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Book Reviews.6
Page 85 BOOK REVIEWS Tartarus Press Strange Tales, ed. Rosalie Parker (North Yorkshire: Tartarus, 2003) & Wormwood: Literature of the Fantastic, Supernatural & Decadent, 16, 20032006 Dara Downey the horror genre is extremely limber, extremely adaptable, extremely useful; the author or filmmaker can use it as a crowbar to lever open locked doors or a small, slim pick to tease the tumblers into giving. The genre can thus be used to open almost any lock on the fears which lie behind the door […]. (Stephen King, Danse Macabre (1982), 163) When King is at his best, he can be remarkably adept at cutting to the core of the genre of which he is the selfproclaimed “King”. Nevertheless, however astute such isolated observations as the above comment might be, it is always possible to find another, equally astute observation, that both contradicts what he is saying and undermines whatever favourable impression of his analytical skills we may have. Elsewhere in Danse Macabre, for example, King states confidently that Henry James’ “The Turn of the Screw, with its elegant drawingroom prose and its tightly woven psychological logic, has had very little influence on the American masscult” of mainstream horror (Danse Macabre, 66). What this suggests is that the flexibility which he sees as the defining characteristic of horror has (for him at any rate) a breaking point, a suggestion well in line with his nearhysterical insistence that aesthetic values and intellectual rigour are antithetical to the aims and effects of the genre. It is precisely this sort of inverted snobbery that Tartarus Press are striving to overthrow. -
1 Ken Clarke
KEN CLARKE - MY PROFESSIONAL AUTOBIOGRAPHY When I left junior school at the age of twelve my plastering career started at the well known building Arts & Craft Secondary School, ‘Christopher Wren’, and from this early age I was particularly interested in fibrous plastering. It was a known fact that, of a class of 16, two of the pupils, after four years of schooling, would start their training at a major film studio. I passed my GCE in Building Craft, Paintwork and Plasterwork (copy 1 attached) and was one of the lucky two to be chosen to start training at Shepperton Studios. This was my first achievement (copy 2 – letter of engagement, 9 June 1964, attached). I started Shepperton Studios in the plastering Dept on 22 June 1964 under conditions of a six-month probationary period and a further 4 and half years. During this five-year apprenticeship, I was to do through the block release system, eight weeks at work and two weeks at Art & Craft College ‘Lime Grove’. At the end of five years I was awarded my basic and final City and Guilds in plastering (basic June 1966 and final June 1968 – copies 3 and 4 attached). This was a big achievement for any young man – for me; it was the beginning of a big career. After my five years I was presented with one of the very last certificates of apprenticeship offered by the ‘Film Industry Training Apprenticeship Council’. Thus, my apprenticeship came to an end. (Letter of thanks and delivery of my deeds and certificate 1 June 1969. -
Xin Bấm Vào Đây Để Mở Hoặc Tải Về
HOÀI NAM (Biên Soạn) NHỮNG CA KHÚC NHẠC NGOẠI QUỐC LỜI VIỆT (Tập Bốn) NHẠC ĐÔNG PHƯƠNG – NHẠC PHIM Trình Bày: T.Vấn Tranh Bìa: Mai Tâm Ấn Bản Điện Tử do T.Vấn & Bạn Hữu Thực Hiện ©Tủ Sách T.Vấn & Bạn Hữu 2021 ©Hoài Nam 2021 ■Tất cả những hình ảnh sử dụng trong bài đều chỉ nhằm mục đích minh họa và chúng hoàn toàn thuộc về quyền sở hữu theo luật quốc tế hiện hành của các tác giả hợp pháp của những hình ảnh này.■ MỤC LỤC TỰA THAY LỜI CHÀO TẠM BIỆT Phần I – Nhạc Đông Phương 01- Ruju (Người Tình Mùa Đông, Thuyền Tình Trên Sóng) 006 02- Koibito Yo (Hận Tình Trong Mưa, Tình Là Giấc Mơ) 022 03- Ribaibaru (Trời Còn Mưa Mãi, Tiễn Em Trong Mưa) 039 04- Ánh trăng nói hộ lòng tôi (Ánh trăng lẻ loi) 053 05- Hà Nhật Quân Tái Lai (Bao Giờ Chàng Trở Lại,. .) 