The Israel-Egypt Peace Treaty
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
09-Khodadad-Rezakhani-02.Pdf
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.03.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Editorial Assistants Ani Honarchian (UCLA) Sara Mashayekh (UCI) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University) Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (University of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khoda- dad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Notes 1. -
The Muslim Brotherhood in Syria Year of Origin
MUSLIM BROTHERHOOD IN SYRIA Name: The Muslim Brotherhood in Syria Year of Origin: 1945 Founder(s): Mustafa al-Sibai Place(s) of Operation: Syria Key Leaders: • Mohammad Hekmat Walid: Comptroller general [Image: Al Jazeera] • Hussam Ghadban: Deputy Comptroller general [Image not available] • Mohammad Hatem al-Tabshi: Head of Shura Council [Image not available] • Omar Mushaweh: Head of media and communications [Image; source: Fox News via Omar Mushaweh] • Mulham Droubi: Spokesman [Image; source: Syria Mubasher] • Zuhair Salem: Spokesman [Image; source: Twitter] • Mohammad Riad al-Shaqfeh: Former comptroller general [Image: AFP/Getty Images] • Mohammad Farouk Tayfour: Former deputy comptroller general [Image: please take from MB entity report] • Ali Sadreddine al-Bayanouni: Former comptroller general [Image: please take from MB entity report] • Issam al-Attar: Former comptroller general [Image: Bernd Arnold] Associated Organization(s): • Al-Ikhwan al-Muslimin1 • Syrian Ikhwan2 The Syrian Muslim Brotherhood (i.e., the Syrian Brotherhood or the Brotherhood) was formed in 1945 as an affiliate of the Egyptian Muslim Brotherhood.3 The Syrian Brotherhood actively participated in Syrian politics until 1963, when the incoming pan-Arab Baath party began restricting the movement before ultimately banning the party in 1964.4 In 1964, Brotherhood member Marwan Hadid formed a violent offshoot—known as the Fighting Vanguard—whose members waged numerous terror attacks against the regime in the 1970s and early ’80s. In 1982, in order to quell a Brotherhood uprising in the city of Hama, then-Syrian President Hafez al- Assad dealt a near-fatal blow to the group, killing between 10,000 and 40,000 armed 1 Raphaël Lefèvre, Ashes of Hama: The Muslim Brotherhood in Syria (Oxford: Oxford University Press, 2013), 24. -
Catalogue 1949-1987
Penguin Specials 1949-1987 for his political activities and first became M.P. for West Fife in 1935. S156-S383 Penguin Specials. Before the war, when books could be produced quickly, we used to publish S156 1949 The case for Communism. volumes of topical interest as Penguin Specials. William Gallacher We are now able to resume this policy of Specially written for and first published in stimulating public interest in current problems Penguin Books February 1949 and controversies, and from time to time we pp. [vi], [7], 8-208. Inside front cover: About this shall issue books which, like this one, state the Book. Inside rear cover: note about Penguin case for some contemporary point of view. Other Specials [see below] volumes pleading a special cause or advocating a Printers: The Philips Park Press, C.Nicholls and particular solution of political, social and Co. Ltd, London, Manchester, Reading religious dilemmas will appear at intervals in this Price: 1/6d. new series of post-war Penguin Specials ... Front cover: New Series Number One. ... As publishers we have no politics. Some time ago S157 1949 I choose peace. K. Zilliacus we invited a Labour M.P. and a Conservative Specially written for and first published in M.P. to affirm the faith and policy of the two Penguin Books October 1949 principal parties and they did so in two books - pp. [x], [11], 12-509, [510] blank + [2]pp. ‘Labour Marches On’, by John Parker M.P., and adverts. for Penguin Books. Inside front cover ‘The Case for Conservatism’, by Quintin Hogg, [About this Book]. -
427 BIBLIOTHECA ORIENTALIS LXVIII N° 3-4, Mei-Augustus 2011 428 Approach Focused on How Cultures of Vision Impact Their Respect
