DOCSLIB.ORG

Includes Our Main Attractions and Special

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Includes Our Main Attractions and Special Princeton Garden Theatre Previews99G MARCH – JUNE 2017 Cary Fontaine in SUSPICION Grant and Joan INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS P RINCETONG ARDENT HEATRE.ORG 609 279 1999 Welcome to the nonprofit Princeton Garden Theatre The Garden Theatre is a nonprofit, tax-exempt 501(c)(3) organization. How can you support PRINCETON ADMISSION GARDEN THEATRE the Garden Theatre? MEMBER General ............................................................$11.00 Be a member. Members ...........................................................$6.00 Become a member of the non- MEMBER profit Garden Theatre and show Seniors (62+) & University Staff .........................$9.00 your support for good films and Students . ..........................................................$8.00 a cultural landmark. See back panel for a membership form or Matinees join online. Your financial support is tax-deductible. Mon, Tues, Thurs & Fri before 4:30 Be a sponsor. Sat & Sun before 2:30 .....................................$8.00 Receive prominent recognition for your business in exchange Wed Early Matinee before 2:30 ........................$7.00 for helping our nonprofit theater. Recognition comes in a variety Affiliated Theater Members* .............................$6.00 of ways – on our movie screens, in our brochures, and on our You must present your membership card to obtain membership discounts. website. Contact us at 215 348 1878 x112 or at The above ticket prices are subject to change. [email protected]. Make a gift. Your additional gifts and support make us even better. Your *Affiliated Theater Members donations are fully tax-deductible. Contact our Business Office All members of our theater are entitled to members tickets at all at 215 348 1878 x117 or at [email protected]. “Renew Theaters” (Ambler, County, Garden, and Hiway), as well Get our weekly email notices. as at participating “Art House Theaters” nationwide. For more We can keep you up-to-date on all our events and scheduling information, visit our website. via our weekly email notices. Visit our website to sign up, and Policies then stay plugged into our latest programming news. Children under 6 – Children under age 6 will not be admitted to our Give us feedback. films or programs unless specifically indicated. Your film experience is the most important thing to us, so we Late Arrivals – The theater reserves the right to stop selling tickets welcome your feedback. Please let us know what we can do (and/or seating patrons) after a film has started. better. Contact us at 215 348 1878, or [email protected]. Outside Food and Drink – Patrons are not permitted to bring out- side food and drink into the theater. We’re nonprofit. Princeton Garden Theatre LLC is a 501(c)(3) organization, regis- Accessibility & Hearing Assistance – The Garden Theatre tered in the State of New Jersey. Contributions are deductible to has wheelchair-accessible auditoriums and restrooms, the fullest extent of the law. The official registration and financial and is equipped with hearing enhancement headsets information of Princeton Garden Theatre LLC may be obtained and closed caption devices. (For headphones or caption from the Attorney General of the State of New Jersey by calling devices, please inquire at the concession stand.) 800 242 5846 or online at http://www.state.nj.us. Registra- Parking tion with the Attorney General does not imply endorsement. Our Check our website for parking information. federal tax identification number is 46-5444212. Our management team. Nonprofit Renew Theaters joined the Princeton community as Princeton Garden Theatre the operator of the Garden Theatre in July of 2014. We also run 160 Nassau Street, Princeton, NJ 08542 three golden-age movie theaters in Pennsylvania – the County Theater in Doylestown, the Ambler Theater in Ambler, and the 609 279 1999 HOTLINE Hiway Theater in Jenkintown. We are committed to excellent 215 348 1878 Administrative Office PrincetonGardenTheatre.org programming and to meaningful community engagement. PREVIEWS (99) MARCH 1, 2017 PUBLISHED QUARTERLY BY PRINCETON GARDEN THEATRE LLC 160 NASSAU STREET, PRINCETON, NJ 08542 ISSUE NO. 99 Be a member of the nonprofit Princeton Garden Theatre. Show your support for the Garden by becoming a member of our community theater. As a member, you will receive reduced (or free) admission to all films and other events at the theater. Memberships and gifts to the theater are tax-deductible (as described) and will be used to make the theater a valued cultural asset. Join today! ............................ MEMBERSHIP FORM............................. Be a member of the Basic Annual Membership Sustaining Annual Membership o $50 Individual o $120 – Producer (one person) o $600 – Mogul nonprofit Garden Theatre o $75 Couple/Dual o $110 – Senior Producer (62+) (one person) Free admission for one named member The Princeton Garden Theatre is open to the o $40 Senior (62+years) Individual Producer (one person) receives 6 free + 2nd named individual membership public. However, you can become a member o $65 Senior Couple (62+years) tickets + basic benefits with basic benefits of the nonprofit Garden Theatre and show o $40 Student your support of good films and a cultural o $160 - Producer Couple o $1,200 – Angel (Couple) landmark and get a reduced ticket price. Basic membership gives you: o $140 - Senior Producer Couple (both 62+) Receives free admission for two Angel Contributions are tax-deductible to the full • $6.00 admission to all Main films Producer Couple receives 6 free tickets + members + basic benefits extent of the law. Your membership is valid • Family Benefit - Member’s children basic benefits o $5,000 – Icon (Couple) for one (1) year from your date of joining. under 18 may attend for $6.00 o $250 – Executive Producer Couple Receives free admission for two Icon • Tax-deductibility Checks payable to: o $220 – Senior Exec. Prod. Couple (both 62+) members + family + basic benefits + Renew Theaters, Inc. (Garden Theatre) • $6.00 admission to Hiway, County, Executive Producer Couple receives 12 free one free private screening Mail to: Princeton Garden Theatre and Ambler Theaters tickets + basic benefits for couple P. O. Box 779 • Membership admission prices Join online at: Doylestown, PA 18901 are subject to change PrincetonGardenTheatre.org/member- Membership Cards will be mailed to you. ship $___________Total Membership Fee NAME(S) $___________Extra Gift ADDRESS $___________Total CITY STATE ZIP TELEPHONE (HOME) o My check is enclosed. TELEPHONE (CELL) Make checks payable to: Renew Theaters, Inc. (Garden Theatre) EMAIL Please charge my: o MasterCard o VISA Card Number: ______________________________________________________________Exp. Date___________________ o Discover o AMEX Signature____________________________________________________________________________________________ 99G MAIN ATTRACTIONS Main Attractions What main films will play at the Garden? This section lists the Main Attractions that we intend to play in the coming weeks. Additional unlisted films will also become available. This list is only an educated guess, though, since film release plans often change. When will these main films play? Scheduling our Main Attractions is week- to-week. On Monday, we decide what main films will play starting that Friday. On Tuesday and Wednesday, we set the showtimes for the upcoming week and then update our website and telephone hotline. We also send out a weekly email (which you can receive by signing up at our website). Sometimes, we book a main film a few weeks in advance, which we post on our website’s “Coming Attractions” section. For our latest Main Attractions plans, visit: PrincetonGardenTheatre.org (Or call our hotline at 609-279-1999.) Their Finest Their Finest Frantz Tulip Fever UK - Lone Scherfig - 1 hr 57 min France - Francois Ozon - 1 hr 53 min UK - Justin Chadwick - 1 hr 47 min Set during the German air blitz of w/subtitles TULIP FEVER is about a forbidden London during WWII, THEIR FINEST French arthouse filmmaker Francois romance in 17th century Amsterdam. is about a British film crew that Ozon directs this nuanced, intimate Alicia Vikander plays a married woman attempts to boost morale by creating a story set in the wake of World War I. A who falls in love with the artist who is propaganda film. Told with wry humor young German visits