067 06- Tsugunai (Tình chỉ là giấc mơ, Ước hẹn) 083 Phần II – Nhạc Phim 07- Dẫn Nhập 103 08- Eternally (Terry’s Theme, Limelight) 119 09- Que Será Será (Whatever will be, will be) 149 10- Ta Pedia tou Pirea /Never On Sunday) 166 11- The Green Leaves of Summer, Tiomkin & Webster 182 12- Moon River, Henri Mancini & Johnny Mercer 199 13- The Shadow of Your Smile, Johnny Mandel & . 217 14- Somewhere, My Love (Hỡi người tình Lara/Người yêu tôi đâu 233 15- A Time For Us (Tình sử Romeo & Juliet), 254 16- Where Do I Begin? Love Story, (Francis Lai & Carl Sigman) 271 17- The Summer Knows (Hè 42, Mùa Hè Năm Ấy) 293 18- Speak Softly, Love (Thú Đau Thương) 313 19- I Don’t Know How To Love Him (Chuyện Tình Xưa) 329 20- Thiên Ngôn Vạn Ngữ (Mùa Thu Lá Bay) 350 21- Memory (Kỷ Niệm) 369 22- The Phantom of the Opera (Bóng ma trong hí viện) 384 23- Unchained Melody (Tình Khúc Rã Rời,. -
The Pennsylvania State University the Graduate School the College
The Pennsylvania State University The Graduate School The College of the Liberal Arts ANIMALS, TECHNOLOGY, AND THE ZOOPOETICS OF AMERICAN MODERNISM A Dissertation in English by Christopher T. White 2008 Christopher T. White Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy May 2008 ii The dissertation of Christopher T. White was reviewed and approved* by the following: Sanford Schwartz Associate Professor of English Thesis Advisor Chair of Committee Deborah Clarke Professor of English and Women’s Studies Mark Morrisson Associate Professor of English Susan Squier Brill Professor of Women’s Studies and English Philip Jenkins Sparks Professor of History and Religious Studies Robin Schulze Professor of English Head of the Department of English *Signatures are on file in the Graduate School iii Abstract This dissertation addresses a striking paradox of American modernity: the historical disappearance of wildlife from the natural environment and the simultaneous proliferation of animal forms across the cultural landscape—in literature, in visual and material culture, and in popular scientific writings during the half-century of dramatic change from 1890 to 1940. Across these venues the figure of the “vanishing animal” emerges as a dominant trope, as modern extinctions and the explosion of machine culture combine to frame animals within a spectral logic—disappearing, but more visible than ever. The first half of this dissertation examines the extensive technological, ideological, and representational apparatus through which animals and animal life are rendered in modern American culture, while the second half explores a significant, if surprising, correlative phenomenon whereby the modernized figure of the animal returns to haunt, and in fact disrupt, the very technics that facilitated its emergence in the first place. -
Sinemada Yönetmenlik, Oyunculuk, Kurgu
SİNEMADA YÖNETMENLİK OYUNCULUK KURGU DORUK YAYIMCILIK / Sinema Sinemada Yönetmenlik - Oyunculuk - Kurgu Orijinal Adı: On Scrccn Dirccting - On Sereen Aeting « On Film Editing Yazare Edward Dmytryk - Jean Porter Dmytryk Çeviren: İbrahim Şener Kapak Tasanmı: Cafer Çakmak © Doruk Yayımcıltk 2011 Tum M ilan saklıdır, izinsiz almît yapılamaz. ISBN: 978-975-553-465-7 Boslu: 1. Basım Kasım 2003 (izdüşüm Yayınlan) 2. Basım Aralık 2007 (Doruk Yayımcılık) 3. Basım Mart 2011 (Doruk Yayımcılık) Baskı Cilt: Banş Matbaa-Mücellit Davuıpaşa Cad. Güven Sanayi Silesi С Blok. No: 291 Topkapı / İstanbul Tel: (0212) 674 85 28 0 doruk Himaye-i Etfal Sokak No: 6/2 Cagaloğîu/ISTANBUL Tel: (0212) 514 61 57 - (0212) 514 61 58 e-posta: [email protected] www.dorukyayimcilik.com Edward DMYTRYK Jean Porter DMYTRYK SİNEMADA YÖNETMENLİK OYUNCULUK KURGU Çeviren: İbrahim Şener u doruk Edward Dmytıyk, 1908’de Kanada’da dünyaya geldi, ancak çocukluk yıllarından itibaren yaşamının önemli bir bölümünü Amerika Birleşik Devletleri’nde geçirdi. Henüz 15 yaşındayken film stüdyolarında çalışmaya başlayan Dmytryk, 1940’lara gelindiğinde, yönetmenliğini yaptığı 20’den fazla filmle Hollywood’un genç yetenekleri arasında gös teriliyordu. Mc Carthy’nin kara listesine alınarak yönetmenlik kariyeri ne son verilmesiyle birlikte, Teksas ve Güney Kaliforniya Üniver sitelerinde sinema kuramı ve yapımı üzerine dersler vermeye başladı. Aynı dönemde, On Film Editing, On Screen Writing, on Filmmaking kitaplarının yanı sıra, Cinema: Concept and Practice, Hollywood's Golden Age, Odd Man Out, It is Hell of a Life, but not a Bad Living gibi film yapımı ve Hollywood anılan üzerine kitaplar yazclı. Dmytryk, 1999 yılında 90 yaşındayken kalp ve böbrek yetmezliğinden öldü. Jean Porter Dmytryk, rol aldığı yaklaşık 30 filmden sonra, 1948 yılında Edward Dmytryk ile evlendi. -