427 BIBLIOTHECA ORIENTALIS LXVIII N° 3-4, mei-augustus 2011 428 approach focused on how cultures of vision impact their respective arts and vice versa. One of Belting’s premises is that perspective is a so-called symbolic form, a position first argued by Erwin Panofsky in an essay published in 1927. The concept of symbolic form hails from the neo-Kantian philosopher Ernst Cassirer, who believed that man makes sense of the world he perceives by means of symbolic forms. The human being, incapable of knowing reality other than through its subjective mind, has various categories of symbols that mediate between his per- ception and his understanding, and these categories vary according to time and place. Panofsky proposed to see per- spective as a symbolic form that defined Western modernity. Belting agrees and explains further the importance of per- spective for Western modernity. He explains how a painting with linear perspective draws the onlooker into the repre- sented scene. Only through a frontal confrontation with the vanishing point of the painting does the artwork make proper sense. The perspective needs the presence of the onlooker and conforms to the onlooker’s subjectivity and vice versa. In Belting’s words: “Perspective has been a cultural tech- nique and not merely a matter of the arts. For it symbolized the right to a perception (Wahrnehmung) that anyone could engage in with one’s own vision.” (p. 25). Having established the crucial importance of linear per- spective in the first chapter, the second chapter informs on the classical Arab understanding of vision, and the issue of Islamic aniconism. -
Bbbs 38 (2012)
38 2012 BULLETIN OF BRITISH BYZANTINE STUDIES BULLETIN OF BRITISH BYZANTINE STUDIES 38 ISSN 0265-162 2012 being the Bulletin of the Society for the Promotion of Byzantine Studies 1. Chairmen, Secretaries and Addresses of National Committees of the International Association of Byzantine Studies Albania: Dhorka Dhamo, Pellumb Xhufi, Rr Sulejman Pasha Pall 124, Shk. 3, Apart 37, Tirana, Albania Australia: Dr Bronwen Neil (President), Centre for Early Christian Studies, Australian Catholic University, PO Box 456, Virginia, Queensland 4014 ([email protected]); Dr Andrew Gillett (Secretary & Newsletter Editor), Department of Ancient History, Division of Humanities, Macquarie University, New South Wales 2109. Email: [email protected] Austria: Prof Dr Andreas Külzer (Secretary), Institut für Byzantinistik und Neogräzistik der Universität Wien, Postgrasse 7, A-1010 Vienna, Austria. Email: [email protected] Belgium: Anne Tihon (President); Jacques Noret (Vice-President and Treasurer); Caroline Mace (Secretary). Address of the Society for Byzantine Studies: Rue Ducale 1, 1000 Brussels, Belgium; address of the secretariat: Kardinaal Mercierplein 2, B3000 Leuven, Belgium Brazil: Angela Comnene, G. Kambani, 505 St Laurent Blvd, suite 106, Ottawa K1K4-4, Canada Bulgaria: Prof. Vassil Ghiuselev (President), University of Sofia "St Kliment Ohridski", Faculty of History, 15 Tsar Osvoboditel Bd., Room 40A, 1504 Sofia, Bulgaria. Canada: Antony Littlewood, Dept. of Classical Studies, The University of Western Ontario, Talbot College, London, Ontario, Canada N6A 3K7 Chile: Alejandro Zorbas, Universidad de Chile, Facultad de Filosofia, Centro de Estudios Bizantinos y Neohelenicos, Casilla 10136, Santiago, Chile China: Zhu Huan, Xu Jia-Lin, Wang Yue, History Dept., Lanzhou University, 730000 Lanzhou, Gansu Province, P. -
Edwards H. Metcalf Library Collection on TE Lawrence
Edwards H. Metcalf Library Collection on T.E. Lawrence: Scrapbooks Huntington Library Scrapbook 1 Page Contents 1 recto [Blank]. 1 verso Anal. 1. Newspaper clipping. North, John, 'Hejaz railway brings back memories of Lawrence', Northern Echo, June 14, 1965. Anal. 2. Newspaper clipping. 'Memories of T.E.', Yorkshire Post, May 18, 1965. Mss. Note from Beaumont 'Please accept these free with my compliments. T.W. Beaumont'. 2 recto Black-and-white photograph of Beaumont. 'Thomas W. Beaumont Served under T.E. Lawrence in Arabia as his Sgt. Vickers Gunner'. 2 verso Black-and-white photograph. Mss. 'To my friend Theodora Duncan with every good wish. T.W. Beaumont' Typed note. ' Parents of Peter O'Toole with T.W. Beaumont At the gala opening of the film "Lawrence of Arabia", at the Majestic Theatre in Leeds, Yorkshire, Sunday evening, Oct. 13, 1963'. 3 recto Anal. 3. Newspaper clipping. 'A Lawrence Talks About That Legend', Leeds, Yorkshire, April 10, 1964. Two black-and-white photographs. 'Mr. T. W. Beaumont meets Dr. M.R. Lawrence elder brother of T.E. Lawrence, at Leeds City Station, Yorkshire. April 10, 1964. 3 verso Newspaper cartoon. 'Boy! I'm glad they don't use US nowadays!' Anal. 4. 'The following small photographs were taken during WW-I on the Eastern Front by T.W. Beaumont & friends, and smuggled out of Arabia. Newspaper cartoon. 'Arms for the love of Allah!' 4 recto Black-and-white photograph. 'Siwa Oasis, 1915-17 Involved in the defense of Suez. Operations against the Senussi in Lybian Desert. Photographed by C.S. -
