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Thesis Rests with Its Author
University of Bath PHD Identity in a post-communist Balkan state: A study in north Albania Saltmarshe, Douglas Award date: 1999 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 IDENTITY IN A POST-COMMUNIST BALKAN STATE: A STUDY IN NORTH ALBANIA Submitted by Douglas Saltmarshe for the degree of PhD of the University of Bath 1999 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with its author. This copy of the thesis has been supplied on condition that everyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the prior consent of its author. -
Woodturning Magazine Index 1
Woodturning Magazine Index 1 Mag Page Woodturning Magazine - Index - Issues 1 - 271 No. No. TYPE TITLE AUTHOR Types of articles are grouped together in the following sequence: Feature, Projects, Regulars, Readers please note: Skills and Projects, Technical, Technique, Test, Test Report, Tool Talk Feature - Pages 1 - 32 Projects - Pages 32 - 56 Regulars - Pages 56 - 57 Skills and Projects - Pages 57 - 70 Technical - Pages 70 - 84 Technique - Pages 84 - 91 Test - Pages 91 - 97 Test Report - Pages 97 - 101 Tool Talk - Pages 101 - 103 1 36 Feature A review of the AWGB's Hay on Wye exhibition in 1990 Bert Marsh 1 38 Feature A light hearted look at the equipment required for turning Frank Sharman 1 28 Feature A review of Raffan's work in 1990 In house 1 30 Feature Making a reasonable living from woodturning Reg Sherwin 1 19 Feature Making bowls from Norfolk Pine with a fine lustre Ron Kent 1 4 Feature Large laminated turned and carved work Ted Hunter 2 59 Feature The first Swedish woodturning seminar Anders Mattsson 2 49 Feature A report on the AAW 4th annual symposium, Gatlinburg, 1990 Dick Gerard 2 40 Feature A review of the work of Stephen Hogbin In house 2 52 Feature A review of the Craft Supplies seminar at Buxton John Haywood 2 2 31 Feature A review of the Irish Woodturners' Seminar, Sligo, 1990 Merryll Saylan 2 24 Feature A review of the Rufford Centre woodturning exhibition Ray Key 2 19 Feature A report of the 1990 instructors' conference in Caithness Reg Sherwin 2 60 Feature Melbourne Wood Show, Melbourne October 1990 Tom Darby 3 58 -
Woodland Archaeology Handbook Is Available to Download from the North Wessex Downs AONB Website At
TABLE OF CONTENTS Table of Contents.................................................................................i List of Figures ................................................................................... vi Abbreviations...................................................................................viii Welcome to the Woodland Archaeology Project ........................................... 3 What is Woodland Archaeology? ............................................................... 5 Aim of the Woodland Archaeology Project................................................... 7 Scope of the Woodland Archaeology Project ................................................ 9 About the Handbook............................................................................11 Who can Volunteer? ............................................................................13 Scope of the Woodland Surveys...............................................................15 • Important Considerations ............................................................15 o Timing ..........................................................................15 o Finding Artefacts ..............................................................15 o Scheduled Ancient Monuments..............................................16 Planning the Project............................................................................17 • Deciding on a Wood and Getting Permission for Access..........................17 Health & Safety .................................................................................19 -
