ISIS 2012 Conference Program (The Conrad Hotel, Istanbul, Turkey, August 1-5, 2012)
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Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.03.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Editorial Assistants Ani Honarchian (UCLA) Sara Mashayekh (UCI) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University) Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (University of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khoda- dad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Notes 1. -
Bright Typing Company
Tape Transcription Islam Lecture No. 1 Rule of Law Professor Ahmad Dallal ERIK JENSEN: Now, turning to the introduction of our distinguished lecturer this afternoon, Ahmad Dallal is a professor of Middle Eastern History at Stanford. He is no stranger to those of you within the Stanford community. Since September 11, 2002 [sic], Stanford has called on Professor Dallal countless times to provide a much deeper perspective on contemporary issues. Before joining Stanford's History Department in 2000, Professor Dallal taught at Yale and Smith College. Professor Dallal earned his Ph.D. in Islamic Studies from Columbia University and his academic training and research covers the history of disciplines of learning in Muslim societies and early modern and modern Islamic thought and movements. He is currently finishing a book-length comparative study of eighteenth century Islamic reforms. On a personal note, Ahmad has been terrifically helpful and supportive, as my teaching assistant extraordinaire, Shirin Sinnar, a third-year law student, and I developed this lecture series and seminar over these many months. Professor Dallal is a remarkable Stanford asset. Frederick the Great once said that one must understand the whole before one peers into its parts. Helping us to understand the whole is Professor Dallal's charge this afternoon. Professor Dallal will provide us with an overview of the historical development of Islamic law and may provide us with surprising insights into the relationship of Islam and Islamic law to the state and political authority. He assures us this lecture has not been delivered before. So without further ado, it is my absolute pleasure to turn over the podium to Professor Dallal. -
On the Modern Politicization of the Persian Poet Nezami Ganjavi
Official Digitized Version by Victoria Arakelova; with errata fixed from the print edition ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI YEREVAN SERIES FOR ORIENTAL STUDIES Edited by Garnik S. Asatrian Vol.1 SIAVASH LORNEJAD ALI DOOSTZADEH ON THE MODERN POLITICIZATION OF THE PERSIAN POET NEZAMI GANJAVI Caucasian Centre for Iranian Studies Yerevan 2012 Siavash Lornejad, Ali Doostzadeh On the Modern Politicization of the Persian Poet Nezami Ganjavi Guest Editor of the Volume Victoria Arakelova The monograph examines several anachronisms, misinterpretations and outright distortions related to the great Persian poet Nezami Ganjavi, that have been introduced since the USSR campaign for Nezami‖s 800th anniversary in the 1930s and 1940s. The authors of the monograph provide a critical analysis of both the arguments and terms put forward primarily by Soviet Oriental school, and those introduced in modern nationalistic writings, which misrepresent the background and cultural heritage of Nezami. Outright forgeries, including those about an alleged Turkish Divan by Nezami Ganjavi and falsified verses first published in Azerbaijan SSR, which have found their way into Persian publications, are also in the focus of the authors‖ attention. An important contribution of the book is that it highlights three rare and previously neglected historical sources with regards to the population of Arran and Azerbaijan, which provide information on the social conditions and ethnography of the urban Iranian Muslim population of the area and are indispensable for serious study of the Persian literature and Iranian culture of the period. ISBN 978-99930-69-74-4 The first print of the book was published by the Caucasian Centre for Iranian Studies in 2012. -
The Poetics of Commitment in Modern Persian: a Case of Three Revolutionary Poets in Iran
