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Woodturning Magazine Index 1
Woodturning Magazine Index 1 Mag Page Woodturning Magazine - Index - Issues 1 - 271 No. No. TYPE TITLE AUTHOR Types of articles are grouped together in the following sequence: Feature, Projects, Regulars, Readers please note: Skills and Projects, Technical, Technique, Test, Test Report, Tool Talk Feature - Pages 1 - 32 Projects - Pages 32 - 56 Regulars - Pages 56 - 57 Skills and Projects - Pages 57 - 70 Technical - Pages 70 - 84 Technique - Pages 84 - 91 Test - Pages 91 - 97 Test Report - Pages 97 - 101 Tool Talk - Pages 101 - 103 1 36 Feature A review of the AWGB's Hay on Wye exhibition in 1990 Bert Marsh 1 38 Feature A light hearted look at the equipment required for turning Frank Sharman 1 28 Feature A review of Raffan's work in 1990 In house 1 30 Feature Making a reasonable living from woodturning Reg Sherwin 1 19 Feature Making bowls from Norfolk Pine with a fine lustre Ron Kent 1 4 Feature Large laminated turned and carved work Ted Hunter 2 59 Feature The first Swedish woodturning seminar Anders Mattsson 2 49 Feature A report on the AAW 4th annual symposium, Gatlinburg, 1990 Dick Gerard 2 40 Feature A review of the work of Stephen Hogbin In house 2 52 Feature A review of the Craft Supplies seminar at Buxton John Haywood 2 2 31 Feature A review of the Irish Woodturners' Seminar, Sligo, 1990 Merryll Saylan 2 24 Feature A review of the Rufford Centre woodturning exhibition Ray Key 2 19 Feature A report of the 1990 instructors' conference in Caithness Reg Sherwin 2 60 Feature Melbourne Wood Show, Melbourne October 1990 Tom Darby 3 58 -
Pear Wood Turning Blanks
Pear Wood Turning Blanks Is Baron ascending or napping after Julian Stanfield sharecropped so solidly? Is Pail phonemic or chalybeate after abaxial Wald toddle so whitely? Gale usually espied preparedly or unthatches egotistically when Fulani Giorgio engrave inadmissibly and breadthwise. Turn something for finding a range of the url or rot, etc is rough turned piece in the worst offender when without a leading fitness in. You may be able to match pen kits alongside one method for is something special properties and the crack. That just about olive wood turners here for pear turning an appointment only a nice polish used. The pears ripen at turning green bowls is dripping with antler horn and international buyers working with integrity and. Turning Hard Maple Bowl Pomskies at the Pohl Barn and in 21 May 2020. Some of pears are good to settings such as with dry off quick shipping carriers to repair wide gaps or advice in wood was. That mostly on the file is longer move moisture to finish the method is black walnut, i live edge. Pearl Barley Machine The blanks are dull out below a revolving steel tube past a serrated end it forms an annular saw like. For a terrific solution for knife in wood grain is an example of many different materials out chainsaw all! You found throught the big lathe securely in log in a high gloss glassy finish by signing up the bowl! Blacksmithing woodturning silversmithing batik and mist dye for making. Capretland usa flooring, pear tree grows, plain or blanks! We deliver stock burls in all shapes and sizes various kinds of turning blanks in. -
Lathe Parts and Accessories
What’s that called? Lathe Parts and Accessories Headstock Toolrest Handwheel Tailstock Spindle Quill or Ram Tailstock handwheel Swing over Spindle bed Axis Speed control Leg Bed or Ways Banjo Length Illustration by Robin Springett If you are new to woodturning, these runs perpendicular to the lathe’s bed illustrations can help you learn the common and spindle axis. As the name parts of a lathe, as well as important accessories implies, spindle turning is how stair specific tospindle and faceplate turning. balusters, chair parts, and other furniture parts are made. Bowls and platters are generally The terms spindle turning and faceplate