DOCSLIB.ORG

Alt-Nation Presents: Hot Women of Local Rock

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alt-Nation Presents: Hot Women of Local Rock Alt-Nation Presents: Hot Women Of Local Rock Roz For several years around this time, the staff at the Alt-Nation desk has put together a “Hot Women of Local Rock” piece that has profiled talented female musicians. Last year there was a bit of a stink over the cover image and the whole concept came under fire. The last thing I would want is to offend anyone, especially people so passionate in their objections to the 6th annual edition of the column. So I wasn’t going to do the column this year. Then I decided, why the hell not? Elese Morrone – For The Love of Sloane -vox Now we’re ready to meet our first musician (drum roll please) – she’s the lead singer of a local alt-rock band that was the 2009 WXIN Rock Hunt Champions as well as a finalist in the 2009 WBRU Rock Hunt. This band has played everywhere from neighborhood bars to the big stage of Lilith Fair. They have recently finished their full length debut CD, Spells, Curses and Charms, which is tentatively set to come out around the beginning of April. From the band For The Love of Sloane, Elese Morrone come on down! MC: Who would you say are some of your biggest musical influences? EM: The first big musical influence is Blink-182. They were the first band that broke me from my typical teenage girl music: for this I am eternally grateful. The second biggest influence is Say Anything. I am absolutely in awe of the singer, Max Bemis, and his lyric writing as well as live performances. He makes writing sound so easy and he captures moments lyrically I would never imagine to. Also a fan of Motion City Soundtrack and I still rock to old school No Doubt. MC: You’ve recently finished your debut full length, Spells, Curses and Charms, which I’ve heard and it does a remarkable job at capturing the energy and intensity of For The Love of Sloane’s live shows. How would you describe the process of making the album? EM: The process has been a pain the butt. Our first studio (Whitenoise Records) has since shut down. We were told by another studio that they didn’t really dig our sound (yes, really). We replaced our second bassist with our third so some tracks still have Nick and others now have Michelle. Our producer, Mike Poorman, closed Strangeways Recording and moved to Vermont in the middle of recording so there was a lot of back and forth over email and it was all around more difficult because there was little in-studio time. In studio is where you really get to hash things out and we all had to do it separately, combine forces, and call upon Captain Planet just to agree and get on the same page. One thing after another just kept throwing us off trying to get everything recorded. MC: Has anything surprised you with the music or in general? EM: This April, FTLOS will have been together six years. I don’t mean to say that is surprising, but for a local band I’d say we’ve given this whole thing a good run. While not every song can be a hit, I’d like to think that quality over quantity, in our case, really shines through on our upcoming CD. We rerecorded some stuff off our first EP and you can really hear how we have changed and grown and found our sound. MC: What’s your favorite show you played and also your favorite show attended? EM: Favorite show we played had to be Lilith Fair because it was the closest we have been to living the dream along with it being an honor to meet so many of the great artists who we got to open for. Favorite show I have attended? Say Anything a few years back in CT. I was up front and Max sang some lyrics at me and the blockade fence fell and I almost got trampled to death. I would have died happy. MC: What does For The Love of Sloane have planned for 2013? EM: 2013 is our year to get back into the scene. We are looking forward to playing new venues and reconnecting with other local bands, old and new. We will be having a CD release show, which we expect to be huge. We’d like to do a minitour and maybe get on the bill for some bigger festivals. We’re going to keep writing and recording new stuff, but we’re still focused on pushing the CD as a whole. We’re hoping for recognition, like