Bodging Scotland CWA-1
CWA SKILLS DEVELOPMENT SCHEME Green woodworking and pole lathe turning for beginners Hosted by: Dunnottar Bodgers Group & Dunnottar Woodland Park Association Stonehaven Saturday 3rd and Sunday 4th April 2010 INVITATION Dunnottar Bodgers Group and the Dunnottar Woodland Park Association, in conjunction with the Community Woodlands Association, are pleased to extend a warm invitation to you to join them at the Green woodworking and pole lathe turning for beginners course held near the quarry area of Dunnottar woods, Stonehaven, Aberdeenshire. This event will offer another great opportunity to network, highlight and discuss common issues and concerns, share your skills and experiences, and learn from the inspirational work of others. This learning and networking opportunity is aimed at members of community woodland groups and members of the general public that would wish to learn more about the traditional craft of bodging and green wood turning. The objectives of the course are: • To provide an opportunity for participants to take part in a variety of green wood working processes. • Use bodging processes to make a simple wooden stool from locally sourced timber and/or contribute to the manufacture of shaving horses for use by the host group. The course will consist of an informal meeting and meal in a local hotel on the Friday evening prior event where participants can meet and have a general discussion. Kenny Grieve is the trainer for this course and will be on hand to answer any questions before starting the course proper the following day. On the Saturday morning the participants will embark on the two day practical course based in Dunnottar woods, where the Dunnottar Bodgers Group have established a base. -
Chapter 10 - Utilisation
CHAPTER 10 - UTILISATION Ian Nicholas (Scion Although eucalypts have a reputation for being difficult to saw, they can be easily sawn if the basics are understood. Historically the sawing of large logs was seen as the best way to overcome stresses in the log. Preferred DBH targets were 75 cm, to yield several logs with an SED greater than 40 cm. New developments have seen successful sawing of small diameter logs into high quality products. Table 22: Examples of FRI sawing studies Species Stand Mean log Conversion Grade recovery (%) age SED green (yrs) (cm) (%) Clear, dressing Cuttings Others E. delegatensis 55 43 54 61 8 31 E. fastigata 40 55 51 45 35 20 E. regnans 55 53 51 61 25 14 E. sieberi 66 56 61 65 11 24 Source: Haslett 1988 There have been several detailed sawing studies in the last decade, often on trees from untended stands, but they have provided excellent information on species utilisation characteristics 70 60 50 40 30 20 conversion (%) 10 0 0 10 20 30 40 50 60 70 80 SED (cm) Conversion rates for logs of a range of SED (Nicholas unpublished data) Visit www.nzffa.org.nz for the most up-to-date information available. 97 E. fastigata sawing study Sixteen pruned E. fastigata trees, aged 29 years, were harvested to produce 22 m³ of pulp logs and 49 m³ of sawlogs. The green and dry timber milled from the sawlogs was graded and defects assessed. The conversion rate was 49%. End- splitting reduced green timber volume by 4.9%. -
Lathe Parts and Accessories
