Maskuliinne Eksistentsialism Masculine Existentialism

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Maskuliinne Eksistentsialism Masculine Existentialism MASKULiiNNE EKSiSTENTSiALiSM MASCULiNE EXiSTENTiALiSM Kunst Margus Margus Punab Punabi Art kogust Collection artiklite with autorid articles by Indrek Grigor Kadri Asmer Tiiu Talvistu Tartu 2016 Sisukord Contents Sissejuhatus Introduction Indrek Grigor 7 Margus Punabi kunstikogust Margus Punab’s Art Collection Indrek Grigor 11 Autori vastutus: seksuaalsusest kunstis ja kunsti piiridest The Responsibility of the Artist: About Sexuality in Art and the Limits of Art Kadri Asmer 25 Avangardi aabits ABC of the Avant-Garde Tiiu Talvistu 39 MASKULIINNE EKSISTENTSIALISM MASCULINE EXISTENTIALISM Intros by Indrek Grigor Viiekümnendatest kuuekümnendateni 50s – 60s 55 Avangardi aabits ABC of the Avant-Garde 83 ANK ‘64 85 SOUP ‘69 103 Koostajad / Editors Visarid 119 Kadri Asmer, Indrek Grigor Kaasaskõndijad On the Sidelines 135 Graafiline kujundus / Graphic design Seitsmekümnendatest üheksakümnendateni 70s – 90s 149 Peeter Laurits Nullindatest tänapäevani 00s – today 215 The Age of Sex 279 Keeletoimetaja / Language editor Anti Saar Miliuseum 321 Väliskunst International Art 347 Tõlge / Translation Refiner Translations OÜ KUNSTNIKE PORTREED ARTISTS’ PORTRAITS Reproduktsioonid / Reproductions Malev Toom, Intros by Margus Punab Stanislav Stepaško (esikaanel / front page), Jüri Arrak 363 Eesti Kunstimuuseumi digikogu (lk. 407 / p. 407) Meiu Münt 377 Esikaanel / On the front page Mall Nukke 385 Marko Mäetamm, Pieni Eero, 1991, pastell, paber, 118 x 425 Enn Põldroos 395 Marko Mäetamm, Pieni Eero, 1991, pastel on paper, 118 x 425 Jaan Toomik 405 Trükikoda / Printing house Valeri Vinogradov 419 Greif OÜ Mare Vint 429 © Autorid / Authors Nimeregister Index 445 ISBN 978-9949-81-296-7 5 SISSEJUHATUS INTRODUCTION Indrek Grigor Doktor Margus Punabile kuulub märkimisväärne eesti kunsti kogu. Veel suhteliselt noores, 00ndate esimesel poolel alustatud kollektsioonis on prae- Doctor Margus Punab owns a noteworthy collection guseks üle 700 tulme. Kogu ajaloolise osa tuuma of Estonian art – though a relatively young collec- moodustab 60ndate ja 70ndate avangard, kuid tion started in the early 00s, it currently has over varasema materjali kõrval kogub Punab ka täna- 700 works. The historical core of the collection päevast kunsti, keskendudes sealjuures identi- comprises avant-garde art of the 60s and 70s, but as teedi, seksuaalsuse ja mehelikkuse eksistentsia- well as these older works, Punab also collects con- listlikele kujutustele. Ajaloolise kihistuse juures, temporary art, which focuses on identity, sexuality mida käesolevas kataloogis tähistab mõistepaar and the portrayal of masculine existentialism. In “avangardi aabits”, ilmneb Punabi huvi otsida ja regard to the historical work, which in this cata- luua visuaalseid paralleele ennekõike rühmituste logue is discussed under the heading “ABC of the koosseisus ajalukku põlistatud autorite vahel, Avant-Garde”, Punab’s interest in seeking and tuues selle käigus esile ka n-ö kõrvalsammujaid ja creating visual parallels primarily between the mõjutajaid. Nii on kogus eesti kunsti klassikasse artists in the groups who have been immortalised kuuluvate autorite ja teoste kõrval oluline osakaal in history is very clear. In the process, he highlights tuntud autorite marginaalsetel töödel, kuid ka others who worked alongside these artists and also valik institutsionaalse kunstiajaloo poolt tähe- other influencers. The collection contains examples lepanuta jäänud autorite teoseid. Kollektsiooni of Estonian art classics as well as marginal works tänapäevane kihistus, mis on koondatud peal- by those same artists, but also the work of artists kirja “Maskuliinne eksistentsialism” alla, harutab whose work has gone unnoticed by institutional nii autori kui koguja jaoks märksa isiklikumal art history. The collection’s contemporary section, tasandil inimeseks olemise sõlmküsimusi, kuid which is presented here in the section “Masculine nii ühes kui teises väljendub Punabi kui koguja Existentialism”, reveals for both the artist and the eriline huvi kunstilise arengu protsessi vastu. collector the key issues of being human at a far Kogumisstrateegias on sealjuures kesksel kohal more personal level. The historical as well as con- ühe või teise teose olulisus nii konkreetse autori Jüri Palm Lüüriline juhtum, 1967, õli, lõuend, 55 x 62 temporary part of the collection express Punab’s Lyrical Incident, 1967, oil on canvas, 55 x 62 special interest as a collector in the art process. The importance of a specific work in relation to the 6 artist’s career and for art history generally plays 7 biograafia kui kunstiajaloo jaoks. See on ka ilmselt suund. Näitlikustamaks Punabi kui kunstikoguja põhjuseks, miks Punabit seriaalset iseloomu tööd meetodit ja strateegiat, mille