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Alt-Nation Presents: Hot Women of Local Rock
Alt-Nation Presents: Hot Women Of Local Rock Roz For several years around this time, the staff at the Alt-Nation desk has put together a “Hot Women of Local Rock” piece that has profiled talented female musicians. Last year there was a bit of a stink over the cover image and the whole concept came under fire. The last thing I would want is to offend anyone, especially people so passionate in their objections to the 6th annual edition of the column. So I wasn’t going to do the column this year. Then I decided, why the hell not? Elese Morrone – For The Love of Sloane -vox Now we’re ready to meet our first musician (drum roll please) – she’s the lead singer of a local alt-rock band that was the 2009 WXIN Rock Hunt Champions as well as a finalist in the 2009 WBRU Rock Hunt. This band has played everywhere from neighborhood bars to the big stage of Lilith Fair. They have recently finished their full length debut CD, Spells, Curses and Charms, which is tentatively set to come out around the beginning of April. From the band For The Love of Sloane, Elese Morrone come on down! MC: Who would you say are some of your biggest musical influences? EM: The first big musical influence is Blink-182. They were the first band that broke me from my typical teenage girl music: for this I am eternally grateful. The second biggest influence is Say Anything. I am absolutely in awe of the singer, Max Bemis, and his lyric writing as well as live performances. -
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19STCV40934 Assigned for all purposes to: Stanley Mosk Courthouse, Judicial Officer: Holly Fujie Electronically FILED by Superior Court of California, County of Los Angeles on 11/14/2019 08:36 AM Sherri R. Carter, Executive Officer/Clerk of Court, by M. Barel,Deputy Clerk 1 David M. deRubertis, State Bar No. 208709 Garen R. Nadir, State Bar No. 285394 2 The deRubertis Law Firm, APC 4219 Coldwater Canyon Avenue 3 Studio City, California 91604 4 Telephone: (818) 761-2322 Facsimile: (818) 761-2323 5 E-Mail: [email protected] E-Mail: [email protected] 6 7 Alan I. Schimmel, State Bar No. 101328 Michael W. Parks, State Bar No. 154531 8 Arya Rhodes, State Bar No. 299390 Schimmel & Parks, APLC 9 15303 Ventura Blvd., Suite 650 Sherman Oaks, California 91403 10 Telephone: (818) 464-5061 11 Facsimile: (818) 464-5091 E-Mail: [email protected] 12 Attorneys for Plaintiff 13 Monique Hicks 14 SUPERIOR COURT OF THE STATE OF CALIFORNIA 15 IN AND FOR THE COUNTY OF LOS ANGELES – CENTRAL DISTRICT 16 17 MONIQUE HICKS, an individual, Case No.: 18 Plaintiff, COMPLAINT FOR: 19 vs. 1. Race Discrimination (Disparate Treatment) in Violation of the Fair Employment and 20 NETFLIX, INC., a Delaware corporation; and Housing Act (Gov. Code § 12940, et seq.); DOES 1 through 50, inclusive,Deadline 2. Race Discrimination (Disparate Impact) in 21 Violation of the Fair Employment and 22 Defendants. Housing Act (Gov. Code § 12940, et seq.); 3. Sex/Gender Discrimination (Disparate 23 Treatment) in Violation of the Fair Employment and Housing Act (Gov. Code 24 § 12940, et seq.); 25 4. -
Quentin Tarantino's KILL BILL: VOL
Presents QUENTIN TARANTINO’S DEATH PROOF Only at the Grindhouse Final Production Notes as of 5/15/07 International Press Contacts: PREMIER PR (CANNES FILM FESTIVAL) THE WEINSTEIN COMPANY Matthew Sanders / Emma Robinson Jill DiRaffaele Villa Ste Hélène 5700 Wilshire Blvd., Suite 600 45, Bd d’Alsace Los Angeles, CA 90036 06400 Cannes Tel: 323 207 3092 Tel: +33 493 99 03 02 [email protected] [email protected] [email protected] From the longtime collaborators (FROM DUSK TILL DAWN, FOUR ROOMS, SIN CITY), two of the most renowned filmmakers this summer present two original, complete grindhouse films packed to the gills with guns and guts. Quentin Tarantino’s DEATH PROOF is a white knuckle ride behind the wheel of a psycho serial killer’s roving, revving, racing death machine. Robert Rodriguez’s PLANET TERROR is a heart-pounding trip to a town ravaged by a mysterious plague. Inspired by the unique distribution of independent horror classics of the sixties and seventies, these are two shockingly bold features replete with missing reels and plenty of exploitative mayhem. The impetus for grindhouse films began in the US during a time before the multiplex and state-of- the-art home theaters ruled the movie-going experience. The origins of the term “Grindhouse” are fuzzy: some cite the types of films shown (as in “Bump-and-Grind”) in run down former movie palaces; others point to a method of presentation -- movies were “grinded out” in ancient projectors one after another. Frequently, the movies were grouped by exploitation subgenre. Splatter, slasher, sexploitation, blaxploitation, cannibal and mondo movies would be grouped together and shown with graphic trailers. -