turned in faceplate orientation. turning refer to the orientation of the wood grain relative to the axis of the lathe. Spindle Wood can be mounted in both grain orientation means the wood grain runs parallel orientations using the same methods and ➮ to the lathe’s bed, or ways, and spindle axis. accessories. Faceplate orientation means the wood grain Woodturning FUNdamentals 1 © American Association of Woodturners | woodturner.org viewed from the tailstock). Most modern lathes Lathe parts (but few older designs) can switch to “Reverse” Lathes from various manufacturers differ for sanding and finishing. in some ways, such as motor systems, speed adjustments, size, and other features. But The spindle has a female Morse taper on the the basic premise and major components are inside and male threads on the outside. These common to all of them. two features, which vary in size by make and model, allow you to mount accessories and turn The headstock is the drive end of the lathe, wood. -
18Th Annual Eastern Conference of the Timber Framers Guild
Timber Framers Guild 18th Annual Eastern Conference November 14–17, 2002, Burlington, Vermont The Timber Framer’s Panel Company www.foardpanel.com P.O. Box 185, West Chesterfield, NH 03466 ● 603-256-8800 ● [email protected] Contents FRANK BAKER Healthy Businesses. 3 BRUCE BEEKEN Furniture from the Forest . 4 BEN BRUNGRABER AND GRIGG MULLEN Engineering Day to Day ENGINEERING TRACK . 6 BEN BRUNGRABER AND DICK SCHMIDT Codes: the Practical and the Possible ENGINEERING TRACK . 8 RUDY CHRISTIAN Understanding and Using Square Rule Layout WORKSHOP . 13 RICHARD CORMIER Chip Carving PRE-CONFERENCE WORKSHOP . 14 DAVID FISCHETTI AND ED LEVIN Historical Forms ENGINEERING TRACK . 15 ANDERS FROSTRUP Is Big Best or Beautiful? . 19 ANDERS FROSTRUP Stave Churches . 21 SIMON GNEHM The Swiss Carpenter Apprenticeship . 22 JOE HOWARD Radio Frequency Vacuum Drying of Large Timber: an Overview . 24 JOSH JACKSON Plumb Line and Bubble Scribing DEMONSTRATION . 26 LES JOZSA Wood Morphology Related to Log Quality. 28 MICHELLE KANTOR Construction Law and Contract Management: Know your Risks. 30 WITOLD KARWOWSKI Annihilated Heritage . 31 STEVE LAWRENCE, GORDON MACDONALD, AND JAIME WARD Penguins in Bondage DEMO 33 ED LEVIN AND DICK SCHMIDT Pity the Poor Rafter Pair ENGINEERING TRACK . 35 MATTHYS LEVY Why Buildings Don’t Fall Down FEATURED SPEAKER . 37 JAN LEWANDOSKI Vernacular Wooden Roof Trusses: Form and Repair . 38 GORDON MACDONALD Building a Ballista for the BBC . 39 CURTIS MILTON ET AL Math Wizards OPEN ASSISTANCE . 40 HARRELSON STANLEY Efficient Tool Sharpening for Professionals DEMONSTRATION . 42 THOMAS VISSER Historic Barns: Preserving a Threatened Heritage FEATURED SPEAKER . 44 Cover illustration of the Norwell Crane by Barbara Cahill. -
Carving Newsletter February 2021 Final Version-2
FEBRUARY 2021 PRESIDENT’S LETTER Hello Carvers, I want to invite you to a special member meeting on April 21st at 7:00 PM (online). Te agenda includes officially changing the name from the Western Woodcarvers Association to the Oregon Carvers Guild, adding language to become a 501c3 charitable nonproft, revising the bylaws and electing officers. To register, click here. We want to honor the 48 year legacy of the Western Woodcarvers Association and continue using the State’s legal framework but change the name. To do this we need to make a one sentence name change to the Articles of Incorporation and fle the amendment. Tis is easy, but we will make other necessary changes while we are at it. Particularly we will add boilerplate language so we can become a 501c3 nonproft, the strongest and best type. Right now we are a generic c7 nonproft which provides no beneft to donors. It will take another six months to get IRS approval after that. Members need to approve these changes. While we are at it, we are going to ask you to approve new bylaws to refect our planned organization and add protection for directors and officers. Te language for these will be voluminous but necessary. Quite boring for most of us to wade through, but quite necessary. Finally, we will vote on officers for the next fscal year, hear about our progress and plans and answer questions. If you have a desire to serve on the board, or volunteer to help in any way, please let me know. -