Animal Headdresses on the Sealings of the Bactrian Documents
Animal Headdresses on the Sealings of the Bactrian Documents Judith A. Lerner, New York Introduction The so-called Bactrian documents from northern Afghanistan, consisting of le- gal and economic texts as well as letters, have contributed to our greater under- standing of the region between the 4th and 8th centuries. As a crossroads for trade and a theater for conquest, during this time span the region had come under the successive domination by Kushano-Sasanians, Kidarites, Hephtalites and Turks. Nicholas Sims-Williams first reported on the Bactrian documents in 1996 and since then, as the number of documents has grown, has continued to enlighten us on their contents and implications, thereby expanding our knowledge of the language, history, religion and culture of Afghanistan in this period. Some of the documents still have their original sealings: small lumps of clay that bear the impressions of the contractors’, witnesses’ and letter-writers’ seals. The majority of the sealings, however, are not associated with the documents they originally sealed. While more than 150 Bactrian documents are now known, there are many more clay sealings in various collections, unfortunately separated from what they sealed, but which – from their shape and fabric and the style and iconography of the seals impressed on them – can be considered part of this cor- pus. As an art historian, I have been privileged to study the sealings in two major collections, those of Prof. N. D. Khalili (London) and Mr. Aman ur Rahman (Islamabad/Dubai), and in this endeavor to work closely with Nicholas Sims- Williams who has published the documents in the Khalili Collection and will be publishing the inscriptions on the sealings in the Rahman Collection.1 His linguistic knowledge and insights, and his generosity in sharing them, have been critical to my stylistic and iconographic analysis of the sealings. -
2015, Vol. 1, No. 1
2015, Vol. 1, No. 1 ©2015 Jordan Center for Persian Studies DABIR 2015 1(1) University of California, Irvine http://www.dabirjournal.org/ www.dabirjournal.org Editor-in-Chief Touraj Daryaee Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 e-mail: [email protected] Editors Parsa Daneshmand (Oxford University) Arash Zeini (Independent scholar) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Editorial Assistants Ani Honarchian (UCLA) Sara Mashayekh (UCI) Advisory Board Samra Azarnouche (École pratique des hautes études) Dominic P. Brookshaw (Oxford University) Matthew Canepa (University of Minnesota) Ashk Dahlén (Uppsala University) Peyvand Firouzeh (Cambridge University) Leonardo Gregoratti (Durham University) Frantz Grenet (Collège de France) Wouter F.M. Henkelman (École Pratique des Hautes Études) Rasoul Jafarian (Tehran University) Nasir al-Ka‘abi (University of Kufa) Andromache Karanika (UC Irvine) Agnes Korn (Goethe Universität Frankfurt am Main) Lloyd Llewellyn-Jones (University of Edinburgh) Jason Mokhtarain (University of Indiana) Ali Mousavi (UC Irvine) Mahmoud Omidsalar (CSU Los Angeles) Antonio Panaino (University of Bologna) Alka Patel (UC Irvine) Richard Payne (University of Chicago) Khodadad Rezakhani (Freie Universität Berlin) Vesta Sarkhosh Curtis (British Museum) M. Rahim Shayegan (UCLA) Rolf Strootman (Utrecht University) Giusto Traina (University of Paris-Sorbonne) Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Arash Zeini i xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad ii Contents I Articles 1 1 A re-examination of two terms in the Elamite version of the Behistun inscription Saber Amiri Pariyan ............................................. -
Ammianus Marcellinus and the Kidarites 44 7
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.03.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Editorial Assistants Ani Honarchian (UCLA) Sara Mashayekh (UCI) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University) Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (University of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khoda- dad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (University of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Notes 1. -
2 – College Affairs the College Year
