 Scope of the Woodland Surveys...............................................................15 • Important Considerations ............................................................15 o Timing ..........................................................................15 o Finding Artefacts ..............................................................15 o Scheduled Ancient Monuments..............................................16 Planning the Project............................................................................17 • Deciding on a Wood and Getting Permission for Access..........................17 Health & Safety .................................................................................19 -
Bodging Scotland CWA-1
CWA SKILLS DEVELOPMENT SCHEME Green woodworking and pole lathe turning for beginners Hosted by: Dunnottar Bodgers Group & Dunnottar Woodland Park Association Stonehaven Saturday 3rd and Sunday 4th April 2010 INVITATION Dunnottar Bodgers Group and the Dunnottar Woodland Park Association, in conjunction with the Community Woodlands Association, are pleased to extend a warm invitation to you to join them at the Green woodworking and pole lathe turning for beginners course held near the quarry area of Dunnottar woods, Stonehaven, Aberdeenshire. This event will offer another great opportunity to network, highlight and discuss common issues and concerns, share your skills and experiences, and learn from the inspirational work of others. This learning and networking opportunity is aimed at members of community woodland groups and members of the general public that would wish to learn more about the traditional craft of bodging and green wood turning. The objectives of the course are: • To provide an opportunity for participants to take part in a variety of green wood working processes. • Use bodging processes to make a simple wooden stool from locally sourced timber and/or contribute to the manufacture of shaving horses for use by the host group. The course will consist of an informal meeting and meal in a local hotel on the Friday evening prior event where participants can meet and have a general discussion. Kenny Grieve is the trainer for this course and will be on hand to answer any questions before starting the course proper the following day. On the Saturday morning the participants will embark on the two day practical course based in Dunnottar woods, where the Dunnottar Bodgers Group have established a base. -
Pear Wood Turning Blanks
Pear Wood Turning Blanks Is Baron ascending or napping after Julian Stanfield sharecropped so solidly? Is Pail phonemic or chalybeate after abaxial Wald toddle so whitely? Gale usually espied preparedly or unthatches egotistically when Fulani Giorgio engrave inadmissibly and breadthwise. Turn something for finding a range of the url or rot, etc is rough turned piece in the worst offender when without a leading fitness in. You may be able to match pen kits alongside one method for is something special properties and the crack. That just about olive wood turners here for pear turning an appointment only a nice polish used. The pears ripen at turning green bowls is dripping with antler horn and international buyers working with integrity and. Turning Hard Maple Bowl Pomskies at the Pohl Barn and in 21 May 2020. Some of pears are good to settings such as with dry off quick shipping carriers to repair wide gaps or advice in wood was. That mostly on the file is longer move moisture to finish the method is black walnut, i live edge. Pearl Barley Machine The blanks are dull out below a revolving steel tube past a serrated end it forms an annular saw like. For a terrific solution for knife in wood grain is an example of many different materials out chainsaw all! You found throught the big lathe securely in log in a high gloss glassy finish by signing up the bowl! Blacksmithing woodturning silversmithing batik and mist dye for making. Capretland usa flooring, pear tree grows, plain or blanks! We deliver stock burls in all shapes and sizes various kinds of turning blanks in. -
Steam-Bending Instruction Booklet
Steam-Bending Instruction Booklet 05F15.01 Veritas® Steam-Bending Instruction Booklet Bending Solid Wood with Steam and allowed to stretch as the bend progresses; however, the Compressive Force wood face against the form is subject to compression There are three basic requirements for the successful exerted by the end stops. bending of solid wood using steam. 1. The wood must be plasticized. Although wood can be plasticized chemically or even by microwaves when in a green state, the most convenient way to plasticize wood is with steam. Wood cells are held together by a naturally occurring substance in the wood called lignin. Imagine the wood fi bers to be a bundle of rods with the space between them fi lled with lignin. The strength of this lignin bond between the rods can be decreased by subjecting For example, a straight piece of wood 1" thick and 18" the wood to steam. With unpressurized steam at 212° long bent to 90° around a 4" radius will remain 18" Fahrenheit, steaming for one hour per inch of thickness along the outside (immediately next to the strap), but (regardless of the width) will soften the bond enough for will have the inside dimension reduced to almost 16". bending. Substantial oversteaming may cause the wood Nearly two inches have virtually disappeared through to wrinkle on the concave face as the bend progresses. compression along the inside face! 2. Only air-dried wood of an appropriate species Strap should be used. Blank Kiln-dried wood must not be used; the lignin in the wood has been permanently set during the hot, dry 18" kilning process. -
