The Guardian, February 04, 2009
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Alt-Nation Presents: Hot Women of Local Rock
Alt-Nation Presents: Hot Women Of Local Rock Roz For several years around this time, the staff at the Alt-Nation desk has put together a “Hot Women of Local Rock” piece that has profiled talented female musicians. Last year there was a bit of a stink over the cover image and the whole concept came under fire. The last thing I would want is to offend anyone, especially people so passionate in their objections to the 6th annual edition of the column. So I wasn’t going to do the column this year. Then I decided, why the hell not? Elese Morrone – For The Love of Sloane -vox Now we’re ready to meet our first musician (drum roll please) – she’s the lead singer of a local alt-rock band that was the 2009 WXIN Rock Hunt Champions as well as a finalist in the 2009 WBRU Rock Hunt. This band has played everywhere from neighborhood bars to the big stage of Lilith Fair. They have recently finished their full length debut CD, Spells, Curses and Charms, which is tentatively set to come out around the beginning of April. From the band For The Love of Sloane, Elese Morrone come on down! MC: Who would you say are some of your biggest musical influences? EM: The first big musical influence is Blink-182. They were the first band that broke me from my typical teenage girl music: for this I am eternally grateful. The second biggest influence is Say Anything. I am absolutely in awe of the singer, Max Bemis, and his lyric writing as well as live performances. -
Interliminal Tongues: Self-Translation in Contemporary Transatlantic
INTERLIMINAL TONGUES: SELF-TRANSLATION IN CONTEMPORARY TRANSATLANTIC BILINGUAL POETRY by MICHAEL BRANDON RIGBY A DISSERTATION Presented to the Department of Romance Languages and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Michael Brandon Rigby Title: Interliminal Tongues: Self-translation in Contemporary Transatlantic Bilingual Poetry This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Romance Languages by: Cecilia Enjuto Rangel Chairperson Amalia Gladhart Core Member Pedro García-Caro Core Member Monique Balbuena Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017 ii © 2017 Michael Brandon Rigby iii DISSERTATION ABSTRACT Michael Brandon Rigby Doctor of Philosophy Department of Romance Languages June 2017 Title: Interliminal Tongues: Self-translation in Contemporary Transatlantic Bilingual Poetry In this dissertation, I argue that self-translators embody a borderline sense of hybridity, both linguistically and culturally, and that the act of translation, along with its innate in-betweenness, is the context in which self-translators negotiate their fragmented identities and cultures. I use the poetry of Urayoán Noel, Juan Gelman, and Yolanda Castaño to demonstrate that they each uniquely use the process of self- translation, in conjunction with a bilingual presentation, to articulate their modern, hybrid identities. In addition, I argue that as a result, the act of self-translation establishes an interliminal space of enunciation that not only reflects an intercultural exchange consistent with hybridity, but fosters further cultural and linguistic interaction. -
1Monologues' Conclude on Campus Farley Refurbishing Begins
r----------------------------------------------------------------------------------------------------------------------------------------------~ THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOLUME 40: ISSUE 89 THURSDAY, FEBRUARY 16.2006 NDSMCOBSERVER.COM 1Monologues' conclude on campus STUDENT SENATE Leaders Jenkins' attendance, broad panel discussion cap off third and final night of perfomances push wage "I went to listnn and learn, and By KAITLYNN RIELY I did that tonight and I thank the • Nrw.,Writ<·r east," Jenkins said af'tnr the play. .Jenkins, who dedinml further calllpaign Tlw third and final production comment on the "Monologues" of "Tiw Vagina Monologues" at Wednesday, had mandated the By MADDIE HANNA Notrn Damn this y11ar was play be pnrformed in the aca Associate News Editor marknd by thn attnndancn of demic setting of DeBartolo Hall Univnrsily Prnsid1n1l Father .John this year, without the l"undraising .Jnnkins and a wide-ranging ticket sales of' years past. Junior After loaders of the Campus parwl discussion on snxual vio Madison Liddy, director of this Labor Aetion Projoct (CLAP) lnHrn, Catholic. teaching and ynar's "Monologues." and later delivered a eornprnhnnsivo ollwr lopks Wednesday night. the panelists thanked Jenkins for presentation on the group's .11~11kins saw the play per his prnsenen at the performance . living wage campaign to l"orrm~d for tho f"irst time During tho panel diseussion fol Student Senate Wednesday, W1Hfrwsday, just ovnr three lowing thn play, panelists senators responded by unani w1wks after hP initialed a applauded the efforts of the pro mously passing two rolated Univnrsity-widn discussion about duction toward eliminating vio resolutions - one basod on acadnmk l"mmlom and Catholic lence against women and policy, tho other on ideology. -
