2019 Design in Wood Accepted List by Last Name
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Photocopy at 100% Note to professional copying services. You may make up to ten copies of these patterns for the personal use of the buyer of this magazine. TIP ZERO CLEARANCE INSERT Use a piece of cereal box or shirt cardboard to make a zero clearance insert. Drill a small blade-entry hole in the cardboard, and tape it to your saw table with some masking tape. The zero clearance insert helps support fragile areas and reduces the risk of breaking those parts. © 2007 Fox Chapel Publishing Co., Inc. Sue Mey lives in Pretoria, South Scroll Saw Woodworking & Crafts Africa. To see more of her work, Designer: Sue Mey visit www.geocities.com/meydenhart. Materials & Tools Materials: Tools: • 1" x 9" x 9" light colored hardwood • Wood stain – walnut (optional) • 3 and #9 reverse-tooth blades • Punch and mallet of choice (backing) • Deep-penetrating furniture wax or blades of choice • Sharp pencil • 1⁄8" x 8" x 8" Baltic birch plywood or liquid or Danish oil • Drill press with 1⁄16"-, 1⁄8"- and 5⁄16"- • Clamps, assorted sizes hardwood of choice (overlay) • Lint-free cloth diameter bits (size of the larger • Assorted paint brushes of • Masking tape • Wood glue bit may vary to match the shaft choice to apply the fi nish diameter of quartz movement) • Spray adhesive • Clear spray varnish • Disc sander and palm sander • Thin, double-sided tape (optional) • Saw-tooth hanger • Router with round-over bit • Sandpaper – assorted grits • Quartz movement and hands Free Pattern Download of FRETWORK OVERLAY CLOCK at www.ScrollSawer.com. 76 Scroll Saw Woodworking & Crafts ■ FALL 2007 FFretworkretwork OOverlayverlay CClock.inddlock.indd 7766 66/13/07/13/07 33:36:53:36:53 PPMM. -
Fretwork Program Detailed Instructions
Fretwork Program Detailed Instructions Fretwork is an art form whereby the artist produces a piece by cutting numerous holes (or frets) in a medium in order to produce a picture or design. In woodworking, that medium is normally wood, but other types of media can be used as well. Equipment The best tool for fretwork is a good-quality scroll saw, one that produces little vibration, and has more vertical motion of the saw blade. This is especially important for delicate pieces, as excessive vibration or blade friction on the wood can cause fragile pieces to break. Since fretwork involves threading a blade through a small hole to cut the frets, a saw that makes this process easier would be ideal. Excaliber and RBI are excellent choices, and I have had good luck with the DeWalt 780 I’ve owned for about 15 years, in spite of its limitations. Supplies Good quality blades are essential to good fretwork results. I have used Olsen blades in the past, which are probably marginal at best. I really like the Flying Dutchman blades, in particular the #1 Ultra Reverse. The blade is quite thin (one of the thinnest in their line), but I have no problems using it to cut material up to 1” thick. The reverse teeth on the bottom of the blade help to minimize “fuzzies” that you’ll get on the bottom of the piece as you’re cutting. For safety, of course safety glasses are a must, and some kind of dust mask for respiratory protection. Other things you’ll need (aside of the wood of choice and backer material) • A photocopier, or access to one (for producing patterns) • Spray adhesive • Paste wax • Mineral spirits • Sandpaper • Jointer and planer (if you’ll be preparing your own stock from rough cut) • Random orbit sander or drum sander (also for stock prep) • Drill press or hand drill • Small drill bits • Finishes Wood to use For fretwork in wood, the best results can be obtained by using close-grained hardwood, such as maple or German beech. -
The Art of Fretwork
