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“Four times a year they have new fashions, but don’t think you have to wear all of it. To go by the rules is absurd.” In the Red Clear colors and easy shapes are priorities for Hutton, and if she can’t wear pants, she’ll choose a dress that doesn’t cling or constrict. Reminiscent of the body-conscious knits designed by ’70s superstar Halston (who once called Hutton “perhaps the greatest mannequin in history”), this gown ($550) is from OMO Norma Kamali, another longtime legend. Cuff, Patricia von Musulin. AMERIC AN IDOL PJ pants in public, boat shoes, slouchy trousers, by Katherine b. Weissman and lambeth hochWald men’s army hats, safari shirts, slinky dresses… photographs by ruven afanador Lauren Hutton made authenticity, audacity, and ease her fashion watchwords—and forged a new freedom for women. She’s still at it. 2009 october 191 “An awful lot of people with great style have West by no money whatsoever. Southwest This lived-in look is They have textbook Lauren Hutton— her clothes always seem studied themselves like things she’s owned and loved forever. The and seen intentionally rumpled trenchcoat (Gryphon New atching lauren what works.” York, $610) works nicely with slightly baggy, hutton pull clothes from a rack, you see im­ tattered “boyfriend” jeans mediately that she has picked up a trick or (I Heart Ronson for Wtwo in her more than 40 years of dressing JCPenney, $44). The mix of for the camera. a genius at coupling colors rancher casual and Native American craft is, of and pairing fabrics, this symbol of american course, associated with style is passionate about everything she two Laurens: Ralph L. did puts on: a striped men’s dress shirt (“let’s the plaid shirt (Ralph lose the collar stays and pair this with a Lauren Blue Label, $165); big tweed jacket”), slouchy pajama pants the turquoise and silver necklace and bracelet (“i think these need pockets, but they’re (Vicki Turbeville) look like fun—i’ve been wearing pJ’s out and about something Lauren H. forever”), an oversize cotton sweater (“i dis­ might have picked up on appear in beige. it’s the same color as me!”). her global travels— she collects accessories shimmying into a long red gown, she says, worldwide and is crazy “i can move in this dress. this will work!” at about “things I bought 65, the ever­gorgeous hutton knows what when I was with good she likes—and with her signature easy, un­ friends that have good constructed look, is still a trailblazer for stories surrounding them.” generations of modern women. growing up in 1940s charleston, south carolina, hutton bumped right up against the code of southern femininity: “everything Suiting Herself was very proper. it was patent leather and Hutton has a history organza.” but then her mother became, as with menswear, ranging from down-and-dirty she delicately puts it, “downwardly mobile”; denim to Giorgio Armani’s they moved to the backwoods of florida, slouchy ’70s pantsuits, where hutton felt free. “i hit the trees. i from Calvin Klein’s became a boy­girl. i liked wild things.” minimalist ’80s silhouettes she landed in manhattan in the early to modern practitioners like Paul Smith (shirt, Paul ’60s, a self­described “short, very american, Smith London, $295), Ralph irregular thing” with a gap between her front Lauren (pants, Lauren by teeth. (she told her modeling agency she’d Ralph Lauren, $179), and fix it, “but i really had no intention of doing the Olsen twins (blazer, The Row). Balanced so.”) the mannequins of the moment were proportions—here, “european swans—giant, beautiful, perfect the juxtaposition of a girls.” When hutton was sent to fabled fash­ perfectly fitted jacket and ion photographer richard avedon, he was easy bottoms— dismayed by her inexperience. “he asked are crucial to pulling off anything oversize. me where i came from, what i did. i told him Her shoes are Sperry that i ran, played, and jumped in the swamp.” Top-Siders, the boat so he got her leaping for the camera. three shoes she made famous: months later: 14 pages in Vogue. “I like the way they feel. They make you With her spirited presence and girl­next­ prance rather than door looks, hutton became a muse for the shuffle.” Ring, Me & Ro. designers who were then inventing american sportswear—clothes for women who worked and played with as much verve as men. off­ camera, hutton [continued on page 196] 2009 october 193 Express Yourself a few words of wisdom from the master of personal style. Night and Day on wardrobe essentials: Changing for evening used to be a big “always have a navy blazer. production: The whole point was to transform white pants, tan pants, navy or