DOCSLIB.ORG

Course Student Learning Outcomes by Discipline

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Course Student Learning Outcomes by Discipline Course Course Name SLO Number CFT 100 FUNDAMENTALS OF Students will successfully demonstrate the safe use of basic power tools and outline and perform the steps necessary to WOODWORKING square up a piece of rough lumber using power tools. CFT 105 MACHINE - Students will be able to identify different types of carcass construction and be able to demonstrate an understanding of WOODWORKING/FURNITURE the construction details of a specific piece of carcass furniture. CFT 108 BUSINESS WOODWORKING Students will analyze overhead, materials, labor and profit in order to develop pricing strategies for work. BUSINESS WOODWORKING Students will be able to identify the factors in creating a market strategy for a specific woodworking business in a given market. CFT 110A PERIOD CASE FURNITURE DESIGN Students will be able to demonstrate an understanding of the construction and design of traditional solid wood carcass furniture as it pertains to wood movement. CFT 111A PERIOD CASE FURNITURE Students will be able to show proficiency in the use of various jigs for making both through and half blind dovetails used PRODUCTION in making drawers. CFT 118 FURNITURE DESIGN Students will be able to develop a design of an original piece of furniture based on given criteria either contemporary or DEVELOPMENT period. CFT 120 ADVANCED FURNITURE LAB Students will; 1.Identify construction details needed to complete project. 2.Analyze construction details, which need further research to complete. 3.Create a plan of procedure to achieve completion of project. CFT 122 CABINETMAKING CONSTRUCTION Students will; 1.Identify construction details needed to complete project. 2.Analyze construction details, which need LAB further research to complete. 3.Create a plan of procedure to achieve completion of project. CFT 124 CHAIR & TABLE CONSTRUCTION Students will; 1.Identify construction details needed to complete project. 2.Analyze construction details, which need LAB further research to complete. 3.Create a plan of procedure to achieve completion of project. CFT 128 STRINGED INSTRUMENTS LAB Students will; 1.Identify construction details needed to complete project. 2.Analyze construction details, which need further research to complete. 3.Create a plan of procedure to achieve completion of project. CFT 130 STRINGED INSTRUMENT MAKING Student will demonstrate competency in guitar set-up. CFT 131 STRINGED INSTRUMENTS II Students will apply quality control principles to individual and production work . CFT 132A UKULELE MAKING I/TENOR Apply quality control principles to individual and production work UKULELE MAKING I/TENOR Demonstrate competency in the process of steam bending with various methods. CFT 133A GUITAR TECHNICIAN I/SET-UP Students will be able to analyze and diagnose repairs needed on guitar. GUITAR TECHNICIAN I/SET-UP Students will be able to perform repairs needed on guitar and give estimate of labor and material cost. CFT 134A ELECTRIC GUITAR CONSTRUCTION Analyze electric guitar string height and make necessary adjustments and perform necessary processes in order to I/SOLID BODY adjust desired action. ELECTRIC GUITAR CONSTRUCTION Students will select lumber of proper species and grain orientation and create/fabricate an electric guitar neck which will I/SOLID BODY function at desired specifications. CFT 135 ACOUSTIC GUITAR MAKING I Student will be able to design and construct an acoustic guitar to given specifications. CFT 136 ACOUSTIC GUITAR MAKING II Student will be able to design and construct an acoustic guitar to given specifications. CFT 137 ARCH TOP GUITAR CONSTRUCTION Student will be able to design and construct an arch top guitar to given specifications. CFT 138 ARCH TOP GUITAR CONSTRUCTION Student will be able to design and construct an arch top guitar to given specifications. CFT 141 MAKING WOODWORKING TOOLS Be able to demonstrate the ability to evaluate and design a specific tool to satisfy a specific need. CFT 142 THE ART/CRAFT OF PLANEMAKING Demonstrate appropriate strategies in tuning, using and maintaining metal and wooden hand planes CFT 143 DECORATIVE BOX MAKING Students will demonstrate competency in construction techniques of box making. 