FOSTERING A NEW AND COMPETITIVE APPROACH TO CRAFTS AND SEMI-INDUSTRIAL HIGH ADDED-VALUE SECTORS The Art of Fretwork Co-funded by the ESPAŇA Erasmus+ Programme of the European Union This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Co-funded by the Erasmus+ Programme of the European Union THE ART OF FRETWORK TOOLS AND MATERIALS .............................................................................................................. 3 CHARACTERISTICS ......................................................................................................................... 5 TECHNICS ............................................................................................................................................ 7 DESIGN AND PREPARATION ..................................................................................................... 10 CONTENTS TRANSFERENCE .............................................................................................................................. 11 FRETWORK ........................................................................................................................................ 11 CLEANING ........................................................................................................................................ 12 GLOSSARY ...................................................................................................................................... -
18Th Annual Eastern Conference of the Timber Framers Guild
Timber Framers Guild 18th Annual Eastern Conference November 14–17, 2002, Burlington, Vermont The Timber Framer’s Panel Company www.foardpanel.com P.O. Box 185, West Chesterfield, NH 03466 ● 603-256-8800 ● [email protected] Contents FRANK BAKER Healthy Businesses. 3 BRUCE BEEKEN Furniture from the Forest . 4 BEN BRUNGRABER AND GRIGG MULLEN Engineering Day to Day ENGINEERING TRACK . 6 BEN BRUNGRABER AND DICK SCHMIDT Codes: the Practical and the Possible ENGINEERING TRACK . 8 RUDY CHRISTIAN Understanding and Using Square Rule Layout WORKSHOP . 13 RICHARD CORMIER Chip Carving PRE-CONFERENCE WORKSHOP . 14 DAVID FISCHETTI AND ED LEVIN Historical Forms ENGINEERING TRACK . 15 ANDERS FROSTRUP Is Big Best or Beautiful? . 19 ANDERS FROSTRUP Stave Churches . 21 SIMON GNEHM The Swiss Carpenter Apprenticeship . 22 JOE HOWARD Radio Frequency Vacuum Drying of Large Timber: an Overview . 24 JOSH JACKSON Plumb Line and Bubble Scribing DEMONSTRATION . 26 LES JOZSA Wood Morphology Related to Log Quality. 28 MICHELLE KANTOR Construction Law and Contract Management: Know your Risks. 30 WITOLD KARWOWSKI Annihilated Heritage . 31 STEVE LAWRENCE, GORDON MACDONALD, AND JAIME WARD Penguins in Bondage DEMO 33 ED LEVIN AND DICK SCHMIDT Pity the Poor Rafter Pair ENGINEERING TRACK . 35 MATTHYS LEVY Why Buildings Don’t Fall Down FEATURED SPEAKER . 37 JAN LEWANDOSKI Vernacular Wooden Roof Trusses: Form and Repair . 38 GORDON MACDONALD Building a Ballista for the BBC . 39 CURTIS MILTON ET AL Math Wizards OPEN ASSISTANCE . 40 HARRELSON STANLEY Efficient Tool Sharpening for Professionals DEMONSTRATION . 42 THOMAS VISSER Historic Barns: Preserving a Threatened Heritage FEATURED SPEAKER . 44 Cover illustration of the Norwell Crane by Barbara Cahill. -
Carving Newsletter February 2021 Final Version-2
FEBRUARY 2021 PRESIDENT’S LETTER Hello Carvers, I want to invite you to a special member meeting on April 21st at 7:00 PM (online). Te agenda includes officially changing the name from the Western Woodcarvers Association to the Oregon Carvers Guild, adding language to become a 501c3 charitable nonproft, revising the bylaws and electing officers. To register, click here. We want to honor the 48 year legacy of the Western Woodcarvers Association and continue using the State’s legal framework but change the name. To do this we need to make a one sentence name change to the Articles of Incorporation and fle the amendment. Tis is easy, but we will make other necessary changes while we are at it. Particularly we will add boilerplate language so we can become a 501c3 nonproft, the strongest and best type. Right now we are a generic c7 nonproft which provides no beneft to donors. It will take another six months to get IRS approval after that. Members need to approve these changes. While we are at it, we are going to ask you to approve new bylaws to refect our planned organization and add protection for directors and officers. Te language for these will be voluminous but necessary. Quite boring for most of us to wade through, but quite necessary. Finally, we will vote on officers for the next fscal year, hear about our progress and plans and answer questions. If you have a desire to serve on the board, or volunteer to help in any way, please let me know. -