1Monologues' Conclude on Campus Farley Refurbishing Begins
r----------------------------------------------------------------------------------------------------------------------------------------------~ THE The Independent Newspaper Serving Notre Dame and Saint Mary's VOLUME 40: ISSUE 89 THURSDAY, FEBRUARY 16.2006 NDSMCOBSERVER.COM 1Monologues' conclude on campus STUDENT SENATE Leaders Jenkins' attendance, broad panel discussion cap off third and final night of perfomances push wage "I went to listnn and learn, and By KAITLYNN RIELY I did that tonight and I thank the • Nrw.,Writ<·r east," Jenkins said af'tnr the play. .Jenkins, who dedinml further calllpaign Tlw third and final production comment on the "Monologues" of "Tiw Vagina Monologues" at Wednesday, had mandated the By MADDIE HANNA Notrn Damn this y11ar was play be pnrformed in the aca Associate News Editor marknd by thn attnndancn of demic setting of DeBartolo Hall Univnrsily Prnsid1n1l Father .John this year, without the l"undraising .Jnnkins and a wide-ranging ticket sales of' years past. Junior After loaders of the Campus parwl discussion on snxual vio Madison Liddy, director of this Labor Aetion Projoct (CLAP) lnHrn, Catholic. teaching and ynar's "Monologues." and later delivered a eornprnhnnsivo ollwr lopks Wednesday night. the panelists thanked Jenkins for presentation on the group's .11~11kins saw the play per his prnsenen at the performance . living wage campaign to l"orrm~d for tho f"irst time During tho panel diseussion fol Student Senate Wednesday, W1Hfrwsday, just ovnr three lowing thn play, panelists senators responded by unani w1wks after hP initialed a applauded the efforts of the pro mously passing two rolated Univnrsity-widn discussion about duction toward eliminating vio resolutions - one basod on acadnmk l"mmlom and Catholic lence against women and policy, tho other on ideology. -
Say Anything – a Goodbye Summation
Say Anything A Goodbye Summation By Maxim Adam Bemis Completed On August 13, 2018 2018 Tyler, Texas This is a statement about my current status as a dude and Say Anything’s upcoming record and plans as a band. Our new record is done, and it’s called OLIVER APPROPRIATE. Our plans as a collective are to, kind of sort of, end Say Anything. Or “the first era of Say Anything”. Whatever you want to call it, it’s that thing. I don’t buy that shit when other bands do it, but whatever the fuck works as terminology. I need a break. We’ll return one day to play festivals and scoff at our career. But I want to say goodbye. There will be no full U.S tour to support the record or in the near future. I am done being a touring musician as my main profession. Say Anything is retiring in the sense that Jay-Z did. It’s not an indefinite hiatus or a breakup because that’s impossible. But we’ll get to that. Let’s start with OLIVER APPROPRIATE. It’s my first truly inclusive Say Anything record. A record with lyrics that can be sung by girls, boys and anyone under the sun without correcting the endlessly pervasive dude pronouns. My first record, …IS A REAL BOY, was written as a character. I mean that literally. We wrote a story. We planned on making it a musical. After that, people thought that character WAS me. In actual reality, there was no Molly, nor any “rough sex”. -
Productions in Ontario 2006