Concordia University Presents
ConcordiaConcordia UniversityUniversity presentspresents THE 30th ANNUAL SOCIETY FOR ANIMATION STUDIES CONFERENCE | MONTREAL 2018 We would like to begin by acknowledging that Concordia University is located on unceded Indigenous lands. The Kanien’kehá:ka Nation is recognized as the custodians of the lands and waters on which we gather today. Tiohtiá:ke/ Montreal is historically known as a gathering place for many First Nations. Today, it is home to a diverse population of Indigenous and other peoples. We respect the continued connections with the past, present and future in our ongoing relationships with Indigenous and other peoples within the Montreal community. Please clickwww.concordia.ca/about/indigenous.html here to visit Indigenous Directions Concordia. TABLE OF CONTENTS Welcomes 4 Schedule 8-9 Parallel Sessions 10-16 Keynote Speakers 18-20 Screenings 22-31 Exhibitions 33-36 Speakers A-B 39-53 Speakers C-D 54-69 Speakers E-G 70-79 Speakers H-J 80-90 Speakers K-M 91-102 Speakers N-P 103-109 Speakers R-S 110-120 Speakers T-Y 121-132 2018 Team & Sponsors 136-137 Conference Map 138 3 Welcome to Concordia! On behalf of Concordia’s Faculty of Fine Arts, welcome to the 2018 Society for Animation Studies Conference. It’s an honour to host the SAS on its thirtieth anniversary. Concordia University opened a Department of Cinema in 1976 and today, the Mel Hoppenheim School of Cinema is the oldest film school in Canada and the largest university-based centre for the study of film animation, film production and film studies in the country. -
The Philosophical View Over Theconcept of Death In
DJILALI LIABES UNIVERSITY- SIDI-BELABBES FACULTY OF LETTERS, LANGUAGES AND ARTS The Philosophical View over the Concept of Death in Hemingway's Novels Presented to the Faculty of Letters Languages and Arts at the University of SIDI- BELABBES in Fulfillment of the Requirements for the Degree of Doctorate in American Literature Presented by Slimane ABDELHAKEM Board of Examiners: Prof.:Bellabes OUERRAD University of Sidi Bellabes Chair Prof.Fatiha KAID BERRAHAL University of Laghouat Supervisor Prof. Abbès BAHOUS University of Mostaghanem Examiner Dr. Noureddine GUERROUDJ University of Sidi Bellabes Examiner Dr. Ghouti HAJOUI University of Tlemcen Examiner 2015/2016 Dedication To my parents And To my wife Malika ACKNOWLEDGEMENTS First and foremost I wish to thank God. Then, I have to thank my supervisor, professor. Fatiha KAID BERRAHAL in THELIDJI Amar -University-Laghouat For the continuous support of my PhD study and related research, for her patience, motivation, and immense knowledge. Her guidance helped me in all the time of research and writing of this thesis. I could not have imagined having a better advisor and mentor for my PhD study. There are no proper words to convey my deep gratitude and respect for her. She has inspired me to become an independent researcher and helped me realize the power of critical reasoning. In fact the Thesis writing process has been a long journey for me, seven years of research that would not have been possible without her belief in me. I also thank my wife and partner who supported me through this venture and for her stimulating discussions, for the sleepless nights we were working together, especially these last three months, before deadlines, and for all the fun mixed with irritability we have had in the last six years. -
Ðртњñ€ Хилњñ€ Филм ÑпиÑ