eesmärk on kajastada eriti köidavad. kunsti kui kestvat arengut, tutvustab kataloog Käesolev kataloog, mis heidab pilgu Margus Punabi a central role in the aim of the collection. This is early experimental works of innovative artists eraldi seitset kunstnikku, väikest valikut autoreist, kunstikogule, on ajendatud kolmest paralleelselt probably also why Punab is especially interested of the 60s and 70s. A separate chapter is devoted kelle kõiki loomingulisi etappe on Punab kogujana avatud näitusest Tartus 2016. aasta septembris, in works that are produced in series. to photography, which is Punab’s most recent püüdnud katta. Tunnustuse ja kummardusena ning neile oktoobris järgnevast väljapanekust This catalogue accompanies three exhibitions, which focus of interest. To illustrate Punab’s method eesti kunstiajaloo ühele värvikaimale kunstiko- Tallinnas Mikkeli muuseumis. Esimene Punabi open in Tartu in September 2016 and which are and strategy, which aims to present the conti- gujale Matti Miliusele, kelle rolli oma kunstiko- kunstikogu tutvustav näitus, “Mees, seksuaalsus, followed by another exhibition in Tallinn at the nuous development of art, the catalogue pre- gumise strateegia väljakujundamisel Punab ka kunst”, toimus 2012. aastal Tartu Kunstimajas. Mikkel Museum. The first exhibition of works sents a selection of authors whose work Punab rõhutab, sisaldab kataloog eraldi rubriiki “Miliu- Toonase näituse mõtteliseks järjeks on neli aastat from Punab’s collection “Man, Sexuality, Art” took has endeavoured to collect in all stages of their seum”, mis annab ülevaate Miliuse kunstikogust hiljem Nooruse galeriisse loodud ekspositsioon place in 2012 at the Tartu Art House. The current careers. As a mark of respect and recognition pärinevatest teostest. “Maskuliinne eksistentsialism”. Sarnast temaati- exhibition “Masculine Existentialism” at Noorus for one of the most colourful art collectors in list joont jälgib ka “Vägi ja valu. Teosed Margus Gallery can be percieved as its notional sequel. The Estonian art history, Matti Milius, whose role Punabi kogust” Mikkeli muuseumis. 2014. aastal same thematic idea is followed through in “Might Punab emphasises in the development of his Kondase keskuses eksponeeritud Punabi kogu and Pain. Works from Margus Punab’s Collection” approach to collecting, there is a separate sec- omapärast ajaloolist poolt tutvustav “Avangardi at the Mikkel Museum. “ABC of the Avant-Garde” tion titled “Miliuseum”, which provides an aabits” on mõnevõrra kahandatud ja ümbertoime- at the Kondas Centre in 2014, which presented the overview of the work that came from Milius’ tatud kujul seekord eksponeeritud Jakobi galeriis unique historical side of Punab’s collection, is this collection. ning Tartu Kunstimaja suures saalis saab näha time on show at Jakobi Gallery in a slightly smal- fotokunstinäitust “The Age of Sex”, mis moodus- ler and reworked form, while in the big gallery at tab Punabi kunstikogu värskeima kihistuse. the Tartu Art House one can see the photography Kataloogi juhatavad sisse kolme Tartu kunstitead- exhibition “The Age of Sex”, which is the most lase artiklid. Indrek Grigor tutvustab Punabit recent part of Punab’s collection. kui kunstikogujat ja heidab põgusa pilgu kogu The catalogue begins with articles by three art üldolemusele. Tiiu Talvistu artikkel “Avangardi historians from Tartu. Indrek Grigor presents aabits” vaatleb kogu üht kahest olulisemast suu- Punab as an art collector and takes a brief look nast, 60ndate ja 70ndate kunstiuuendajate töid, at collecting generally. Tiiu Talvistu’s article võrdluses kunstimuuseumide kogudega. Kadri “ABC of the Avant-Garde” looks at one of the Asmeri “Autori vastutus: seksuaalsusest kunstis ja two important focuses of the collection – the kunsti piiridest” teeb ajaloolise ekskursi inimkeha works of art innovators of the 60s and 70s and ja seksuaalsuse avameelsesse kujutamisse kunstis, compares these with works in art museums. mis moodustab teise olulise teemaderingi Punabi Kadri Asmer’s “The Responsibility of the kunstikogus, peegeldudes eriti tänapäevastel, aga Artist: About Sexuality in Art and the Limits valikuliselt ka kogus olevatel ajaloolistel töödel. of Art” takes a historical digression into the Kataloogi pildiline osa on jaotatud viide rubriiki. Kro- open-minded representation of the body and noloogilisel printsiibil üles ehitatud “Maskuliinne sexuality in art – the other central aspect of eksistentsialism” tutvustab Punabi kogu täna- Punab’s collection – and reflects especially päevasemat osa, mille keskmes on meheks, aga upon the contemporary work but also a selec- ka laiemalt inimeseks olemise eksistentsialistlik tion of the historical work in the collection. paleus. Eesti kunsti kõrval sisaldab see ka valikut The visual material in the catalogue is divided into väliskunstnike
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