What’s that called? Lathe Parts and Accessories Headstock Toolrest Handwheel Tailstock Spindle Quill or Ram Tailstock handwheel Swing over Spindle bed Axis Speed control Leg Bed or Ways Banjo Length Illustration by Robin Springett If you are new to woodturning, these runs perpendicular to the lathe’s bed illustrations can help you learn the common and spindle axis. As the name parts of a lathe, as well as important accessories implies, spindle turning is how stair specific tospindle and faceplate turning. balusters, chair parts, and other furniture parts are made. Bowls and platters are generally The terms spindle turning and faceplate turned in faceplate orientation. turning refer to the orientation of the wood grain relative to the axis of the lathe. Spindle Wood can be mounted in both grain orientation means the wood grain runs parallel orientations using the same methods and ➮ to the lathe’s bed, or ways, and spindle axis. accessories. Faceplate orientation means the wood grain Woodturning FUNdamentals 1 © American Association of Woodturners | woodturner.org viewed from the tailstock). Most modern lathes Lathe parts (but few older designs) can switch to “Reverse” Lathes from various manufacturers differ for sanding and finishing. in some ways, such as motor systems, speed adjustments, size, and other features. But The spindle has a female Morse taper on the the basic premise and major components are inside and male threads on the outside. These common to all of them. two features, which vary in size by make and model, allow you to mount accessories and turn The headstock is the drive end of the lathe, wood. -
Contractor Revitalizes Famous NY Pier
CONCRETE CASES Operators core drilled 1,967 holes in the pier's concrete deck. REPRINTED FROM CONCRETE OPENINGS | VOL. 23 | NUM.4 | DECEMBER 2014 CONCRETE CASES Contractor Revitalizes Famous New York Pier s part of a major redevelopment project on a pier in Lower Manhattan, New York, a concrete cutting contractor was given the Achallenge of coring 2,000 holes, flat sawing 22,000 linear feet and wire sawing 400 pier caps. The contractor’s work kept the overall demolition phase of the project on schedule and has helped to revitalize a famous landmark in New York City. The South Street Seaport is situated along the East River in Manhattan, close to the city’s financial district. The Seaport had a series of 19th-century commercial buildings that were linked to New York’s maritime heritage, but the cost associated with repairing and REPRINTED FROM CONCRETE OPENINGS | VOL. 23 | NUM.4 | DECEMBER 2014 CONCRETE CASES The pier deck was cut into sections using flat saws, some cuts being as deep as 18 inches. providing ongoing maintenance for the Seaport had begun to seriously impact the city’s budget—particularly after Hurricane Sandy caused severe damage to several structures in 2012. With the redevelopment of the Seaport’s main structure, Pier 17, underway, the search began to find a specialist concrete sawing and drilling contractor that could assist general contractor Trevcon Construction Co., Inc. with the demolition work. CSDA member Atlantic Concrete Cutting, Inc. of Mount Holly, New Jersey, was selected to do sawing and drilling work and help the general contractor remove the existing pier. -
The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2013 Shadow of the Turning: The Art of Binh Pho, The Center for Art in Wood, October 25, 2013 – January 18, 2014. Organized by Binh Pho & Kevin Wallace Shadow of the Turning is a traveling exhibition focuses on art, philosophy and storytelling of artist Binh Pho. Blending the mythic worlds of fairy tale, fantasy, adventure and science fiction, this exhibit creates a bridge between literature, art world approaches to concept and narrative, craft traditions and mixed media approaches. The story is “illustrated” using an exciting new body of work by Binh Pho, which combines woodturning, sculpture, painting and art glass. Exhibited Artist: Binh Pho 2013 Hogbin on Woodturning: Pattern from Process, The Center for Art in Wood Museum Store, September 19 – October 21, 2013 The exhibition Pattern from Process presents objects created for the instructional publication titled Hogbin on Woodturning. The 