The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Shahwali Ahmadi, Chair Professor Muhammad Siddiq Professor Robert Kaufman Fall 2013 Abstract The Poetics of Commitment in Modern Persian: A Case of Three Revolutionary Poets in Iran by Samad Josef Alavi Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Shahwali Ahmadi, Chair Modern Persian literary histories generally characterize the decades leading up to the Iranian Revolution of 1979 as a single episode of accumulating political anxieties in Persian poetics, as in other areas of cultural production. According to the dominant literary-historical narrative, calls for “committed poetry” (she‘r-e mota‘ahhed) grew louder over the course of the radical 1970s, crescendoed with the monarch’s ouster, and then faded shortly thereafter as the consolidation of the Islamic Republic shattered any hopes among the once-influential Iranian Left for a secular, socio-economically equitable political order. Such a narrative has proven useful for locating general trends in poetic discourses of the last five decades, but it does not account for the complex and often divergent ways in which poets and critics have reconciled their political and aesthetic commitments. This dissertation begins with the historical assumption that in Iran a question of how poetry must serve society and vice versa did in fact acquire a heightened sense of urgency sometime during the ideologically-charged years surrounding the revolution. -
Two Queens of ^Baghdad Oi.Uchicago.Edu
oi.uchicago.edu Two Queens of ^Baghdad oi.uchicago.edu Courtesy of Dr. Erich Schmidt TOMB OF ZUBAIDAH oi.uchicago.edu Two Queens of Baghdad MOTHER AND WIFE OF HARUN AL-RASH I D By NABIA ABBOTT ti Vita 0CCO' cniia latur THE UNIVERSITY OF CHICAGO PRESS CHICAGO • ILLINOIS oi.uchicago.edu The University of Chicago Press • Chicago 37 Agent: Cambridge University Press • London Copyright 1946 by The University of Chicago. All rights reserved. Published 1946. Composed and printed by The University of Chicago Press, Chicago, Illinois, U.S.A. oi.uchicago.edu Preface HE historical and legendary fame of Harun al- Rashld, the most renowned of the caliphs of Bagh dad and hero of many an Arabian Nights' tale, has ren dered him for centuries a potent attraction for his torians, biographers, and litterateurs. Early Moslem historians recognized a measure of political influence exerted on him by his mother Khaizuran and by his wife Zubaidah. His more recent biographers have tended either to exaggerate or to underestimate the role of these royal women, and all have treated them more or less summarily. It seemed, therefore, desirable to break fresh ground in an effort to uncover all the pertinent his torical materials on the two queens themselves, in order the better to understand and estimate the nature and the extent of their influence on Harun and on several others of the early cAbbasid caliphs. As the work progressed, first Khaizuran and then Zubaidah emerged from the privacy of the royal harem to the center of the stage of early cAbbasid history. -
Reframing Borders: a Study of the Veil, Writing, and Representation of the Female Body in the Photo-Based Artwork of Mona Hatoum
REFRAMING BORDERS: A STUDY OF THE VEIL, WRITING, AND REPRESENTATION OF THE FEMALE BODY IN THE PHOTO-BASED ARTWORK OF MONA HATOUM, SHIRIN NESHAT, AND LALLA ESSAYDI by MARYAM A M A ALWAZZAN A THESIS Presented to the Department of The HIstory of Art and Architecture and the Graduate School of the UniversIty of Oregon in partIaL fulfiLLment of the requirements for the degree of Master of Arts December 2018 THESIS APPROVAL PAGE Student: Maryam A M A Alwazzan Title: ReframIng Borders: A Study of the VeIL, WritIng and RepresentatIon of the femaLe body In the Photo-Based Artwork of Mona Hatoum, Shirin Neshat and LaLLa Essaydi This thesIs has been accepted and approved in partIaL fulfiLLment of the requirements for the Master of Art HIstory degree in the Department of The HIstory of Art and Architecture by: Kate Mondloch ChaIr Derek Burdette Member MIchaeL Allan Member and Janet Woodruff-Borden VIce Provost and Dean of the Graduate School OriginaL approvaL sIgnatures are on fiLe wIth the UniversIty of Oregon Graduate School. Degree awarded December 2018. II © 2018 Maryam A M A ALwazzan This work is lIcensed under a CreatIve Commons Attribution-NonCommercial-NoDerivs (United States) License. III THESIS ABSTRACT Maryam A M A ALwazzan Master of Arts Department of The HIstory of Art and Architecture December 2018 Title: ReframIng Borders: A Study of the VeIL, WritIng and RepresentatIon of The Female Body In The Photo-Based Artwork of Mona Hatoum, Shirin Neshat and LaLLa Essaydi For a long tIme, most women beLIeved they had to choose between theIr MusLIm or Arab identIty and theIr beLIef in socIaL equaLIty of sexes. -
The Socioeconomics of State Formation in Medieval Afghanistan