ÐÑ €Ñ‚ÑŠÑ€ Хилър Филм ÑÐ ¿Ð¸ÑÑ ŠÐº (ФилмографиÑ) Miracle of the White https://bg.listvote.com/lists/film/movies/miracle-of-the-white-stallions-665016/actors Stallions Teachers https://bg.listvote.com/lists/film/movies/teachers-1211139/actors See No Evil, Hear https://bg.listvote.com/lists/film/movies/see-no-evil%2C-hear-no-evil-1213118/actors No Evil Married to It https://bg.listvote.com/lists/film/movies/married-to-it-1226574/actors Playhouse 90 https://bg.listvote.com/lists/film/movies/playhouse-90-1248532/actors Tobruk https://bg.listvote.com/lists/film/movies/tobruk-1406378/actors Taking Care of https://bg.listvote.com/lists/film/movies/taking-care-of-business-1415430/actors Business The Wheeler https://bg.listvote.com/lists/film/movies/the-wheeler-dealers-1520030/actors Dealers The Out-of-Towners https://bg.listvote.com/lists/film/movies/the-out-of-towners-1567345/actors The Hospital https://bg.listvote.com/lists/film/movies/the-hospital-1630422/actors The In-Laws https://bg.listvote.com/lists/film/movies/the-in-laws-1766888/actors The Americanization of https://bg.listvote.com/lists/film/movies/the-americanization-of-emily-1852239/actors Emily Carpool https://bg.listvote.com/lists/film/movies/carpool-1924207/actors The Babe https://bg.listvote.com/lists/film/movies/the-babe-2004019/actors Man of La Mancha https://bg.listvote.com/lists/film/movies/man-of-la-mancha-2640322/actors The Addams Family https://bg.listvote.com/lists/film/movies/the-addams-family-266532/actors Penelope https://bg.listvote.com/lists/film/movies/penelope-3036314/actors -
Bible/Book Studies
1 BIBLE/BOOK STUDIES A Gospel for People on the Journey Luke Novalis Scripture Studies Series Each of the writers of the Gospels has his particular vision of Jesus. For Luke, Jesus is not only the one who announces the Good News of salvation: Jesus is our salvation. 9 copies Editor: Michael Trainor A Gospel for Searching People Matthew Novalis Scripture Studies Series Each of the writers of the Gospels has his particular vision of Jesus. For Matthew, Jesus is the great teacher (Matt. 23:8). But teacher and teachings are inextricable bound together, Matthew tells us. Jesus stands alone as unique teacher because of his special relationship with God: he alone is Son of man and Son of God. And Jesus still teaches those who are searching for meaning and purpose in life today. 9 copies Editor: Michael Trainor A Gospel for Struggling People Mark Novalis Scripture Studies Series “Who do you say that I am? In Mark’s Gospel, no one knows who Jesus is until, in Chapter 8, Peter answers: “You are the Christ.” But what does this mean? The rest of the Gospel shows what kind of Christ or Messiah Jesus is: he has come to suffer and die for his people. Teaching on discipleship and predictions of his death point ahead to the focus of the Gospel-the passion, death and resurrection of Jesus. 9 copies Editor: Michael Trainor Beautiful Bible Stories Beautiful Bible Stories by Rev. Charles P. Roney, D.D. and Rev. Wilfred G. Rice, Collaborator Designed to stimulate a greater interest in the Bible through the arrangement of extensive References, Suggestions for Study, and Test Questions. -
Broadeastifig the BUSI NESSWEEKLY of TELEVISION and RADIO
NOVEMBER 23, 1964 50 CENTS 34TH YEAR BroadeaStifig THE BUSI NESSWEEKLY OF TELEVISION AND RADIO D 1 w i13 r- JWT still leads radio -TV's 50 biggest agencies. p21 BPA weighs the nuts and bolts of promotion. p56 Cox purchase of WIIC for $20.5 million approved. p64 FCC's Ford moving to NCTA's $50,000 presidency. p72 COMPLETE INDEX PAGE 7 "Harry gives 'em more than hell... Newsweek, Nov tuber 16, 1964 ilaDretpfti Inquirer «ro Ulibun .tAittT MiWt1Alt. r Arthur Defeated Self for Presidency -1,M'ARTHUR EYED! N 1355 ) 3olanb I Pat (Ap PRESIDENCY,'B 1. 5 Hirn Egotist r MacArthur Feud, Calls cyldc Gen. t late m TRUMAN -= Says Vile w o SAYS ., pa di gasi as Yes airning lo,. .W,, oils More About Rift hope no viewer will miss." "... these juicy personal h Boston Herald reminiscences and testi- "Here we have mony are the human tory straight from mouth of the man in !merge "... viewers will not stuff history is made of talked have to wait very long made it ... an impr ...Commendations and sive picture of the niner to discover that "living compliments are due sponsibilities bol history" can make first WNEW -TV for its tele- and to be borne ;SS, casting of public service rate entertainment in latter -day preside :arty and vital controversy in United State the best sense of the one lively package." of the Christian Science Mc ;St...,, New York Herald Tribune lagazine word." Pittsburgh Post -Gazette 31:3ogtott Cobe Ife IF hnt5. MONDAY. NOVEMBER Vork 16, 1964 Vie Ntto Truman Says F.6UAY. -
