Carving Trophy Deer and Elk : a Technique, Painting, and Pattern Manual Pdf, Epub, Ebook
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RELIEF PRINTING 101 Maury 2017
RELIEF PRINTING 101 Maury 2017 Relief printing is one of the oldest (500 BC) and most direct of all the printmaking methods. Images can be simplistic and graphic, or intricate and detailed. It’s a subtractive process, meaning you cut away, or subtract, the areas you do not want to print. USING WOOD VS. LINEOLEUM? Wood and linoleum are the most common relief printing substrates. Other materials such as MDF, foam, cintra, and even dense cardboard have been used. Your choice of material will heavily dictate the kinds of marks and level of detail you are able to achieve. Wood Linoleum Grain of wood will print No grain, smooth surface Wood is denser, takes more effort to cut, Softer for cutting and easier for making curved offers a more angular mark. lines. More readily available and often cheaper Special order if no art store available, pricier Comes in very large sizes Many sizes available, including rolls PREPARING THE BLOCK LINOLEUM: No preparation of the surface of the block is required. But if you are printing multiple colors with accurate registration, it is a good idea to make sure your linoleum block is square on one corner for registration during printing. WOOD: For easier carving, use Shina plywood, which is a softer plywood and allows for easy cutting across the grain. A dense, tight-grained wood such as cherry, maple or birch also works but requires more effort to carve (especially across the grain). It can be solid wood or plywood as long as it’s flat and even. The benefit to a harder wood is that it will withstand more printing with a press and will retain very fine detail better. -
We Are Oberlin
OBERLIN COMMUNITY MURAL PROJECT We Are Oberlin - 2021 PHASE 1 SPONSORED BY A generous grant from the Oberlin Schools Endowment Fund Materials provided by a Lakeland Community mini grant through The Community Foundation of Lorain County PHASE 2 SPONSORED BY Oberlin Schools Endowment Fund Lakeland Community Grant 2020/2021 - Community Foundation of Lorain County Bill Long Foundation Grant 2020 and 2021 The Giving Women of Oberlin 2020 Grant The Nord Family Foundation The Stocker Foundation The Nordson Foundation The Green EDGE Fund HAVE YOU EVER NOTICED THIS MURAL? DID YOU WONDER WHERE IT CAME FROM? SOME HISTORY REV. BRENDA GRIER- MILLER Founder - Summer in the City and OHS parent SUMMER IN THE CITY ➤ Founded by Brenda Grier-Miller in 1994 and operated through the Oberlin Recreation Department, Summer in the City ran for 5 years, bringing local artists to work with middle school students for a July camp. It started out as just a one-week program and grew over the years to a full month of programing. ➤ Students got hands-on training in quilting, cartooning, mural painting, wood carving, photography, pottery, video production, weaving, sign language, African dance and many other fields of artistic expression and community service. This mural was painted in the Summer of 1996 by the Mural Painting Class of Summer in the City. The design was a collective effort and the mural was supported by The Co-op Bookstore’s commitment toward cultural activism. Nanette Yannuzzi Macias, Oberlin College Art professor directed the mural class. Imani Miller, OHS class of 1998 was her assistant. The design centered on harmony, unity, happiness, peace and love. -
Cabinetry Care Guide