any original band, but we are also celebrating getting this far and all we has accomplished. For The Love of Sloane will rock The Parlour on March 16 with Jazz Bastards and Briar Rose. Roz Raskin – Roz Raskin & The Rice Cakes – vox & keyboards (among other things) Our next featured artist is Roz Raskin of 2012 WBRU Rock Hunt Champions, The Rice Cakes. I describe the Rice Cakes as indie pop played with the intensity of Motorhead. I remember watching them in the first round of the WBRU Rock Hunt at the Spot Underground and thinking, Geez they should just get it over and cancel the finals because nobody is going to stop the Rice Cakes coronation. I caught up with Roz Raskin to find out a little about her musical interests and what’s next for the Rice Cakes. MC: Who are your biggest musical influences? RR: It would be impossible to point to even a few to give a bigger picture. What inspires me? Soulful music, friends, fucked up life experiences, family, the future, the immediate, the past. It’s all connected for me. MC: You have a new seven-inch coming out, which is something you don’t see a lot of bands putting out. What made you decide to put something out on vinyl? RR: You’d actually be surprised to see how many bands are still releasing seven inches. When we’re out on tour, hitting mostly DIY spots, we see a lot of bands are still putting out vinyl like that. We also put out a 10” record a few years ago; so cool to hear our music on vinyl. There’s nothing quite like that sound, very raw and beautiful. MC: What’s your favorite show you’ve played or attended and why? RR: There have been way too many to count at this point; every show we’ve played has been a good time. Essentially, every time I get to play my music out, it feels like I’m living the dream. In terms of shows this year, playing with Passion Pit at Lupo’s for the WBRU Birthday Bash and playing with our friends the Low Anthem at the Columbus Revival show were both great. We’ve also played some great shows with our pals at the News Cafe and Firehouse this year, to name a few. MC: What do the Rice Cakes have planned for 2013? RR: This year has already been kick ass. We’re recording for our full-length and will be touring as much as we can. I’m super excited to be hitting SXSW on our next tour. Austin is a fun city (and it’s nice and warm there too). We will definitely be playing rad local shows with some of our fav national acts too. I wish we could announce it all now. We will be releasing the 7” at Firehouse 13 on March 30, with Boo City, Mike Decosta and Nelsonvillains. Jess Moroney – The Nymphidels –vox & guitar Our next artist is from an alt-rock band that just released their debut EP, A Band in Places. She handles both the guitar and lead vocals in The Nymphidels. Jess Moroney step up to the microphone! MC: Who would you say are some of your biggest musical influences? JM: My earliest memories start in kindergarten with Michael Jackson, Whitney Houston, Madonna, Julio Iglesias and “oldies but goodies.” Then after that it was Bon Jovi to Guns N’ Roses. After that, Faith No More grabbed me, and Mike Patton was huge for me. Then at a Mr. Bungle concert, Gish was the house music between bands and I fell hard into that sound. And then Pearl Jam opened for the Pumpkins at the Palladium and I fell hard again. Fast forward to Radiohead, Sigur Ros, then rewind to revisiting the classics, like The Who, which holds tight. I know I am leaving out big ones here that are my favorites, but the list is endless. The ones that startle me out of whatever musical box I might be stuck in at the moment stick out the most, and if it’s truly good and has lasting power, it is something that keeps me and I keep it. The Beatles for me are timeless, and even now, I will hear a song that moves me in a new way, making it feel like it is the first time I ever heard it. That is the magic I love and believe in about music across time and genres. So anything that contains “that thing,” for whatever reason particular to me, is I guess the simple answer to the question. MC: How did The Nymphidels start? Was it always the plan to be a two-piece? JM: One thing I can say that is 100% accurate, Nymphidels as a two-piece was never a plan or even thought of as an option at the beginning.