Library-By-Media.Pdf
Card# Title Author Media Group 168 SHAKER BAND SAW PROJECTS DUGINAKE/MORRIS BOOK band saw 156 BANDSAW HANDBOOK VOL #2 (dup 131) DUGINSKE BOOK band saw 369 BANDSAW WORKSHOP BENCH REF. DUGINSKE, MARK BOOK band saw 314 SHOP TIPS bandsaw RODALE BOOKS BOOK band saw 138 BUILDING BEAUTIFUL BOXES/BANDSAW VENTURA, LOIS KEENER BOOK band saw 52 THE ART OF THE BAND SAW DUGINSKE, MARK BOOK bandsaw 133 MILTI USE COLLAPSIBLE BASKETS LONGABAUGH RICK & KAREN BOOK baskets 155 COLLAPSIBLE BASKET PATTERNS LONGABOUGH R& K BOOK baskets 227 THE BIRD FEEDER BOOK BOSWELL, THOM BOOK birds 389 EASY TO MAKE BIRD FEEDERS CAMPBELL, SCOTT D BOOK birds 416 MAKING BACKYARD BIRD HOUSES CORTWRIGHT AND POKRIOTS BOOK birds 147 MAKING FANCY BIRDHOUSES & FEEDERS D BOOK birds 620 BIRD HOUSES AND FEEDERS MEISEL, PAUL BOOK birds 229 BEASTLY ABODES-BIRDS, BATS, BUTTERFLY NEEDHAM,BOBBE BOOK birds 621 MAKING FANCY BIRD HOUSES AND FEEDERS SELF, CHARLES BOOK birds 346 BOATBUILDING CHAPELLE, HOWARD BOOK boat 471 BUILDING A STRIP CANOE GILPATRICK,GIL BOOK boat 428 STRIPPERS GUIDE/CANOE BLDNG HAZEN,DAVID BOOK boat 197 CLINKERBOAT BUILDING LEATHER,JOHN BOOK boat 478 STRIP-BUILT BOATS MILLER,LEW BOOK boat 427 CANOE CRAFT MOORES, TED-MOHR,MERILYN BOOK boat 722 BOAT MODELING PAYSON, DYNAMITE BOOK boat 472 BUILDING LAPSTRAKE CANOES SIMMONS, WALTER BOOK boat 474 LAPSTRAKE BOATBUILDING SIMMONS, WALTER BOOK boat 391 BUILDING THE CANOE STELMAK,JERRY BOOK boat 470 WOOD AND CANVAS CANOE STELMOK, JERRY BOOK boat 476 BUILDING THE HERRESHOFF DINGHY THOMAS, BARRY BOOK boat 475 LOFTING VAITSES,ALLAN H BOOK boat 450 BUILD A BOAT WOOD BOAT MAGAZINE BOOK boat 477 BOAT BUILDING WOODS WOODENBOAT MAGAZINE BOOK boat 429 BLDNG BOB'S SPECIAL CANOE BOOK boat 422 HOW TO DESIGN CANOES BOOK boat 43 MAKING WOOD BOXES W/ BAND SAW CRABB BOOK boxes 325 FINE DEC. -
Quick Carve Snowmen
2038_Snowmen_RD.QXD 10/12/04 3:04 PM Page 20 Materials MATERIALS: & TOOLS Wood: 1 Quick- 4 ⁄2" by 2" by 2" basswood block for each snowman TOOLS: 7 No. 3 ⁄8" gouge 1 Carving knife with a 1 ⁄4"-long blade Carve Detail knife 1mm V tool Snowmen ACCESSORIES: See-through flexible ruler Cheery holiday decorations Stylus with fine point anyone can make Tracing paper Carbon or graphite paper By Cyndi Joslyn Soft cloth used for antiquing FINISHING MATERIALS: Acrylic paint - colors per color chart With simple No.6 flat paintbrush adjustments to the No.1 liner brush scarf and hat, you Waterbased varnish (satin finish) can give your Antiquing medium/retarder (Jo Sonja’s snowmen a variety recommended) of cheerful looks. Further Tips hen it’s time for holiday READING carving, many turn to the By Cyndi Josyln Dry Brush Technique WWJolly Old Elf as a subject. Carving Santas Wet a flat paintbrush and stroke it This year, consider these cheery little from Around the back and forth on a paper towel to snowmen. Fun to make and fun to World remove most of the water from it. give, they are great stocking stuffers. Learn to carve festive Santas Dip the very edge of the brush into from around the world Understanding what you’ll see in through 3 step-by-step the paint. Again stroke the brush the photographs and text of this carving & painting projects. Includes patterns back and forth a few times on the demonstration will help a lot to & photographs for 12 additional Santas. -
2019 Calendar Please Read the Entire Brochure Before Entering