her fiance’s grave hired to paint her portrait. The two then and honesty, it’s a delightful story about in France and encounters a mysterious begin a scheme to sell tulip bulbs in persevering through trying times. The Frenchman. It’s an absorbing, order to finance their new life together. excellent cast features Gemma Arterton passionate drama about postwar anger Also with Christoph Waltz and Judi and Sam Claflin, as well as Bill Nighy, and recovery, with brilliant performances Dench. Screenplay by the Tony award- Helen McCrory, Jeremy Irons, and from its two lead actors, Paula Beer and winning playwright Tom Stoppard, based Richard E. Grant. Pierre Niney. on Deborah Moggach’s best-selling novel. MAIN ATTRACTIONS A Quiet Passion A Quiet Passion The Lost City of Z I Am Not Your Negro UK - Terence Davies - 2 hr 5 min USA - James Gray - 2 hr 21 min USA - Raoul Peck - 1 hr 35 min Director Terence Davies presents this This film, based on the award-winning In this provocative documentary, film- delicate film about one of America’s nonfiction book by David Grann, tells maker Raoul Peck brilliantly uses the most celebrated poets, Emily Dickinson. the adventurous story of early 20th ideas and words of American writer A QUIET PASSION tells the story of century British explorer, Percival Fawcett. James Baldwin to tell the story of race Dickinson from her days as a young During an expedition in the Amazon, in modern America. Based on his un- schoolgirl to her life as a reclusive Fawcett learns of an ancient lost city finished novel “Remember This House,” artist. Cynthia Nixon is brilliantly cast and becomes driven to find it. Starring I AM NOT YOUR NEGRO utilizes archival as the adult Dickinson. An elegant and Charlie Hunnam, with Robert Pattinson, footage, interviews, and photography to masterful work from Davies.
Load more

Recommended publications
  • Prieur Dissertation 6 18 10
    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title In the System: Art, Prison, and the Performance of Social Welfare Permalink https://escholarship.org/uc/item/0rq886vg Author Prieur, Nina Billone Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California In the System: Art, Prison, and the Performance of Social Welfare By Nina Billone Prieur A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Angela Y. Davis Professor Shannon Steen Professor Rebecca McLennan Fall 2010 In the System: Art, Prison, and the Performance of Social Welfare © 2010 by Nina Billone Prieur Abstract In the System: Art, Prison, and the Performance of Social Welfare by Nina Billone Prieur Doctor of Philosophy in Performance Studies Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Shannon Jackson, Chair Over the past three decades, the state of California has launched the largest prison construction project in history. The United States has followed California’s lead by massively expanding its penal system and radically dismantling its welfare system. The country currently incarcerates not only more people, but also a greater percentage of its population than any other nation in the world. During this same period, increasing numbers of artists have intervened in the spaces between the U.S. prison and welfare systems. San Francisco has served as a crucible for these endeavors, which constitute a defining feature of the emerging field of community-based performance.
    [Show full text]
  • Donmar Warehouse Projects Ltd HEAD of FINANCE
    Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%).
    [Show full text]
  • Simon Russell Beale Photo: Charlie Carter
    Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Simon Russell Beale Photo: Charlie Carter Location: London Other: Equity Height: 5'7" (170cm) Eye Colour: Grey Playing Age: 51 - 55 years Hair Colour: Greying Appearance: White Hair Length: Short Stage 2018, Stage, The Lehman Trilogy, The National Theatre, Sam Mendes 2016, Stage, Prospero, The Tempest, Royal Shakespeare Company, Gregory Doran 2015, Stage, Mr Foote, Mr Foote's Other Leg, Hampstead Theatre/Haymarket (transfer), Richard Eyre 2015, Stage, The Dean, Temple, Donmar Warehouse, Howard Davies 2014, Stage, King Lear, King Lear, National Theatre, Sam Mendes 2013, Stage, Acting Captain Terri Dennis, Privates on Parade, Noel Coward Theatre, Michael