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Recent Publications in Music 2010
Fontes Artis Musicae, Vol. 57/4 (2010) RECENT PUBLICATIONS IN MUSIC R1 RECENT PUBLICATIONS IN MUSIC 2010 Compiled and edited by Geraldine E. Ostrove On behalf of the Pour le compte de Im Auftrag der International l'Association Internationale Internationalen Vereinigung Association of Music des Bibliothèques, Archives der Musikbibliotheken, Libraries Archives and et Centres de Musikarchive und Documentation Centres Documentation Musicaux Musikdokumentationszentren This list contains citations to literature about music in print and other media, emphasizing reference materials and works of research interest that appeared in 2009. It includes titles of new journals, but no journal articles or excerpts from compilations. Reporters who contribute regularly provide citations mainly or only from the year preceding the year this list is published in Fontes Artis Musicae. However, reporters may also submit retrospective lists cumulating publications from up to the previous five years. In the hope that geographic coverage of this list can be expanded, the compiler welcomes inquiries from bibliographers in countries not presently represented. CONTRIBUTORS Austria: Thomas Leibnitz New Zealand: Marilyn Portman Belgium: Johan Eeckeloo Nigeria: Santie De Jongh China, Hong Kong, Taiwan: Katie Lai Russia: Lyudmila Dedyukina Estonia: Katre Rissalu Senegal: Santie De Jongh Finland: Tuomas Tyyri South Africa: Santie De Jongh Germany: Susanne Hein Spain: José Ignacio Cano, Maria José Greece: Alexandros Charkiolakis González Ribot Hungary: Szepesi Zsuzsanna Tanzania: Santie De Jongh Iceland: Bryndis Vilbergsdóttir Turkey: Paul Alister Whitehead, Senem Ireland: Roy Stanley Acar Italy: Federica Biancheri United Kingdom: Rupert Ridgewell Japan: Sekine Toshiko United States: Karen Little, Liza Vick. The Netherlands: Joost van Gemert With thanks for assistance with translations and transcriptions to Kersti Blumenthal, Irina Kirchik, Everett Larsen and Thompson A. -
KARL-KRISTJAN NAGEL Paintings in Collection Cv
KARL-KRISTJAN NAGEL paintings in collection cv [email protected] "Wings, III" 130x100 cm oil, canvas 2018 ( private collection ) -1- "I, Tonya" 40x60 cm oil, canvas 2018 ( private collection ) -2- "Still-life with a father" 150x150 cm oil, canvas 2017/2018 ( private collection ) -3- "China village" 150x150 cm oil, canvas 2016/2017 ( private collection ) -4- "China village" 60x40 cm oil, canvas 2016 ( private collection ) -5- "Paris-Donbass" 145x150 cm oil, canvas 2015 ( Tartu Art Museum ) -6- "Blue Jasmine. Intellect desguised as soft controlled madness" 120x140 cm oil, canvas 2014 ( private collection ) -7- "Monument to an unknown creature" 41x33 cm oil, hardboard 2014 ( private collection ) -8- "Most important" 50x35 cm oil, canvas 2013 ( private collection ) -9- "Days of the eclipses" 69x65 cm oil, hardboard 2013 ( Loviisa town collection ) -10- "Rituals, I" 100x110 cm oil, canvas 2012 ( private collection ) -11- "Rituals, II" 100x110 cm oil, canvas 2012 ( private collection ) -12- "Midsummer nights poisoning" 70x70 cm oil, canvas 2012 ( private collection ) -13- "Pawn" 70x70 cm oil, canvas 2011 ( private collection ) -14- "Earth - Air - Water" 100x110 cm oil, canvas 2011 ( private collection ) -15- "The peach orchard" 33x41 cm oil, canvas 2010 ( private collection ) -16- "Pippi Longstocking" 54x60 cm oil, canvas 2010 ( private collection ) -17- "Epoch of murder madness" 38x42 cm oil, canvas 2010 ( private collection ) -18- "Abu Simbel - moving temple" 40x60 cm oil, canvas 2010 ( private collection ) -19- "Bay of Kotor, Perast" 130x110 -
Estonian Academy of Sciences Yearbook 2014 XX