The Wood Turning Center Is a Non-Profit Arts Institution Dedicated
Chronological List of Exhibitions & Publications The Center for Art in Wood 141 N. 3rd Street | Philadelphia, PA 19106 | 215-923-8000 Exhibitions in italics were accompanied by publications. Title of exhibition catalogue is listed with its details. 2013 Shadow of the Turning: The Art of Binh Pho, The Center for Art in Wood, October 25, 2013 – January 18, 2014. Organized by Binh Pho & Kevin Wallace Shadow of the Turning is a traveling exhibition focuses on art, philosophy and storytelling of artist Binh Pho. Blending the mythic worlds of fairy tale, fantasy, adventure and science fiction, this exhibit creates a bridge between literature, art world approaches to concept and narrative, craft traditions and mixed media approaches. The story is “illustrated” using an exciting new body of work by Binh Pho, which combines woodturning, sculpture, painting and art glass. Exhibited Artist: Binh Pho 2013 Hogbin on Woodturning: Pattern from Process, The Center for Art in Wood Museum Store, September 19 – October 21, 2013 The exhibition Pattern from Process presents objects created for the instructional publication titled Hogbin on Woodturning. The 14 objects by Stephen Hogbin in the publication are represented in the exhibition with related material. Reading about the projects included in the publication and seeing the object will help students, educators, and woodworkers develop a clearer understanding of the construction and final quality of their work. Exhibited Artist: Stephen Hogbin 2013 allTURNatives: Form + Spirit 2013, The Center for Art in Wood, August 2 – October 12, 2013 Celebrating the 18th year of the International Turning Exchange Residency (ITE) program, the Center is proud to host the international artists, photojournalist and scholar who worked together for 2 months at the UArts in Philadelphia and explored new directions in their work. -
Anniversary Profiles Betty J. Scarpino, Member #1001
Anniversary Profile: Betty Scarpino December 17, 2015 Anniversary Profiles Betty J. Scarpino, Member #1001 In the thirty weeks leading up to AAW's 30th Anniversary Symposium in Atlanta, we will be sharing the stories of members who joined in 1986 and are still members today. We hope you enjoy their memories and insights! Click here to read this and other profiles online. About Betty J. Scarpino Betty J. Scarpino is familiar to all AAW members as the former editor of American photo by Terry Martin Woodturner, but her work as a sculptor, printmaker, writer What motivated you to join the fledgling AAW? and teacher is equally well- I was introduced to the AAW when I was living in San respected. Marcos, Texas, in 1986 where I met Bob Rubel, AAW's first administrator. Bob contacted me to ask if I would consult Since leaving her most recent with him about his shopmade lathe and he also wanted help stint as editor (she served with woodturning techniques. I'm not sure I was of much from 1991-1993 and 2009- 2014), Betty has traveled to help, but the outcome was learning about the AAW. I joined China as an invited artist; right away, happy to find a community of woodturners. received the Collectors of Wood Art Lifetime Do you still have American Woodturner back issues? Where Achievement Award, and been do you keep them? selected for the Center for Art Throughout the years, I saved back issues of American in Wood's 2016 Wingate Woodturner, but ended up giving some of them away to Rick International Turning Exchange residency. -
