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Note to professional copying services. You may make up to ten copies of these patterns for the personal use of the buyer of this magazine.

ZERO CLEARANCE INSERT

TIP

Use a piece of cereal box or shirt cardboard to make a zero clearance insert. Drill a small blade-entry hole in the cardboard, and tape it to your saw table with some masking tape. The zero clearance insert helps support fragile areas and reduces the risk of breaking those parts.

Sue Mey lives in Pretoria, South Africa. To see more of her work,

visit www.geocities.com/meydenhart.

Materials &Tools

Materials:

• 1" x 9" x 9" light colored hardwood • Wood stain – walnut (optional) of choice (backing)
• 1⁄8" x 8" x 8" Baltic birch plywood or liquid or Danish oil

Tools:

• 3 and #9 reverse-tooth blades or blades of choice
• Drill press with 1⁄16"-, 1⁄8"- and 5⁄16"- diameter bits (size of the larger bit may vary to match the shaft diameter of quartz movement)
• Punch and mallet • Sharp pencil • Clamps, assorted sizes • Assorted paint brushes of choice to apply the ﬁnish
• Deep-penetrating furniture wax hardwood of choice (overlay)
• Masking tape • Spray adhesive
• Lint-free cloth • Wood glue • Clear spray varnish • Saw-tooth hanger • Quartz movement and hands
• Disc sander and palm sander • Router with round-over bit
• Thin, double-sided tape (optional) • Sandpaper – assorted grits

Free Pattern Download

of FRETWORK OVERLAY CLOCK at

www.ScrollSawer.com

■

Scroll Saw Woodworking & Crafts FALL 2007

Recommended publications

Fretwork Program Detailed Instructions

Fretwork Program Detailed Instructions Fretwork is an art form whereby the artist produces a piece by cutting numerous holes (or frets) in a medium in order to produce a picture or design. In woodworking, that medium is normally wood, but other types of media can be used as well. Equipment The best tool for fretwork is a good-quality scroll saw, one that produces little vibration, and has more vertical motion of the saw blade. This is especially important for delicate pieces, as excessive vibration or blade friction on the wood can cause fragile pieces to break. Since fretwork involves threading a blade through a small hole to cut the frets, a saw that makes this process easier would be ideal. Excaliber and RBI are excellent choices, and I have had good luck with the DeWalt 780 I’ve owned for about 15 years, in spite of its limitations. Supplies Good quality blades are essential to good fretwork results. I have used Olsen blades in the past, which are probably marginal at best. I really like the Flying Dutchman blades, in particular the #1 Ultra Reverse. The blade is quite thin (one of the thinnest in their line), but I have no problems using it to cut material up to 1” thick. The reverse teeth on the bottom of the blade help to minimize “fuzzies” that you’ll get on the bottom of the piece as you’re cutting. For safety, of course safety glasses are a must, and some kind of dust mask for respiratory protection. Other things you’ll need (aside of the wood of choice and backer material) • A photocopier, or access to one (for producing patterns) • Spray adhesive • Paste wax • Mineral spirits • Sandpaper • Jointer and planer (if you’ll be preparing your own stock from rough cut) • Random orbit sander or drum sander (also for stock prep) • Drill press or hand drill • Small drill bits • Finishes Wood to use For fretwork in wood, the best results can be obtained by using close-grained hardwood, such as maple or German beech.
The Art of Fretwork

FOSTERING A NEW AND COMPETITIVE APPROACH TO CRAFTS AND SEMI-INDUSTRIAL HIGH ADDED-VALUE SECTORS The Art of Fretwork Co-funded by the ESPAŇA Erasmus+ Programme of the European Union This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Co-funded by the Erasmus+ Programme of the European Union THE ART OF FRETWORK TOOLS AND MATERIALS .............................................................................................................. 3 CHARACTERISTICS ......................................................................................................................... 5 TECHNICS ............................................................................................................................................ 7 DESIGN AND PREPARATION ..................................................................................................... 10 CONTENTS TRANSFERENCE .............................................................................................................................. 11 FRETWORK ........................................................................................................................................ 11 CLEANING ........................................................................................................................................ 12 GLOSSARY ......................................................................................................................................
2019 Calendar Please Read the Entire Brochure Before Entering