Facta non solum verba ESTONIAN ACADEMY OF SCIENCES YEAR BOOK ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XX (47) 2014 TALLINN 2015 ESTONIAN ACADEMY OF SCIENCES The Year Book was compiled by: Margus Lopp (editor-in-chief) Galina Varlamova Ülle Rebo, Ants Pihlak (translators) ISSN 1406-1503 © EESTI TEADUSTE AKADEEMIA CONTENTS Foreword . 5 Chronicle . 7 Membership of the Academy . 13 General Assembly, Board, Divisions, Councils, Committees . 17 Academy Events . 42 Popularisation of Science . 48 Academy Medals, Awards . 53 Publications of the Academy . 57 International Scientific Relations . 58 National Awards to Members of the Academy . 63 Anniversaries . 65 Members of the Academy . 94 Estonian Academy Publishers . 107 Under and Tuglas Literature Centre of the Estonian Academy of Sciences . 111 Institute for Advanced Study at the Estonian Academy of Sciences . 120 Financial Activities . 122 Associated Institutions . 123 Associated Organisations . 153 In memoriam . 200 Appendix 1 Estonian Contact Points for International Science Organisations . 202 Appendix 2 Cooperation Agreements with Partner Organisations . 205 Directory . 206 3 FOREWORD The Estonian science and the Academy of Sciences have experienced hard times and bearable times. During about the quarter of the century that has elapsed after regaining independence, our scientific landscape has changed radically. The lion’s share of research work is integrated with providing university education. The targets for the following seven years were defined at the very start of the year, in the document adopted by Riigikogu (Parliament) on January 22, 2014 and entitled “Estonian research and development and innovation strategy 2014- 2020. Knowledge-based Estonia”. It starts with the acknowledgement familiar to all of us that the number and complexity of challenges faced by the society is ever increasing. -
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2_2014 1 News 3 The percentage act Raul Järg, Maria-Kristiina Soomre, Mari Emmus, Merike Estna, Ülle Luisk 6 I am a painting / Can't go on Discussion by Eha Komissarov, Maria-Kristiina Soomre, Marten Esko and Liina Siib 10 Long circuits for the pre-internet brain A correspondence between Niekolaas Johannes Lekkerkerk and Katja Novitskova 13 Post-internet art in the time of e-residency in Estonia Rebeka Põldsam 14 Platform: Experimenta! Tomaž Zupancˇicˇ 18 Total bass. Raul Keller’s exhibition What You Hear Is What You Get (Mostly) at EKKM Andrus Laansalu 21 Wild biscuits Jana Kukaine 24 Estonian Academy of Arts 100 Leonhard Lapin Insert: An education Laura Põld 27 When ambitions turned into caution Carl-Dag Lige 29 Picture in a museum. Nikolai Triik – symbol of hybrid Estonian modernism Tiina Abel 32 Notes from the capital of Estonian street art Aare Pilv 35 Not art, but the art of life Joonas Vangonen 38 From Balfron Tower to Crisis Point Aet Ader 41 Natural sciences and information technology in the service of art: the Rode altarpiece in close-up project Hilkka Hiiop and Hedi Kard 44 An Estonian designer without black bread? Kaarin Kivirähk 47 Rundum artist-run space and its elusive form Hanna Laura Kaljo, Mari-Leen Kiipli, Mari Volens, Kristina Õllek, Aap Tepper, Kulla Laas 50 Exhibitions 52 New books Estonian Art is included All issues of Estonian Art are also available on the Internet: http://www.estinst.ee/eng/estonian-art-eng/ in Art and Architecture Complete (EBSCO). Front cover: Kriss Soonik. Designer lingerie. -
Värv Kui Kunst Paint As Art
MMXVII VÄRV KUI KUNST . PAINT AS ART Laura Põld „Sada ulma keset merd“ | “Hundreds of Illusions Charted as Land” (2016) | Foto/photo: Anu Vahtra Jaanuar E T K N R L P 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Veebruar E T K N R L P 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 Tõnis Saadoja TÕNIS SAADOJA „Etüüdid klaverile ja lõuendile” | “Etudes for Piano and Canvas” (2015) Nominendi esitas Eesti Kunstimuuseum | Nominated by Art Museum of Estonia. Märts E T K N R L P 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Aprill E T K N R L P 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 ENN PÕLDROOS „Plaks!“ | “Claps!” (2015) Enn Põldroos Nominendi esitas Eesti Kunstnike Liit | Nominated by Estonian Artists' Association. Mai E T K N R L P 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 Juuni E T K N R L P 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 ELERIIN ELLO „Lähemale” | “Closer” (2015) Eleriin Ello Nominendi esitas Tallinna Kunstihoone | Nominated by Tallinn Art Hall. -
