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Japan Between the Wars
JAPAN BETWEEN THE WARS The Meiji era was not followed by as neat and logical a periodi- zation. The Emperor Meiji (his era name was conflated with his person posthumously) symbolized the changes of his period so perfectly that at his death in July 1912 there was a clear sense that an era had come to an end. His successor, who was assigned the era name Taisho¯ (Great Righteousness), was never well, and demonstrated such embarrassing indications of mental illness that his son Hirohito succeeded him as regent in 1922 and re- mained in that office until his father’s death in 1926, when the era name was changed to Sho¯wa. The 1920s are often referred to as the “Taisho¯ period,” but the Taisho¯ emperor was in nominal charge only until 1922; he was unimportant in life and his death was irrelevant. Far better, then, to consider the quarter century between the Russo-Japanese War and the outbreak of the Manchurian Incident of 1931 as the next era of modern Japanese history. There is overlap at both ends, with Meiji and with the resur- gence of the military, but the years in question mark important developments in every aspect of Japanese life. They are also years of irony and paradox. Japan achieved success in joining the Great Powers and reached imperial status just as the territo- rial grabs that distinguished nineteenth-century imperialism came to an end, and its image changed with dramatic swiftness from that of newly founded empire to stubborn advocate of imperial privilege. Its military and naval might approached world standards just as those standards were about to change, and not long before the disaster of World War I produced revul- sion from armament and substituted enthusiasm for arms limi- tations. -
French Journal of Japanese Studies, 4 | 2015, « Japan and Colonization » [En Ligne], Mis En Ligne Le 01 Janvier 2015, Consulté Le 08 Juillet 2021
Cipango - French Journal of Japanese Studies English Selection 4 | 2015 Japan and Colonization Édition électronique URL : https://journals.openedition.org/cjs/949 DOI : 10.4000/cjs.949 ISSN : 2268-1744 Éditeur INALCO Référence électronique Cipango - French Journal of Japanese Studies, 4 | 2015, « Japan and Colonization » [En ligne], mis en ligne le 01 janvier 2015, consulté le 08 juillet 2021. URL : https://journals.openedition.org/cjs/949 ; DOI : https://doi.org/10.4000/cjs.949 Ce document a été généré automatiquement le 8 juillet 2021. Cipango - French Journal of Japanese Studies is licensed under a Creative Commons Attribution 4.0 International License. 1 SOMMAIRE Introduction Arnaud Nanta and Laurent Nespoulous Manchuria and the “Far Eastern Question”, 1880‑1910 Michel Vié The Beginnings of Japan’s Economic Hold over Colonial Korea, 1900-1919 Alexandre Roy Criticising Colonialism in pre‑1945 Japan Pierre‑François Souyri The History Textbook Controversy in Japan and South Korea Samuel Guex Imperialist vs Rogue. Japan, North Korea and the Colonial Issue since 1945 Adrien Carbonnet Cipango - French Journal of Japanese Studies, 4 | 2015 2 Introduction Arnaud Nanta and Laurent Nespoulous 1 Over one hundred years have now passed since the Kingdom of Korea was annexed by Japan in 1910. It was inevitable, then, that 2010 would be an important year for scholarship on the Japanese colonisation of Korea. In response to this momentous anniversary, Cipango – Cahiers d’études japonaises launched a call for papers on the subject of Japan’s colonial past in the spring of 2009. 2 Why colonisation in general and not specifically relating to Korea? Because it seemed logical to the journal’s editors that Korea would be the focus of increased attention from specialists of East Asia, at the risk of potentially forgetting the longer—and more obscure—timeline of the colonisation process. -
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei
Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei By ©2016 Alison Miller Submitted to the graduate degree program in the History of Art and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Dr. Maki Kaneko ________________________________ Dr. Sherry Fowler ________________________________ Dr. David Cateforis ________________________________ Dr. John Pultz ________________________________ Dr. Akiko Takeyama Date Defended: April 15, 2016 The Dissertation Committee for Alison Miller certifies that this is the approved version of the following dissertation: Mother of the Nation: Femininity, Modernity, and Class in the Image of Empress Teimei ________________________________ Chairperson Dr. Maki Kaneko Date approved: April 15, 2016 ii Abstract This dissertation examines the political significance of the image of the Japanese Empress Teimei (1884-1951) with a focus on issues of gender and class. During the first three decades of the twentieth century, Japanese society underwent significant changes in a short amount of time. After the intense modernizations of the late nineteenth century, the start of the twentieth century witnessed an increase in overseas militarism, turbulent domestic politics, an evolving middle class, and the expansion of roles for women to play outside the home. As such, the early decades of the twentieth century in Japan were a crucial period for the formation of modern ideas about femininity and womanhood. Before, during, and after the rule of her husband Emperor Taishō (1879-1926; r. 1912-1926), Empress Teimei held a highly public role, and was frequently seen in a variety of visual media. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
SHINTŌ: EL CAMINO DEL CORAZÓN ‘Conciencia Mítica En El Japón Contemporáneo’
UNIVERSIDAD DE CHILE Facultad de Filosofía y Humanidades Departamento de Ciencias Históricas SHINTŌ: EL CAMINO DEL CORAZÓN ‘Conciencia Mítica en el Japón Contemporáneo’ Informe de Seminario de Grado: Mito, Religión y Cultura para optar al grado de Licenciada en Historia : ISABEL MARGARITA CABAÑA ROJAS PROFESOR GUÍA: JAIME MORENO GARRIDO Santiago, Chile 2008 AGRADECIMIENTOS . 4 I.-INTRODUCCIÓN . 5 Marco Teórico . 6 II.-DESARROLLO . 12 1. Conciencia Mítica y Shintō. 12 a) Conciencia Mítica según Georges Gusdorf . 12 b) Características Generales del Shintō . 14 c) Shintō y Mito . 18 2. Período Pre-Meiji . 24 a) Japón, Cultura agrícola . 24 b) Cultura China y Budismo . 27 c) Contactos con Occidente . 30 3. Período Post-Meiji . 32 a) La Apertura Económica . 33 b) El Shintō Estatal . 34 c) Después de 1945 . 36 III. CONCLUSIONES . 41 BIBLIOGRAFÍA . 43 LIBROS . 43 ARTÍCULOS . 44 ANEXO 1: MAPAS . 46 ANEXO 2: EJEMPLOS DE MATSURI . 48 ANEXO 3 : SANTUARIO DE ISE . 50 ANEXO 4 : JŌMON . 52 ANEXO 5 : KOFUN . 55 ANEXO 6 :KAN-NAME-SAI . 57 ANEXO 7 :HŌNEN MATSURI . 58 SHINTŌ: EL CAMINO DEL CORAZÓN AGRADECIMIENTOS En primer lugar, quisiera agradecer a mis padres, Carlos y María Elena. El tema de este informe llegó a mí muy similar a una epifanía. El marco general estaba, pero no podía encontrar aquello que hiciera sentido en mí como esperaba que sucediera, hasta que vi en el Mito lo que faltaba al rompecabezas. La libertad que sentí de poder darme el tiempo de buscar lo que anhelaba como objeto de estudio, de haber podido estudiar lo que quería, y de cultivar esta inquietud que ya me acompaña desde hace diez años, y que con paciencia entendieron, se los debo a ellos. -
State Capacity and Naval Buildup : the Sino-Japanese Divergence in the Late Nineteenth Century
Lingnan University Digital Commons @ Lingnan University All Open Access Theses and Dissertations Theses and Dissertations 9-28-2018 State capacity and naval buildup : the Sino-Japanese divergence in the late nineteenth century Xinyi SHEN Follow this and additional works at: https://commons.ln.edu.hk/otd Part of the Political Science Commons Recommended Citation Shen, X. (2018). State capacity and naval buildup : the Sino-Japanese divergence in the late nineteenth century (Master's thesis, Lingnan University, Hong Kong). Retrieved from https://commons.ln.edu.hk/otd/ 39/ This Thesis is brought to you for free and open access by the Theses and Dissertations at Digital Commons @ Lingnan University. It has been accepted for inclusion in All Open Access Theses and Dissertations by an authorized administrator of Digital Commons @ Lingnan University. Terms of Use The copyright of this thesis is owned by its author. Any reproduction, adaptation, distribution or dissemination of this thesis without express authorization is strictly prohibited. All rights reserved. STATE CAPACITY AND NAVAL BUILDUP: THE SINO-JAPANESE DIVERGENCE IN THE LATE NINETEENTH CENTURY SHEN Xinyi MPHIL LINGNAN UNIVERSITY 2018 STATE CAPACITY AND NAVAL BUILDUP: THE SINO-JAPANESE DIVERGENCE IN THE LATE NINETEENTH CENTURY SHEN Xinyi MPHIL LINGNAN UNIVERSITY 2018 STATE CAPACITY AND NAVAL BUILDUP: THE SINO-JAPANESE DIVERGENCE IN THE LATE NINETEENTH CENTURY by SHEN Xinyi ⊸ᗳᙑ A thesis Submitted in partial fulfillment of the requirements for the Degree of Master of Philosophy in Political Science Lingnan University 2018 ABSTRACT State Capacity and Naval Buildup: The Sino-Japanese Divergence in the Late Nineteenth Century by SHEN Xinyi Master of Philosophy The East Asian modernization divergence in the late nineteenth century has long puzzled historians and social scientists. -