The Socioeconomics of State Formation in Medieval Afghanistan George Fiske Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2012 © 2012 George Fiske All rights reserved ABSTRACT The Socioeconomics of State Formation in Medieval Afghanistan George Fiske This study examines the socioeconomics of state formation in medieval Afghanistan in historical and historiographic terms. It outlines the thousand year history of Ghaznavid historiography by treating primary and secondary sources as a continuum of perspectives, demonstrating the persistent problems of dynastic and political thinking across periods and cultures. It conceptualizes the geography of Ghaznavid origins by framing their rise within specific landscapes and histories of state formation, favoring time over space as much as possible and reintegrating their experience with the general histories of Iran, Central Asia, and India. Once the grand narrative is illustrated, the scope narrows to the dual process of monetization and urbanization in Samanid territory in order to approach Ghaznavid obstacles to state formation. The socioeconomic narrative then shifts to political and military specifics to demythologize the rise of the Ghaznavids in terms of the framing contexts described in the previous chapters. Finally, the study specifies the exact combination of culture and history which the Ghaznavids exemplified to show their particular and universal character and suggest future paths for research. The Socioeconomics of State Formation in Medieval Afghanistan I. General Introduction II. Perspectives on the Ghaznavid Age History of the literature Entrance into western European discourse Reevaluations of the last century Historiographic rethinking Synopsis III. -
Between Two Worlds: an Interview with Shirin Neshat
Speechless, 1996. RC print. © 1996 Shirin Neshat. Photo by Larry Barns. Courtesy of Barbara Gladstone Gallery, New York City. Between Two Worlds: An Interview with Shirin Neshat Scott MacDonald A native of Qazvin, Iran, Shirin Neshat finished high school and attended college in the United States and once the Islamic Revolution had transformed Iran, decided to remain in this country. She now lives in New York City, where she is represented by the Barbara Gladstone Gallery. In the mid-1990s, Neshat became known for a series of large photographs, “Women of Allah,” which she designed, directed (not a trained photogra- pher, she hired Larry Barns, Kyong Park, and others to make her images), posed for, and decorated with poetry written in Farsi. The “Women of Allah” photographs provide a sustained rumination on the status and psyche of women in traditional Islamic cultures, using three primary elements: the black veil, modern weapons, and the written texts. In each photograph Neshat appears, dressed in black, sometimes covered completely, facing the camera, holding a weapon, usually a gun. The texts often appear to be part of the photographed imagery. The photographs are both intimate and confrontational. They reflect the repressed status of women in Iran and their power, as women and as Muslims. They depict Neshat herself as a woman caught between the freedom of expression evi- dent in the photographs and the complex demands of her Islamic heritage, in which Iranian women are expected to support and sustain a revolution Feminist Studies 30, no. 3 (Fall 2004). © 2004 by Feminist Studies, Inc. -
Animal Headdresses on the Sealings of the Bactrian Documents
Animal Headdresses on the Sealings of the Bactrian Documents Judith A. Lerner, New York Introduction The so-called Bactrian documents from northern Afghanistan, consisting of le- gal and economic texts as well as letters, have contributed to our greater under- standing of the region between the 4th and 8th centuries. As a crossroads for trade and a theater for conquest, during this time span the region had come under the successive domination by Kushano-Sasanians, Kidarites, Hephtalites and Turks. Nicholas Sims-Williams first reported on the Bactrian documents in 1996 and since then, as the number of documents has grown, has continued to enlighten us on their contents and implications, thereby expanding our knowledge of the language, history, religion and culture of Afghanistan in this period. Some of the documents still have their original sealings: small lumps of clay that bear the impressions of the contractors’, witnesses’ and letter-writers’ seals. The majority of the sealings, however, are not associated with the documents they originally sealed. While more than 150 Bactrian documents are now known, there are many more clay sealings in various collections, unfortunately separated from what they sealed, but which – from their shape and fabric and the style and iconography of the seals impressed on them – can be considered part of this cor- pus. As an art historian, I have been privileged to study the sealings in two major collections, those of Prof. N. D. Khalili (London) and Mr. Aman ur Rahman (Islamabad/Dubai), and in this endeavor to work closely with Nicholas Sims- Williams who has published the documents in the Khalili Collection and will be publishing the inscriptions on the sealings in the Rahman Collection.1 His linguistic knowledge and insights, and his generosity in sharing them, have been critical to my stylistic and iconographic analysis of the sealings. -