Load more

Recommended publications
  • 1Monologues' Conclude on Campus Farley Refurbishing Begins
    r----------------------------------------------------------------------------------------------------------------------------------------------~ THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOLUME 40: ISSUE 89 THURSDAY, FEBRUARY 16.2006 NDSMCOBSERVER.COM 1Monologues' conclude on campus STUDENT SENATE Leaders Jenkins' attendance, broad panel discussion cap off third and final night of perfomances push wage "I went to listnn and learn, and By KAITLYNN RIELY I did that tonight and I thank the • Nrw.,Writ<·r east," Jenkins said af'tnr the play. .Jenkins, who dedinml further calllpaign Tlw third and final production comment on the "Monologues" of "Tiw Vagina Monologues" at Wednesday, had mandated the By MADDIE HANNA Notrn Damn this y11ar was play be pnrformed in the aca­ Associate News Editor marknd by thn attnndancn of demic setting of DeBartolo Hall Univnrsily Prnsid1n1l Father .John this year, without the l"undraising .Jnnkins and a wide-ranging ticket sales of' years past. Junior After loaders of the Campus parwl discussion on snxual vio­ Madison Liddy, director of this Labor Aetion Projoct (CLAP) lnHrn, Catholic. teaching and ynar's "Monologues." and later delivered a eornprnhnnsivo ollwr lopks Wednesday night. the panelists thanked Jenkins for presentation on the group's .11~11kins saw the play per­ his prnsenen at the performance . living wage campaign to l"orrm~d for tho f"irst time During tho panel diseussion fol­ Student Senate Wednesday, W1Hfrwsday, just ovnr three lowing thn play, panelists senators responded by unani­ w1wks after hP initialed a applauded the efforts of the pro­ mously passing two rolated Univnrsity-widn discussion about duction toward eliminating vio­ resolutions - one basod on acadnmk l"mmlom and Catholic lence against women and policy, tho other on ideology.
    [Show full text]
  • Say Anything – a Goodbye Summation
    Say Anything A Goodbye Summation By Maxim Adam Bemis Completed On August 13, 2018 2018 Tyler, Texas This is a statement about my current status as a dude and Say Anything’s upcoming record and plans as a band. Our new record is done, and it’s called OLIVER APPROPRIATE. Our plans as a collective are to, kind of sort of, end Say Anything. Or “the first era of Say Anything”. Whatever you want to call it, it’s that thing. I don’t buy that shit when other bands do it, but whatever the fuck works as terminology. I need a break. We’ll return one day to play festivals and scoff at our career. But I want to say goodbye. There will be no full U.S tour to support the record or in the near future. I am done being a touring musician as my main profession. Say Anything is retiring in the sense that Jay-Z did. It’s not an indefinite hiatus or a breakup because that’s impossible. But we’ll get to that. Let’s start with OLIVER APPROPRIATE. It’s my first truly inclusive Say Anything record. A record with lyrics that can be sung by girls, boys and anyone under the sun without correcting the endlessly pervasive dude pronouns. My first record, …IS A REAL BOY, was written as a character. I mean that literally. We wrote a story. We planned on making it a musical. After that, people thought that character WAS me. In actual reality, there was no Molly, nor any “rough sex”.
    [Show full text]
  • The Guardian, February 04, 2009
    Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 2-4-2009 The Guardian, February 04, 2009 Wright State University Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State University Student Body (2009). The Guardian, February 04, 2009. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. WRIGHT STATE UNIVERSllY DUNBAR LIBRARY FEB 5 z1 11 i ~. ·wedh ·~~·aay.·'.J 1' • , • ,. •'1 1 Feb. 4; 2009' I· , , - • • • ~ I R GHT S ~TE U E SITY'S CA PU E P PE 3640 Colonel Glenn Hwy. 014 Student Union, Dayton, OH 45435 I Issue No. 15 Vol. 45 A SMA All-American Newspaper Preview to Butler When it comes to Saturday's game, WSU doesn't have just one star pla er--it has three pg a Index Staff List News Editor- in- Chief Chelsey Levingston Events Calendar... 4 [email protected] Business Manager Sponsored by the Women's Alex Hunter Center, featuring student org [email protected] and Women's Center events News Editor Tiffany Johnson [email protected] Assistant News Editor Whitney Wetsig Opinions wetsig .3wright .edu Whitney Wetsig News Writers Editorial .................. 5 [email protected] Ryan Hehr Jan. 27 - A male wa taken int a Tuition freeze harmful for WSU hehr.3 wright .edu Jan.