The Soviet Woman in Estonian Art Jürgen Habermas
1 2010 1 Let’s refuse to be what we are (supposed to be)! Let’s Refuse to Be What We Are (Supposed to Be)! Airi Triisberg 5 Eva gives birth to earth Airi Triisberg Johannes Saar 7 Around the Golden Soldier Agne Narusyte 10 An artist and his double Anu Allas Based on the title Let’s Talk About Nationalism!, of identity is almost exclusively addressed as an it would be tempting to look at this exhibition* instrument for engendering normativity rather 13 Work-based solidarity is killed Interview with Eiki Nestor in relation to theories of public space, as it than a potential tool of empowerment that I is precisely the medium of talk that consti- find problematic in this context. At the same 16 Forum Marge Monko tutes a core notion in the liberal concept of time, it should also be noted that even the the public sphere, most notably elaborated by Habermasian definition of the public sphere 18 Art and Identity: The Soviet Woman in Estonian Art Jürgen Habermas. The curatorial statement by appears to be quite operative, insofar as it Michael Schwab Rael Artel seems to support the parallel with allows a conceptual distinction from the state 21 The queue as a social statement Habermas, insofar as it stresses the importance which has effectively been put to use in the Maria-Kristiina Soomre of contemporary art as a site for holding public framework of Let’s Talk About Nationalism! in 24 Five pictures of Flo Kasearu discussions. Nevertheless, the curator’s preoc- order to criticize the ideological and institu- Kaido Ole cupation with conflict actually indicates a dif- tional manifestations of the state. -
Estonian Academy of Sciences Yearbook 2018 XXIV
Facta non solum verba ESTONIAN ACADEMY OF SCIENCES YEARBOOK FACTS AND FIGURES ANNALES ACADEMIAE SCIENTIARUM ESTONICAE XXIV (51) 2018 TALLINN 2019 This book was compiled by: Jaak Järv (editor-in-chief) Editorial team: Siiri Jakobson, Ebe Pilt, Marika Pärn, Tiina Rahkama, Ülle Raud, Ülle Sirk Translator: Kaija Viitpoom Layout: Erje Hakman Photos: Annika Haas p. 30, 31, 48, Reti Kokk p. 12, 41, 42, 45, 46, 47, 49, 52, 53, Janis Salins p. 33. The rest of the photos are from the archive of the Academy. Thanks to all authos for their contributions: Jaak Aaviksoo, Agnes Aljas, Madis Arukask, Villem Aruoja, Toomas Asser, Jüri Engelbrecht, Arvi Hamburg, Sirje Helme, Marin Jänes, Jelena Kallas, Marko Kass, Meelis Kitsing, Mati Koppel, Kerri Kotta, Urmas Kõljalg, Jakob Kübarsepp, Maris Laan, Marju Luts-Sootak, Märt Läänemets, Olga Mazina, Killu Mei, Andres Metspalu, Leo Mõtus, Peeter Müürsepp, Ülo Niine, Jüri Plado, Katre Pärn, Anu Reinart, Kaido Reivelt, Andrus Ristkok, Ave Soeorg, Tarmo Soomere, Külliki Steinberg, Evelin Tamm, Urmas Tartes, Jaana Tõnisson, Marja Unt, Tiit Vaasma, Rein Vaikmäe, Urmas Varblane, Eero Vasar Printed in Priting House Paar ISSN 1406-1503 (printed version) © EESTI TEADUSTE AKADEEMIA ISSN 2674-2446 (web version) CONTENTS FOREWORD ...........................................................................................................................................5 CHRONICLE 2018 ..................................................................................................................................7 MEMBERSHIP -
Estonian Art 1/2013 (32)