The Story of IZUMO KAGURA What Is Kagura? Distinguishing Features of Izumo Kagura
The Story of IZUMO KAGURA What is Kagura? Distinguishing Features of Izumo Kagura This ritual dance is performed to purify the kagura site, with the performer carrying a Since ancient times, people in Japan have believed torimono (prop) while remaining unmasked. Various props are carried while the dance is that gods inhabit everything in nature such as rocks and History of Izumo Kagura Shichiza performed without wearing any masks. The name shichiza is said to derive from the seven trees. Human beings embodied spirits that resonated The Shimane Prefecture is a region which boasts performance steps that comprise it, but these steps vary by region. and sympathized with nature, thus treasured its a flourishing, nationally renowned kagura scene, aesthetic beauty. with over 200 kagura groups currently active in the The word kagura is believed to refer to festive prefecture. Within Shimane Prefecture, the regions of rituals carried out at kamikura (the seats of gods), Izumo, Iwami, and Oki have their own unique style of and its meaning suggests a “place for calling out and kagura. calming of the gods.” The theory posits that the word Kagura of the Izumo region, known as Izumo kamikuragoto (activity for the seats of gods) was Kagura, is best characterized by three parts: shichiza, shortened to kankura, which subsequently became shikisanba, and shinno. kagura. Shihoken Salt—signifying cleanliness—is used In the first stage, four dancers hold bells and hei (staffs with Shiokiyome paper streamers), followed by swords in the second stage of Sada Shinno (a UNESCO Intangible Cultural (Salt Purification) to purify the site and the attendees. -
Yasukuni and the Aesthetics and Ideology of Kobayashi Yoshinori's
Volume 11 | Issue 47 | Number 7 | Article ID 4031 | Nov 22, 2013 The Asia-Pacific Journal | Japan Focus Revisioning a Japanese Spiritual Recovery through Manga: Yasukuni and the Aesthetics and Ideology of Kobayashi Yoshinori’s “Gomanism” James Shields – Kato Etsuro, “Shin rinen manga no giho” (Techniques for a New Manga), 1942 Send to Kindle Yasukuni Shrine is the final stronghold in defence of the history, spirit, and culture of Japan. Summary – Kobayashi Yoshinori, Yasukuniron, 2005 This essay provides a critical analysis of the aesthetic ideology of “Gomanism” in the manga In 1992, just as Japan’s economic bubble was in of Kobayashi Yoshinori (b. 1953), particularly process of bursting, a series of manga began to Yasukuniron (On Yasukuni, 2005) and Tennoron appear in the weekly Japanese tabloidSPA! (On the Emperor, 2009), in order to flesh out under the title Gomanism sengen (Haughtiness the implications of the author’s “revisionist” or Insolence Manifesto).2 Authored by approach to Japanese religion, politics and Kobayashi Yoshinori (b. 1953), this series history blurred the line between manga and graphic novel to engage in forthright social and political commentary with an unabashedly nationalistic slant. Over the following two decades, Kobayashi and his works have become a publishing phenomenon. As of 2013, there are over thirty volumes of Gomanism (and Neo- Gomanism) manga, including several “special editions”—such as the best-sellingShin gomanizumu sengen special: Sensoron(Neo- Gomanism Manifesto Special: On War, 1998) and, more recently,Gomanizumu sengen special: Tennoron (Gomanism Manifesto Special: On the Emperor, 2009)—that have caused controversy and even international criticism for their revisionist portrayal of [Figure 1] modern Japanese history. -
University of Nevada, Reno American Shinto Community of Practice
University of Nevada, Reno American Shinto Community of Practice: Community formation outside original context A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Anthropology By Craig E. Rodrigue Jr. Dr. Erin E. Stiles/Thesis Advisor May, 2017 THE GRADUATE SCHOOL We recommend that the thesis prepared under our supervision by CRAIG E. RODRIGUE JR. Entitled American Shinto Community Of Practice: Community Formation Outside Original Context be accepted in partial fulfillment of the requirements for the degree of MASTER OF ARTS Erin E. Stiles, Advisor Jenanne K. Ferguson, Committee Member Meredith Oda, Graduate School Representative David W. Zeh, Ph.D., Dean, Graduate School May, 2017 i Abstract Shinto is a native Japanese religion with a history that goes back thousands of years. Because of its close ties to Japanese