    [Show full text]
  • Christie Dupree Vocals, Guitar Collin Dupree Guitar
    Christie DuPree vocals, guitar Collin DuPree guitar With their four older siblings and cousin comprising indie pop outfit Eisley, their brother-in-laws consisting of Max Bemis of Say Anything and Darren King of Mutemath, their mother being a vocalist and their father being a band manager – it surely would surprise none that Christie and Collin, the two youngest members of the DuPree family, would choose to embark on an equally creative and musical path of their own. The young duo has essentially grown up on the road, having toured alongside Eisley nearly non-stop since they were young kids, and have made the move to sharing the stage with the band as the opening act on recent tours. Prior to their days of performing though, the band spent their time honing their skills, learning as much as possible about music and songwriting, and developing their own unique sound. “I think I was 13 or 14 when I first started trying to write songs, I would just open up Garageband and record myself making up melodies and such. Then after a while I asked one of my sisters to show me a few chords on guitar, and started writing songs that way,” states Christie. “And since our mom sings too, we grew up always singing with her.” Christie kicked off her recording career in 2010, with the aforementioned Darren King serving as engineer on her very first [untitled] EP, which led Christie to the first tour offer opening for Eisley. Having accompanied Christie on guitar for the tour, it only made sense to have Collin officially join her as a collaborator on the project when it came up for the follow-up recording, and first official release.
    [Show full text]
  • Coachella 2010 Strike Anywhere
    SPECIAL FIRST ISSUE COACHELLA 2010 RACKET’S PICKS, REUNIONS, & FESTIVAL TIPS EXCLUSIVE INTERVIEW STRIKE ANYWHERE PLUS ADVENTURE TIME SHITTY BEER E-READERS SPRINGRACKET MAGAZINE 20101 2 RACKET MAGAZINE RACKET MAGAZINE 3 LETTER FROM THE CONTENTS THE EMPEROR SPRING 2010 Hello there! FEATURES COACHELLA 07 KIDS CAN EAT A BAG OF DICKS 30 FESTIVAL DO’S AND DONT’S My name’s The Emperor, and I’m supposed to welcome you to Racket but as I’m a terrible host, just RacketJeff discusses A Wilhelm Scream’s return. How to avoid chaffing, sunburns help yourself, look around, poke your nose into our closets and go through our underwear drawers. and blisters Hopefully you’re enticed rather than terrified. 16 BEST OF THE WORST Still here? Good. I wanted to get rid of the prudes, and hopefully they’re gone so now we can cut the The least shitty of shitty beers 33 REUNITED AND IT FEELS shit and get down to business. Racket business. For five years now we have been sucking up valuable SO GOOD space on the Internet to make room for our own brand of irreverent artist interviews and sometimes 20 TOP 10 SOLO ARTISTS Well, well, look who’s back deplorable journalistic integrity. If you’ve ever wanted to hear political punks tell an offensive joke or Notice how none of these a TV personality threaten the writer, you’ve come to the right place. are the bass players? 34 WHO TO WATCH Racket’s writers pick their favs to watch We’re not the next big thing in media, so don’t go getting your hopes up, but we are hear to try to 23 make with the funny.
    [Show full text]
  • Alt-Nation Interview: for the Love of Sloane,The New Year Brings
    Mike D’s Top Five: The Can’t Miss Shows in April By Michael Delehanty #1 Friday, April 5: Brown Bird (Fits of Reason album release), Last Good Tooth, Alec K Redfearn and The Eyesores. $15 advance, $17 day of. 8pm. All ages. The Met, 1005 Main Street, Pawtucket. Brown Bird have been touring like crazy in the last year, not only repping Rhode Island while doing so, but also taking some of our best talent out with them for support like Joe Fletcher and the Wron #2 Sunday, April 21: All The Punks: Benefit for Lisa Gourley with Hope Anchor, The Loud Ones, Tony Jones and the Cretin 3, Gentlemen Soundsystem DJs and more. $10 donation. 3pm doors. McNeil’s Tavern, 888 Charles Street, North Providence.g Reasons and Last Good Tooth. Come give them a big welcome home and support for their new album, Fits of Reason. Go to brownbird.net to check out some of the new album. Lisa Gourley has been chronicling the Providence music scene for longer than I can remember, taking amazing photos and sharing them with the community for free. She is a Providence music scene institution, and we love her for it. This is a great way for us to say thank you. #3 Saturday, April 6: WBRU Rock Hunt Finals with The Brother Kite, Kid Mountain, Lolita Black and Torn Shorts. $6. 7pm. All ages. The Met, 1005 Main Street, Pawtucket. WBRU’s annual talent showcase really hit a home run this year as all the bands are great. Will The Brother Kite and Kid Mountain split indie rock votes? Will the darkest of dark horses, Lolita Black, stun alt-rock nation? I predict Torn Shorts take the belt, but it’s definitely up for grabs.