Grandage 2013, Stage, Roote, The Hothouse, Trafalgar Studios, Jamie Lloyd 2012, Stage, Timon of Athens (Critics' Circle Award 2013), Timon of Athens, National Theatre, Nicholas Hytner 2011, Stage, Jimmy, Bluebird, Atlantic Theatre Company, New York, Gaye Taylor Upchurch 2011, Stage, Stalin, Collaborators, National Theatre, Nicholas Hytner 2010, Stage, Sydney, Deathtrap, Noel Coward Theatre, Matthew Warchus 2010, Stage, Sir Harcourt Courtly, London Assurance, National Theatre, Nicholas Hytner 2009, Stage, Lopahkin, The Cherry Orchard, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2009, Stage, Leontes, The Winter's Tale, Brooklyn Academy/World Tour/Old Vic, Sam Mendes 2008, Stage, Edward, A Slight Ache, National Theatre, Iqbal Khan 2008, Stage, Landscape, National Theatre,
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
    [Show full text]
  • Nine Night at the Trafalgar Studios
    7 September 2018 FULL CASTING ANNOUNCED FOR THE NATIONAL THEATRE’S PRODUCTION OF NINE NIGHT AT THE TRAFALGAR STUDIOS NINE NIGHT by Natasha Gordon Trafalgar Studios 1 December 2018 – 9 February 2019, Press night 6 December The National Theatre have today announced the full cast for Nine Night, Natasha Gordon’s critically acclaimed play which will transfer from the National Theatre to the Trafalgar Studios on 1 December 2018 (press night 6 December) in a co-production with Trafalgar Theatre Productions. Natasha Gordon will take the role of Lorraine in her debut play, for which she has recently been nominated for the Best Writer Award in The Stage newspaper’s ‘Debut Awards’. She is joined by Oliver Alvin-Wilson (Robert), Michelle Greenidge (Trudy), also nominated in the Stage Awards for Best West End Debut, Hattie Ladbury (Sophie), Rebekah Murrell (Anita) and Cecilia Noble (Aunt Maggie) who return to their celebrated NT roles, and Karl Collins (Uncle Vince) who completes the West End cast. Directed by Roy Alexander Weise (The Mountaintop), Nine Night is a touching and exuberantly funny exploration of the rituals of family. Gloria is gravely sick. When her time comes, the celebration begins; the traditional Jamaican Nine Night Wake. But for Gloria’s children and grandchildren, marking her death with a party that lasts over a week is a test. Nine rum-fuelled nights of music, food, storytelling and laughter – and an endless parade of mourners. The production is designed by Rajha Shakiry, with lighting design by Paule Constable, sound design by George Dennis, movement direction by Shelley Maxwell, company voice work and dialect coaching by Hazel Holder, and the Resident Director is Jade Lewis.
    [Show full text]
  • PATHS of GLORY (U.S., 1957, 87 Minutes) “The Paths of Glory Lead
    PATHS OF GLORY (U.S., 1957, 87 Minutes) “The paths of glory lead but to the grave.” (Thomas Grey, Elegy Written in a Country Churchyard, 1751) After 28 year old Stanley Kubrick directed the film version of Humphrey Cobb’s 1935 semi-fictional novel in 1957, he was asked why he had produced an anti-war film at the patriotic height of the Cold War. Kubrick reportedly replied that he had not made an anti-war film but rather a political one about authoritarian ignorance. Both the film and the novel are not so much anti-war and pacifistic as they are critiques of the bureaucratic apparatus organized to conduct modern warfare. As is currently being described in OLLI course F304, by 1915 the Great War in the West reached a bloody stalemate. The German Army, with minimal ground holding forces and skillful deployment of men and guns, repulsed every Allied attempt to drive it from France and Belgium in battles at Ypres, Arras, the Argonne Forest, and in Champagne. French losses alone reached a staggering 1,000, 000 fatalities. Against this backdrop (and with portents of Verdun to come), Paths of Glory presents the story of common French infantrymen caught in the web of military gamesmanship and blind ambition in command. The film emphasizes the gap between those who receive orders in the trenches and their self-serving, ruthless and opportunistic commanders in the rear. Focusing on the chain of command, the film targets the army as an institution which seems to lurch from one murderous horror to the next, guided by the ambitions and vanities of the moment.