Patriarchal-Industrial Anxiety and the Re- Turn of the Repressed (Eco-Critical) Simian Mon- Ster
PATRIARCHAL-INDUSTRIAL ANXIETY AND THE RE- TURN OF THE REPRESSED (ECO-CRITICAL) SIMIAN MON- STER David Christopher, University of Victoria Abstract Apocalyptic monkey monsters just keep coming back. Many of the stories have been subject to nu- merous remakes that date from the early-mid twentieth century, into the new millennium with myriad recurring visions of the simian monster, including Murders in the Rue Morgue (1917, 1932, 1986), King Kong (1933, 1976, 2005), Planet of the Apes (1968, 2001, 2011), and “Nightmare at 20,000 Feet” (1963, 1983) to name just a few. And in the new millennium, Peter Jackson’s Kong (2005) participates in a rejuvenation of the giant mon- ster movie cycles. In Living in the End Times (2011), Slavoj Žižek states “one of the best ways to detect shifts in the ideological constellation is to compare consecutive remakes of the same story” (Žižek, End Times, 61). By doing so, and in conjunction with his articulation of the socio-psychological mechanics of fantasy, Žižek introduces an analytical framework through which to examine the intermittent return of the simian monster to popular cinema. As suggested here, the simian monster recurs not only because it is an effective uncanny receptacle for capitalist Othering, but also because it represents a larger patriarchal anxiety regarding the monstrous threat of nature and its conquest. Jackson’s Kong, for example, seems to have less to do with the atomic fear of the 1950s giant monster movie cycle with which it participates than with eco-disaster anxieties. Following the trajectory of both the films and their surrounding discourse, this article seeks to demonstrate that these films can be read as the evolution of nearly a century of eco-anxi- eties signified by cinematic simian monsters into increasingly explicit fantasies of redemption from the fear of ecological disaster that is embedded in the repressed contradictions of an aggressively industrial and patriarchal capitalist culture. -
Rich, Attractive People in Attractive Places Doing Attractive Things Tonya Walker Virginia Commonwealth University
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2006 Rich, Attractive People In Attractive Places Doing Attractive Things Tonya Walker Virginia Commonwealth University Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the English Language and Literature Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/992 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. Rich, Attractive People Doing Attractive Things in Attractive Places - A Monologue from Hell - - by Tonya Walker, Master of Fine Arts Candidate Major Director: Tom De Haven, Professor, Department of English Acknowledgement This thesis could not have been completed - completed in the loosest sense of the word - had in not been for the time and involvement of three men. I'd like to thank my mentor David Robbins for his unfailing and passionate disregard of my failings as a writer, my thesis director Tom De Haven for his patient support and stellar suggestions that are easily the best in the book and my husband Philip whose passionate disregard of my failings and patient support are simply the best. Abstract RICH, ATTRACTIVE PEOPLE IN ATTRACTIVE PLACES DOING ATTRACTIVE THINGS By Tonya Walker, M.F.A. A these submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. Virginia Commonwealth University, 2006 Major Director: Tom De Haven, Professor, Department of English Rich, Attractive People in Attractive Places Doing Attractive Things is a fictional memoir of a dead Manhattan socialite from the 1950's named Sunny Marcus.