Say Anything – a Goodbye Summation
Say Anything A Goodbye Summation By Maxim Adam Bemis Completed On August 13, 2018 2018 Tyler, Texas This is a statement about my current status as a dude and Say Anything’s upcoming record and plans as a band. Our new record is done, and it’s called OLIVER APPROPRIATE. Our plans as a collective are to, kind of sort of, end Say Anything. Or “the first era of Say Anything”. Whatever you want to call it, it’s that thing. I don’t buy that shit when other bands do it, but whatever the fuck works as terminology. I need a break. We’ll return one day to play festivals and scoff at our career. But I want to say goodbye. There will be no full U.S tour to support the record or in the near future. I am done being a touring musician as my main profession. Say Anything is retiring in the sense that Jay-Z did. It’s not an indefinite hiatus or a breakup because that’s impossible. But we’ll get to that. Let’s start with OLIVER APPROPRIATE. It’s my first truly inclusive Say Anything record. A record with lyrics that can be sung by girls, boys and anyone under the sun without correcting the endlessly pervasive dude pronouns. My first record, …IS A REAL BOY, was written as a character. I mean that literally. We wrote a story. We planned on making it a musical. After that, people thought that character WAS me. In actual reality, there was no Molly, nor any “rough sex”. -
Speaking in Two Tongues: an Ethnographic Investigation of the Literacy Practices of English As a Foreign Language and Cambodian Young Adult Learners’ Identity
Speaking in Two Tongues: An Ethnographic Investigation of the Literacy Practices of English as a Foreign Language and Cambodian Young Adult Learners’ Identity Soth Sok Student Number: 3829801 College of Education, Victoria University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy in Education February 2014 Speaking in Two Tongues: An ethnographic investigation of the literacy practices of English as a foreign language and Cambodian young adult learners’ identity Abstract This study focuses on how the literacy practices in English of young Cambodians shaped their individual and social perception as well as performance of identity. It examines the English language as an increasingly dominant cultural and linguistic presence in Cambodia and endeavours to fill the epistemic gap in what Gee (2008, p. 1) has identified as the ‘other stuff’ of language. This other stuff includes ‘social relations, cultural models, power and politics, perspectives on experience, values and attitudes, as well as things and places in the world’ that are introduced to the local culture through English literacy and practices. Merchant and Carrington (2009, p. 63) have suggested that ‘the very process of becoming literate involves taking up new positions and becoming a different sort of person’. Drawing on the life stories of five participants and my own-lived experiences, the investigation is in part auto-ethnographical. It considers how reading and writing behaviours in English became the ‘constitutive’ components of ‘identity and personhood’ (Street 1994, p. 40). I utilised semi-structured life history interviews with young adult Cambodian participants, who spoke about how their individual and social performance of identity was influenced by their participation in English literacy practices and events in Cambodia. -
Christie Dupree Vocals, Guitar Collin Dupree Guitar
Christie DuPree vocals, guitar Collin DuPree guitar With their four older siblings and cousin comprising indie pop outfit Eisley, their brother-in-laws consisting of Max Bemis of Say Anything and Darren King of Mutemath, their mother being a vocalist and their father being a band manager – it surely would surprise none that Christie and Collin, the two youngest members of the DuPree family, would choose to embark on an equally creative and musical path of their own. The young duo has essentially grown up on the road, having toured alongside Eisley nearly non-stop since they were young kids, and have made the move to sharing the stage with the band as the opening act on recent tours. Prior to their days of performing though, the band spent their time honing their skills, learning as much as possible about music and songwriting, and developing their own unique sound. “I think I was 13 or 14 when I first started trying to write songs, I would just open up Garageband and record myself making up melodies and such. Then after a while I asked one of my sisters to show me a few chords on guitar, and started writing songs that way,” states Christie. “And since our mom sings too, we grew up always singing with her.” Christie kicked off her recording career in 2010, with the aforementioned Darren King serving as engineer on her very first [untitled] EP, which led Christie to the first tour offer opening for Eisley. Having accompanied Christie on guitar for the tour, it only made sense to have Collin officially join her as a collaborator on the project when it came up for the follow-up recording, and first official release. -