    [Show full text]
  • Golden Gulag
    GOLDEN GULAG AMERICAN CROSSROADS EDITED BY EARL LEWIS, GEORGE LIPSITZ, PEGGY PASCOE, GEORGE SÁNCHEZ, AND DANA TAKAGI GOLDENGULAG PRISONS, SURPLUS, CRISIS, AND OPPOSITION IN GLOBALIZING CALIFORNIA RUTHWILSONGILMORE UNIVERSITY OF CALIFORNIA PRESS BERKELEY LOS ANGELES LONDON University of California Press, one of the most distinguished uni- versity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and nat- ural sciences. Its activities are supported by the UC Press Founda- tion and by philanthropic contributions from individuals and insti- tutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2007 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Gilmore, Ruth Wilson, 1950–. Golden gulag : prisons, surplus, crisis, and opposition in globalizing California / Ruth Wilson Gilmore. p. cm—(American crossroads ; 21). Includes bibliographical references and index. isbn-13: 978-0-520-22256-4 (cloth : alk. paper) isbn-10: 0-520-22256-3 (cloth : alk. paper) isbn-13: 978-0-520-24201-2 (pbk. : alk. paper) isbn-10: 0-520-24201-7 (pbk. : alk. paper) 1. Prisons—California. 2. Prisons—Economic aspects—California. 3. Imprisonment—California. 4. Criminal justice, Administration of—California. 5. Discrimination in criminal justice administration—California. 6. Minorities—California. 7. California—Economic conditions. I. Title. II. Series. HV9475.C2G73 2007 365'.9794—dc22 2006011674 Manufactured in the United States of America 15 14 13 12 111098765 This book is printed on New Leaf EcoBook 60, containing 60% postconsumer waste, processed chlorine free; 30% de-inked recycled fiber, elemental chlorine free; and 10% FSC-certified virgin fiber, to- tally chlorine free.
    [Show full text]
  • Editor Recommended Texts Here Are Some Ideas for Texts and Films That
    Editor recommended texts Here are some ideas for texts and films that our language editors have recommended. These are just suggestions though so if there is a particular author or film you would rather look at, you may do so! English translations can be found in libraries and online bookstores but we encourage giving the texts in their original versions a go too - especially for 6th form submissions! Many of the films can be found online (Amazon, Mubi, Youtube, Netflix) or can be bought on DVD. FRENCH o TEXTS: ​ ​ ​ Monsieur Ibrahim et les fleurs du coran, Eric Schmitt ​ Stupeur et tremblements, Amélie Nothomb ​ Le Petit Prince, Antoine de Saint Exupéry ​ Boule de Suif, Guy de Maupassant ​ Oran, langue morte Assia Djebar (collection of short stories) ​ Le Silence de la mer, Vercors (Jean Bruller) (A-level) ​ Candide, Voltaire (A-Level) ​ o FILMS: ​ ​ ​ Entre les murs, Laurent Cantet (15) ​ https://www.imdb.com/title/tt1068646/ ​ Portrait de la jeune fille en feu, Céline Sciamma (15) ​ https://www.imdb.com/title/tt8613070/ Stupeur et tremblements, Alain Corneau (12A) ​ https://www.imdb.com/title/tt0318725/ Les misérables (2019), Ladj Ly (15) ​ https://www.imdb.com/title/tt10199590/?ref_=tt_pg Amélie, Jean-Pierre Jeunet (15) ​ https://www.imdb.com/title/tt0211915/?ref_=tt_pg Populaire, Régis Roinsard (12A) ​ https://www.imdb.com/title/tt2070776/ Les Choristes, Christophe Barratier (12A) ​ https://www.imdb.com/title/tt0372824/?ref_=fn_al_tt_1 Kirikou et les bêtes sauvages, Michel Ocelot, Bénédicte Galup (U) ​ https://www.imdb.com/title/tt0455142/?ref_=fn_al_tt_1
    [Show full text]
  • Enjoy the Show Cinemas in 65 Countries Showed a National