Estonian 1/2013Art 1 Evident in Advance: the maze of translations Merilin Talumaa, Marie Vellevoog 4 Evident in Advance, or lost (and gained) in translation(s)? Daniele Monticelli 7 Neeme Külm in abstract autarchic ambience Johannes Saar 9 Encyclopaedia of Erki Kasemets Andreas Trossek 12 Portrait of a woman in the post-socialist era (and some thoughts about nationalism) Jaana Kokko 15 An aristocrat’s desires are always pretty Eero Epner 18 Collecting that reassesses value at the 6th Tallinn Applied Art Triennial Ketli Tiitsar 20 Comments on The Art of Collecting Katarina Meister, Lylian Meister, Tiina Sarapu, Marit Ilison, Kaido Ole, Krista Leesi, Jaanus Samma 24 “Anu, you have Estonian eyes”: textile artist Anu Raud and the art of generalisation Elo-Hanna Seljamaa Insert: An Education Veronika Valk 27 Authentic deceleration – smart textiles at an exhibition Thomas Hollstein 29 Fear of architecture Karli Luik 31 When the EU grants are distributed, the muses are silent Piret Lindpere 34 Great expectations Eero Epner’s interview with Mart Laidmets 35 Thoughts on a road about roads Margit Mutso 39 The meaning of crossroads in Estonian folk belief Ülo Valk 42 Between the cult of speed and scenery Katrin Koov 44 The seer meets the maker Giuseppe Provenzano, Arne Maasik 47 The art of living Jan Kaus 49 Endel Kõks against the background of art-historical anti-fantasies Kädi Talvoja 52 Exhibitions Estonian Art is included All issues of Estonian Art are also available on the Internet: http://www.estinst.ee/eng/estonian-art-eng/ in Art and Architecture Complete (EBSCO). Front cover: Dénes Farkas. -
M U in Susk a Itse 20 20 a a S Ta R a Amat
Pärand digimaailmas / Põnevad raidkivileiud digimaailmas Pärand Persoonilugu Kaur Alttoast / Mälestiste ligipääsetavus Alttoast / Mälestiste Kaur Persoonilugu Valga lõvipeadega maja / Anija mõisa aja lugu / Tauditõrje arhitektuur arhitektuur / Tauditõrje lugu aja mõisa / Anija maja lõvipeadega Valga Muinsuskaitse MUINSUSKAITSE AASTARAAMAT 2020 DIGIPÄRAND ARHITEKTUUR ARHEOLOOGIA KIRIKUD KUNST KOGUKOND KOROONA PÄEVAKAJA TAGASIVAADE PERSOON MEISTRID UUS TEADMINE KROONIKA MUINSUSKAITSE AASTARAAMAT 2020 AUTORID Toimetajad Maris Mändel ja Riin Alatalu MUINSUSKAITSEAMET: peadirektor Siim Raie, ehituspärandi Keeletoimetaja Mari Klein nõunik-analüütik Laura Ingerpuu, arheoloogiapärandi valdkonna Kujundaja Tuuli Aule juht Ulla Kadakas, looduslike pühapaikade nõunik Pikne Kama, pärandihalduse osakonna juhataja Andres Kimber, kunstipärandi Väljaandjad Muinsuskaitseamet, Tallinna Linnaplaneerimise valdkonna juht Linda Lainvoo, ehituspärandi valdkonna juht Ameti muinsuskaitse osakond, Eesti Kunstiakadeemia Anni Martin, ajaloomälestiste nõunik Ilme Mäesalu, kommuni- muinsuskaitse ja konserveerimise osakond katsiooniosakonna spetsialist Triin Reidla, Harjumaa nõunik Ly Renter, allveearheoloogia nõunik Maili Roio, Valgamaa nõunik Margis Sein, kaitsekorralduse peaspetsialist Kersti Siim, eri- Kolleegium Oliver Alver, Boris Dubovik, Hilkka Hiiop, Liina Jänes, tingimuste spetsialist Reesi Sild, vallasmälestiste ja muuseumi- Eero Kangor, Juhan Kilumets, Kais Matteus, Ilme Mäesalu, kogude inspektor Kadri Tael, arheoloogianõunik Martti Veldi Andro Mänd, Oliver -
An Examination of the Role of Nationalism in Estonia’S Transition from Socialism to Capitalism
De oeconomia ex natione: An Examination of the Role of Nationalism in Estonia’s Transition from Socialism to Capitalism Thomas Marvin Denson IV Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in Political Science Besnik Pula, Committee Chair Courtney I.P. Thomas Charles L. Taylor 2 May 2017 Blacksburg, Virginia Keywords: Estonia, post-Soviet, post-socialist, neoliberalism, nationalism, nationalist economy, soft nativism Copyright © 2017 by Thomas M. Denson IV De oeconomia ex natione: An Examination of the Role of Nationalism in Estonia’s Transition from Socialism to Capitalism Thomas Marvin Denson IV Abstract This thesis explores the role played by nationalism in Estonia’s transition to capitalism in the post-Soviet era and the way it continues to impact the Estonian economy. I hypothesize that nationalism was the key factor in this transition and that nationalism has placed a disproportionate economic burden on the resident ethnic Russians. First, I examine the history of Estonian nationalism. I examine the Estonian nationalist narrative from its beginning during the Livonian Crusade, the founding of Estonian nationalist thought in the late 1800s with a German model of nationalism, the conditions of the Soviet occupation, and the role of song festivals in Estonian nationalism. Second, I give a brief overview of the economic systems of Soviet and post-Soviet Estonia. Finally, I examine the impact of nationalism on the Estonian economy. To do this, I discuss the nature of nationalist economy, the presence of an ethno-national divide between the Estonians and Russians, and the impact of nationalist policies in citizenship, education, property rights, and geographical location. -
