Wood Workers Library by Group 9-18-19
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Materials& Tools
Photocopy at 100% Note to professional copying services. You may make up to ten copies of these patterns for the personal use of the buyer of this magazine. TIP ZERO CLEARANCE INSERT Use a piece of cereal box or shirt cardboard to make a zero clearance insert. Drill a small blade-entry hole in the cardboard, and tape it to your saw table with some masking tape. The zero clearance insert helps support fragile areas and reduces the risk of breaking those parts. © 2007 Fox Chapel Publishing Co., Inc. Sue Mey lives in Pretoria, South Scroll Saw Woodworking & Crafts Africa. To see more of her work, Designer: Sue Mey visit www.geocities.com/meydenhart. Materials & Tools Materials: Tools: • 1" x 9" x 9" light colored hardwood • Wood stain – walnut (optional) • 3 and #9 reverse-tooth blades • Punch and mallet of choice (backing) • Deep-penetrating furniture wax or blades of choice • Sharp pencil • 1⁄8" x 8" x 8" Baltic birch plywood or liquid or Danish oil • Drill press with 1⁄16"-, 1⁄8"- and 5⁄16"- • Clamps, assorted sizes hardwood of choice (overlay) • Lint-free cloth diameter bits (size of the larger • Assorted paint brushes of • Masking tape • Wood glue bit may vary to match the shaft choice to apply the fi nish diameter of quartz movement) • Spray adhesive • Clear spray varnish • Disc sander and palm sander • Thin, double-sided tape (optional) • Saw-tooth hanger • Router with round-over bit • Sandpaper – assorted grits • Quartz movement and hands Free Pattern Download of FRETWORK OVERLAY CLOCK at www.ScrollSawer.com. 76 Scroll Saw Woodworking & Crafts ■ FALL 2007 FFretworkretwork OOverlayverlay CClock.inddlock.indd 7766 66/13/07/13/07 33:36:53:36:53 PPMM. -
Fretwork Program Detailed Instructions
Fretwork Program Detailed Instructions Fretwork is an art form whereby the artist produces a piece by cutting numerous holes (or frets) in a medium in order to produce a picture or design. In woodworking, that medium is normally wood, but other types of media can be used as well. Equipment The best tool for fretwork is a good-quality scroll saw, one that produces little vibration, and has more vertical motion of the saw blade. This is especially important for delicate pieces, as excessive vibration or blade friction on the wood can cause fragile pieces to break. Since fretwork involves threading a blade through a small hole to cut the frets, a saw that makes this process easier would be ideal. Excaliber and RBI are excellent choices, and I have had good luck with the DeWalt 780 I’ve owned for about 15 years, in spite of its limitations. Supplies Good quality blades are essential to good fretwork results. I have used Olsen blades in the past, which are probably marginal at best. I really like the Flying Dutchman blades, in particular the #1 Ultra Reverse. The blade is quite thin (one of the thinnest in their line), but I have no problems using it to cut material up to 1” thick. The reverse teeth on the bottom of the blade help to minimize “fuzzies” that you’ll get on the bottom of the piece as you’re cutting. For safety, of course safety glasses are a must, and some kind of dust mask for respiratory protection. Other things you’ll need (aside of the wood of choice and backer material) • A photocopier, or access to one (for producing patterns) • Spray adhesive • Paste wax • Mineral spirits • Sandpaper • Jointer and planer (if you’ll be preparing your own stock from rough cut) • Random orbit sander or drum sander (also for stock prep) • Drill press or hand drill • Small drill bits • Finishes Wood to use For fretwork in wood, the best results can be obtained by using close-grained hardwood, such as maple or German beech. -
The Art of Fretwork
FOSTERING A NEW AND COMPETITIVE APPROACH TO CRAFTS AND SEMI-INDUSTRIAL HIGH ADDED-VALUE SECTORS The Art of Fretwork Co-funded by the ESPAŇA Erasmus+ Programme of the European Union This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein. Co-funded by the Erasmus+ Programme of the European Union THE ART OF FRETWORK TOOLS AND MATERIALS .............................................................................................................. 3 CHARACTERISTICS ......................................................................................................................... 5 TECHNICS ............................................................................................................................................ 7 DESIGN AND PREPARATION ..................................................................................................... 10 CONTENTS TRANSFERENCE .............................................................................................................................. 11 FRETWORK ........................................................................................................................................ 11 CLEANING ........................................................................................................................................ 12 GLOSSARY ...................................................................................................................................... -