08/18/2014 11:29 AM Page 1 of Course Course Name SLO Number CFT 144 PRODUCTION WOOD PRODUCTS I Students will demonstrate an understanding of the principles of reducing complex work to a series of simple tasks or operations and the essential requirement of interchangeability of like parts in production work. CFT 145 PRODUCTION WOOD PRODUCTS II Through the manufacturing of specific products, production techniques of fabrication will be demonstrated. CFT 148 MARQUETRY, INLAY AND Students will understand and apply the process of cutting two veneers at once on a bevel to fabricate marquetry. CFT 149 HAND JOINERY I Students will demonstrate proficiency and skill in the techniques and use of tools needed to hand cut both through and half blind dovetail joinery. CFT 150 HAND JOINERY II Students will demonstrate the ability to apply hand tool skills in the construction of wood furniture. CFT 151 VENEERING TECHNOLOGY I Students will be able to identify and outline: the use of veneer in the furniture industry, various techniques used in cutting joining and applying veneer, and the various tools and adhesives required in the application of veneer to wooden furniture. CFT 152 VENEERING TECHNOLOGY II Students will show proficiency in advanced veneering techniques an in construction and repair of period furniture. CFT 153 STUDIO FURNITURE DESIGN I Students will be able to identify design elements in period furniture and identify period and style of furniture. CFT 154 STUDIO FURNITURE DESIGN II - Students will design and construct a piece of furniture with a theme using and incorporating period furniture design elements. CFT 155 CLASSIC AMERICAN CHAIR Students will demonstrate proficient knowledge of the materials, tools and methods used in ladder-back and Windsor DESIGNS chair construction. CFT 156 ADV CLASSIC AMER CHAIR DESIGN Students will construct a 3-slat ladder back chair or a Windsor chair using ?green? wood. CFT 159A CHAIR AND TABLES/PROTOTYPE Students will demonstrate proficiency in the process of designing a chair with a specific function. CONSTRUCTION I CFT 159B CHAIR AND TABLES/PROTOTYPE Students will demonstrate proficiency in the process of designing a table with a specific function. CONSTRUCTION II CFT 160A CHAIRS AND TABLES/PRODUCTION Students will be able to construct a functional comfortable chair with a specific need. MANUFACTURING I CFT 160B CHAIRS AND TABLES/PRODUCTION Students will be able to construct a functional table with a specific need. MANUFACTURNG II CFT 163 PLASTIC LAMINATE FABRICTN Students will demonstrate proficiency of the fabrication techniques of applying plastic laminate products. CFT 164 CABINET INSTALLATION Students will show an understanding of the various wall structures, in order to assess cabinet attachment options. CFT 165A CABINETRY DESIGN/FACE FRAME Students will show proficiency in taking on site measurements and developing working drawings/blue prints for residential cabinetry. CFT 165B CABINETRY DESIGN/EUROPEAN Students will be able to design residential cabinetry utilizing the 32mm system. CFT 166 CABINETMAKING/PRODUCTION & Students will gain knowledge of the various material options in residential cabinet construction. CFT 168 CABMKG/ARCHITECTURAL Students will be able to identify all of the components for stairway construction. CFT 169 CABMKG/COMPUTER CABINET Students will become familiar with the current available software utilized in cabinetmaking. CFT 170 WORKBENCH Students will be able to design and construct functional workbench for shop or factory. CFT 171 FURNITURE FOR THE WOOD SHOP Students will display a working knowledge of the processes and techniques in making a coopered door. CFT 172 TURBOCAD/CABINETS/FURNITURE Students will be able to identify and utilize all of the tool on the tool bar of TURBOCAD. CFT 173 BAMBOO FLY ROD BUILDING A bamboo culm will be split, straightened, heat treated and planed into six 60-degree angle strips that are glued, turned on a lath. CFT 175 JIGS AND FIXTURES Students will gain knowledge of the use and function of available hardware, which can be used in making jigs and fixtures. 08/18/2014 11:29 AM Page 2 of 3 Course Course Name SLO Number CFT 176 THE LATHE-INTRO TO Students will demonstrate their understanding of sharpening the three basic tools ; the skew, the gouge, and the parting WOODTURNING tool by grinding the proper straight or curved, hollow grind or flat grind on the appropriate tool. CFT 177 LATHE II - INTERMEDIATE TURNING Students will be able to apply learned processes and techniques to turning period furniture accents, moldings and components. CFT 178 LATHE III - ADVANCED TURNING Students will be able to apply turning techniques and processes to the manufacture of Architectural turnings and furniture parts. CFT 180 WOOD BENDING AND LAMINATION Students will be able to compare and contrast the two basic methods of bending wood; laminate bending and steam bending. CFT 182 TIMBER FRAMING TECHNOLOGY Student will be able to design, construct and raise a simple timber frame structure. using traditional and contemporary methods. CFT 185 MACHINE TOOL SET- Students will create a shop, machine and tool layout, floor plan for a given space with given needs. CFT 186 MACHINE TOOL/PRODUCTION Students will be able to demonstrate knowledge and understanding of production carving
Recommended publications
  • Cabinetry Care Guide

