2017 Memorial Day Afterparty Guide
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L Oca Tion Condominiums by the East Side Gallery
CONDOMINIUMS BY THE EAST SIDE GALLERY SIDE EAST THE BY CONDOMINIUMS LOCATION LOCATION e the food and nightlife and nightlife e the food PAGE 2 INTRODUCTION In the midst of the inspiring bustle of the metropolis, around a lovingly landscaped garden courtyard, a pleasant refuge that lends its inhabitants peace and energy for the vibrant life outside its front entrance is emerging. The enduring, timeless elegance of the architecture and the stylish serenity of the mate- rials and surfaces sourced with self-assured taste create this pure reflection of a distinctive residential lifestyle. Few places in Berlin condense the city’s new cosmopolitan places in Berlin condense the city’s Few Spree. of the River on the banks Anschutz site the flair like new world a whole of Friedrichshain, district In the vibrant busi- and lifestyle work-life shopping, of entertainment, and labels with an international hip Berlin startups nesses, all from the same time, visitors At is opening up. reputation and the Gallery Side the East to flocking are the world over neighbourhoods wher surrounding Berlin flair. with a pure entice Berlin flair Pure lifestyle residential of a distinctive expression Pure Berlin – world-class metropolis by the Spree PAGE 4 LOCATION As established as Paris, as liveable as Copenhagen, as hip as New York – the German capital is very popular in many respects. Visitors are flocking to Berlin to experience its diverse cultural landscape and retrace European history. Students, artists and those with great ambitions are mov- ing to Berlin to be part of the vibrant art or startup scene and experience the spirit of the city that is constantly reinventing itself. -
An Oral History of Berlin Minimal Techno
Menu Search Red Bull Music Academy Daily An Oral History of Berlin Minimal Techno A look back at the stripped-down subgenre that defined the German capital from 1998-2008 September 7, 2018 By Joshua Glazer In 1998, the rave scene that gripped Germany after reunification was at its apex. What had started in the literal underground spaces of post-GDR Berlin after the fall of the Wall had gone mainstream, with millions of young people celebrating the colorful culture of electronic dance music all across the country. But the techno utopia envisioned by many as the new millenium approached was already starting to come undone. The trend was swiftly co-opted – ironically, by some of the same capitalist forces that had defeated the communist system a decade earlier. The bubble soon burst, and many of those truly dedicated to the music were forced to rebuild. The result was something that was the opposite of rave’s over-the- top excess, a movement that idealized a minimalist aesthetic in sound, visuals and fashion. It was a lifestyle that resisted the unbridled exuberance of rave in favor of something more sustainable – and sustain it did, with tracks that filled whole sides of vinyl and parties that went on for days at a time. Berlin became the center for this new creative community, drawing in techno practitioners and aficionados from around the world who came for the party and stayed for the ease of living made possible by cheap rents and easy access to artist visas. “Minimal” became the buzzword around this scene, and while overindulgences were aplenty in freewheeling afterhours, the “arm, aber sexy” (poor but sexy) slogan coined by then-mayor Klaus Wowereit could not have been a more accurate appraisal of Berlin’s appeal. -
Teo Moritz, Superhuit Vient Aujourd'hui Grossir Les Rangs D'une Scène House Locale Qui Ne Comptait Jusqu'ici Qu'un Seul Représentant, Rotax, Créé Fin 1996