2019 San Diego County Fair ● May 31 - July 4 ● Del Mar, California 38th Annual Design In Wood Competition - An International Exhibition of Fine Woodworking Ed Gladney, Coordinator Presented in association with the San Diego Fine Woodworkers Association 2019 CALENDAR PLEASE READ THE ENTIRE BROCHURE BEFORE ENTERING Registration is only accepted online. Visit www.sdfair.com/entry to enter and pay the processing fees. Processing fees are non-refundable. Entry Registration Deadline: Friday, April 26, 2019. All registrations must be submitted online by 11:59pm (Pacific Daylight Time). Entry Office extended hours to 7:00pm on April 26, 2019. Late Entries Will Not Be accepted. Notification of Accepted Project(s): Notification of accepted work will be emailed by Wednesday, May 8, 2019 Delivery of Entries: Tuesday, May 21, 2019, Noon - 8:00pm (Shipped entries must arrive between May 13 – May 20) Awards Ceremony: Thursday, May 30, 2019, 7:00pm - 9:00pm Judging Results: Will be posted by Saturday, June 1 Entry Pick Up: Saturday, July 6, 2019, Noon - 8:00pm Questions? Call the Entry Office at (858) 792-4207 or email [email protected] Monday through Friday from 10:00am to 4:00pm Digital Image Upload Support: Need assistance with photographing your wood project? Make an appointment and bring your project to be photographed at the San Diego County Fair Entry Office. A staff member will take a photo of your project and assist you with the online entry process. 2019 Design In Wood at the San Diego County Fair COMPETITION REQUIREMENTS: 1. The Local and State Rules apply to this department, available at sdfair.com/entry. -
September 2018
THE WILDFOWLER SEPTEMBER 2018 A PUBLICATION OF THE ATLANTIC WILDFOWL HERITAGE MUSEUM AND THE BACK BAY WILDFOWL GUILD Back Bay Wildfowl Guild Memories Thomas C. Green March 1, 1935 – August 26, 1994 Tom, better known as “Shane”, a nickname he was tagged with as a young child, loved working in his home studio on Loren Crescent in the Cavalier Manor neighborhood of Portsmouth, Virginia. A home he shared with his wife Sylvia where they raised two boys. He enjoyed carving decoys, painting flat art landscapes and scenes of wild ducks and birds. He also enjoyed etching. The variety of the mediums allowed him to express himself without his art becoming boring and mundane. Shane called his passion for art a sickness and therapy all rolled up together. Shane was born in Knoxville, Tennessee. Shortly after his birth his family moved to Portsmouth, VA where he attended Mount Hermon Elementary School and graduated from I. C. Norcom High School. He then attended Virginia State College where he obtained degrees in Chemistry and Accounting. In 1958 Shane joined the United States Army as a Second Lieutenant resigning his commission as a Captain in 1963. In April of 1990 he retired as an Auditor for the United States Navy after a stellar 25 year career where he earned the Navy’s Meritorious Civilian Service Award. Throughout his career as an auditor his was required to travel. He traveled up and down the East and West coasts of the United States, to Japan, Cuba, Europe, and Hawaii. All the while maintaining an avid interest in a variety of art forms. -
CUSTOM CHEST PROGRAM Yours for the Making
CUSTOM CHEST PROGRAM Yours for the Making. Custom Chest Program. With our versatile Chest program, you choose your Case, Drawer/Door front, Base, add your choice of Hardware, select its finish and its placement, then select your Stain or Paint finish. Style that suits your space—Yours for the Making. 