2006 PRODUCTION IN ONTARIO with assistance from Ontario Media Development Corporation www.omdc.on.ca You belong here FEATURE FILMS – THEATRICAL ANIMAL 2 AWAY FROM HER Company: DGP Animal Productions Inc. Company: Pulling Focus Pictures ALL HAT Producers: Lewin Webb, Kate Harrison, Producer: Danny Iron, Simone Urdl, Company: No Cattle Productions Inc./ Wayne Thompson, Jennifer Weiss New Real Films David Mitchell, Erin Berry Director: Sarah Polley Producer: Jennifer Jonas Director: Ryan Combs Writers: Sarah Polley, Alice Munro Director: Leonard Farlinger Writer: Jacob Adams Production Manager: Ted Miller Writer: Brad Smith Production Manager: Dallas Dyer Production Designer: Kathleen Climie Line Producer/Production Manager: Production Designer: Andrew Berry Director of Photography: Luc Montpellier Avi Federgreen Director of Photography: Brendan Steacy Key Cast: Gordon Pinsent, Julie Christie, Production Designer: Matthew Davies Key Cast: Ving Rhames, K.C. Collins Olympia Dukakis Director of Photography: Paul Sarossy Shooting Dates: November – December 2006 Shooting Dates: February – April 2006 Key Cast: Luke Kirby, Rachael Leigh Cook, Lisa Ray A RAISIN IN THE SUN BLAZE Shooting Dates: October – November 2006 Company: ABC Television/Cliffwood Company: Barefoot Films GMBH Productions Producers: Til Schweiger, Shannon Mildon AMERICAN PIE PRESENTS: Producer: John Eckert Executive Producer: Tom Zickler THE NAKED MILE Executive Producers: Craig Zadan, Neil Meron Director: Reto Salimbeni Company: Universal Pictures Director: Kenny Leon Writer: Reto Salimbeni Producer: W.K. Border Writers: Lorraine Hansberry, Paris Qualles Line Producer/Production Manager: Director: Joe Nussbaum Production Manager: John Eckert Lena Cordina Writers: Adam Herz, Erik Lindsay Production Designer: Karen Bromley Production Designer: Matthew Davies Line Producer/Production Manager: Director of Photography: Ivan Strasburg Director of Photography: Paul Sarossy Byron Martin Key Cast: Sean Patrick Thomas, Key Cast: Til Schweiger Production Designer: Gordon Barnes Sean ‘P. -
Crash- Amundo
Stress Free - The Sentinel Sedation Dentistry George Blashford, DMD tvweek 35 Westminster Dr. Carlisle (717) 243-2372 www.blashforddentistry.com January 19 - 25, 2019 Don Cheadle and Andrew Crash- Rannells star in “Black Monday” amundo COVER STORY .................................................................................................................2 VIDEO RELEASES .............................................................................................................9 CROSSWORD ..................................................................................................................3 COOKING HIGHLIGHTS ....................................................................................................12 SPORTS.........................................................................................................................4 SUDOKU .....................................................................................................................13 FEATURE STORY ...............................................................................................................5 WORD SEARCH / CABLE GUIDE .........................................................................................19 READY FOR A LIFT? Facelift | Neck Lift | Brow Lift | Eyelid Lift | Fractional Skin Resurfacing PicoSure® Skin Treatments | Volumizers | Botox® Surgical and non-surgical options to achieve natural and desired results! Leo D. Farrell, M.D. Deborah M. Farrell, M.D. www.Since1853.com MODEL Fredricksen Outpatient Center, 630 -
Sydney Program Guide
8/23/2019 prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Reports.Dsp_ELEVEN_Guide?psStartDate=25-Aug-19&psEndDate=07… SYDNEY PROGRAM GUIDE Sunday 25th August 2019 06:00 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:05 am Cardfight!! Vanguard G: Gris Crisis G Chrono Vs. Leon (Rpt) Three simultaneous fights between Team TRY3 and Special Aqua Force continue and powerful new cards debut. Chrono holds his own against Leon Soryu until he announces that the wind will blow five times. 06:30 am The Amazing Spiez (Rpt) G Yoyo Ninja As the spies are wrapping up capturing Slick Mick, the villain gets out of their custody and tries to escape by commandeering a bike cart full of people. 06:55 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 07:00 am Rekkit Rabbit (Rpt) G After purchasing a magic hat, Jay finds himself the proud new owner of a giant, magic crazed rabbit. Find out what kind of fun and magical adventures they go on together. 07:25 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. -
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MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Art of David Gilhooly