14 objects by Stephen Hogbin in the publication are represented in the exhibition with related material. Reading about the projects included in the publication and seeing the object will help students, educators, and woodworkers develop a clearer understanding of the construction and final quality of their work. Exhibited Artist: Stephen Hogbin 2013 allTURNatives: Form + Spirit 2013, The Center for Art in Wood, August 2 – October 12, 2013 Celebrating the 18th year of the International Turning Exchange Residency (ITE) program, the Center is proud to host the international artists, photojournalist and scholar who worked together for 2 months at the UArts in Philadelphia and explored new directions in their work. -
Anniversary Profiles Betty J. Scarpino, Member #1001
Anniversary Profile: Betty Scarpino December 17, 2015 Anniversary Profiles Betty J. Scarpino, Member #1001 In the thirty weeks leading up to AAW's 30th Anniversary Symposium in Atlanta, we will be sharing the stories of members who joined in 1986 and are still members today. We hope you enjoy their memories and insights! Click here to read this and other profiles online. About Betty J. Scarpino Betty J. Scarpino is familiar to all AAW members as the former editor of American photo by Terry Martin Woodturner, but her work as a sculptor, printmaker, writer What motivated you to join the fledgling AAW? and teacher is equally well- I was introduced to the AAW when I was living in San respected. Marcos, Texas, in 1986 where I met Bob Rubel, AAW's first administrator. Bob contacted me to ask if I would consult Since leaving her most recent with him about his shopmade lathe and he also wanted help stint as editor (she served with woodturning techniques. I'm not sure I was of much from 1991-1993 and 2009- 2014), Betty has traveled to help, but the outcome was learning about the AAW. I joined China as an invited artist; right away, happy to find a community of woodturners. received the Collectors of Wood Art Lifetime Do you still have American Woodturner back issues? Where Achievement Award, and been do you keep them? selected for the Center for Art Throughout the years, I saved back issues of American in Wood's 2016 Wingate Woodturner, but ended up giving some of them away to Rick International Turning Exchange residency. -
Masonite Factory : Raymond Terrace
UNIVERSITY or NEWCASTLE DEPARTMENT or COMMUNITY PROGRAMMES COU RSE: Open Foundation. SUBJECT : Australian History . CLASS : Wednesday evening . Ms. Margaret Hanry. TOPIC: Regional History - The Mason ite Factory, Raymond Terrace . Wednesday, 7th September, 1988 . STUDENT: Dorothy Harrison. Availability of timberlands, water supply , coal and electricity we re the main reasons naymond Te rrace was chosen as the site for the f'irat Masonite factory in Australia. While this facta.ry became iuall known in the dist rict, it only directly touched the lives of a few, especielly being almost insignificant in comparision to the numbers em ployed by B.H. P., or even Courtaulds. The Masonite factory has, however, conti nued to employ a steady number of people, whereas Courtaulds is no longer operating at Tomago , and 8.H . P. ' s employment f igures have decreased , Situated twenty-seven kilometres f~om Newcastle , Raymo nd Terrace was discovered on t he 29th June, 1801, by Lieutenant- Colonel Willia1n Paterson and named Green Hill. Althoug h t here has been some debate es to whe n and how the name was changed, it is generally accepted to have been prior to 1812, and named after ~ Lieuenen t Raymond. The first land 1 grants were made in 1851 7 with the first sale of land 9.8.1838 , ( )The land was heavi ly timbered and was to become t he centre of a large dairy 2 industry , with the first cheese and butter fectory built i n 1903. ( ) Although a kind of fibreboard had been used in some buildings as early as 600 A.D . -