AGRICULTURAL EXTENSION SERVICE UNIVERSITY of MINNESOTA Nflv 1 4 1971Extension BULLETIN 402-1977 C
NflV 1 4 1971eXTENSION BULLETIN 402-1977 c: ,<% o;o ;o'"Tl :S:• ::X: (0 ·-<~ -.l 1:>- AGRICULTURAL EXTENSION SERVICE UNIVERSITY OF MINNESOTA CAINIIIINIG Many beautiful old cane chairs may have been discarded because of broken cane. These chairs can be restored and used in today's home. Weaving new 0 0 0 cane seats or inserting cane webbing requires time and patience, but it is not a difficult job. This bulletin includes information and directions for the following types of caning: 0 DETERMINING CANE SIZE 1. Hand woven cane seats for chairs or stools with 0 small holes drilled through the frame. 2. Cane webbing or pressed cane that can be 0 used for chairs, stools, cabinet doors, folding screens, etc. A groove is needed for this type of caning. Cane is the outside part of rattan, a palm which Equipment Needed is imported from India, China, and the Malay Penin 1. Chair or stool with holes. 2. Correct size cane. sula. All cane is glossy on one side. The glossy side 3. Wooden pegs (about 15 to 20). There are regular is the top or outside. pegs for caning; however, you can whittle your own, or use golf tees. 4. Icepick or awl. 5. Scissors. Hand Woven Seats 6. Sponge. 7. Pan of hot water. 8. Old towel. Cane is sold in bundles of approximately 1,000 Preparation of Chair feet. One hank will weave two to three average size 1. Save a small piece of weaving cane and binding seats. (For weaving chair seats cane is available in cane from the old seat to use in ordering new cane. -
Using Local Woodlot Lumber Sara J
Extension F-9-03 FSchoolSchool ofactSheet Natural of Natural Resources, Resources, 2021 2021 Coffey Coffey Road, Road, Columbus, Columbus, Ohio Ohio43210 43210 Using Local Woodlot Lumber Sara J. Gurney Wood Products Marketing Specialist Introduction resistance to decay, ease of working, weight, hardness, color, Ohio’s Appalachian hardwoods are unique in their variety, grain, and resistance to splitting are particularly significant. quality, and beauty. Ohio’s forests contain well over 100 different When selecting lumber for a specific project, consider how the hardwoods and 25 different softwood tree species. Historically, characteristics of the wood species will meet the requirements humans have used wood and wood products for shelter, fire, of the job. For example, joists for a shed should use a wood with and in war, making wood an integral part of our civilization. We good stiffness and bending strength. Since many sheds are not use wood because it is easy to work with, inexpensive, durable, heated, wood with good dimensional stability and the ability to and readily available. Early settlers relied heavily on old growth hold nails should also be considered. Once the requirements for yellow poplar to make barn siding. Old growth yellow poplar the project have been identified, select a wood species with the made excellent decay resistance siding for log homes due to the most appropriate attributes. naturally occurring tannins in the wood. Yellow poplar boards Often the job requires wood that is decay resistant. Keep in were easy to hand hue and resisted warp and shrinkage. Today, mind that the heartwood found in the center of the log contains yellow poplar is still used for siding due to its availability, low less moisture and higher concentrations of decay resistance cost, paintability, and resistance to warp and shrinkage, as seen chemicals than the younger sapwood. -
From the Shop
From The Shop The newsletter of the Lehigh Valley Woodworker’s Guild Issue 10.2007 Alcock from NJ a few months ago that was pure hand tool cutting. Frank Rauscher’s approach is geared Next Meeting: October 16th, 2007 (3rd Tuesday!) toward the hobbyist – using power carving devices, Location: Lehigh Co. Senior Center adding some detail with the carver or, if you prefer, 1633 Elm Street some detail via woodburning, and getting some Allentown, PA beautiful and fine results. Speakers and topics: • Annual Guild Woodworking contest • BRING IN THE BLOCKS PLEASE! September Meeting Highlights Frank Rauscher - Carving Frank had everyone gather round and demonstrated techniques in a close up enough manner so all could see what he was doing. He was still going at 10:00, and folks were still listening… Kingfisher as powercarved and woodburned by Frank Frank brought a few examples of his work – a Rauscher. Kingfisher, a Cardinal, and a rainbow trout. Apparently Frank ad not a lot of experience doing fish and this was Well, we are operating on total recall. Do not ask me a new project for him, and looked to be an excellent what I did with 6 pages of notes from Frank Rauscher’s first attempt. When describing the fish and birds. Frank excellent presentation of power carving, but they are explained that you want to create an effect og life and gone and likely among paperwork I had discarded moving, and so the birds heads are turned in a lifelike inadvertently. So much for cleaning up! But I have a way and not straight on, and the fish is curved as good pictorial record of the meeting, and should be though swimming. -
Materials & Processes