WWW.BEVERLYPRESS.COM INSIDE • L.A. approves Miracle Mile Sunny with HPOZ. pg. 3 temps in the high 70s Volume 27 No. 13 Serving the West Hollywood, Hancock Park, Beverly Hills and Wilshire Communities March 30, 2017 ‘Sanctuary’n status threatened in L.A., WeHo White House wants Meals on Wheels could local police to help with federal deportations nfall off under Trump plan Budget proposes cutting ‘programs that don’t work’ start a terrible ripple effect,” Early Attorney General Jeff Sessions said, as he hurried to get to the next on Monday said the national gov- Nearly every weekday, a small client on time. ernment will withhold enforce- white pickup drives down Mansfield Early delivers meals for Jewish ment funds from “sanctuary” Avenue south of Wilshire Boulevard Family Services of Los Angeles – jurisdictions, and said his office is to deliver meals to a senior in need. which operates a senior nutrition pro- exploring ways to “claw back” The driver, Lorenzo Early – gram similar to Meals on Wheels funds those jurisdictions already dressed in a blue polo and jeans – and Project Angel Food. But they received. hops out, checks his list and unloads may have to cut back soon after President Donald J. Trump proposed His statement fulfills President a meal from the back of the truck, cutting funds and grants that support Donald J. Trump’s Executive which is designed to maintain cold Order, which stipulates that “sanc- home delivery programs. and hot food. To balance an increase in defense tuary jurisdictions” – labeled as “For many of these people, I’m the such by the Department of spending, Trump proposed cutting only person they get to see all day. -
Film Soleil 28/9/05 3:35 Pm Page 2 Film Soleil 28/9/05 3:35 Pm Page 3
Film Soleil 28/9/05 3:35 pm Page 2 Film Soleil 28/9/05 3:35 pm Page 3 Film Soleil D.K. Holm www.pocketessentials.com This edition published in Great Britain 2005 by Pocket Essentials P.O.Box 394, Harpenden, Herts, AL5 1XJ, UK Distributed in the USA by Trafalgar Square Publishing P.O.Box 257, Howe Hill Road, North Pomfret, Vermont 05053 © D.K.Holm 2005 The right of D.K.Holm to be identified as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of the publisher. Any person who does any unauthorised act in relation to this publication may beliable to criminal prosecution and civil claims for damages. The book is sold subject tothe condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated, without the publisher’s prior consent, in anyform, binding or cover other than in which it is published, and without similar condi-tions, including this condition being imposed on the subsequent publication. A CIP catalogue record for this book is available from the British Library. ISBN 1–904048–50–1 2 4 6 8 10 9 7 5 3 1 Book typeset by Avocet Typeset, Chilton, Aylesbury, Bucks Printed and bound by Cox & Wyman, Reading, Berkshire Film Soleil 28/9/05 3:35 pm Page 5 Acknowledgements There is nothing -
Framing a Disability Theory of Value for Contemporary Narrative
Not Until I Stand Up: Framing a Disability Theory of Value for Contemporary Narrative by Christopher Matthew Ewart M.A. (English), University of Calgary, 2005 B.A. (English), University of Calgary, 2001 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of English Faculty of Arts and Social Sciences © Christopher Matthew Ewart 2014 SIMON FRASER UNIVERSITY Summer 2014 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for "Fair Dealing." Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Christopher Ewart Degree: Doctor of Philosophy (English) Title of Thesis: Not Until I Stand Up: Framing a Disability Theory of Value for Contemporary Narrative Examining Committee: Chair: Jeff Derksen Associate Professor Peter Dickinson Senior Supervisor Professor Clint Burnham Supervisor Associate Professor Kirsty Johnston Supervisor Associate Professor Helen Leung Internal Examiner Associate Professor Gender, Sexuality and Women’s Studies David Mitchell External Examiner Professor, Department of English George Washington University Date Defended/Approved: June 17, 2014 ii Partial Copyright Licence iii Abstract This dissertation investigates the ways in which representations of disability in fiction, film, performance and media from the modernist period to the present reflect and resist dominant histories of ability, creating surplus moments of disabled agency and value. I employ disability theory, close reading and sociocultural analysis to address inequitable representations of disability across a range of high and pop cultural narratives, from an early novel of Samuel Beckett's to films that use CGI prosthetics.