11 Purg}Iaser
Page I o¡ 11 TNVTTAT| O N FOB,EIIE).S TEXAS DEPARTMENT OF CRIMINAL JUSTICE CONTRACTS AND PROCUREMENT JULY 05 20 l8 IF NOÏ BIDDINË ' tssuE DATE: rT90E799_c ffi# DO NOT RETURN THIS FORM. BtD NO. JULY I8 20 IE BID OPENING 3 P"M. ' PURG}IASER: DUHN, BRIDOET e36-457 -7046 AGENCYTO rt¡t¡OtcË PlloNE: FAXED BIf}S WILL NOT BE ACCEPTED UNLESS NOTED BELOW TEXAS T¡EPARTI'IENT OF CRII,IIHAL JUSTICE V FAILURE TO Sl6N II'ILL DISQUALIFY BIB V ACCOUHTS PÁYABLE IF BIÞDING Eeêh bid must be P.0. BOX 40tE placed in a separate HUNTSVILLE, TX 77342.4918 envelope with bid AU'I}IORI¿ED SIGNATURE DATE opening date, OESTNATIOH OF OOODS IF OIFFERENT TXAÍ AAOVE bid number, and Furchaser name ÎVFEô NAME ôF sIGNER annolaled immediately IF BIODING, REÎURN SEALÊD BIDT 1O: belo{v r€tum address TEXAS DEPARTMENÏ OF CRIMINAL JU$TICE SEE SELOW on SEALEO BID CONTRÅCTS AND PROCUREMENT I}EPARTMENT ENVELOPE TWO FINANCIAL PLAZA. STË.525 HUNTSVILLE. TEXAS 77340 V VEiIDORADDRESS AND IDENTIFICAT¡O¡¡ NUMBERV ÞE'tvfrY tN _ ÞAY3, CASfl OTSOC¡{JI{I_ !a _ DAYSOR i¡ãÍ t0 ChÊck bËlow lf pÍcfarÊñcê clålm.d uird¿r ${ TAC Rr.rlê 20JO6 VENDOR ID NUMEER l) Goods produced or off€red by a Taxas bllder tåat is Sæ å¡t R€qùir.mnt t,7 fff V€odor lLì Nutr¡bff iffifllcions owned by a Texss reôident aervk)Èdisåbl€d veteran !) Goods produced in Texas or offered by a Texas bidder that þ nol owned by ã TBxta reËldent serv¡ce-disåbled vetÈran (_) Agriculture producls produoÊd or grown ¡n TX L) Agriculture products anl serv¡cês offðiëd by TX bidders Lll EerviceÊ offered by a T€xas bidder thal ls owncd by a Texas rssidânl sçrvlce4iE¡bled veterãn ô By sign¡r{ lhis bid, biddarce¡lifi¡s lhel if e Tet(ås eddmss ii shown aâ thã l) Services oftêrsd by a Tçxas bidd¿r thal is not owned by addre¡s of lhè bidder, bidder qualifieâ â8 a T6xe6 Biddðr 68 dêlinod ín a Texas resident service-diEaHed vêtêrân Sectlon 21fr{9.4¡r4(c) ol the Texes Govêîìrnênl Codê. -
Library-By-Media.Pdf
Card# Title Author Media Group 168 SHAKER BAND SAW PROJECTS DUGINAKE/MORRIS BOOK band saw 156 BANDSAW HANDBOOK VOL #2 (dup 131) DUGINSKE BOOK band saw 369 BANDSAW WORKSHOP BENCH REF. DUGINSKE, MARK BOOK band saw 314 SHOP TIPS bandsaw RODALE BOOKS BOOK band saw 138 BUILDING BEAUTIFUL BOXES/BANDSAW VENTURA, LOIS KEENER BOOK band saw 52 THE ART OF THE BAND SAW DUGINSKE, MARK BOOK bandsaw 133 MILTI USE COLLAPSIBLE BASKETS LONGABAUGH RICK & KAREN BOOK baskets 155 COLLAPSIBLE BASKET PATTERNS LONGABOUGH R& K BOOK baskets 227 THE BIRD FEEDER BOOK BOSWELL, THOM BOOK birds 389 EASY TO MAKE BIRD FEEDERS CAMPBELL, SCOTT D BOOK birds 416 MAKING BACKYARD BIRD HOUSES CORTWRIGHT AND POKRIOTS BOOK birds 147 MAKING FANCY BIRDHOUSES & FEEDERS D BOOK birds 620 BIRD HOUSES AND FEEDERS MEISEL, PAUL BOOK birds 229 BEASTLY ABODES-BIRDS, BATS, BUTTERFLY NEEDHAM,BOBBE BOOK birds 621 MAKING FANCY BIRD HOUSES AND FEEDERS SELF, CHARLES BOOK birds 346 BOATBUILDING CHAPELLE, HOWARD BOOK boat 471 BUILDING A STRIP CANOE GILPATRICK,GIL BOOK boat 428 STRIPPERS GUIDE/CANOE BLDNG HAZEN,DAVID BOOK boat 197 CLINKERBOAT BUILDING LEATHER,JOHN BOOK boat 478 STRIP-BUILT BOATS MILLER,LEW BOOK boat 427 CANOE CRAFT MOORES, TED-MOHR,MERILYN BOOK boat 722 BOAT MODELING PAYSON, DYNAMITE BOOK boat 472 BUILDING LAPSTRAKE CANOES SIMMONS, WALTER BOOK boat 474 LAPSTRAKE BOATBUILDING SIMMONS, WALTER BOOK boat 391 BUILDING THE CANOE STELMAK,JERRY BOOK boat 470 WOOD AND CANVAS CANOE STELMOK, JERRY BOOK boat 476 BUILDING THE HERRESHOFF DINGHY THOMAS, BARRY BOOK boat 475 LOFTING VAITSES,ALLAN H BOOK boat 450 BUILD A BOAT WOOD BOAT MAGAZINE BOOK boat 477 BOAT BUILDING WOODS WOODENBOAT MAGAZINE BOOK boat 429 BLDNG BOB'S SPECIAL CANOE BOOK boat 422 HOW TO DESIGN CANOES BOOK boat 43 MAKING WOOD BOXES W/ BAND SAW CRABB BOOK boxes 325 FINE DEC.