Steam-Bending Instruction Booklet
Steam-Bending Instruction Booklet 05F15.01 Veritas® Steam-Bending Instruction Booklet Bending Solid Wood with Steam and allowed to stretch as the bend progresses; however, the Compressive Force wood face against the form is subject to compression There are three basic requirements for the successful exerted by the end stops. bending of solid wood using steam. 1. The wood must be plasticized. Although wood can be plasticized chemically or even by microwaves when in a green state, the most convenient way to plasticize wood is with steam. Wood cells are held together by a naturally occurring substance in the wood called lignin. Imagine the wood fi bers to be a bundle of rods with the space between them fi lled with lignin. The strength of this lignin bond between the rods can be decreased by subjecting For example, a straight piece of wood 1" thick and 18" the wood to steam. With unpressurized steam at 212° long bent to 90° around a 4" radius will remain 18" Fahrenheit, steaming for one hour per inch of thickness along the outside (immediately next to the strap), but (regardless of the width) will soften the bond enough for will have the inside dimension reduced to almost 16". bending. Substantial oversteaming may cause the wood Nearly two inches have virtually disappeared through to wrinkle on the concave face as the bend progresses. compression along the inside face! 2. Only air-dried wood of an appropriate species Strap should be used. Blank Kiln-dried wood must not be used; the lignin in the wood has been permanently set during the hot, dry 18" kilning process. -
Using Local Woodlot Lumber Sara J
Extension F-9-03 FSchoolSchool ofactSheet Natural of Natural Resources, Resources, 2021 2021 Coffey Coffey Road, Road, Columbus, Columbus, Ohio Ohio43210 43210 Using Local Woodlot Lumber Sara J. Gurney Wood Products Marketing Specialist Introduction resistance to decay, ease of working, weight, hardness, color, Ohio’s Appalachian hardwoods are unique in their variety, grain, and resistance to splitting are particularly significant. quality, and beauty. Ohio’s forests contain well over 100 different When selecting lumber for a specific project, consider how the hardwoods and 25 different softwood tree species. Historically, characteristics of the wood species will meet the requirements humans have used wood and wood products for shelter, fire, of the job. For example, joists for a shed should use a wood with and in war, making wood an integral part of our civilization. We good stiffness and bending strength. Since many sheds are not use wood because it is easy to work with, inexpensive, durable, heated, wood with good dimensional stability and the ability to and readily available. Early settlers relied heavily on old growth hold nails should also be considered. Once the requirements for yellow poplar to make barn siding. Old growth yellow poplar the project have been identified, select a wood species with the made excellent decay resistance siding for log homes due to the most appropriate attributes. naturally occurring tannins in the wood. Yellow poplar boards Often the job requires wood that is decay resistant. Keep in were easy to hand hue and resisted warp and shrinkage. Today, mind that the heartwood found in the center of the log contains yellow poplar is still used for siding due to its availability, low less moisture and higher concentrations of decay resistance cost, paintability, and resistance to warp and shrinkage, as seen chemicals than the younger sapwood. -
Materials & Processes
Mahogany Spruce Ash Dark red White Light brown Easy to work with Not very durable tough/flexible Uses - bars, veneers, Uses - kitchens, Uses - tool Indoor furniture. Indoor work, handles, sports Red pine Beech furniture equipment, Pale red Light colour ladders Heavy / strong Hard Use - structural Easy to work with Uses - furniture, toys Oak Softwood Tool handles, can be Light brown steam bent Hardwood Difficult to work Natural with Uses - high MATERIALS WOOD class furniture, beams Hardboard Bonded under high Manufactured board pressure Chipboard Strong + thin Wood particles + Similar to MDF Plywood Flexi-ply resin Laminated (layered) (see ugly/weak/cheap MDF veneers set at a 90* plywood) *often covered in a Sawdust + resin angle. Able to veneer, this makes Damaged by Natural finish + grain bend it stronger + more moisture Uses - interior and aesthetically * Takes paint well exterior. pleasing *Easy to finish *Smooth surface PROCESSES Laminating Type1 This is quite an accurate method of shaping wood. It involves building up a curved form with layers. The layers may be thin veneers, thicker constructional veneers or saw-cut strips. They are assembled so that the grain of each layer is running in the same direction, following the curve . The layers are glued together with a strong adhesive and are sandwiched between the waxed faces of a former or a jig using cramp pressure. The layers bend to the shape of the jig and ‘set’ together. Another way of producing curved laminates is to use a ‘bagpress’. Type2 Creating larger board of wood from natural timber by gluing them together side by side. -