ST ANTONY’S COLLEGE RECORD 2009–2010 Designed and produced in the Development Office at St Antony’s College © The Warden and Fellows of St Antony’s College, 2010 Contact information: St Antony’s College, Oxford, OX2 6JF Tel – 01865 284 700 www.sant.ox.ac.uk CONTENTS 1 – Overview of the College The College.................................................................................................... ........... 1 The Fellowship.......................................................................................................... 3 The Staff.................................................................................................................... 8 2 – College Affairs The College Year....................................................................................................... 10 From the Bursar......................................................................................................... 11 The Graduate Common Room................................................................................... 13 The Library................................................................................................................ 20 The St Antony’s–Palgrave Series.............................................................................. 21 3 – Teaching and Research African Studies.......................................................................................................... 22 Asian Studies............................................................................................................ -
Anglo-American Orientalism's Contribution to the Rise of Area
RESEARCH PAPER Anglo-American Orientalism’s Contribution to the Rise of Area Studies Abdel Fattah Naoum| April 2015 Anglo-American Orientalism’s Contribution to the Rise of Area Studies* Series: Research Paper Abdel Fattah Naoum | April 2015 Copyright © 2015 Arab Center for Research and Policy Studies. All Rights Reserved. ____________________________ The Arab Center for Research and Policy Studies is an independent research institute and think tank for the study of history and social sciences, with particular emphasis on the applied social sciences. The Center’s paramount concern is the advancement of Arab societies and states, their cooperation with one another and issues concerning the Arab nation in general. To that end, it seeks to examine and diagnose the situation in the Arab world - states and communities- to analyze social, economic and cultural policies and to provide political analysis, from an Arab perspective. The Center publishes in both Arabic and English in order to make its work accessible to both Arab and non-Arab researchers. Arab Center for Research and Policy Studies PO Box 10277 Street No. 826, Zone 66 Doha, Qatar Tel.: +974 44199777 | Fax: +974 44831651 www.dohainstitute.org * This research paper is an edited translation from the original paper in Arabic. Abstract Throughout the last century Orientalism has been the subject of critical attention for both Orientalists and Arab thinkers alike, irrespective of their methodological and ideological backgrounds. The goal of this research paper is not to investigate the vast polemical responses to Orientalism, since these have been well documented, but to shed light on the significant transformation occurring in the field of Orientalism in the aftermath of World War II. -
Masterpieces from the Department of Islamic Art in the Metropolitan Museum of Art
MASTERPIECES from the Department of Islamic Art in The Metropolitan Museum of Art EDITED BY Maryam D. Ekhtiar, Priscilla P. Soucek, Sheila R. Canby, and Navina Najat Haidar The Metropolitan Museum of Art, New York Distributed by Yale University Press, New Haven and London This catalogue is published in conjunction with the reopening of the Galleries for Copyright © 2011 by The Metropolitan Museum of Art, New York the Art of the Arab Lands, Turkey, Iran, Central Asia, and Later South Asia on November 1, 2011. First printing, 2011 This publication is made possible through the generous support of Sharmin and All rights reserved. No part of this publication may be reproduced or transmitted in Bijan Mossavar-Rahmani. any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in Published by The Metropolitan Museum of Art, New York writing from the publishers. Mark Polizzotti, Publisher and Editor in Chief Gwen Roginsky, Associate Publisher and General Manager of Publications The Metropolitan Museum of Art Peter Antony, Chief Production Manager 1000 Fifth Avenue Michael Sittenfeld, Managing Editor New York, New York 10028 Robert Weisberg, Assistant Managing Editor metmuseum.org Edited by Cynthia Clark and Margaret Donovan Distributed by Designed by Bruce Campbell Yale University Press, New Haven and London Bibliography by Penny Jones yalebooks.com/art Production by Jennifer Van Dalsen yalebooks.co.uk Map by Anandaroop Roy Floor plans by Brian Cha