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Nr 10 / 2018 Nr 10 / 2018 nr 10 / 2018 nr 10 / 2018 9 771736 85509 7 RES MUSICA nr 10 / 2018 Eesti Muusikateaduse Seltsi ja Eesti Muusika- ja Teatriakadeemia muusikateaduse osakonna aastaraamat TOIMETUS / EDITORIAL BOARD Toomas Siitan, peatoimetaja / editor in chief Kerri Kotta (muusikateooria / music theory) Kristel Pappel (muusikateater, muusikaajalugu / music theatre, music history) Žanna Pärtlas (etnomusikoloogia / ethnomusicology) Jaan Ross (muusikapsühholoogia / music psychology) Anu Schaper, toimetaja / editor TOIMETUSKOLLEEGIUM / ADVISORY PANEL Mimi S. Daitz (New York City University, USA) Jeff ers Engelhardt (Amherst College, USA) Mart Humal (Eesti Muusika- ja Teatriakadeemia / Estonian Academy of Music and Theatre, Eesti/Estonia) Timo Leisiö (Tampereen Yliopisto / University of Tampere, Soome/Finland) Margus Pärtlas (Eesti Muusika- ja Teatriakadeemia / Estonian Academy of Music and Theatre, Eesti/Estonia) Johan Sundberg (Kungliga Tekniska högskolan / Royal Institute of Technology, Rootsi/Sweden) Avo Sõmer (University of Connecticut, USA) Andreas Waczkat (Georg-August-Universität Göttingen / Göttingen University, Saksamaa/Germany) Res Musicale avaldamiseks esitatud artiklid retsenseeritakse anonüümselt kahe vastava valdkonna asjatundja poolt. All articles submitted are reviewed anonymously by two experts in the fi eld. Keeletoimetajad / Language editors Richard Carr, Triin Kaalep Numbri koostajad / Editors of the current issue Kristel Pappel, Hannaliisa Uusma Küljendus ja numbri kujundus / Layout and design of the current issue Maite-Margit Kotta Illustraator / Illustrator Kärt Hammer Tatari 13 10116 Tallinn, Eesti Tel.: +372 667 5717 e-mail: [email protected] www.resmusica.ee © EMTS, EMTA, autorid Trükitud AS Pakett trükikojas ISSN 1736-8553 Indekseeritud/Indexed: RILM abstracts of music literature with full text Scopus Sisukord / Table of Contents Saateks ..............................................................................................................................................................................................5 Editors’ Preface ...............................................................................................................................................................................7 ARTIKLID / ARTICLES Popmuusika / Pop music Terje Toomistu Such a Strange Vibration: Rock Music as the Aff ective Site of Divergence among the Soviet Estonian Nonconformist Youth .........................................................................................................................................11 „Selline kummaline vibratsioon”: Rokkmuusika kui afektiivne eristumise paik Nõukogude Eesti mittekonformsete noorte hulgas (resümee) .....................................................................................................................26 Matthias Pasdzierny “Produced by some chemical waste and cum”: TOMM¥ €A$H and His Concept of Signifying “post-Sovietness”.....................................................................29 „Produced by some chemical waste and cum”: TOMM¥ €A$H ja „postsovetlikkuse” tähendustamise idee (resümee) ....................................................................39 Andreas Kalkun, Janika Oras “Stalin is a wise man, Lenin was a little bird.” On Creating Soviet Folklore in the Seto Region during the Stalin Era ..........................................................41 „Om õks Taalin tarka meesi, Leenin olli linnukõnõ." Nõukogude folkloori loomine Setomaal stalinistlikul perioodil (resümee) ...........................................................61 Triin Vallaste The Emergence of Estonian Hip-Hop in the 1990s ..................................................................................................63 Eesti hiphopi kujunemine 1990ndatel (resümee) ...........................................................................................................83 Loomeuurimus / Artistic Research Christian M. Fischer Musical Motion Graphics – Communicating Live Electronic Music ................................................................87 Animeeritud muusikagraafi ka (AMG) – live-elektroonilise muusika edastamine (resümee) ....................... 109 Mihhail Gerts Possible Mental Models for the Conductor to Support the Ensemble Playing of the Orchestra .. 111 Dirigendi mõtlemismudelid ansamblimängu toetamiseks orkestris (resümee) ...............................................137 Res Musica nr 10 / 2018 | 3 Kristi Kapten A Pianist’s Approach to Complex Musical Material in Ligeti’s Études ........................................................139 Pianisti lähenemine keerulisele muusikalisele materjalile Ligeti etüüdides (resümee) ................................. 