yourself. But Hutton never favored frilly ball black pants—whatever looks gowns that didn’t feel like her. She pioneered the modern concept of glamorous elements good on you. well-made t-shirts treated in a more offhand way. The splendid in long and short sleeves. sweep of this long, silvery skirt (Ralph Lauren and a good pair of black heels Black Label, $1,098) teams with a fitted and camel-colored oxfords. leather jacket (Helmut Lang, $1,325), layered if you can afford to, get high- scoopneck tees (The Row, $300 each), and Elsa Peretti for Tiffany & Co.’s Diamonds quality classics so you can by the Yard necklace—a classic example wear them forever and ever.” of dressing down something precious. Ring, on basic black: “it wipes Patricia von Musulin. Shoes, Robert Clergerie. me out. i can’t wear it. not everything works for everybody.” on biker chic: “Motorcycle The Natural clothes need to be thicker. “This hat reminds me of my daddy,” Hutton when you’re going fast on the says. “He was fighting in World War II when I highway, you don’t want to was born, and I never met him, but it’s a real GI hat—I found it in the ‘60s and have worn it leave skin behind.” ever since.” (It so impressed Revlon’s Charles on accessorizing: “i have Revson that he had it copied for the Charlie small bones, so i can’t wear perfume ads.) She also likes the genuine safari big jewelry. the jewelry ends shirt from venerable outfitter F.M. Allen ($148): “For years I got my safari clothes in Kenya, up walking around. i want from a company where the local police bought Lauren walking around.” their uniforms.” Authenticity matters to on developing a signature Hutton, even in makeup: She’s supplementing look: “when i first came to her original cosmetics line with a certified new York, my favorite outfit synthetic-free collection, beginning with September’s launch of the All Natural Face was a pair of aqua terry cloth Disc (11 products in one palette). Sweater, Gap, shorts and a men’s maroon $70. Pin, available at The Family Jewels. mohair sweater. all i’m saying is that you couldn’t have been dumber than me. finding your look isn’t complicated if you go in without being frightened. notice what people are complimenting you on. experiment with new things once in a while, but have your tried-and-true pieces that work.” 2009 october 195 [continued from page 193] channeled her energy into daredevil activities like deep­ sea diving, dogsledding, alligator wrest­ ling, and motorbiking. no wonder she developed an androgynous style—you can’t run and jump in a tight skirt and heels. “it’s 1. In Zihuatanejo, sexy to see curves under straight­cut men’s Mexico, 1969. clothes,” hutton says. “and the stars i 2. One of 26 liked—carole lombard, marlene dietrich, appearances “This outfit is built for speed, and on the cover of Kate hepburn—always dressed that way.” Vogue, 1973. after a decade of film and TV work, it’s feminine, too—new-fashioned 3. Hutton, the year hutton went back to modeling in her 40s. she negotiated she realized that most makeup, with its the first exclusive and old-fashioned at the same time.” contract in heavy textures and shimmery formulas, was modeling history made for younger skin. in 2002 she launched with Revlon, 1974. lauren hutton good stuff, cosmetics that 4. In the pages go on invisibly and don’t make faces look of Ambiance, 1978. 5. Hutton’s signature spackled. (a cheerleader for wrinkles—“our leap in Vogue, 1966. medals of the passage of life”—hutton is 6. Modeling a fiercely against facelifts and airbrushing.) Giorgio Armani on the subject of age­appropriate fash­ trenchcoat. ion, she’s less inclined to be prescriptive. she 7. With members of the Masai tribe believes in a foundation of classics, but her and godsons style advice isn’t about shopping so much as Teo and Nicky figuring out who you are. first, she says, in Kenya, 1996. make a candid external assessment: “to put 8. Alligator wrestling for together the best look, you have to use your Vanity Fair, shot eyes and brain together.” remember which by Helmut colors inspire compliments. identify friends Newton, 1989. with similar bodies and pay attention to what looks best on them. pick what pleases you. “and don’t buy something because a salesperson tells you to!” in truth, hutton finds fashion rules “ab­ surd”; her goal is to make an organic con­ nection between outer wrappings and inner life. because her clothes are in sync with ESTATE. NEWTON HELMUT © COPYRIGHT (4). LAURENHUTTONARCHIVE OF COURTESY /GETTYIMAGES. her personality, they never wear her; be­ photos cause she holds on to favorites, they carry a bit of history.

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