2019 Calendar Please Read the Entire Brochure Before Entering
2019 San Diego County Fair ● May 31 - July 4 ● Del Mar, California 38th Annual Design In Wood Competition - An International Exhibition of Fine Woodworking Ed Gladney, Coordinator Presented in association with the San Diego Fine Woodworkers Association 2019 CALENDAR PLEASE READ THE ENTIRE BROCHURE BEFORE ENTERING Registration is only accepted online. Visit www.sdfair.com/entry to enter and pay the processing fees. Processing fees are non-refundable. Entry Registration Deadline: Friday, April 26, 2019. All registrations must be submitted online by 11:59pm (Pacific Daylight Time). Entry Office extended hours to 7:00pm on April 26, 2019. Late Entries Will Not Be accepted. Notification of Accepted Project(s): Notification of accepted work will be emailed by Wednesday, May 8, 2019 Delivery of Entries: Tuesday, May 21, 2019, Noon - 8:00pm (Shipped entries must arrive between May 13 – May 20) Awards Ceremony: Thursday, May 30, 2019, 7:00pm - 9:00pm Judging Results: Will be posted by Saturday, June 1 Entry Pick Up: Saturday, July 6, 2019, Noon - 8:00pm Questions? Call the Entry Office at (858) 792-4207 or email [email protected] Monday through Friday from 10:00am to 4:00pm Digital Image Upload Support: Need assistance with photographing your wood project? Make an appointment and bring your project to be photographed at the San Diego County Fair Entry Office. A staff member will take a photo of your project and assist you with the online entry process. 2019 Design In Wood at the San Diego County Fair COMPETITION REQUIREMENTS: 1. The Local and State Rules apply to this department, available at sdfair.com/entry. -
Design Ireland
At-a-glance LIVE TALKS | IN-STORE DEMONSTRATIONS | HANDS ON WORKSHOPS March 8 TH TUESDAY MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 9 TH WEDNESDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 10TH THURSDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 11TH FRIDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 12TH SATURDAY DEMO Bunbury Boards, Wood Turning 13TH SUNDAY DEMO Bunbury Boards, Wood Turning 7th March – 14TH MONDAY DEMO Bunbury Boards, Wood Turning 24th April 2016 Joe Hogan The Great Heal’s Adam Frew Bodging Race 15TH TUESDAY DEMO me&him&you, Screen Printing FEATURING MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 16TH WEDNESDAY DEMO me&him&you, Screen Printing MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Design Ireland 196 Tottenham Court Road, 17TH THURSDAY DEMO Joe Hogan, Basket Making 11am-9pm; MEET THE MAKER Scribble & Stone, London W1T 7LQ 7th – 28th March Jewellery Design 1-2pm & 6-7pm; PARTY Heal’s Craft Market Party 6-9pm 18TH FRIDAY DEMO Joe Hogan, Basket Making www.heals.com MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Modern Craft Market TO BOOK WORKSHOP TICKETS VISIT www.heals.com/events 01 Heal's MCM Brochure - 6pp Cover.indd 1 17/02/2016 11:44 19TH SATURDAY DEMO Joe Hogan, Basket Making 7 TH THURSDAY DEMO CSWA_, Domestic Cup Casting 12.30-2pm & 5-8pm 20TH SUNDAY DEMOWelcome Arran Street East, Throwing Pots 8 TH FRIDAY WORKSHOP -
Bending Wood Free
FREE BENDING WOOD PDF "Fine Woodworking" Magazine | 128 pages | 01 Sep 1989 | Taunton Press Inc | 9780918804297 | English | Connecticut, United States Bending Wood Part I - Kerf Bending You must remember one thing when it comes to bending wood, you must give it time. Wood is naturally flexible despite being high in moisture but once it is cut or after felling, the wood starts to lose moisture and begins to harden. When this happens, it may take a lot of time, and effort, for wood to bend to different shapes. The following techniques do not use heat or steam but can take time to bend wood. The lamination method uses a Bending Wood or a special kind of glue to bend wood. You Bending Wood be using a form or a pattern where the wood will be set in order to take up the form. The laminate will then be added in order to force the wood to take up the form. Cut the length of the wood strips longer than the final measurement. You need to do this because this technique will shorten the length of the wood. Draw a diagonal line using a pencil and a ruler across the bottom of the stock. This is done should the wood strips become dropped or rearranged. You will be able to tell which piece fits to where. Cut the wood strips using a straight-grained edge. Use a cork liner to line the form. The cork acts Bending Wood an anchor for the lamination. It will still even out any irregularities when the wood Bending Wood in its sawn form. -