156 ARVUSTUSED / REVIEWS Christoph Siems ......................................................................................................................................................................159 Eduard Tubin. Barbara von Tisenhusen. Opera in three acts and nine scenes. Score, Piano score, Tallinn 2016 Toomas Siitan .......................................................................................................................................................................... 162 Kevin C. Karnes. Arvo Pärt’s Tabula Rasa. New York 2017 KROONIKA .................................................................................................................................................................................. 164 AUTORID / AUTHORS ............................................................................................................................................................. 165 4 | Res Musica nr 10 / 2018 Saateks Eesti Muusikateaduse Seltsi ja Eesti Muusika- ja naliisa Uusma ja muusikaloolane Kristel Pappel. Teatriakadeemia (EMTA) muusikateaduse osa- Seminar koondas ühisele arutelule nii tudengid konna aastaraamatu Res Musica esimene num- kui teadlased, kelle teadustöö fookuses on kirjel- ber ilmus 2009. aastal. Selle eessõnas rõhutas dada ja seletada soolisuse ning kunsti kaudu laie- tollane peatoimetaja Urve Lippus (1950–2015) maid ü hiskondlikke väärtushinnanguid, norme ühe eesmärgina väljaande rolli „olla eesti muu- ja nähtusi (pärast)nõukogudeaegsetes ühiskon- sikateadlaste jaoks kõige laiemaks foorumiks”. dades. Seminaril astusid üles vene popmuusika Seda funktsiooni on Res Musica tõepoolest täit- uurimisele pühendunud Stephen Amico (Bergen), nud. Seni ilmunud üheksa numbrit sisaldavad 35 pungiuurija Yngvar B. Steinholt (Tromsø), per- artiklit eesti autoritelt. Samas on peetud tähtsaks formatiivsuse ning soouuringute professor Tii- tänapäevaste angloameerika suundade, aga ka na Pursiainen Rosenberg (Stockholm ja Lund), saksa ja vene muusikateaduse traditsioonide sün- kunstiajaloolane Harry Liivrand (Tallinna Ülikooli teesimist nii eesti kui ka välisautorite uurimustes. Akadeemiline Raamatukogu), kuraator Rebeka Välismaistelt teadlastelt on ilmunud 36 kirjutist. Põldsam (Kaasaegse Kunsti Eesti Keskus) ning Kõik kokku niisiis 71 artiklit, millele on eelnevalt antropoloog ning fi lmirežissöör Terje Toomistu oma hinnangu andnud retsensendid, ning siis (Tartu Ülikool). Lisaks toimusid välkettekanded on jätkunud hoolas ja täpne toimetamistöö Anu doktorantidelt. Schaperilt. Alates kolmandast numbrist on kujun- On suur rõõm, et seminar inspireeris postso- dustööd teinud Maite-Margit Kotta. Kaetud on vetliku pop- ja folkmuusika teemadel ka kirjuta- muusikateaduse põhivaldkonnad: muusikateoo- ma. Muusikablogides arutatakse, et läänemaa- ria, muusikalugu, etnomusikoloogia, samuti kog- ilma underground-popist on peavoolu trendide nitiivne muusikateadus. Üks aastaraamat käsitles osaks tõusnud norme nihestav ja irooniline (ka muusikateatri eri aspekte ja üks oli pühendatud soonormide kontekstis), postsovetliku plokkmaja Urve Lippuse mälestusele. Igas numbris aval- esteetikaga poisi/tüdruku artistikuvand. Hea näi- datakse tähtsamate muusikateaduslike trükiste de on ka meie oma Tommy Cash, kellest kirjutab arvustusi ning väljaande lõpetab Eesti Muusika- Res Musicas intrigeerivalt Berliini muusikateadla- teaduse Seltsi tegevuse kroonika. Seitsmendast ne Matthias Pasdzierny. Eesti hiphopi teemadel numbrist peale on Res Musica peatoimetaja Too- kirjutab ka USAs resideeriv eesti muusikateadlane mas Siitan. Triin Vallaste, kes keskendub subkultuuri ajaloole Juba mainitud eessõnas peeti oluliseks ka ja selle glokaliseerunud olemusele Eestis. Folklo- eestikeelse muusikateadusliku diskursuse aren- ristid Andreas Kalkun ja Jaanika Oras avavad seto damist. Seetõttu on eriti tähtis, et eesti muusika- laulikute poolt nõukogude ajal poliitilistel teema- teadus on avatud mitmesugustele valdkondade- del loodud laulude tagamaid. Nende unikaalne le ning uued uurimisväljad leiavad toetust. Res teemakäsitlus võtab luubi alla seto laulikute po- Musica kümnendas numbris, mida käes hoiate, liitilised, ühiskondlikust positsioonist lähtuvad, on peateemaks popmuusika ja loomepõhine uu- sealhulgas ka soolistatud valikud loomingulises rimistöö. Mitmed autorid analüüsivad muusika ja eneseväljenduses. Käesolevas numbris kirjutab muusikute kaudu ka sooaspekti. Aastaraamatu ka antropoloog ja fi lmitegija Terje Toomistu, kel- kaante vahel käsitletakse neid valdkondi esma- le dokumentaalfi lm „Nõukogude hipid” (2017) kordselt. pälvis kriitikutelt ja publikult palju kiitust. Res Algtõuke selliseks valikuks andis Kultuuritea- Musicale kirjutatud artiklis jätkab Toomistu Nõu- duste ja Kunstide Doktorikooli raames EMTAs kogude Liidu hipide, tollaste psühhedeelsete 19.–20. aprillil
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