Coachella 2010 Strike Anywhere
SPECIAL FIRST ISSUE COACHELLA 2010 RACKET’S PICKS, REUNIONS, & FESTIVAL TIPS EXCLUSIVE INTERVIEW STRIKE ANYWHERE PLUS ADVENTURE TIME SHITTY BEER E-READERS SPRINGRACKET MAGAZINE 20101 2 RACKET MAGAZINE RACKET MAGAZINE 3 LETTER FROM THE CONTENTS THE EMPEROR SPRING 2010 Hello there! FEATURES COACHELLA 07 KIDS CAN EAT A BAG OF DICKS 30 FESTIVAL DO’S AND DONT’S My name’s The Emperor, and I’m supposed to welcome you to Racket but as I’m a terrible host, just RacketJeff discusses A Wilhelm Scream’s return. How to avoid chaffing, sunburns help yourself, look around, poke your nose into our closets and go through our underwear drawers. and blisters Hopefully you’re enticed rather than terrified. 16 BEST OF THE WORST Still here? Good. I wanted to get rid of the prudes, and hopefully they’re gone so now we can cut the The least shitty of shitty beers 33 REUNITED AND IT FEELS shit and get down to business. Racket business. For five years now we have been sucking up valuable SO GOOD space on the Internet to make room for our own brand of irreverent artist interviews and sometimes 20 TOP 10 SOLO ARTISTS Well, well, look who’s back deplorable journalistic integrity. If you’ve ever wanted to hear political punks tell an offensive joke or Notice how none of these a TV personality threaten the writer, you’ve come to the right place. are the bass players? 34 WHO TO WATCH Racket’s writers pick their favs to watch We’re not the next big thing in media, so don’t go getting your hopes up, but we are hear to try to 23 make with the funny. -
Alt-Nation Interview: for the Love of Sloane,The New Year Brings
Mike D’s Top Five: The Can’t Miss Shows in April By Michael Delehanty #1 Friday, April 5: Brown Bird (Fits of Reason album release), Last Good Tooth, Alec K Redfearn and The Eyesores. $15 advance, $17 day of. 8pm. All ages. The Met, 1005 Main Street, Pawtucket. Brown Bird have been touring like crazy in the last year, not only repping Rhode Island while doing so, but also taking some of our best talent out with them for support like Joe Fletcher and the Wron #2 Sunday, April 21: All The Punks: Benefit for Lisa Gourley with Hope Anchor, The Loud Ones, Tony Jones and the Cretin 3, Gentlemen Soundsystem DJs and more. $10 donation. 3pm doors. McNeil’s Tavern, 888 Charles Street, North Providence.g Reasons and Last Good Tooth. Come give them a big welcome home and support for their new album, Fits of Reason. Go to brownbird.net to check out some of the new album. Lisa Gourley has been chronicling the Providence music scene for longer than I can remember, taking amazing photos and sharing them with the community for free. She is a Providence music scene institution, and we love her for it. This is a great way for us to say thank you. #3 Saturday, April 6: WBRU Rock Hunt Finals with The Brother Kite, Kid Mountain, Lolita Black and Torn Shorts. $6. 7pm. All ages. The Met, 1005 Main Street, Pawtucket. WBRU’s annual talent showcase really hit a home run this year as all the bands are great. Will The Brother Kite and Kid Mountain split indie rock votes? Will the darkest of dark horses, Lolita Black, stun alt-rock nation? I predict Torn Shorts take the belt, but it’s definitely up for grabs. -
Final PDF with Annexure.Indd
ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC Darren Berkland January 2015 ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC By Darren Berkland Submitted in partial fulfilment of the requirements for the degree Magister Artium in Media Studies as the Nelson Mandela Bay University January 2015 Promoter/Supervisor: Ms Janelle Vermaak DEPARTMENT OF ACADEMIC ADMINISTRATION EXAMINATION SECTION SUMMERSTRAND NORTH CAMPUS PO BOX 77000 Nelson Mandela Metropolitan University Port Elizabeth 6013 Enquiries: Postgraduate Examination Officer DECLARATION BY CANDIDATE FULL NAME: Darren Berkland STUDENT NUMBER: 205005501 QUALIFICATION: Magister Artium in Media Studies TITLE OF PROJECT ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC DECLARATION: In accordance with Rule G4.6.3, I hearby declare that the above-mentioned treatise / dissertation / thesis is my own work and that it has not previously been submitted for assessment to another University or for another qualification. SIGNATURE: DATE: 16/03/2015 Table of Contents Abstract 1 Acknowledgements 2 Introduction 3 Chapter One: The History and Topology of Rock Music 6 1.1 The History of Rock Music 6 1.2 Rock Music as a Single Genre 13 1.3 Gender and Rock Music 17 Chapter Two: Judith Butler and Gender Performativity 24 2.1 Collapsing the Sex/Gender System 25 2.2 Butler’s Gender Performativity 30 2.3 Reading Gender in Popular Music 36 Chapter Three: Rock Music and Gender Performativity 40 3.1 The Kinks’ “You Really Got Me” (1964) 41 3.2 The Rolling Stones’ -