2019 San Diego County Fair ● May 31 - July 4 ● Del Mar, California 38th Annual Design In Wood Competition - An International Exhibition of Fine Woodworking Ed Gladney, Coordinator Presented in association with the San Diego Fine Woodworkers Association 2019 CALENDAR PLEASE READ THE ENTIRE BROCHURE BEFORE ENTERING Registration is only accepted online. Visit www.sdfair.com/entry to enter and pay the processing fees. Processing fees are non-refundable. Entry Registration Deadline: Friday, April 26, 2019. All registrations must be submitted online by 11:59pm (Pacific Daylight Time). Entry Office extended hours to 7:00pm on April 26, 2019. Late Entries Will Not Be accepted. Notification of Accepted Project(s): Notification of accepted work will be emailed by Wednesday, May 8, 2019 Delivery of Entries: Tuesday, May 21, 2019, Noon - 8:00pm (Shipped entries must arrive between May 13 – May 20) Awards Ceremony: Thursday, May 30, 2019, 7:00pm - 9:00pm Judging Results: Will be posted by Saturday, June 1 Entry Pick Up: Saturday, July 6, 2019, Noon - 8:00pm Questions? Call the Entry Office at (858) 792-4207 or email [email protected] Monday through Friday from 10:00am to 4:00pm Digital Image Upload Support: Need assistance with photographing your wood project? Make an appointment and bring your project to be photographed at the San Diego County Fair Entry Office. A staff member will take a photo of your project and assist you with the online entry process. 2019 Design In Wood at the San Diego County Fair COMPETITION REQUIREMENTS: 1. The Local and State Rules apply to this department, available at sdfair.com/entry.
CUSTOM CHEST PROGRAM Yours for the Making

CUSTOM CHEST PROGRAM Yours for the Making. Custom Chest Program. With our versatile Chest program, you choose your Case, Drawer/Door front, Base, add your choice of Hardware, select its finish and its placement, then select your Stain or Paint finish. Style that suits your space—Yours for the Making. 1 SELECT YOUR CASE: Choose from eight style options. *Case heights combine with Base heights to create overall heights. CR9-221 CR9-222 Small Single Drawer Small Three Drawer Nightstand Nightstand 24 W 18.5 D 21.25 H 24 W 18.5 D 21.25 H CR9-225 CR9-226 Large Single Drawer Large Three Drawer Nightstand Nightstand 36 W 18.5 D 23.25 H 36 W 18.5 D 23.25 H CR9-702 CR9-703 Three Drawer Chest Two Door Chest 40 W 20.5 D 29.25 H 40 W 20.5 D 29.25 H CR9-201 CR9-202 Six Drawer Chest Four Door Chest 72 W 20.5 D 29.25 H 72 W 20.5 D 29.25 H 1 2 SELECT YOUR DRAWER/DOOR FRONT: Choose from five Drawer styles and five Door style options. DRAWERS Plain Drawer Bead Edge Drawer Picture Frame Drawer (PL) (BD) (PT) Fretwork Overlay Circle Overlay Drawer (FW) Drawer (CR) (Upcharge) (Upcharge) DOORS Plain Door Bead Edge Door Picture Frame Door (PL) (BD) (PT) Fretwork Overlay Circle Overlay Door (FW) Door (CR) (Upcharge) (Upcharge) 2 3 SELECT YOUR BASE: Choose from eight style options. *Base heights combine with Case heights to create overall heights. Metal Leg Brass Base (MB) Metal Leg Silver Base (MS) 6” H 6” H Tapered Leg Base (TP) Saber Leg Base (SB) 6.75” H 6.75” H Bracket Base (BK) Chow Base (CH) 6.75” H 6.75” H Turned Foot Base (TR) Plinth Base (PH) 6.75” H 4” H 3 4 SELECT YOUR HARDWARE and HARDWARE FINISH: Choose from eight style options.
How to Identify Old Chinese Porcelain