    [Show full text]
  • Final PDF with Annexure.Indd
    ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC Darren Berkland January 2015 ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC By Darren Berkland Submitted in partial fulfilment of the requirements for the degree Magister Artium in Media Studies as the Nelson Mandela Bay University January 2015 Promoter/Supervisor: Ms Janelle Vermaak DEPARTMENT OF ACADEMIC ADMINISTRATION EXAMINATION SECTION SUMMERSTRAND NORTH CAMPUS PO BOX 77000 Nelson Mandela Metropolitan University Port Elizabeth 6013 Enquiries: Postgraduate Examination Officer DECLARATION BY CANDIDATE FULL NAME: Darren Berkland STUDENT NUMBER: 205005501 QUALIFICATION: Magister Artium in Media Studies TITLE OF PROJECT ANDROCENTRISM AND MISOGYNY IN LATE TWENTIETH CENTURY ROCK MUSIC DECLARATION: In accordance with Rule G4.6.3, I hearby declare that the above-mentioned treatise / dissertation / thesis is my own work and that it has not previously been submitted for assessment to another University or for another qualification. SIGNATURE: DATE: 16/03/2015 Table of Contents Abstract 1 Acknowledgements 2 Introduction 3 Chapter One: The History and Topology of Rock Music 6 1.1 The History of Rock Music 6 1.2 Rock Music as a Single Genre 13 1.3 Gender and Rock Music 17 Chapter Two: Judith Butler and Gender Performativity 24 2.1 Collapsing the Sex/Gender System 25 2.2 Butler’s Gender Performativity 30 2.3 Reading Gender in Popular Music 36 Chapter Three: Rock Music and Gender Performativity 40 3.1 The Kinks’ “You Really Got Me” (1964) 41 3.2 The Rolling Stones’
    [Show full text]
  • Battle for Crossroads
    Relay for Life: Kony 2012: OWU fights cancer, Is it a scam? remembers Von Der Vellen -- Page 4 -- Page 6 THE OLDEST CONTINUALLY PUBLISHED STUDENT NEWSPAPER THE TranscripT IN THE COUNTRY Thursday, March 29, 2012 Volume 149, No. 20 MFL film series promotes culture By Sarah Slager Transcript Correspondent Students have an oppor- tunity to view foreign films, learn about world languages and increase cultural aware- ness free of charge this spring with the Modern For- eign Language House. Battle for MFL is hosting a mini- series of foreign language films over the course of the spring semester. Films are being shown that represent the different languages spo- Crossroads ken by residents of MFL and that are relevant to languages studied by students, accord- ing to junior Ali Castelero, Battling bands show both competition and companionship one of the MFL residents By Tim Alford not really looking at it competitively,” become a big group. They just want to song of Pop’s Lake. in charge of organizing and freshman Ben Anderson, drummer for have fun. “I hadn’t rehearsed with Pop’s be- putting on the house project. Transcript Reporter Hairy Tribe of Conquerors, said. “But “If we feel like playing, we play,” fore the show, they just asked me for An assortment of movies The band Hairy Tribe of Conquer- at the same time, we are not too taken Sharma said. some help, so I filled in some of the will be shown intermittently ors lived up to the latter part of its aback because we are musicians, and While the event was competitive, low end,” Kuhlenberg said.