Cabinetry Care Guide Care and Cleaning Wood and Veneer Door Styles • If stain persists, use a damp cloth or sponge with Buckeye Workout®, standard Fantastik® (S.C. Johnson), or standard Once your cabinets have been installed, wipe down all exteriors Formula 409® (The Clorox Co.), lightly wipe for 10 to 20 strokes. and interiors with a damp cloth to remove dust, drying immediately Buckeye Workout is a commercial cleaner and readily available with a dry cloth. Be careful not to scratch the surface when wiping from a local distributor (to locate call 314-291-1900). off dust and debris. NOTE: Buckeye Workout contains water and propylene glycol • Regular exterior and interior cleaning requires only wiping with a phenyl ether. damp cloth and then drying. Remove oil, grease or general soil • If stain persists further, place a cloth or sponge damp with 70% using a clean cloth dampened with a fresh solution of mild soap Isopropyl Alcohol on top of the stain for 30 minutes. After 30 and water. Rinse with a clean, damp cloth, then dry thoroughly. minutes, remove the cloth or sponge and wipe. This should It is important to wipe spills immediately. Prolonged exposure to remove makeup, ball-point ink, and other stubborn stains. spills, including food, water or other liquids can cause perma- Repeat this step until stain is removed. nent discoloration or damage to your cabinet’s finish. • Avoid using harsh detergents, strong soap, abrasive cleaners DISINFECTING THERMOFOIL SURFACES or self-polishing waxes. All of these items can damage the Bleach (a 10% mixture) or Quat cleaner can be used as a factory-applied protective finish. -
Demonstrator List0819
Craft_group_query Springs Folk Festival Demonstrators Oct. 4 & 5,2019 Andy Balint Roasting peanuts Sarah Beamer Sheep shearing Jane Benson Candle dipping Dean Bishoff Wood toys Jason Blocher Maple sugaring Christina Blubaugh Vintage arrangements Jennifer Bowers Snowmen and other creations Sharon Boyer Doll & angel making Donna Brenneman Festival souvenir clothing Eileen Buchanan Dried arrangements James Burkett Stained glass Randy Burkholder Cinnamon roasted nuts Brenda Caldwell Handcrafted sculptures Joan Chaney Quilting Melissa Clark Pioneer demonstration Jacqueline Clarkson Crocheting, rug weaving Juliette Collins Basket making Karen Creasy Spool dolls Renee Cress Recycled lighted bottles James Culp Knifemaking Elisa Dasher Stoneware Cathy Davis Homeopathic products Dennis Doaty Leather products Kathy Donnelly Botanical artwork Toni-Kay Dye Painting, wildlife artist Susan Elkin Spinning Barbara Englander Buckwheat hull pillows Deborah English Painting George Fike Shaker boxes Robert Fleszar Pewter crafting Jocelyn Fox Essential oil roller bottle recipes Kenneth Frazier Oil candles Eric Gilleland Woodworking Jason Gilleland Metal roses Carl & Kathleen Gotzmer Musical instruments Carolyn Groves Tatting Liz Hagerman Painting Todd Johnson Native American demonstrations Ann Jones Weaving John Kara Angle-cut hardwoods Rick Kauffman Hit & miss engines Joyce Kauffman Candied apples Melissa Kent Cross stitch Lynn Lais Pottery Susan Lichty Country crafts Karen Lohr Soaps, waxes, balms April Lucy Oil and acrylic painting Eddie Maier Woodblock -
First Name Last Name/Business Type of Art Dan
Cayce Arts Guild Member Directory - January 2021 First Name Last Name/Business Type of Art Dan Gooch Avenues Real Estate, LLC The Art of the Deal Kate Batten variety of 2D / 3D Carol Blackwood water color, oils,acrylics, jewelry, pottery Jeff Blake photography Jean Boiteau music / yoga Glen Bramlitt drawing…pencil, ink…acrylic, digital, airbrush Beverly Breuer photography / oyster shell crafts Lee Breuer painter Jacqueline Brown painter / acrylics Jester (JJ) Burton painter / acrylics Demarcus Bush hatter Mick Carnett Turtle Creek Coffee *** (Whitney Couch) Carolina Conservation *** Kimber Carpenter acrylics Kimberly Case photography Rebecca Causey wood / mixed mediums Jim Cheatham photography Ellen Coffey Coffey's Antiques & Appliances *** Sandra Courie 3-D acrylics Peggy Ledford Creative Sewing sewing Alayna Decker painter / acrylics 2D: Watercolor, acrylic, photography, Pyrography, Colleen Dwyer 3D: Mixed media, journals, jewelry Linda Elksnin 2D-watercolor-gouache-acrylic-pencil-pastel-etc Renea Eshleman painter, watercolor / acrylics Irma Floyd water colors/acrylic/oil/photo Pat (Trish) Gillam acrylics Karen Hammond gourd art Mary Ann Haven 2D - paint - collage Larry Hembree theatre / performing arts (Bennett Brown-chef) Henry's of Cayce a creative Nancy Hill 2D - oil, pastel, watercolor 3D - sculpture, busts, relief Charles Hite photography Katty Hite *** John Hodge photography / imagery Pete Holland 2D - oil - acrylic Ann Huffman *** Camille Johnson multimedia on canvas Robert Johnson photography / pour painting Susan H. Johnson -