mmmKimmmmmmKmi^:^ lOW-TO-IDENTIFY OLD -CHINESE - PORCELAIN - j?s> -ii-?.aaig3)g'ggg5y.jgafE>j*iAjeE5egasgsKgy3Si CORNELL UNIVERSITY LIBRARY THE WASON CHINESE COLLECTION DATE DUE 1*-^'" """"^*^ NK 4565!h69" "-ibrary 3 1924 023 569 514 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023569514 'a4^(A<-^^ %//3 HOW TO IDENTIFY OLD CHINESE PORCELAIN PLATE r WHITE PORCELAIN "BLANC-DE-CHINE" PAIR OF BOWLS of pierced fret-work divided by five circular panels or medallions of raised figures in relief, supposed 10 represent the Pa-Sien or eight Immortals and the God of Longevity. Height, if in. Diameter, sfin. SEAL in the form of a cube surmounted by the figure of a lion Height, i^in. INCENSE BURNER, eight sided and ornamented by moulding in relief with eight feet and four handles. The sides have three bands enclosing scrolls in ancient bronze designs. At each angle of the cover is a knob; it is ornamented with iris and prunus, and by pierced spaces. The stand has eight feet and a knob at each angle ; in the centre is a flower surrounded by detached impressed scrolls, round the outside are similar panels to those on the bowl. Height, 4|in. Diameter of stand, 6f in. THE FIGURE OF A CRAB on a lotus leaf, the stem of which terminales in a flower. Length, 6| in. From Sir PV. fraiik^s Collection at the BritisJi Museum. S3 HOW TO IDENTIFY OLD CHINESE PORCELAIN BY MRS.
2019 Design in Wood Accepted List by Last Name

2019 Design In Wood Accepted List By Last Name WEN Last Name First Name Division Class and Class Description Title Accepted 13DBD3 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Wildflowers Accepted 5D9482 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Turtle Accepted 99E52E Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Goldfish Accepted 53E0EA Albertson David 1101 Design In Wood 010 - Model Building - Not to Scale 1930 Ford Accepted 9567F6 Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Myrtle Pearl Accepted D3084C Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Walnut Burl Pearl Accepted D9E0F0 Anderson Karen J 1101 Design In Wood 026 - Scroll Saw - Fretwork - Pierced & Unpierced Fancy Fish Accepted DF401F Appelquist Paul 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Sleigh seat Accepted E4AC30 Atangan Patrick 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Eliptical Sofa Accepted 1658DD Ault Sally 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Spire Accepted 203F9D Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Natural Edge Bowl Accepted 58AED5 Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Blowin' in the Wind Accepted B515AB Avery Joe 1101 Design In Wood 005 - Art Furniture Surfboard Table Accepted F17968 Barrientos Ivan 1101 Design In Wood 026 - Scroll Saw
Canyon De Chelly Canyon De Chelly Canyon De Chelly

Canyon de Chelly Canyon de Chelly Canyon de Chelly The Story by of its Ruins and People Zorro A. Bradley Office of Publications National Park Service U.S. Department of the Interior 1973 Washington, D.C. Library of Congress Catalog Card Number 73-600078 Contents Discovery of the Ruins 3 The People of Canyon de Chelly 17 The Anasazi 18 The Principal Ruins 7 The Navajos 27 White House 7 Antelope House 9 Further Reading 57 Standing Cow 12 Big Cave 13 Maps 8,24,39 Mummy Cave 15 Quotation from The Professor's House, 1925, by permission of Alfred A. Knopf, New York. Far up above me, a thousand feet or so, set in a great cavern in the face of the cliff, I saw a little city of stone asleep. It was as still as sculpture—and something like that. It all hung together, seemed to have a kind of composition: pale little houses of stone nestling close to one another, perched on top of each other, with flat roofs, narrow windows, straight walls, and in the middle of the group, a round tower.... In sunlight it was the colour of winter oak leaves. A fringe of cedars grew along the edge of the cavern, like a garden. They were the only living things. Such silence and stillness and repose —immortal repose. That village sat looking down into the canyon with the calmness of eternity.... I had come upon the city of some extinct civilization, hidden away in this inaccessible mesa for centuries, preserved in the dry air and almost perpetual sunlight like a fly in amber, guarded by the cliffs and the river and the desert.
Woodworking – Adult Division Dept