    Did you know? A production from 2,500 cinemas in 65 countries showed a National Theatre Live broadcast or screening in 2017 by William Shakespeare Cast, in order of speaking Musicians Caesar Tunji Kasim Magnus Mehta (Music Director / Agrippa Katy Stephens Percussion), Joley Cragg (Percussion), Enjoy the show Cleopatra Sophie Okonedo Kwêsi Edman (Cello), Sarah Manship Antony Ralph Fiennes (Woodwind), We hope you enjoy your National Theatre Please do let us know what you think Eros Fisayo Akinade Arngeir Hauksson (Guitar / Oud) Live screening. We make every attempt to through our channels listed below or Charmian Gloria Obianyo replicate the theatre experience as closely approach the cinema manager to share Iras Georgia Landers Production Team as possible for your enjoyment. your thoughts. Soothsayer Hiba Elchikhe Enobarbus Tim McMullan Director Simon Godwin Proculeius Ben Wiggins Set Designer Hildegard Bechtler Sicyon Official Shazia Nicholls Costume Designer Evie Gurney Tim Lutkin Connect with us Lepidus Nicholas Le Prevost Lighting Designer Thidias Sam Woolf Music Michael Bruce Pompey Sargon Yelda Movement Directors Jonathan Explore Never miss out Menas Gerald Gyimah Goddard Go behind the scenes of Antony & Cleopatra Get the latest news from Varrius Waleed Hammad Shelley Maxwell and learn more about how our broadcasts National Theatre Live straight Euphronius Nick Sampson Sound Designer Christopher Shutt happen on our website. to your inbox. Octavia Hannah Morrish Video Designer Luke Halls Canidius Alan Turkington Fight Director Kev McCurdy ntlive.com ntlive.com/signup Scarus Alexander Cobb Ventidius Henry Everett Broadcast Team Supernumeraries Samuel Arnold Catherine Deevy Director for Screen Tony Grech-Smith Join in Feedback Technical Producer Christopher C Bretnall Use #AntonyandCleopatra and be Share your thoughts by taking our Script Supervisor Amanda Church a part of the conversation online.
    [Show full text]
  • Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442
    English 252: Theatre in England 2011-2012 Harlingford Hotel Phone: 011-442-07-387-1551 61/63 Cartwright Gardens London, UK WC1H 9EL [*Optional events — seen by some] Wednesday December 28 *1:00 p.m. Beauties and Beasts. Retold by Carol Ann Duffy (Poet Laureate). Adapted by Tim Supple. Dir Melly Still. Design by Melly Still and Anna Fleischle. Lighting by Chris Davey. Composer and Music Director, Chris Davey. Sound design by Matt McKenzie. Cast: Justin Avoth, Michelle Bonnard, Jake Harders, Rhiannon Harper- Rafferty, Jack Tarlton, Jason Thorpe, Kelly Williams. Hampstead Theatre *7.30 p.m. Little Women: The Musical (2005). Dir. Nicola Samer. Musical Director Sarah Latto. Produced by Samuel Julyan. Book by Peter Layton. Music and Lyrics by Lionel Siegal. Design: Natalie Moggridge. Lighting: Mark Summers. Choreography Abigail Rosser. Music Arranger: Steve Edis. Dialect Coach: Maeve Diamond. Costume supervisor: Tori Jennings. Based on the book by Louisa May Alcott (1868). Cast: Charlotte Newton John (Jo March), Nicola Delaney (Marmee, Mrs. March), Claire Chambers (Meg), Laura Hope London (Beth), Caroline Rodgers (Amy), Anton Tweedale (Laurie [Teddy] Laurence), Liam Redican (Professor Bhaer), Glenn Lloyd (Seamus & Publisher’s Assistant), Jane Quinn (Miss Crocker), Myra Sands (Aunt March), Tom Feary-Campbell (John Brooke & Publisher). The Lost Theatre (Wandsworth, South London) Thursday December 29 *3:00 p.m. Ariel Dorfman. Death and the Maiden (1990). Dir. Peter McKintosh. Produced by Creative Management & Lyndi Adler. Cast: Thandie Newton (Paulina Salas), Tom Goodman-Hill (her husband Geraldo), Anthony Calf (the doctor who tortured her). [Dorfman is a Chilean playwright who writes about torture under General Pinochet and its aftermath.