    Cabinetry Care Guide

    Cabinetry Care Guide Care and Cleaning Wood and Veneer Door Styles • If stain persists, use a damp cloth or sponge with Buckeye Workout®, standard Fantastik® (S.C. Johnson), or standard Once your cabinets have been installed, wipe down all exteriors Formula 409® (The Clorox Co.), lightly wipe for 10 to 20 strokes. and interiors with a damp cloth to remove dust, drying immediately Buckeye Workout is a commercial cleaner and readily available with a dry cloth. Be careful not to scratch the surface when wiping from a local distributor (to locate call 314-291-1900). off dust and debris. NOTE: Buckeye Workout contains water and propylene glycol • Regular exterior and interior cleaning requires only wiping with a phenyl ether. damp cloth and then drying. Remove oil, grease or general soil • If stain persists further, place a cloth or sponge damp with 70% using a clean cloth dampened with a fresh solution of mild soap Isopropyl Alcohol on top of the stain for 30 minutes. After 30 and water. Rinse with a clean, damp cloth, then dry thoroughly. minutes, remove the cloth or sponge and wipe. This should It is important to wipe spills immediately. Prolonged exposure to remove makeup, ball-point ink, and other stubborn stains. spills, including food, water or other liquids can cause perma- Repeat this step until stain is removed. nent discoloration or damage to your cabinet’s finish. • Avoid using harsh detergents, strong soap, abrasive cleaners DISINFECTING THERMOFOIL SURFACES or self-polishing waxes. All of these items can damage the Bleach (a 10% mixture) or Quat cleaner can be used as a factory-applied protective finish.
  • JC-Catalogue-Cabinetry.Pdf

    JC-Catalogue-Cabinetry.Pdf

    jonathan charles fine furniture • cabinetry & beds catalogue • volume 1 volume • furniture fine cabinetry • & beds catalogue jonathan charles USA & CANADA 516 Paul Street, P.O. Box 672 Rocky Mount, NC.27802, United States t 001-252-446-3266 f 001-252-977-6669 [email protected] HIGH POINT SHOWROOM chests of drawers • bookcases, bookshelves & étagères • cabinets • beds 200 North Hamilton Building 350 Fred Alexander Place High Point, NC.27260, United States t 001-336-889-6401 UK & EUROPE Unit 6c, Shortwood Business Park Dearne Valley Park Way, Hoyland South Yorkshire, S74 9LH, United Kingdom t +44 (0)1226 741 811 & f +44 (0)1226 744 905 Cabinetry Beds [email protected] j o n a t h a n c h a r l e s . c o m printed in china It’s all in the detail... CABINETRY & BEDS JONATHAN CHARLES CABINETRY & BEDS CATALOGUE VOL.1 CHESTS OF DRAWERS 07 - 46 BOOKCASES, BOOKSHELVES... 47 - 68 CABINETS 69 - 155 BEDS 156 - 164 JONATHANCHARLES.COM CABINETRY & BEDS Jonathan Charles Fine Furniture is recognised as a top designer and manufacturer of classic and period style furniture. With English and French historical designs as its starting point, the company not only creates faithful reproductions of antiques, but also uses its wealth of experience to create exceptional new furniture collections – all incorporating a repertoire of time- honoured skills and techniques that the artisans at Jonathan Charles have learned to perfect. Jonathan Charles Fine Furniture was established by Englishman Jonathan Sowter, who is both a trained cabinet maker and teacher. Still deeply involved in the design of the furniture, as well as the direction of the business, Jonathan oversees a skilled team of managers and craftspeople who make fine furniture for discerning customers around the world.
  • Steam-Bending Instruction Booklet