JC-Catalogue-Cabinetry.Pdf
jonathan charles fine furniture • cabinetry & beds catalogue • volume 1 volume • furniture fine cabinetry • & beds catalogue jonathan charles USA & CANADA 516 Paul Street, P.O. Box 672 Rocky Mount, NC.27802, United States t 001-252-446-3266 f 001-252-977-6669 [email protected] HIGH POINT SHOWROOM chests of drawers • bookcases, bookshelves & étagères • cabinets • beds 200 North Hamilton Building 350 Fred Alexander Place High Point, NC.27260, United States t 001-336-889-6401 UK & EUROPE Unit 6c, Shortwood Business Park Dearne Valley Park Way, Hoyland South Yorkshire, S74 9LH, United Kingdom t +44 (0)1226 741 811 & f +44 (0)1226 744 905 Cabinetry Beds [email protected] j o n a t h a n c h a r l e s . c o m printed in china It’s all in the detail... CABINETRY & BEDS JONATHAN CHARLES CABINETRY & BEDS CATALOGUE VOL.1 CHESTS OF DRAWERS 07 - 46 BOOKCASES, BOOKSHELVES... 47 - 68 CABINETS 69 - 155 BEDS 156 - 164 JONATHANCHARLES.COM CABINETRY & BEDS Jonathan Charles Fine Furniture is recognised as a top designer and manufacturer of classic and period style furniture. With English and French historical designs as its starting point, the company not only creates faithful reproductions of antiques, but also uses its wealth of experience to create exceptional new furniture collections – all incorporating a repertoire of time- honoured skills and techniques that the artisans at Jonathan Charles have learned to perfect. Jonathan Charles Fine Furniture was established by Englishman Jonathan Sowter, who is both a trained cabinet maker and teacher. Still deeply involved in the design of the furniture, as well as the direction of the business, Jonathan oversees a skilled team of managers and craftspeople who make fine furniture for discerning customers around the world. -
Rescuing Dudley Carter's Goddess of the Forest
Roger Baird Figure 1. Dudley Carter performing art-in-action at his 100th birthday party. 1996 WAG Postprints—Norfolk, Virginia Rescuing Dudley Carter’s Goddess of the Forest Arno P. Schniewind, Roger Baird, and Dale P. Kronkright ABSTRACT: The Goddess of the Forest, a massive sculpture created by Dudley Carter from a large redwood log as part of the “Art in Action” program during the World’s Fair held in San Francisco 1939/40, was later placed into the city’s Golden Gate Park where it remained until 1986. By then the Goddess, which stood 26 feet tall and had a girth at the base of 21 feet, showed serious signs of distress in the form of extensive decay and stood with the aid of props. It was decided to take the Goddess down and move it to San Francisco City College which already had another Carter sculpture, the Ram. City College also owns a major mural by Diego Rivera, created at the same time as the Goddess, which shows Carter in the process of creating the Ram with his double-bitted axe. Dudley Carter, who was 95 in 1986, was called to City College to devise a plan for rescuing what could be rescued, and subsequent work was carried out according to his instructions. It involved cutting about 10 feet off the bottom, and retaining only a “half shell” of the upper part, since extensive interior decay had left only an outer shell of sound wood 1 to 4 inches in thickness. An armature was constructed to support this shell. -
THE RELIEF PROBLEM Some Notes from an Art Historian