CUSTOM CHEST PROGRAM Yours for the Making
CUSTOM CHEST PROGRAM Yours for the Making. Custom Chest Program. With our versatile Chest program, you choose your Case, Drawer/Door front, Base, add your choice of Hardware, select its finish and its placement, then select your Stain or Paint finish. Style that suits your space—Yours for the Making. 1 SELECT YOUR CASE: Choose from eight style options. *Case heights combine with Base heights to create overall heights. CR9-221 CR9-222 Small Single Drawer Small Three Drawer Nightstand Nightstand 24 W 18.5 D 21.25 H 24 W 18.5 D 21.25 H CR9-225 CR9-226 Large Single Drawer Large Three Drawer Nightstand Nightstand 36 W 18.5 D 23.25 H 36 W 18.5 D 23.25 H CR9-702 CR9-703 Three Drawer Chest Two Door Chest 40 W 20.5 D 29.25 H 40 W 20.5 D 29.25 H CR9-201 CR9-202 Six Drawer Chest Four Door Chest 72 W 20.5 D 29.25 H 72 W 20.5 D 29.25 H 1 2 SELECT YOUR DRAWER/DOOR FRONT: Choose from five Drawer styles and five Door style options. DRAWERS Plain Drawer Bead Edge Drawer Picture Frame Drawer (PL) (BD) (PT) Fretwork Overlay Circle Overlay Drawer (FW) Drawer (CR) (Upcharge) (Upcharge) DOORS Plain Door Bead Edge Door Picture Frame Door (PL) (BD) (PT) Fretwork Overlay Circle Overlay Door (FW) Door (CR) (Upcharge) (Upcharge) 2 3 SELECT YOUR BASE: Choose from eight style options. *Base heights combine with Case heights to create overall heights. Metal Leg Brass Base (MB) Metal Leg Silver Base (MS) 6” H 6” H Tapered Leg Base (TP) Saber Leg Base (SB) 6.75” H 6.75” H Bracket Base (BK) Chow Base (CH) 6.75” H 6.75” H Turned Foot Base (TR) Plinth Base (PH) 6.75” H 4” H 3 4 SELECT YOUR HARDWARE and HARDWARE FINISH: Choose from eight style options. -
How to Identify Old Chinese Porcelain
mmmKimmmmmmKmi^:^ lOW-TO-IDENTIFY OLD -CHINESE - PORCELAIN - j?s> -ii-?.aaig3)g'ggg5y.jgafE>j*iAjeE5egasgsKgy3Si CORNELL UNIVERSITY LIBRARY THE WASON CHINESE COLLECTION DATE DUE 1*-^'" """"^*^ NK 4565!h69" "-ibrary 3 1924 023 569 514 The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924023569514 'a4^(A<-^^ %//3 HOW TO IDENTIFY OLD CHINESE PORCELAIN PLATE r WHITE PORCELAIN "BLANC-DE-CHINE" PAIR OF BOWLS of pierced fret-work divided by five circular panels or medallions of raised figures in relief, supposed 10 represent the Pa-Sien or eight Immortals and the God of Longevity. Height, if in. Diameter, sfin. SEAL in the form of a cube surmounted by the figure of a lion Height, i^in. INCENSE BURNER, eight sided and ornamented by moulding in relief with eight feet and four handles. The sides have three bands enclosing scrolls in ancient bronze designs. At each angle of the cover is a knob; it is ornamented with iris and prunus, and by pierced spaces. The stand has eight feet and a knob at each angle ; in the centre is a flower surrounded by detached impressed scrolls, round the outside are similar panels to those on the bowl. Height, 4|in. Diameter of stand, 6f in. THE FIGURE OF A CRAB on a lotus leaf, the stem of which terminales in a flower. Length, 6| in. From Sir PV. fraiik^s Collection at the BritisJi Museum. S3 HOW TO IDENTIFY OLD CHINESE PORCELAIN BY MRS. -
2019 Design in Wood Accepted List by Last Name
2019 Design In Wood Accepted List By Last Name WEN Last Name First Name Division Class and Class Description Title Accepted 13DBD3 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Wildflowers Accepted 5D9482 Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Turtle Accepted 99E52E Ababaf Daryoush 1101 Design In Wood 014 - Veneering/Marquetry - Art Goldfish Accepted 53E0EA Albertson David 1101 Design In Wood 010 - Model Building - Not to Scale 1930 Ford Accepted 9567F6 Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Myrtle Pearl Accepted D3084C Amick James 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Walnut Burl Pearl Accepted D9E0F0 Anderson Karen J 1101 Design In Wood 026 - Scroll Saw - Fretwork - Pierced & Unpierced Fancy Fish Accepted DF401F Appelquist Paul 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Sleigh seat Accepted E4AC30 Atangan Patrick 1101 Design In Wood 006 - Chairs - Furniture Made for Seating Eliptical Sofa Accepted 1658DD Ault Sally 1101 Design In Wood 018 - Wood Turning - Embellished/Mixed Media Spire Accepted 203F9D Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Natural Edge Bowl Accepted 58AED5 Ault Sally 1101 Design In Wood 016 - Wood Turning - Face Work: Perpendicular to the ways of the lathe Blowin' in the Wind Accepted B515AB Avery Joe 1101 Design In Wood 005 - Art Furniture Surfboard Table Accepted F17968 Barrientos Ivan 1101 Design In Wood 026 - Scroll Saw