    [Show full text]
  • November 2016
    KYLE DIXON & MICHAEL STEIN STRFKR MUDDY MAGNOLIAS MAC MILLER STRANGER THINGS, VOL. 1 BEING NO ONE, GOING NOWHERE BROKEN PEOPLE THE DIVINE FEMININE LAKESHORE RECORDS POLYVINYL THIRD GENERATION WARNER BROS Stranger Things is the breakout Netflix original series set in 1983 Indiana Consider this an invitation to get blissfully insignificant – that’s what American music is a mile-wide river that beckons black and white, urban Born in 1992, Mac Miller taught himself to play piano, drums, guitar, where a young boy vanishes into thin air. As friends, family and local STRFKR founder Joshua Hodges aimed to do when he exiled himself to the and rural, dreamer and doer alike to launch their vessels. The debut album and bass by the age of 6. Then, after learning to compose songs in a police search for answers, they are drawn into an extraordinary mystery desert to create Being No One, Going Nowhere. Instead he returned with by Muddy Magnolias, Broken People, marks the launch of a great new variety of musical genres. Influenced by the styles of artists such as Big L, involving top-secret government experiments, terrifying supernatural forc- his most significant work yet: a set of darkly glistening dance songs rife with vessel onto that waterway. With Broken People, Jessy Wilson and Kallie Lauryn Hill, Outkast, and A Tribe Called Quest, Mac soon developed a es and one very strange little girl. A love letter to the ‘80s supernatural sticky beats, hooks, philosophical heft, and bittersweet beauty. On 2013’s North take us on an 11-song journey with its origins in two widely diver- reputation for delivering jaw-dropping freestyles in Pittsburgh.
    [Show full text]
  • Read Ebook {PDF EPUB} Polarity by Max Bemis Polarity (2013 Boom) Comic Books
    Read Ebook {PDF EPUB} Polarity by Max Bemis Polarity (2013 Boom) comic books. Cover by Frazer Irving (W) Max Bemis (A) Jorge Coelho From the mind of SAY ANYTHING frontman Max Bemis comes POLARITY, a manic-depressive spin on the superhero genre. Timothy Woods is a bipolar artist stuck in the world of hipsters, meaningless sex, and vain art -- better known as Brooklyn. But after he survives a near fatal car accident, Timothy discovers that his mental instability is more than just a disorder, and that his bipolar medication hasn't just been subduing depression and uncontrollable mania. it's been suppressing his super powers! Now it's time for Timothy to stand up to his disease alongside an onslaught of wretched human villainy as he finally finds his place in the world. Each issue comes with a free download for a new original song written and performed by Max Bemis! Cover price $3.99. Limited 1 for 10 Variant Cover by W.Scott Forbes (W) Max Bemis (A) Jorge Coelho From the mind of SAY ANYTHING frontman Max Bemis comes POLARITY, a manic-depressive spin on the superhero genre. Timothy Woods is a bipolar artist stuck in the world of hipsters, meaningless sex, and vain art -- better known as Brooklyn. But after he survives a near fatal car accident, Timothy discovers that his mental instability is more than just a disorder, and that his bipolar medication hasn't just been subduing depression and uncontrollable mania. it's been suppressing his super powers! Now it's time for Timothy to stand up to his disease alongside an onslaught of wretched human villainy as he finally finds his place in the world.
    [Show full text]
  • Up Her Skirt!”