culture, and Shinto’s strong emphasis on place in its practice, it does not seem to be the kind of religion that would migrate to other areas of the world and convert new practitioners. However, not only are there examples of Shinto being practiced outside of Japan, the people doing the practice are not always of Japanese heritage. The Tsubaki Grand Shrine of America is one of the only fully functional Shinto shrines in the United States and is run by the first non-Japanese Shinto priest. This thesis looks at the community of practice that surrounds this American shrine and examines how membership is negotiated through action. There are three main practices that form the larger community: language use, rituals, and Aikido. Through participation in these activities members engage with an American Shinto community of practice. -
The Origins of Japanese Culture Uncovered Using DNA ―What Happens When We Cut Into the World of the Kojiki Myths Using the Latest Science
The Origins of Japanese Culture Uncovered Using DNA ―What happens when we cut into the world of the Kojiki myths using the latest science Miura Sukeyuki – Professor, Rissho University & Shinoda Kenichi – Director, Department of Anthropology, Japanese National Museum of Nature and Science MIURA Sukeyuki: The Kojiki (Records of Ancient Matters) has one distinguishing feature in the fact it includes a mixture of both Southern and Northern style myths. This is proof that Japanese culture was originally not only one culture, but rather came into existence while being influenced by its various surroundings; but when it comes to trying to seek out the origins of that culture, as we would expect, there are limits to how far we can get using only an arts and humanities-based approach. That’s where your (Professor Shinoda’s) area of expertise— molecular anthropology—comes in and corroborates things scientifically for us. Miura Sukeyuki , Professor, Rissho By analyzing the DNA remaining in ancient human skeletal remains, University your research closing in on the origins of the Japanese people is beginning to unravel when the Jomon and Yayoi peoples and so on came to the Japanese archipelago, where they came from, and the course of their movements, isn’t it? In recent times we’ve come to look forward to the possibility that, by watching the latest developments in scientific research, we may be able to newly uncover the origins of Japanese culture. SHINODA Kenichi: Speaking of the Kojiki , during my time as a student my mentor examined the bones of O-no-Yasumaro, who is regarded as being the person who compiled and edited it. -
Illustration and the Visual Imagination in Modern Japanese Literature By
Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. As authors endeavored to produce a purely text-based form of fiction, modeled in part on the European novel, they began to reject the inclusion of images in their own work. -
The Japanese Samurai Code: Classic Strategies for Success Kindle
THE JAPANESE SAMURAI CODE: CLASSIC STRATEGIES FOR SUCCESS PDF, EPUB, EBOOK Boye Lafayette De Mente | 192 pages | 01 Jun 2005 | Tuttle Publishing | 9780804836524 | English | Boston, United States The Japanese Samurai Code: Classic Strategies for Success PDF Book Patrick Mehr on May 4, pm. The culture and tradition of Japan, so different from that of Europe, never ceases to enchant and intrigue people from the West. Hideyoshi was made daimyo of part of Omi Province now Shiga Prefecture after he helped take the region from the Azai Clan, and in , Nobunaga sent him to Himeji Castle to face the Mori Clan and conquer western Japan. It is an idea taken from Confucianism. Ieyasu was too late to take revenge on Akechi Mitsuhide for his betrayal of Nobunaga—Hideyoshi beat him to it. Son of a common foot soldier in Owari Province now western Aichi Prefecture , he joined the Oda Clan as a foot soldier himself in After Imagawa leader Yoshimoto was killed in a surprise attack by Nobunaga, Ieyasu decided to switch sides and joined the Oda. See our price match guarantee. He built up his capital at Edo now Tokyo in the lands he had won from the Hojo, thus beginning the Edo Period of Japanese history. It emphasised loyalty, modesty, war skills and honour. About this item. Installing Yoshiaki as the new shogun, Nobunaga hoped to use him as a puppet leader. Whether this was out of disrespect for a "beast," as Mitsuhide put it, or cover for an act of mercy remains a matter of debate. While Miyamoto Musashi may be the best-known "samurai" internationally, Oda Nobunaga claims the most respect within Japan.