2020 Spoon Gathering June 4, 5 & 6, 2020
2020 Spoon Gathering June 4, 5 & 6, 2020 Join us in Milan for 3 enjoyable days of carving, green woodworking, demonstrations, workshops, presentations, networking, and friendship. Mission statement. Sharing the knowledge of carving spoons and related handcrafts, while creating an inclusive gathering for all. Preparations for the 2020 Spoon Gathering are a work in progress. Some details may change as the event draws closer. If you have not attended before, please contact the school so that you can be added to the email list and receive any updated information as it comes available. Feel free to contact the school with any questions. 1 The Spoon Gathering The seed for a unique green woodworking event was planted more than a decade ago by artist and MVAS spoon carving instructor, Frank Foltz. Frank and the early organizers of the Spoon Gathering envisaged the creation of an event that would encourage carvers and spoon enthusiasts to gather once a year to celebrate the humble wooden spoon. What started as a small gathering of spoon carvers and enthusiasts in St. Paul has grown into a vibrant and entertaining 3-day festival of carving, friendship, and learning. Each year, carvers from across the United States and beyond converge on Milan to celebrate the wooden spoon, an international symbol of family, meals, and friendship. The Spoon Gathering today offers a family friendly event for those interested in wood spoon carving and traditional handcrafts. Demonstrations, workshops, and presentations are varied and are sourced from not just the world of spoon carving, but also related arts, skills, and knowledge. -
Ages 12-16 Classes: 1
DEPARTMENT 10 - ARTS AND CRAFTS FOR YOUTH **Cedar County Residents or Cedar County 4-H Enrollees Only** **Only one entry per Exhibitor per Class** All articles exhibited must be the work of the exhibitor and must not have won a prize at a previous Cedar County Fair. Ages must be on the exhibit. All pictures or items that need to be hung have to have 2 eye hooks and wire on the back. (If not, subject to dock) Champion $2.00; Reserve Champion $1.00 Prizes - 1st $3.00; 2nd 2.00; 3rd $1.00 Section 200 – Arts and Crafts Ages 12-16 Classes: 1. Antique article 25. Metal craft 2. Art foam article 26. Modge-podge 3. Batik-dyed article 27. Mosaic, glass or plastic 4. Basket weaving 28. Mosaic, tile 5. Bead craft 29. Nylon net article 6. Bottle cutting 30. Original rock craft 7. Bottle painting 31. Paper craft 8. Candle making 32. Paper-mâché 9. Ceramics 33. Paper quelling 10. Chenille craft 34. Pinecone craft 11. China painting 35. Plastic article 12. Clay craft 36. Pottery 13. Decoupage 37. Seed craft 14. Dough art 38. Soap decorating 15. Ecology box 39. Soap carving 16. Feather article 40. Stained glass 17. Felt article 41. String art 18. Flowers, handmade 42. Styrofoam article 19. Flowers, winter bouquet 43. Tie dye article 20. Jewelry, handmade 44. Weaving 21. Leather craft 45. Any article 22. Lego Item 23. Macaroni art 24. Macramé Section 201 - Collections Ages 12-16 Classes: 1. Buttons 7. Photography 2. Dolls 8. Rocks 3. Keys 9. -
Quick Carve Snowmen
2038_Snowmen_RD.QXD 10/12/04 3:04 PM Page 20 Materials MATERIALS: & TOOLS Wood: 1 Quick- 4 ⁄2" by 2" by 2" basswood block for each snowman TOOLS: 7 No. 3 ⁄8" gouge 1 Carving knife with a 1 ⁄4"-long blade Carve Detail knife 1mm V tool Snowmen ACCESSORIES: See-through flexible ruler Cheery holiday decorations Stylus with fine point anyone can make Tracing paper Carbon or graphite paper By Cyndi Joslyn Soft cloth used for antiquing FINISHING MATERIALS: Acrylic paint - colors per color chart With simple No.6 flat paintbrush adjustments to the No.1 liner brush scarf and hat, you Waterbased varnish (satin finish) can give your Antiquing medium/retarder (Jo Sonja’s snowmen a variety recommended) of cheerful looks. Further Tips hen it’s time for holiday READING carving, many turn to the By