The Emergence of Estonian Hip-Hop in the 1990S Underlies Much Hip-Hop Sentiment” (2004: 152)
Th e Emergence of Estonian Hip-Hop in the 1990s Triin Vallaste Abstract In this article I trace the ways in which hip-hop as a global form of expression has become indigenized in post-Soviet Estonia. Hip-hop’s indigenization coincides with the collapse of the Soviet Union in 1991. After the dissolution of the USSR, dominant Estonian social discourses eagerly celebrated re-entering the European-American world and embracing its values. The uncensored global media outlets acces- sible after 1991 and rapid developments in information technology shortly thereafter were crucial to the history of Estonian-language rap. Hip-hop artists’ extensive involvement with new media and technolo- gies refl ects an extremely swift transition from ill-equipped to fl uent manipulation of technology, which aff ected cultural production and structures of participation in various sociocultural spheres. While hip- hop culture emerged in the South Bronx during the early 1970s as a radical voice against increasing economic hardship and social marginalization, Estonian hip-hop was established in the early 1990s and developed in the context of a rapidly growing economy, rising living standards, and strong national feel- ing within a re-independent Estonian state. Hip-hop artists’ production vividly reveals both the legacies of Soviet rule and the particular political economy of post-Soviet Estonia. Hip-hop, with its roots in expressive Caribbean, (2003: 468). To invoke Tom Boellstorff ’s notion of African-American, and Latino cultures, has be- “dubbing culture” (Boellstorff 2003), indigenized come fundamental to millions of peoples’ iden- rap “is more than just a quotation: it adds a step, tities worldwide, a fact which necessitates mak- fi rst alienating something but then reworking it ing sense of the specifi c ways hip-hop functions in a new context” (2003: 237, cited in Keeler 2009: in diverse communities and cultures. -
Darja Popolitova CV Born 27.12.1989
Darja Popolitova CV Born 27.12.1989 | Estonia +372 58283171 [email protected] popolitova.com Education 2013 - 2015 Estonian Academy of Arts, Tallinn, Jewellery and Blacksmithing, Prof Kadri Mälk, MA, cum laude 2012 - 2013 Estonian Academy of Arts, Tallinn, Guest student at Jewellery and Blacksmithing department, Prof Kadri Mälk 2011 Academy of Fine Arts and Design, Bratislava, Exchange student, Studio S+M+L+XL Metal and Jewellery, Prof Karol Weisslechner 2008 - 2012 Estonian Academy of Arts, Tallinn, Glass art and design, Prof Mare Saare, BA 2005 - 2008 Narva Art School, Narva, Estonia Solo exhibitions 29.05.2016 “Symptom”, Narva Art Residency, Estonia 09.06.2015 “Androgyny: jewellery beyond gender”, SUVA factory, Estonia 12.05.2011 “Touch”, University of Tartu Narva College, Estonia Selected group exhibitions 02.06.2016 - 20.08.2016 "Estonishing ! 13* from Estonia”, Galeria Thomas Cohn, São Paulo. Brazil 29.05.2016 “Kafedra”, Narva Art Residency, Estonia 25.02.2016 “Estonishing !”, International Trade Fair Schmuck, Representing Galeria Thomas Cohn, Munich, Germany 25.02.2016 International Trade Fair Schmuck, Representing Galerie Marzee, Munich, Germany 25.02.2016 "Talente 2016”, International Trade Fair for the Skilled Trades Munich, Germany 08.12.2015 "Winter Breath”, Gallery Putti, Vilnius, Lithuania 23.08.2015 Marzee Graduate Show 2015, Galerie Marzee, Nijmegen, The Netherlands 22.08.2014 “Ferromenaalne”, Tallinn Art Hall Gallery, Tallinn, Estonia 25.09.2014 “Oomen”, Kino Helios, Tallinn, Estonia 27.09.2013 “Virvatuled”, Estonian