    “LOOK! Up her skirt!” Peter Sobczynski has his way with My Super Ex-Girlfriend PLUS: reviews on Lady in the Water, Monster House, Clerks II, concert reviews on Linda Ronstadt and Say Anything, and more! ENTERTAINMENT TODAY PUBLISHER KRIS CHIN MANAGING EDITOR CECILIA TSAI GUEST EDITOR ERIC BYLER ART PRODUCTION DAVID TAGARDA TECHNICAL SUPERVISOR KATSUYUKI UENO COPY EDITOR JULIAN CAMILLIERI WRITERS ADAM BARNICK FRANK BARRON JULIAN CAMILLIERI WARREN CURRY BROOKE DAMMKOEHLER CLAYSON DEBURGER SHIRLEY FIRESTONE JANOS GEREBON 11 MY SUPER EX-GIRLFRIEND MICHAEL GUILLEN 4 THE BEATLES’ LOVE INDEX JONATHAN W. HICKMAN TRAVIS MICHAEL HOLDER TINA KIM KAT KRAMER M. Y. LEE MICHAEL LEVINE ERIC LURIO MARY MALLORY SCOTT MANTZ TONY MEDLEY DAWN MILLER KYLE MOORE STEVEN SNYDER ENTERTAINMENTVOL.38 | NO.41 | FRIDAY, JULY 21, 2006 TODAY PETER SOBCZYNSKI SEAN REYNOLDS GAIL ROBERTS ANNIE ROLLINS FILM THEATRE SUSIE ROTEMAN BRAD SCHREIBER 12 MY SUPER EX-GIRLFRIEND 4 IN “LOVE” WITH THE BEATLES BETH TEMKIN Super Ex has a great premise and Uma Thurman in fetish gear. Travis Michael Holder reviews Cirque du Soleil’s tribute to KIM VOYNAR The Beatles, and looks back on the 60’s revolution MARCI WEINER Let’s hope it’s as funny as this review by Peter Sobczynski. RUSTY WHITE 11 CRITIC WARS PART II, “CLERKS II” THAT IS 5 A “LOVE SONG” WORTH LISTENING TO CARTOONISTS Steven Snyder rips on Kevin Smith and his Clerks sequel, Kyle Moore reviews opening night of Chaim’s Love Song at the PHIL CHO but guess who comes to his rescue! Lonny Chapman Group Repertory Theatre MARK DARCOURT DREW-MICHAEL ANNIE ROLLINS 13 “MONSTER HOUSE” CAPTURES KIDS TELEVISION And Michael Guillén obsesses over Kathleen Turner PHOTOGRAPHERS 8 “ANGELA’S EYES” DEBUTS ON LIFETIME KATSUYUKI UENO 14 REVENGE OF M.
    [Show full text]
  • STG Presents an Average of 600 Events Annually at the Paramount, the Moore, and the Neptune Theatres As Well As at Other Venues Throughout the Region
    STG presents an average of 600 events annually at The Paramount, The Moore, and The Neptune Theatres as well as at other venues throughout the region. Broadway productions, concerts, comedy, lectures, education & community programs, film, and other enrichment programs can be found in our venues. Please see below for a chronological list of performances. ● THING - CANCELLED - - Fort Worden ● AIN'T TOO PROUD - CANCELLED - - The Paramount Theatre ● Black Pumas - POSTPONED - - The Paramount Theatre ● John Hiatt & The Jerry Douglas Band - POSTPONED - - The Moore Theatre ● DANCE This! Virtual Performance - August 13, 2021 - Online ● Pop-Up Mini Golf at the Paramount Theatre - August 12 - 15 - The Paramount Theatre ● Tiny Meat Gang - CANCELLED - - The Moore Theatre ● Tune-Yards - August 7, 2021 - The Neptune Theatre ● Palaye Royale - POSTPONED - - The Neptune Theatre ● Joe Russo's Almost Dead - CANCELLED - - The Paramount Theatre ● The Decemberists - CANCELLED - - The Paramount Theatre ● Up Next: Summer 2021 Series - July 24 - August 28, 2021 - Starbucks SODO Reserve ● The Masked Singer Live - CANCELLED - - The Paramount Theatre ● Jason Isbell and The 400 Unit - POSTPONED - - The Paramount Theatre ● IRC Residency - July 12, 2021 - Cascade View Elementary ● Girls Gotta Eat - POSTPONED - - The Moore Theatre ● More Music Songwriters Sessions 2021 - July 7, 2021 - Online ● STG Virtual AileyCamp 2021 - July 7 - August 4, 2021 - Online ● Pop-Up Donor Center with Bloodworks Northwest at The Paramount - July 6 - 9, 2021 - The Paramount Theatre ● Brit
    [Show full text]