YUDONG WANG THE RELIEF PROBLEM Some Notes from an Art Historian Abstract This essay examines the factural and phenomenological aspects of some relief works of the remote and recent past, ranging from Buddhist sculptural and pictorial reliefs made in China, Central Asia, and India to relief works by Donatello (ca. 1386–1466) and the American sculptor Natalie Charkow Hollander (b. 1933). While some of the works under discussion are historically connected to one another, most are not. By zooming in on relief works and the verbal descriptions about them, the essay reveals the signification that relief, as a liminal art medium between painting and sculpture in the round, enforces on its maker and viewer across cultures and throughout history, due to the visual and tactile ambiguity that it effects between concealment and disclosure. Three Experiments with Relief in Early Medieval China The introduction of Indic art practices and theories, which traveled along with Buddhism, intensified art production in early medieval China. The three artistic experiments discussed in the first half of this essay took place during this age of artistic intensification, the fifth and sixth centuries CE. They demonstrate the different ways in which artists in China, in the grip of things Indic, reflected upon and grappled with the nature and characteristics of both painting and sculpture. In different ways, these experiments were the result of new understandings about the potential of the wall surface as an artistic support, with “wall” used in its broadest sense. Such attempts were trials with modes of wall reliefs and wall paintings. The first experiment pertains to stone carving. -
Chainsaw Carving Tour
2 3 6 8 9 10 11 13 16 20 14 17 4 21 19 15 18 1 7 12 5 37 22 23 26 30 31 32 34 42 43 45 46 25 35 39 28 33 29 44 36 38 40 41 24 27 64 67 48 51 58 62 63 69 71 50 52 57 54 68 56 59 49 72 65 53 60 66 47 61 70 55 77 90 83 84 85 86 89 74 78 92 73 82 93 76 79 87 91 75 88 80 95 81 94 99 106 109 114 119 113 98 110 111 117 97 112 104 115 118 107 105 108 100 103 96 101 102 116 121 123 126 120 124 127 NORTHERN BRITISH COLUMBIA 131 128 129 122 125 130 140 141 134 135 142 138 137 139 133 132 136 143 144 A A 146 147 148 151 153 154 A 150 145 152 A 149 A LEGEND C First Place Second Place C C Third Place A D D A B C D E D Come and Enjoy the Annual Chetwynd International Chainsaw Carving Competition 2nd Weekend in June Every Year • Carvers come from all over the world to compete for 1st, 2nd, 3rd place prizes as well as People’s Choice Award and Carver’s Choice Award. • Carvers also participate in a ‘Quick Carve Competition’ Sunday afternoon This is a great event rain or shine. Don’t miss the excitement! where their smaller piece is auctioned to spectators. CHAINSAW CARVING TOUR MAP Outdoor Carvings 149 *UNTIL END OF JUNE # CARVING NAME CARVER COUNTRY YEAR PLACED AWARDS LOCATION 1 Robot & Sparrow Robby Bast Victoria, Australia 2017 Third Carver’s Row - Hwy. -
The Carving Craftsmanship' S Process Principle and Measures of The
Proceedings of the 55th International Convention of Society of Wood Science and Technology August 27-31, 2012 - Beijing, CHINA The Carving Craftsmanship’ s Process Principle And Measures Of The Ming And Qing Furniture Artisan Xiaoting Niu, Doctor Graduate Student Fenghu Wang, Professor Materials Science and Engineering College Northeast Forestry University No. 26, He Xing Road Xiang Fang District Harbin 150040 P.R. CHINA E-mail: [email protected] E-mail: [email protected] Abstract: The wood-carving is a Chinese traditional decorative art, which is to carve the three-dimensional configuration designed by artisan on the furniture components. For thousand years, the traditional skill has been inheriting with the way of teacher and pupil generation, and formed a set of systematic operational approach. This paper , based on sorting of the carving technique’ s process principle and measures of traditional artisan, would divide carving handcraft into four processes of shencai huagao, yiwen tayang, cupi zaozhi and chanxue suxing. And combined the specific cases, discussed the operative skills of every process , analysed the internal rationality and scientific of process principle and measures of traditional artisan. It will plays a significant role in inheriting the national intangible cultural heritage of Ming style furniture production techniques and Jingzuo style furniture manufacturing technology, and producing the Ming and qing hardwood furniture. Key words: Ming and qing furniture; Artisan; Carving craftsmanship; Process principle； Procedure measure WAFC-3 1 of 11 Proceedings of the 55th International Convention of Society of Wood Science and Technology August 27-31, 2012 - Beijing, CHINA INTRODUCTION Woodcarving is a kind of Chinese characteristics adornment art. -