Mahogany Spruce Ash Dark red White Light brown Easy to work with Not very durable tough/flexible Uses - bars, veneers, Uses - kitchens, Uses - tool Indoor furniture. Indoor work, handles, sports Red pine Beech furniture equipment, Pale red Light colour ladders Heavy / strong Hard Use - structural Easy to work with Uses - furniture, toys Oak Softwood Tool handles, can be Light brown steam bent Hardwood Difficult to work Natural with Uses - high MATERIALS WOOD class furniture, beams Hardboard Bonded under high Manufactured board pressure Chipboard Strong + thin Wood particles + Similar to MDF Plywood Flexi-ply resin Laminated (layered) (see ugly/weak/cheap MDF veneers set at a 90* plywood) *often covered in a Sawdust + resin angle. Able to veneer, this makes Damaged by Natural finish + grain bend it stronger + more moisture Uses - interior and aesthetically * Takes paint well exterior. pleasing *Easy to finish *Smooth surface PROCESSES Laminating Type1 This is quite an accurate method of shaping wood. It involves building up a curved form with layers. The layers may be thin veneers, thicker constructional veneers or saw-cut strips. They are assembled so that the grain of each layer is running in the same direction, following the curve . The layers are glued together with a strong adhesive and are sandwiched between the waxed faces of a former or a jig using cramp pressure. The layers bend to the shape of the jig and ‘set’ together. Another way of producing curved laminates is to use a ‘bagpress’. Type2 Creating larger board of wood from natural timber by gluing them together side by side. -
Seat Weaving
S E A T W E A V I N G D Y P R R Y L . A E u e r v so r o Ma n u a l Tra n n ol et I ll no s S p i f i i g , $ i , i i , a d I s r tor D ar t nt E sth e t a n d I n d ustr al E d u cat o n n n t u c , ep m e ic i i , um m er u a rte rs Th e Un ver s t o h c a o S $ , i i y f C i g TH E MANUAL A RTS P R E S S PE R I A N O , I LLI O I S 1 C t 1 9 1 7 b V opyr igh , , L Da P r r . y e y FO R E WO R D Woodworking shops in manual t r ain ing schools far outnumber r as t hose for othe manual acti vities , and a result , cou rses in wood work h ave come to be te r med the st able cou r ses in a handwork r . r no t cu r iculum However , experience in woodwo k alone is su f i t r r f cien , and needs to be supplemented by othe and more va ied act ivities to give to the boy a p r oper foun dation fo r choice o f vocation . A defin i t e way to p r od uce necessa r y va r iety as applied t o wood r r t h e f r t wo k , especially i f woodwo k is only cou rse o fe ed , is h ru th e of use such medi ums as cane , reed , rush , splints and allied materials r in cor elation with the wood . -
17606 Chanceh.Pdf
Downloaded from: http://bucks.collections.crest.ac.uk/ The Working Landscape This document is protected by copyright. It is published with permission and all rights are reserved. Usage of any items from Buckinghamshire New University’s institutional repository must follow the usage guidelines. Any item and its associated metadata held in the institutional repository is subject to Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) Please note that you must also do the following; • the authors, title and full bibliographic details of the item are cited clearly when any part of the work is referred to verbally or in the written form • a hyperlink/URL to the original Insight record of that item is included in any citations of the work • the content is not changed in any way • all files required for usage of the item are kept together with the main item file. You may not • sell any part of an item • refer to any part of an item without citation • amend any item or contextualise it in a way that will impugn the creator’s reputation • remove or alter the copyright statement on an item. If you need further guidance contact the Research Enterprise and Development Unit [email protected] 1.6 The working landscape Reader in the History and Theory of Design, Dr Helena Chance • Buckinghamshire New University This article is my contribution to the Chilterns Conservation Board (CCB) Landscape Al Conservation Action Plan (LCAP) which is the guiding document for the Chalk,le Cherries n d and Chairs Landscape Partnership Scheme. -
Product Cleaning and Maintenance Care
Product Cleaning and Maintenance Care The best spaces manifest quality in proportion and material—from KnollTextiles colorful textiles, soft felts and leathers to wood, laminates and Knoll Office engineered polymers. Materials like these evoke simplicity and balance, KnollExtra coexisting with furniture to achieve Florence Knoll’s ideal—the spirit KnollStudio DatesWeiser of “total design.” Our extensive range of materials and dedication to SpinneyBeck | FilzFelt quality can complete your workspace, whether raw or refined. Muuto This product cleaning and maintenance care guide refers to the entire constellation of Knoll products. For additional Muuto cleaning guidance, please refer to Muuto’s Product Fact Sheets at: http://download.muuto.com/MediaLibrary/Product-Fact-Sheet Furniture that is comprised of multiple materials may require multiple cleaning and maintenance protocols. Refer to Knoll Price Lists to determine the component material and fabric options where applicable. Refer to this guide for how to clean and maintain each surface. Tested Disinfectant Formulas While Knoll cannot guarantee the efficacy of these products, when properly used in accordance with the manufacturers’ directions for use and dilution, they will not cause harm to the standard finishes below. These products have been tested on all standard Knoll Office veneers, laminates, paints, glass, aluminum and plated finishes. These products have been tested on all standard KnollStudio laminates, paints, glass, aluminum and plated finishes. These tested cleaners apply to these standard finishes only. (Additional testing is necessary for KnollStudio veneers as well as specialty finishes, DatesWeiser and Muuto.) + Envirox® H2Orange2 Concentrate 117 + Virox™ Accelerated™ Hydrogen Peroxide 5 + Envirox® EvolveO2™ ( GN×2 technology ) #1, Multi-Purpose Cleaner and Degreaser The Center for Disease Control (CDC) advises social distancing and handwashing to help prevent the spread of COVID-19.