Reviews (France) MUSIQUE INFO HEBDO - February 4th 2000 - #109 Superhuit, le label deep-house lyonnais La région Rhône-Alpes est réputée pour être un bastion techno, une quinzaine de labels y produisant le gros de la production techno hexagonale. Fondé par Teo Moritz, Superhuit vient aujourd'hui grossir les rangs d'une scène house locale qui ne comptait jusqu'ici qu'un seul représentant, Rotax, créé fin 1996. Comme ce dernier, Superhuit se destine avant tout à la production de vinyles destinés aux DJ's. Signé sur Pamplemousse (alias Boogymann) et sur Brif Records, Teo Moritz publiait le premier maxi de Superhuit à l'automne 1999. Il décide aujourd'hui de passer à la vitesse supérieure. "Notre objectif à court terme est de produire un vinyle tous les deux mois", confie-t-il. "J'ai un nouveau maxi du lyonnais Ron Hayes. Il est sorti la semaine dernière, et nous et nous avons déjà vendu la totalité des copies pressées en quelques jours. Nous le repressons en raison de la demande. La couleur dominante de Superhuit sera la deep-house, même si chaque vinyle inclut des titres house plus classiques, ou des plages downtempo. Je développerai dans un premier temps Teo Moritz et Ron Hayes, mais je cherche de nouvelles signatures." La distribution est assurée par Vénus. (Y2M) MUSIQUE INFO HEBDO - March 23th 2001 - #160 Les fusions jazz de Teo Moritz Deux ans après la création de son label Superhuit, Teo Moritz produit son premier album, distribué par Vénus. Avec ce LP vinyle, le jeune DJ et producteur lyonnais rejoint le groupe d’artistes français explorant les mélanges entre jazz et musique électronique. -
Weaving Genres, and Roughing up Beats: New Album Review
Weaving Genres, And Roughing Up Beats: New Album Review Music | Bittles’ Magazine: The music column from the end of the world Is it just me, or was Record Store Day 2017 a tiny bit crap? The last time I was surrounded by that amount of middle-aged, balding men, reeking of sweat, I had walked into a strip-club by mistake. So, rather than relive the horrors of that day, I will dispense with the waffle and dive straight into the reviews. By JOHN BITTLES The electronic musings of Darren Jordan Cunningham’s Actress project have long been a favourite of those who enjoy a bit of cerebral resonance with their beats. While 2014’s Ghettoville disappointed, there was more than enough goodwill left over from the dusty grooves of his R.I.P. album and his excellent DJ Kicks mix to ensure that expectations for a new LP were suitably high Thankfully the futuristic funk and controlled passion of AZD doesn’t let us down! Out now on the always reliable Ninja Tune label the album is a dense listening experience which makes the ideal soundtrack for lonely dance floors and fevered heads. After the short intro of Nimbus, Untitled 7 gets us off to a stunning start with its deep, steady groove. From here Fantasynth’s shuffling beats and solitary melody line recall the twisted genius of Howie B and Dancing In The Smoke deconstructs the ghost of Chicago house and takes it to a gloriously darkened place. Meanwhile Faure In Chrome and There’s An Angel In The Shower’s disquieting ambiance are so good you could wallow in them for days. -
March 17 -23 , 20 16
MARCH 17-23 , 2016 | VOLUME 19 | NUMBER 21 BROWARDPALMBEACH.COM I FREE NBROWARD PALM BEACH ® BROWARDPALMBEACH.COM ▼ Contents 2450 HOLLYWOOD BLVD., STE. 301A HOLLYWOOD, FL 33020 [email protected] 954-342-7700 VOL. 19 | NO. 21 | MARCH 17-23, 2016 EDITORIAL EDITOR Chuck Strouse MANAGING EDITOR Deirdra Funcheon EDITORIAL OPERATIONS MANAGER Keith Hollar browardpalmbeach.com ASSOCIATE WEB EDITOR Jose D. Duran browardpalmbeach.com STAFF WRITERS Laine Doss, Jess Swanson FELLOW Jerry Iannelli MUSIC EDITOR Falyn Freyman ARTS & CULTURE/FOOD EDITOR Rebecca McBane CLUBS EDITOR Melissa Guzman PROOFREADER Mary Louise English CONTRIBUTORS Emily Bloch, Nicole Danna, Michelle DeCarion, Doug Fairall, Abel Folgar, Cristina Jerome, Natalya Jones, Jonathan Kendall, Angel Melendez, Dave Minsky, Andrea Richard, Jesse Richman, David Rolland, Gillian Speiser, Terra Sullivan, John Thomason, Sara Ventiera, David Von Bader, Lee Zimmerman | CONTENTS | | CONTENTS ART ART DIRECTOR Miche Ratto ASSISTANT ART DIRECTOR Kristin Bjornsen PRODUCTION PRODUCTION MANAGER Mike Lugo PRODUCTION ASSISTANT MANAGER Jorge Sesin ADVERTISING ART DIRECTOR Andrea Cruz EWS | PULP EWS N ADVERTISING ADVERTISING DIRECTOR Alexis Guillen ONLINE SUPPORT MANAGER Ryan Garcia Y | MARKETING DIRECTOR Jennifer G. Nealon Evans Karli by Photo DA EVENT DIRECTOR CarlaChristina Thompson MARKETING COORDINATOR Kristin Ramos ▼ SENIOR ACCOUNT EXECUTIVES Sarah Abrahams, Featured Stories Peter Heumann, Kristi Kinard-Dunstan, Andrea Stern ACCOUNT EXECUTIVES Paige Bresky, Melanie Cruz, Alyson Puccetti Open and Shut Bruce Matheson’s one-man CLASSIFIED GE | NIGHT+ SENIOR ACCOUNT EXECUTIVES legal war has likely doomed the A T Patrick Butters, Ladyane Lopez, Joel Valez-Stokes Miami Open in Key Biscayne. S CIRCULATION BY JERRY IANELLI | PAGE 6 CIRCULATION DIRECTOR Richard Lynch CIRCULATION ASSISTANT MANAGER Rene Garcia BUSINESS Steamy Stories GENERAL MANAGER Russell A. -