    Steam-Bending Instruction Booklet

    Steam-Bending Instruction Booklet 05F15.01 Veritas® Steam-Bending Instruction Booklet Bending Solid Wood with Steam and allowed to stretch as the bend progresses; however, the Compressive Force wood face against the form is subject to compression There are three basic requirements for the successful exerted by the end stops. bending of solid wood using steam. 1. The wood must be plasticized. Although wood can be plasticized chemically or even by microwaves when in a green state, the most convenient way to plasticize wood is with steam. Wood cells are held together by a naturally occurring substance in the wood called lignin. Imagine the wood fi bers to be a bundle of rods with the space between them fi lled with lignin. The strength of this lignin bond between the rods can be decreased by subjecting For example, a straight piece of wood 1" thick and 18" the wood to steam. With unpressurized steam at 212° long bent to 90° around a 4" radius will remain 18" Fahrenheit, steaming for one hour per inch of thickness along the outside (immediately next to the strap), but (regardless of the width) will soften the bond enough for will have the inside dimension reduced to almost 16". bending. Substantial oversteaming may cause the wood Nearly two inches have virtually disappeared through to wrinkle on the concave face as the bend progresses. compression along the inside face! 2. Only air-dried wood of an appropriate species Strap should be used. Blank Kiln-dried wood must not be used; the lignin in the wood has been permanently set during the hot, dry 18" kilning process.
  • Wood Flooring Installation Guidelines

    Wood Flooring Installation Guidelines

    WOOD FLOORING INSTALLATION GUIDELINES Revised © 2019 NATIONAL WOOD FLOORING ASSOCIATION TECHNICAL PUBLICATION WOOD FLOORING INSTALLATION GUIDELINES 1 INTRODUCTION 87 SUBSTRATES: Radiant Heat 2 HEALTH AND SAFETY 102 SUBSTRATES: Existing Flooring Personal Protective Equipment Fire and Extinguisher Safety 106 UNDERLAYMENTS: Electrical Safety Moisture Control Tool Safety 110 UNDERLAYMENTS: Industry Regulations Sound Control/Acoustical 11 INSTALLATION TOOLS 116 LAYOUT Hand Tools Working Lines Power Tools Trammel Points Pneumatic Tools Transferring Lines Blades and Bits 45° Angles Wall-Layout 19 WOOD FLOORING PRODUCT Wood Flooring Options Center-Layout Trim and Mouldings Lasers Packaging 121 INSTALLATION METHODS: Conversions and Calculations Nail-Down 27 INVOLVED PARTIES 132 INSTALLATION METHODS: 29 JOBSITE CONDITIONS Glue-Down Exterior Climate Considerations 140 INSTALLATION METHODS: Exterior Conditions of the Building Floating Building Thermal Envelope Interior Conditions 145 INSTALLATION METHODS: 33 ACCLIMATION/CONDITIONING Parquet Solid Wood Flooring 150 PROTECTION, CARE Engineered Wood Flooring AND MAINTENANCE Parquet and End-Grain Wood Flooring Educating the Customer Reclaimed Wood Flooring Protection Care 38 MOISTURE TESTING Maintenance Temperature/Relative Humidity What Not to Use Moisture Testing Wood Moisture Testing Wood Subfloors 153 REPAIRS/REPLACEMENT/ Moisture Testing Concrete Subfloors REMOVAL Repair 45 BASEMENTS/CRAWLSPACES Replacement Floating Floor Board Replacement 48 SUBSTRATES: Wood Subfloors Lace-Out/Lace-In Addressing
  • Northpoint Cabinetry Catalog