2019 Dept. V-10 – Woodworking – Adult Division Dept. VP-61 – Woodworking – Junior Division Prize Money Offered: Dept. V-10 $588.00 Entry Fee: $1 per entry Dept. VP-61 $588.00 Superintendent: Chuck Ingram (630) 687-0984 a. Exhibitors may enter TWO entries per class and must comply with Agricultural Sciences/Home Economics/Arts General Rules and Regulations. b. ALL EXHIBITS MUST HAVE BEEN COMPLETED DURING THE CURRENT YEAR, EXCEPT IF SHOWN IN THE PREVIOUS YEAR’S 4-H FAIR SHOW, AND NEVER SHOWN IN DUPAGE COUNTY FAIR OPEN CLASS COMPETITION BEFORE. c. Woodworking exhibit judging will be based on technique, details, finish and overall workmanship. d. Champion awards in individual departments will be made to the EXHIBITOR WINNING THE MOST POINTS ON THE FOLLOWING POINT SCALE, WITH A MINIMUM OF 24 POINTS: 1st-8 points 2nd-4 points 3rd-2 points Prize Money Offered: 1st 2nd 3rd $8 $7 $6 WOODWORKING Class Number Class Description Junior Adult 6741 8741 New Furniture – Small (up to 36" high) 6742 8742 New Furniture – Large (over 36" high) 6743 8743 Small Project (candleholder, bookends, sconce, box, etc.) 6744 8744 Toy 6745 8745 Router Project 6746 8746 Outdoor Project (birdhouse, lawn furniture, figures, etc.) 6747 8747 3-D Carving 6748 8748 Relief Carving 6749 8749 Chip Carving 6750 8750 Model-making (car, ship, train, carriage, plane, etc.) 6751 8751 Scroll Saw Project 6752 8752 Clock – Large (over 18" tall) 6753 8753 Clock – Small (under 18" tall) 6754 8754 Religious Item 6755 8755 Intarsia Project * (see definition below) 6756 8756 Holiday Item
Newsletter Third Quarter 2018

NNEEWWSSLLEETTTTEERR T H I R D Q U A R T E R 2 0 1 8 www.baskets -gourds.com Volume 22, Number 3 August 5 INSIDE THIS ISSUE Annual Members’ Basket Class Day Basket Day & Weekend Update ................................ 1 There are still openings in some of the classes Mary Hettmansperger Class Experiences ..................... 2 at this relaxing and inspiring annual event: CGS So. California Competition ............................... 2 September & October Meeting Info & Calendar ............. 3 Appalachian Egg Basket ~~ Carol Lang SD County Fair Demos & Competitions Winners ............. 4 Member Happenings & Garden Fairy Festival Report ....... 5 Weekend Teacher & Class List ................................. 6 Cobalt Blue Bottle Covered Road Trips ........................................................ 7 with Cross Warp ~~ Willie Ziegler Minutes: May, June, July. ................................... 7-9 Contacts, NBO, Links & Acknowledgements ............... 10 Membership Form ............................................. 11 Lauhala Earrings ~~ Sue Kamin (Grace Swanson’s teneriffe/pine needle woven ornament class is full.) 2019 Weekend in the Garden Class descriptions, photos and registration and payment information are on the Classes Class List is Here! Page of our website (http://baskets- gourds.com/classes ). Non-member friends We’re pleased to announce that the list and family are welcome to join the fun! (BYO of Weekend teachers and classes has lunch – no potluck.) been finalized, and can be found on Page If you have additional questions, contact 6 for your review. Jeanne Ames ([email protected]). We are working on the draft class Members who want to just handout and catalog with photos and descriptions, bring something to work on are welcome! which will be available on our website in the near future. As mentioned previously, registration will be online at the San Diego Botanic Garden website.
August 14 & 15 RIVER BENDS PARK

ShelbyArtFair.org 568-731-0300 Shelby-Township-Art-Fair New Location RIVER BENDS PARK 5700 22 Mile Road August 14 & 15 10 AM - 5 PM Saturday 11 AM - 5 PM Sunday About the Judge Robert Fionda Working in a studio or en Plein air, accomplished Society International Open exhibition and placed watercolorist Robert Fionda considers himself a in the 150th International American Watercolor “romantic realist” painter of landscapes, nature Society Exhibition. The 2016 Great Lakes Bay and still life. En Plein Air Festival sponsored by the Saginaw Art Museum awarded Fionda “Best of Show” “Over the years, I have evolved from a recorder for his watercolor, “Kawkawlin Granary.” His of details and images to someone who wants watercolors have graced a variety of venues, to paint the visual suggestion and not the fact,” including the cover of The Michigan Bar Journal. Fionda said. Fionda is an associate member of the American Painting the textured and rusted patinas of Watercolor Society and a contributing writer everyday utilitarian objects intrigues Fionda. for its newsletter. Other memberships include the National Watercolor Society (associate) and “I have always had a visual empathy toward those an inaugural Signature Member of the Michigan mundane accouterments of life that have outlived Watercolor Society. Local art memberships their usefulness,” Fionda says. “Be it a simple, include the Romeo Guild of Art and an honorary discarded tea kettle or an abandoned boat member of the Blue Water Art Association. He is hull; each is embodied with residual and tactile currently associated with the Gingerblue Gallery characteristics that tell a story.
2019 San Diego County Fair Design in Wood Results by (Last Name)