    [Show full text]
  • Review of Elevator to the Gallows
    City University of New York (CUNY) CUNY Academic Works Publications and Research CUNY Graduate Center 2006 Review of Elevator to the Gallows Michael Adams City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_pubs/135 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Elevator to the Gallows (Criterion Collection, 4.25.2006) Louis Malle’s 1958 film is notable for introducing many of the elements that would soon become familiar in the work of the French New Wave directors. Elevator to the Gallows conveys the sense of an artist trying to present a reality not previously seen in film, but a reality constantly touched by artifice. The film is also notable for introducing Jeanne Moreau to the international film audience. Although she had been in movies for ten years, she had not yet shown the distinctive Moreau persona. Florence Carala (Moreau) and Julien Tavernier (Maurice Ronet) are lovers plotting to kill her husband, also his boss, the slimy arms dealer Simon (Jean Wall). The narrative’s uniqueness comes from the lovers never appearing together. The film opens with a phone conversation between them, and there are incriminating photos of the once-happy couple at the end. In between, Julien pulls off what he thinks is a perfect crime. When he forgets a vital piece of evidence, however, he becomes stuck in an elevator. Then his car is stolen for a joyride by Louis (Georges Poujouly), attempting some James Dean-like rebellious swagger, and his girlfriend, Veronique (Yori Bertin).
    [Show full text]
  • Series 28: 10) ND Louis Malle, VANYA on 42 STREET 1994, 119 Minutes)
    April 8, 2014 (Series 28: 10) ND Louis Malle, VANYA ON 42 STREET 1994, 119 minutes) Directed by Louis Malle Written by Anton Chekhov (play “Dyadya Vanya”), David Mamet (adaptation) and Andre Gregory (screenplay) Cinematography by Declan Quinn Phoebe Brand ... Nanny Lynn Cohen ... Maman George Gaynes ... Serybryakov Jerry Mayer ... Waffles Julianne Moore ... Yelena Larry Pine ... Dr. Astrov Brooke Smith ... Sonya Wallace Shawn ... Vanya Andre Gregory ... Himself LOUIS MALLE (director) (b. October 30, 1932 in Thumeries, Nord, France—d. November 23, 1995 (age 63) in Beverly Hills, Los Angeles, California) directed 33 films and television shows, including 1994 Vanya on 42nd Street, 1992 Damage, 1990 May and 1954 Station 307 (Short)—and was the cinematographer for Fools, 1987 Au Revoir Les Enfants, 1986 “God's Country” (TV 5: 1986 “God's Country” (TV Movie documentary), 1986 “And Movie documentary), 1986 “And the Pursuit of Happiness” (TV the Pursuit of Happiness” (TV Movie documentary), 1962 Vive Movie documentary), 1985 Alamo Bay, 1984 Crackers, 1981 My le tour (Documentary short), 1956 The Silent World Dinner with Andre, 1980 Atlantic City, 1978 Pretty Baby, 1975 (Documentary), and 1954 Station 307 (Short). Black Moon, 1974 A Human Condition (Documentary), 1974 Lacombe, Lucien, 1971 Murmur of the Heart, 1969 Calcutta ANTON CHEKHOV (writer—play “Dyadya Vanya”) (b. Anton (Documentary), 1967 The Thief of Paris, 1965 Viva Maria!, 1963 Pavlovich Chekhov, January 29, 1860 in Taganrog, Russian The Fire Within, 1962 A Very Private Affair, 1960 Zazie dans le Empire [now Rostov Oblast, Russia]—d. July 15, 1904 (age 44) metro, 1958 The Lovers, 1958 Elevator to the Gallows, and 1953 in Badenweiler, Baden-Württemberg, Germany) Crazeologie (Short).
    [Show full text]