    Northpoint Cabinetry Catalog

    2021 Catalog 2021 NORTHPOINT CABINETRY® CATALOG 2021 4319 Marlena Street, Bossier City, LA 71111 Connect with us on Social Media: NorthPoint Cabinetry boasts a wide array of high-quality cabinet combinations allowing you to design the perfect kitchen or bath that works for your family’s lifestyle. Make the kitchen or bath high-functioning and stunningly beautiful by adding Hardware Resources’ vast selection of cabinet organizers, LED cabinet lighting, and knobs and pulls. NorthPoint Cabinetry is an industry-leading brand of Dimora Brands, which also includes Top Knobs, Atlas Homewares, Watermark Designs, Water Street Brass, Vesta Fine Hardware, Task Lighting, Jeffrey Alexander, Elements, and Hardware Resources. As such, you can expect high-quality products, fast delivery, and excellent customer service. Table of Contents Our Collections . 2-3 Quality Comes First . 4-7. Expert Finishing . .8 . Our Door Styles Catalina . 12-19. Maui . 20-27. Hatteras. 28-33. Versatile Vanity Cabinets. 34-37. Cabinets for Any Space . 38-41. Personalize Your Space Moulding . 42-43 Fillers & Panels . .44-45 . Design Elements . 46-47. Specialty Cabinets . 48-49. The Finishing Touches Decorative Cabinet Hardware . 52-59 Cabinet Organizers . 60-67. Stainless Steel Sinks. 68-69. Cabinet Lighting . 70-75 Manufacturing & Technical Information Cabinet Breakdown . 76-77 Cabinet Lineup. 78-79. Ordering Information . 80. Warranty . .81 . Care & Cleaning . 81 Cabinets: Maui Polar White Island: Maui Espresso Decorative Cabinet Hardware: Zane Collection in Satin Nickel
  • Using Local Woodlot Lumber Sara J

    Using Local Woodlot Lumber Sara J

    Extension F-9-03 FSchoolSchool ofactSheet Natural of Natural Resources, Resources, 2021 2021 Coffey Coffey Road, Road, Columbus, Columbus, Ohio Ohio43210 43210 Using Local Woodlot Lumber Sara J. Gurney Wood Products Marketing Specialist Introduction resistance to decay, ease of working, weight, hardness, color, Ohio’s Appalachian hardwoods are unique in their variety, grain, and resistance to splitting are particularly significant. quality, and beauty. Ohio’s forests contain well over 100 different When selecting lumber for a specific project, consider how the hardwoods and 25 different softwood tree species. Historically, characteristics of the wood species will meet the requirements humans have used wood and wood products for shelter, fire, of the job. For example, joists for a shed should use a wood with and in war, making wood an integral part of our civilization. We good stiffness and bending strength. Since many sheds are not use wood because it is easy to work with, inexpensive, durable, heated, wood with good dimensional stability and the ability to and readily available. Early settlers relied heavily on old growth hold nails should also be considered. Once the requirements for yellow poplar to make barn siding. Old growth yellow poplar the project have been identified, select a wood species with the made excellent decay resistance siding for log homes due to the most appropriate attributes. naturally occurring tannins in the wood. Yellow poplar boards Often the job requires wood that is decay resistant. Keep in were easy to hand hue and resisted warp and shrinkage. Today, mind that the heartwood found in the center of the log contains yellow poplar is still used for siding due to its availability, low less moisture and higher concentrations of decay resistance cost, paintability, and resistance to warp and shrinkage, as seen chemicals than the younger sapwood.
  • Ornamental Floors Design and Installation

    Ornamental Floors Design and Installation

    NATIONAL WOOD FLOORING ASSOCIATION TECHNICAL PUBLICATION No. B200 ORNAMENTAL FLOORS DESIGN AND INSTALLATION the basics of creating artistic wood flooring installations. Introduction: However, it is important to have the proper knowledge rnamental floors, in all their varied forms, about the tools required and how to use them before have become an increasingly popular choice attempting custom work. (See “Tools Required,” page 5.) Ofor many consumers who want to customize Also, while this publication will help the inexperienced their homes. The description “ornamental floors” cov- installer learn some basic concepts about custom work, ers a wide variety of options, some more difficult to the best way to become proficient is by hands-on appli- execute than others. These include feature strips, pat- cation of the techniques discussed. terned floors, hand-cut scroll work, laser-cut preman- Those wishing to become more proficient at installing ufactured inlays and borders, and mixed-media ornamental floors might do so by working with an expe- installations (involving metal, stone or tile with wood). rienced custom installer, or by attending specialized An ornamental floor may be as simple as a single, seminars designed to teach custom techniques. The 3 ⁄4-inch feature strip following the room’s perimeter. Or National Wood Flooring Association conducts such sem- it may be ornate and elaborate, involving thousands of inars periodically. Several NWFA members who have pieces that combine for a true work of art. The tech- shared their skills at NWFA installation-training semi- niques used to create these flooring effects are as var- nars and who have been honored with Floor of the Year ied as the contractors who practice them.
  • The “Unknown” Maker of Marquetry Is Attributable As Buchschmid & Gretaux. I Hope You Will Publish This for Your Readers