2019 SAN DIEGO COUNTY FAIR DESIGN IN WOOD RESULTS BY (LAST NAME) Last Name First Name Division Class and Class Description Title Place Ribbon Special Placing City State Zip Code WEN Stotler Josh 1101 Design In Wood 011 - Musical Instruments “Oz” Master Woodworker San Diego CA 92123 0DAA6B Noland Fish 1101 Design In Wood 014 - Veneering/Marquetry - Art SunflowerFish 3 Robert and Janet Stevenson Award Escondido CA 92027 45C942 Payne Travis 1101 Design In Wood 020 - Wood Carving - Animals Creepy since 1939 Theme Award Ramona CA 92065 BBA245 Ababaf Daryoush 1101 Design In Wood 025 - Scroll Saw - Intarsia Wildflowers 1 Plano TX 75074 13DBD3 Ababaf Daryoush 1101 Design In Wood 025 - Scroll Saw - Intarsia Goldfish Honorable Mention Plano TX 75074 99E52E Ababaf Daryoush 1101 Design In Wood 025 - Scroll Saw - Intarsia Turtle Honorable Mention Plano TX 75074 5D9482 Albertson David 1101 Design In Wood 010 - Model Building - Not to Scale 1930 Ford 1 Oceanside CA 92058 53E0EA Anderson Karen J 1101 Design In Wood 026 - Scroll Saw - Fretwork - Pierced & Unpierced Fancy Fish 3 Spring Valley CA 91977 D9E0F0 Ault Sally 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Spire Honorable Mention San Diego CA 92107 1658DD Avery Joe 1101 Design In Wood 005 - Art Furniture Surfboard Table Honorable Mention San Diego CA 92122 B515AB Barrientos Ivan 1101 Design In Wood 026 - Scroll Saw - Fretwork - Pierced & Unpierced The wizard of oz Honorable Mention San Diego CA 92102 F17968 Barry John 1101 Design In Wood 006 - Chairs - Furniture Made for Seating
Island Fusion.Pdf

With a refined yet restrained aesthetic, Pan-Asian design ascribes great value to visual composition, clean disciplined lines and the goal of infusing tranquility into today’s contemporary décor. Island Fusion embraces the Zen side of Tommy Bahama Home, with bold designs that blend horizontal and vertical elements, dramatic statement hardware and accents of eclectic natural materials that offer a unique look to every piece. The result is a striking modern expression of personal style, with a vibe that feels relaxed and livable. Statement pieces define the room, while custom upholstery offers an invitation to enjoy the laid-back comfort of casual sophisticated living. bedroom 4 dining room 1 6 living room 28 details 64 ISLAND FUSION 3 Bedroom For those who appreciate clean contemporary lines, the Mandarin bed makes a bold statement, with strong horizontal wood accents on the upholstered headboard and complementary upholstered panels on the side rails and footboard. 556-134C Mandarin Upholstered Panel Bed, King 81.25W x 89.25L x 64H in. 556-623 Sendai High/Low Nightstand 33.5W x 20D x 29H in. Shown in high position 4 ISLAND FUSION The headboard of the Shanghai bed showcases an elegant Pan-Asian fretwork design, highlighted by a contrasting dark walnut back panel. The side rails and feet also offer accents in the dark walnut finish. The Shanghai is available as a complete bed or as a headboard only. The Midori benches complete the look with slatted concave seats. 556-144C Shanghai Panel Bed, King 80.5W x 86L x 68H in. 556-621 Isabela Nightstand 30W x 19D x 30H in.