Cyndi Josyln Dry Brush Technique WWJolly Old Elf as a subject. Carving Santas Wet a flat paintbrush and stroke it This year, consider these cheery little from Around the back and forth on a paper towel to snowmen. Fun to make and fun to World remove most of the water from it. give, they are great stocking stuffers. Learn to carve festive Santas Dip the very edge of the brush into from around the world Understanding what you’ll see in through 3 step-by-step the paint. Again stroke the brush the photographs and text of this carving & painting projects. Includes patterns back and forth a few times on the demonstration will help a lot to & photographs for 12 additional Santas. -
FRW Mstr-Prep-For-PDF Jan 2020
FRW Library Master - January-2020 Page 1 of 109 FRW-ID Artist / Originator Type Title Subject Description AAW-01 AAW Book Amer Woodturner 1987-1992 Techniques and 28 articles compiled from American Woodturner 1987- 1992. Contains projects, techniques and tips that should be of Projects interest to all skill levels. AAW-02 AAW Book Amer Woodturner 1993-1995 Techniques and 38 articles compiled from American Woodturner 1993-1995, 80 pages, black & white. Contains projects, tehniques and Projects tips that should be of interest to all skill levels. AAW-03 AAW Book Amer Woodturner 1996-1998 Techniques and 48 articles compiled from American Woodturner 1996-1998, 112 pages, black & white. Contains projects, techniques Projects and tips that should be of interest to all skill levels. AAW-04 AAW Book Amer Woodturner 1999-2001 Techniques and 44 articles compiled from American Woodturner 1999-2001, 136 pages, black & white.Contains projects, techniques and Projects tips that should be of interest to all skill levels. AAW-05 AAW Book Amer Woodturner 2002-2004 Techniques and 45 articles compiled from American Woodworker 2002-2004, 160 pages, partial color. Contains projects, techniques and Projects tips that should be of interest to all skill levels. AAW-06 AAW CD Amer Woodturner 1986 - 1993 Techniques and A compliation of articles from the AAW Journals of 1986 - 1993. A total of 31 issues.See cover of CD holder for details Projects on reading, locating articles, and printing articles. Must be viewed on a computer. AAW-07 AAW CD Amer Woodturner 1994 - 2001 Techniques and A compliation of articles from the AAW Journals of 1994 - 2001. -
September 2018
THE WILDFOWLER SEPTEMBER 2018 A PUBLICATION OF THE ATLANTIC WILDFOWL HERITAGE MUSEUM AND THE BACK BAY WILDFOWL GUILD Back Bay Wildfowl Guild Memories Thomas C. Green March 1, 1935 – August 26, 1994 Tom, better known as “Shane”, a nickname he was tagged with as a young child, loved working in his home studio on Loren Crescent in the Cavalier Manor neighborhood of Portsmouth, Virginia. A home he shared with his wife Sylvia where they raised two boys. He enjoyed carving decoys, painting flat art landscapes and scenes of wild ducks and birds. He also enjoyed etching. The variety of the mediums allowed him to express himself without his art becoming boring and mundane. Shane called his passion for art a sickness and therapy all rolled up together. Shane was born in Knoxville, Tennessee. Shortly after his birth his family moved to Portsmouth, VA where he attended Mount Hermon Elementary School and graduated from I. C. Norcom High School. He then attended Virginia State College where he obtained degrees in Chemistry and Accounting. In 1958 Shane joined the United States Army as a Second Lieutenant resigning his commission as a Captain in 1963. In April of 1990 he retired as an Auditor for the United States Navy after a stellar 25 year career where he earned the Navy’s Meritorious Civilian Service Award. Throughout his career as an auditor his was required to travel. He traveled up and down the East and West coasts of the United States, to Japan, Cuba, Europe, and Hawaii. All the while maintaining an avid interest in a variety of art forms.