PYROGRAPHY BASICS -Demo.Pdf
PYROGRAPHY BASICS (Demonstration) Janice Levi [email protected] www.janicelevi.com 713-410-4193 TOOLS AND EQUIPMENT: (Wood burners) Solid Tip Wood Burner ◦ Temperature cannot be controlled, ◦ Writing tip is usually heavier in size. ◦ Shading is controlled by how quickly or slowly the line is burned. Variable Temperature Wood Burner—Temperature can be controlled, tips are either fixed or interchangeable. Soldering Iron ◦ Some have temperature controls ◦ Tips can be purchased or homemade Home Made Wood Burners—Burners can be made from battery chargers and dimmer switches. (NOTE: I will primarily be demonstrating the variable temperature wood burner) OTHER EQUIPMENT: Burning Tips—A variety of tips can be purchased. Tips can also be made from nichrome wire, available online, or brass rod Graphite pencils—2B, 4B, 6B Graphite Paper 200-250 grit sandpaper, brass brush, or steel wool scouring pad—to clean the tips Needle Nose pliers—for one-temperature tools Metal ruler or straightedge Drafter’s triangle To add color, you can use: ◦ Artist quality colored pencils, markers ◦ Artist’s acrylic paint and brushes, dyes Spray Fixative, Polyurethane spray sealer, tung oil, Danish oil finish and Paste wax, water-based urethane WOODS TO SELECT: Soft woods (bass wood, white pine, holly) can be burned to a very dark chocolate brown or black Hard woods allow for more variety in shading and are good for complex shading projects Fine grain woods show very little color change in lines and are generally preferred Light colored woods allow for more variety in color range of burning Dark colored woods result in a richness and depth of tone Avoid burning treated wood because of the preservatives Endgrain does not generally color as well as crossgrain with the burner or with paints SAFETY TIPS AND HELPFUL HINTS: Hold the burner pen the way you hold a pencil Hold the pen so the heat goes up, not back into the pen Do not breathe the smoke. -
Northpoint Cabinetry Catalog
2021 Catalog 2021 NORTHPOINT CABINETRY® CATALOG 2021 4319 Marlena Street, Bossier City, LA 71111 Connect with us on Social Media: NorthPoint Cabinetry boasts a wide array of high-quality cabinet combinations allowing you to design the perfect kitchen or bath that works for your family’s lifestyle. Make the kitchen or bath high-functioning and stunningly beautiful by adding Hardware Resources’ vast selection of cabinet organizers, LED cabinet lighting, and knobs and pulls. NorthPoint Cabinetry is an industry-leading brand of Dimora Brands, which also includes Top Knobs, Atlas Homewares, Watermark Designs, Water Street Brass, Vesta Fine Hardware, Task Lighting, Jeffrey Alexander, Elements, and Hardware Resources. As such, you can expect high-quality products, fast delivery, and excellent customer service. Table of Contents Our Collections . 2-3 Quality Comes First . 4-7. Expert Finishing . .8 . Our Door Styles Catalina . 12-19. Maui . 20-27. Hatteras. 28-33. Versatile Vanity Cabinets. 34-37. Cabinets for Any Space . 38-41. Personalize Your Space Moulding . 42-43 Fillers & Panels . .44-45 . Design Elements . 46-47. Specialty Cabinets . 48-49. The Finishing Touches Decorative Cabinet Hardware . 52-59 Cabinet Organizers . 60-67. Stainless Steel Sinks. 68-69. Cabinet Lighting . 70-75 Manufacturing & Technical Information Cabinet Breakdown . 76-77 Cabinet Lineup. 78-79. Ordering Information . 80. Warranty . .81 . Care & Cleaning . 81 Cabinets: Maui Polar White Island: Maui Espresso Decorative Cabinet Hardware: Zane Collection in Satin Nickel