1 SELECT YOUR CASE: Choose from eight style options. *Case heights combine with Base heights to create overall heights. CR9-221 CR9-222 Small Single Drawer Small Three Drawer Nightstand Nightstand 24 W 18.5 D 21.25 H 24 W 18.5 D 21.25 H CR9-225 CR9-226 Large Single Drawer Large Three Drawer Nightstand Nightstand 36 W 18.5 D 23.25 H 36 W 18.5 D 23.25 H CR9-702 CR9-703 Three Drawer Chest Two Door Chest 40 W 20.5 D 29.25 H 40 W 20.5 D 29.25 H CR9-201 CR9-202 Six Drawer Chest Four Door Chest 72 W 20.5 D 29.25 H 72 W 20.5 D 29.25 H 1 2 SELECT YOUR DRAWER/DOOR FRONT: Choose from five Drawer styles and five Door style options. DRAWERS Plain Drawer Bead Edge Drawer Picture Frame Drawer (PL) (BD) (PT) Fretwork Overlay Circle Overlay Drawer (FW) Drawer (CR) (Upcharge) (Upcharge) DOORS Plain Door Bead Edge Door Picture Frame Door (PL) (BD) (PT) Fretwork Overlay Circle Overlay Door (FW) Door (CR) (Upcharge) (Upcharge) 2 3 SELECT YOUR BASE: Choose from eight style options. *Base heights combine with Case heights to create overall heights. Metal Leg Brass Base (MB) Metal Leg Silver Base (MS) 6” H 6” H Tapered Leg Base (TP) Saber Leg Base (SB) 6.75” H 6.75” H Bracket Base (BK) Chow Base (CH) 6.75” H 6.75” H Turned Foot Base (TR) Plinth Base (PH) 6.75” H 4” H 3 4 SELECT YOUR HARDWARE and HARDWARE FINISH: Choose from eight style options. -
How to Identify Old Chinese Porcelain
mmmKimmmmmmKmi^:^ lOW-TO-IDENTIFY OLD -CHINESE - PORCELAIN - j?s> -ii-?.aaig3)g'ggg5y.jgafE>j*iAjeE5egasgsKgy3Si CORNELL UNIVERSITY LIBRARY THE WASON CHINESE COLLECTION DATE DUE 1*-^'" """"^*^ NK 4565!h69" "-ibrary 3 1924 023 569 514 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023569514 'a4^(A<-^^ %//3 HOW TO IDENTIFY OLD CHINESE PORCELAIN PLATE r WHITE PORCELAIN "BLANC-DE-CHINE" PAIR OF BOWLS of pierced fret-work divided by five circular panels or medallions of raised figures in relief, supposed 10 represent the Pa-Sien or eight Immortals and the God of Longevity. Height, if in. Diameter, sfin. SEAL in the form of a cube surmounted by the figure of a lion Height, i^in. INCENSE BURNER, eight sided and ornamented by moulding in relief with eight feet and four handles. The sides have three bands enclosing scrolls in ancient bronze designs. At each angle of the cover is a knob; it is ornamented with iris and prunus, and by pierced spaces. The stand has eight feet and a knob at each angle ; in the centre is a flower surrounded by detached impressed scrolls, round the outside are similar panels to those on the bowl. Height, 4|in. Diameter of stand, 6f in. THE FIGURE OF A CRAB on a lotus leaf, the stem of which terminales in a flower. Length, 6| in. From Sir PV. fraiik^s Collection at the BritisJi Museum. S3 HOW TO IDENTIFY OLD CHINESE PORCELAIN BY MRS. -
Living with Wood to the Participants and the General Public
REDISCOVERING WOOD: THE KEY TO A SUSTAINABLE FUTURE THE INTERNATIONAL CONFERENCE ON THE ART AND JOY OF WOOD BANGALORE, INDIA 19 OCTOBER – 22 OCTOBER 2011 PROCEEDINGS PART 1- CONFERENCE OVERVIEW The designations employed and the presentation of material in this information product do not imply the expression of any opinion whatsoever on the part of the Food and Agriculture Organization of the United Nations (FAO) concerning the legal or development status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. The mention of specific companies or products of manufacturers, whether or not these have been patented, does not imply that these have been endorsed or recommended by FAO in preference to others of a similar nature that are not mentioned. The views expressed in this information product are those of the author(s) and do not necessarily reflect the views or policies of FAO. ISBN 978-92-5-107598-2 (print) E-ISBN 978-92-5-107599-9 (PDF) © FAO 2013 FAO encourages the use, reproduction and dissemination of material in this information product. Except where otherwise indicated, material may be copied, downloaded and printed for private study, research and teaching purposes, or for use in non-commercial products or services, provided that appropriate acknowledgement of FAO as the source and copyright holder is given and that FAO’s endorsement of users’ views, products or services is not implied in any way. All requests for translation and adaptation rights, and for resale and other commercial use rights should be made via www.fao.org/contact-us/licence- request or addressed to [email protected].