Battle for Crossroads
Relay for Life: Kony 2012: OWU fights cancer, Is it a scam? remembers Von Der Vellen -- Page 4 -- Page 6 THE OLDEST CONTINUALLY PUBLISHED STUDENT NEWSPAPER THE TranscripT IN THE COUNTRY Thursday, March 29, 2012 Volume 149, No. 20 MFL film series promotes culture By Sarah Slager Transcript Correspondent Students have an oppor- tunity to view foreign films, learn about world languages and increase cultural aware- ness free of charge this spring with the Modern For- eign Language House. Battle for MFL is hosting a mini- series of foreign language films over the course of the spring semester. Films are being shown that represent the different languages spo- Crossroads ken by residents of MFL and that are relevant to languages studied by students, accord- ing to junior Ali Castelero, Battling bands show both competition and companionship one of the MFL residents By Tim Alford not really looking at it competitively,” become a big group. They just want to song of Pop’s Lake. in charge of organizing and freshman Ben Anderson, drummer for have fun. “I hadn’t rehearsed with Pop’s be- putting on the house project. Transcript Reporter Hairy Tribe of Conquerors, said. “But “If we feel like playing, we play,” fore the show, they just asked me for An assortment of movies The band Hairy Tribe of Conquer- at the same time, we are not too taken Sharma said. some help, so I filled in some of the will be shown intermittently ors lived up to the latter part of its aback because we are musicians, and While the event was competitive, low end,” Kuhlenberg said. -
November 2016
KYLE DIXON & MICHAEL STEIN STRFKR MUDDY MAGNOLIAS MAC MILLER STRANGER THINGS, VOL. 1 BEING NO ONE, GOING NOWHERE BROKEN PEOPLE THE DIVINE FEMININE LAKESHORE RECORDS POLYVINYL THIRD GENERATION WARNER BROS Stranger Things is the breakout Netflix original series set in 1983 Indiana Consider this an invitation to get blissfully insignificant – that’s what American music is a mile-wide river that beckons black and white, urban Born in 1992, Mac Miller taught himself to play piano, drums, guitar, where a young boy vanishes into thin air. As friends, family and local STRFKR founder Joshua Hodges aimed to do when he exiled himself to the and rural, dreamer and doer alike to launch their vessels. The debut album and bass by the age of 6. Then, after learning to compose songs in a police search for answers, they are drawn into an extraordinary mystery desert to create Being No One, Going Nowhere. Instead he returned with by Muddy Magnolias, Broken People, marks the launch of a great new variety of musical genres. Influenced by the styles of artists such as Big L, involving top-secret government experiments, terrifying supernatural forc- his most significant work yet: a set of darkly glistening dance songs rife with vessel onto that waterway. With Broken People, Jessy Wilson and Kallie Lauryn Hill, Outkast, and A Tribe Called Quest, Mac soon developed a es and one very strange little girl. A love letter to the ‘80s supernatural sticky beats, hooks, philosophical heft, and bittersweet beauty. On 2013’s North take us on an 11-song journey with its origins in two widely diver- reputation for delivering jaw-dropping freestyles in Pittsburgh. -
Read Ebook {PDF EPUB} Polarity by Max Bemis Polarity (2013 Boom) Comic Books
Read Ebook {PDF EPUB} Polarity by Max Bemis Polarity (2013 Boom) comic books. Cover by Frazer Irving (W) Max Bemis (A) Jorge Coelho From the mind of SAY ANYTHING frontman Max Bemis comes POLARITY, a manic-depressive spin on the superhero genre. Timothy Woods is a bipolar artist stuck in the world of hipsters, meaningless sex, and vain art -- better known as Brooklyn. But after he survives a near fatal car accident, Timothy discovers that his mental instability is more than just a disorder, and that his bipolar medication hasn't just been subduing depression and uncontrollable mania. it's been suppressing his super powers! Now it's time for Timothy to stand up to his disease alongside an onslaught of wretched human villainy as he finally finds his place in the world. Each issue comes with a free download for a new original song written and performed by Max Bemis! Cover price $3.99. Limited 1 for 10 Variant Cover by W.Scott Forbes (W) Max Bemis (A) Jorge Coelho From the mind of SAY ANYTHING frontman Max Bemis comes POLARITY, a manic-depressive spin on the superhero genre. Timothy Woods is a bipolar artist stuck in the world of hipsters, meaningless sex, and vain art -- better known as Brooklyn. But after he survives a near fatal car accident, Timothy discovers that his mental instability is more than just a disorder, and that his bipolar medication hasn't just been subduing depression and uncontrollable mania. it's been suppressing his super powers! Now it's time for Timothy to stand up to his disease alongside an onslaught of wretched human villainy as he finally finds his place in the world.