    The “Unknown” Maker of Marquetry Is Attributable As Buchschmid & Gretaux. I Hope You Will Publish This for Your Readers

    The “Unknown” Maker Of Marquetry Is Attributable As Buchschmid & Gretaux. I hope you will publish this for your readers because it answers a question regarding an “unknown” maker of pieces owned by your previous readers. Like all antiques, these objects were made in the context of their times, and that context stays lost until somebody interested in it digs it up later. My wife and I purchased a piece of marquetry in 2018 from an online auction, local to Northern Virginia, in a lot with other home décor, described as “Germany scene wood inlay picture” shown in the attached pictures. Fig 1: Front of “Hildesheim Knochenhauer-Amtshaus”, 9 x 12 inches framed. 1 Fig 2: Rear view of original frame; note two labels, paper taping, horizontally grained wooden back, and two-pin triangular hanger. 2 Fig 3: Close-up of labels. My parents emigrated from Germany to the U.S. in the 1950s and eventually brought back lots of ‘German stuff’ passed through our family, that I grew up with. So what follows is based on not just objective facts, but also on the context of those facts that I experienced through immersion in a culture that my parents brought with them to the U.S. As with every piece, the question is always “who made it, and when?” Here, by answering the “when” first, the “who” becomes apparent. I. “WHEN” it was made Every detail is an important clue, but I draw your attention first to the labels on the back of each of the five (5) pieces, noting the following: 1) the misspellings of “INLAYD” and “COLRED” – this identical wording appears on two pieces found on your own website.
  • Design Guide

    Design Guide

    ® DECKING & RAILING DESIGN GUIDE 1 WHAT ARE WE MADE OF? Live Your Best Life—Outdoors The Material Difference Your outdoor living space should be a reflection of your personal You know what’s best for your outdoor living space and your lifestyle. That’s why we offer three unique material types. While we could go into detail, we’ll let the charts below and on the next style. Traditional, square decks are just the jumping off point of how page do that for us. Simply choose what’s right for you. you can use TimberTech decking to elevate your outdoor living space. But where to start? That’s where TimberTech comes in; design and technology is at the core of everything we do. CAPPED POLYMER 4-SIDED CAPPED 3-SIDED CAPPED DECKING COMPOSITE DECKING COMPOSITE DECKING UNRIVALED DESIGN AND PREMIUM STYLE AND ATTAINABLE AND ATTRACTIVE PERFORMANCE PERFORMANCE Our products, backed by premium warranties, make your deck design better, stronger, smarter, and more beautiful. Browse this guide to start bringing your design vision to life. With a wide • The most advanced synthetic • Premium composite decking • Traditional composite decking material technology without the with the added protection of a with a synthetic cap on three variety of colors, wood grains, and widths to create unique designs, use of wood particles. fully synthetic cap on all four sides and monochromatic or • Impervious to moisture. sides. color-blended options. you’ll soon be enjoying your beautifully-updated deck. • 50-Year Limited Fade & Stain • Resistant to moisture • Surface protection from ® Warranty. with Mold Guard Technology.
  • Materials & Processes