2015, Vol. 1, No. 1
2015, Vol. 1, No. 1 ©2015 Jordan Center for Persian Studies DABIR 2015 1(1) University of California, Irvine http://www.dabirjournal.org/ www.dabirjournal.org Editor-in-Chief Touraj Daryaee Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 e-mail: [email protected] Editors Parsa Daneshmand (Oxford University) Arash Zeini (Independent scholar) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Editorial Assistants Ani Honarchian (UCLA) Sara Mashayekh (UCI) Advisory Board Samra Azarnouche (École pratique des hautes études) Dominic P. Brookshaw (Oxford University) Matthew Canepa (University of Minnesota) Ashk Dahlén (Uppsala University) Peyvand Firouzeh (Cambridge University) Leonardo Gregoratti (Durham University) Frantz Grenet (Collège de France) Wouter F.M. Henkelman (École Pratique des Hautes Études) Rasoul Jafarian (Tehran University) Nasir al-Ka‘abi (University of Kufa) Andromache Karanika (UC Irvine) Agnes Korn (Goethe Universität Frankfurt am Main) Lloyd Llewellyn-Jones (University of Edinburgh) Jason Mokhtarain (University of Indiana) Ali Mousavi (UC Irvine) Mahmoud Omidsalar (CSU Los Angeles) Antonio Panaino (University of Bologna) Alka Patel (UC Irvine) Richard Payne (University of Chicago) Khodadad Rezakhani (Freie Universität Berlin) Vesta Sarkhosh Curtis (British Museum) M. Rahim Shayegan (UCLA) Rolf Strootman (Utrecht University) Giusto Traina (University of Paris-Sorbonne) Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Arash Zeini i xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad ii Contents I Articles 1 1 A re-examination of two terms in the Elamite version of the Behistun inscription Saber Amiri Pariyan ............................................. -
Ammianus Marcellinus and the Kidarites 44 7
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.03.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Editorial Assistants Ani Honarchian (UCLA) Sara Mashayekh (UCI) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University) Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (University of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khoda- dad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Notes 1. -
Elections 2015.Pages
1 ELECTIONS: Thanks for making our Seventh OFFICE OF SECRETARY ! CANDIDATE’S BIOS ! ! CANDIDATE ! OFFICE OF VICE-PRESIDENT Ghazzal Dabiri holds a Ph.D. in Iranian Studies ! in the Department of CANDIDATE Near Eastern Languages ! a n d C u l t u r e s f r o m Rudi Matthee received UCLA. She is currently a his Ph.D. in Islamic post-doctoral fellow at S t u d i e s f r o m t h e Ghent University and has University of California, taught at Columbia Los Angles. Since 1993 University, where she was also Persian Studies he has been teaching at program coordinator, UCLA, and CSUF. Her the University of research focuses on the development of and Delaware, where he is cross-sections between Iranian historiography Distinguished Professor of Middle Eastern and Persian epics as well as on the social History. Matthee has published widely on history of early Islamic Iran. Based on this, she Safavid and Qajar Iran as well as Egypt. He has published the following articles: “Visions authored The Politics of Trade in Safavid of Heaven and Hell from Late Antiquity in the Iran: Silk for Silver, 1600-1730 (1999), Near East” (2009); “The Shahnama: Between recipient of the prize for best non-Persian the Samanids and Ghaznavids” (2010), and language book on Iranian history awarded by “Historiography and the Sho’ubiya Movement” the Iranian Ministry of Culture; honorable (2013). mention for British-Kuwaiti Friendship Prize; The Pursuit of Pleasure: Drugs and ! Other publications include: “The Mother Stimulants in Iranian History, 1500-1900 Tongue: An Introduction to the Persian (2005), recipient of the Albert Hourani Book Language.” PBS Frontline: Tehran Bureau Prize and the Saidi Sirjani Prize; Persia in and ;“Shiraz Nights.” PBS Frontline: Tehran Crisis: Safavid Decline and the Fall of Isfahan Bureau, August 10, 2009.