    Materials & Processes

    Mahogany Spruce Ash Dark red White Light brown Easy to work with Not very durable tough/flexible Uses - bars, veneers, Uses - kitchens, Uses - tool Indoor furniture. Indoor work, handles, sports Red pine Beech furniture equipment, Pale red Light colour ladders Heavy / strong Hard Use - structural Easy to work with Uses - furniture, toys Oak Softwood Tool handles, can be Light brown steam bent Hardwood Difficult to work Natural with Uses - high MATERIALS WOOD class furniture, beams Hardboard Bonded under high Manufactured board pressure Chipboard Strong + thin Wood particles + Similar to MDF Plywood Flexi-ply resin Laminated (layered) (see ugly/weak/cheap MDF veneers set at a 90* plywood) *often covered in a Sawdust + resin angle. Able to veneer, this makes Damaged by Natural finish + grain bend it stronger + more moisture Uses - interior and aesthetically * Takes paint well exterior. pleasing *Easy to finish *Smooth surface PROCESSES Laminating Type1 This is quite an accurate method of shaping wood. It involves building up a curved form with layers. The layers may be thin veneers, thicker constructional veneers or saw-cut strips. They are assembled so that the grain of each layer is running in the same direction, following the curve . The layers are glued together with a strong adhesive and are sandwiched between the waxed faces of a former or a jig using cramp pressure. The layers bend to the shape of the jig and ‘set’ together. Another way of producing curved laminates is to use a ‘bagpress’. Type2 Creating larger board of wood from natural timber by gluing them together side by side.
  • The Brookfield Library Space Needs Study and Building Program

    The Brookfield Library Space Needs Study and Building Program

    The Brookfield Library Space Needs Study and Building Program Prepared by Leslie Burger and Kevin McCarthy Library Development Solutions, Princeton Junction, NJ June 2002 Modified August 2009 by The Committee for a New Library Approved August 17, 2009 by The Brookfield Library Board Modified slightly February 2015 Executive Summary .................................................................................................... 1 Brookfield Today ........................................................................................................ 2 Library Profile ............................................................................................................. 6 The Community and Staff Speak ................................................................................. 9 Library Vision, Mission, and Roles ............................................................................. 11 Library Space Today .................................................................................................. 13 Future Space Needs .................................................................................................. 19 Attachments ............................................................................................................ 38 Functional Area Sheets ............................................................................................. 38 Space Planning Guidelines ........................................................................................ 40 Section 1 Executive Summary The Brookfield
  • Design Ireland

    Design Ireland

    At-a-glance LIVE TALKS | IN-STORE DEMONSTRATIONS | HANDS ON WORKSHOPS March 8 TH TUESDAY MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 9 TH WEDNESDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 10TH THURSDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 11TH FRIDAY DEMO Adam Frew, Throwing Pots MEET THE MAKER Catherine Keenan, Glass Craft 1-2pm & 6-7pm 12TH SATURDAY DEMO Bunbury Boards, Wood Turning 13TH SUNDAY DEMO Bunbury Boards, Wood Turning 7th March – 14TH MONDAY DEMO Bunbury Boards, Wood Turning 24th April 2016 Joe Hogan The Great Heal’s Adam Frew Bodging Race 15TH TUESDAY DEMO me&him&you, Screen Printing FEATURING MEET THE MAKER John Hanly, Weaving Craft 1-2pm & 6-7pm 16TH WEDNESDAY DEMO me&him&you, Screen Printing MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Design Ireland 196 Tottenham Court Road, 17TH THURSDAY DEMO Joe Hogan, Basket Making 11am-9pm; MEET THE MAKER Scribble & Stone, London W1T 7LQ 7th – 28th March Jewellery Design 1-2pm & 6-7pm; PARTY Heal’s Craft Market Party 6-9pm 18TH FRIDAY DEMO Joe Hogan, Basket Making www.heals.com MEET THE MAKER Scribble & Stone, Jewellery Design 1-2pm & 6-7pm Modern Craft Market TO BOOK WORKSHOP TICKETS VISIT www.heals.com/events 01 Heal's MCM Brochure - 6pp Cover.indd 1 17/02/2016 11:44 19TH SATURDAY DEMO Joe Hogan, Basket Making 7 TH THURSDAY DEMO CSWA_, Domestic Cup Casting 12.30-2pm & 5-8pm 20TH SUNDAY DEMOWelcome Arran Street East, Throwing Pots 8 TH FRIDAY WORKSHOP