Claimed Studios Self Reliance Music 779
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Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July
ICA Press release: 26 May 2016 Detroit: Techno City 27 July – 25 September 2016 ICA Fox Reading Room Preview 26 July Techno! The New Dance Sound of Detroit (1988). Courtesy Neil Rushton and 10 Records LTD The next ICA Fox Reading Room exhibition will present a studied look at the evolution and subsequent dispersion of ‘Detroit Techno music’. This term, coined in the late 1980s, reflects the musical and social influences that informed early experiments merging sounds of synth-pop and disco with funk to create this distinct music genre. For the first time in the UK, a dedicated exhibition will chart a timeline of ‘Detroit Techno music’ from its 1970s origins, continuing through to the early 1990s. The genre’s origins begin in the disco parties of Ken Collier with influence from local radio stations and DJs, such as Electrifying Mojo and The Wizard (aka Jeff Mills). The ICA’s exhibition explores how a generation was inspired to create a new kind of electronic music that was evidenced in the formative UK compilation: Techno! The New Dance Sound of Detroit. Using inexpensive analogue technology, such as the Roland TR 808 and 909, DJs and producers including Juan Atkins, Blake Baxter, Eddie Fowlkes, Derrick May, and Kevin Saunderson, formed this seminal music genre. Although the music failed to gain mainstream audiences in the U.S, it became a phenomenon in Europe. This success established Detroit Techno, as a new strand of music which absorbed exterior European tastes and influences. This introduced a second wave of DJs and producers to the sound including Carl Craig, Richie Hawtin and Kenny Larkin. -
Detroit : Techno
Until recently, Detroit has not had much attention at all con cerning its role as the birthplace of techno. "Detroit, globally known as the birthplace of techno, is virtually unrecognized nationally and locally beyond its Motown and rock roots". It DETROIT: TECHNO has always existed as such under the popular culture radar. First and foremost, why was Detroit the breeding ground for techno music? Why has the general population taken so long in recognizing Detroit for its techno accomplishments? Could it be simply because Detroit is not a mega-city like New York or Los Angeles? Or is it simply because the time and the place ]ohnathan Bowen were not right until recently? The Belleville 3: Juan Atkins, Derrick May, and Kevin Detroit has long been known by many names: Motown, the Saunderson, arc the three individuals who are credited as Motor City, Hockey Town, and even the less than flattering techno's creators. These three individuals grew up in Murder City. However, with the passing of time and the dim Belleville, hence the term "The Belleville 3," but they later ming and brightening of trends, Detroit would come to be moved into Detroit to carry on their pioneering work in the known by another name: TechnoTown. \Vhat is techno? Upon 1980's and beyond. Atkins, May, and Saunderson didn't actu opening an Encyclopedia Britannica and looking under the ally begin this pioneering work of creating techno in Detroit entry labeled "Techno," one will find this encompassing and however. Juan Atkins sums it up best: "vVhen I first started revealing definition: making music, I lived in Detroit. -
Brijean Signs to Ghostly International & Shares New
July 22, 2020 For Immediate Release Brijean Signs To Ghostly International & Shares New Single "Moody" Photo by Jack Bool Brijean - the Oakland-based duo of Brijean Murphy and Doug Stuart - announces signing to Ghostly International and shares new single “Moody.” The easy-grooving, ephemeral cut “Moody” captures Brijean’s signature sound in just over two minutes: the dazzling, golden-hued haze of percussive beats and honeyed vocals. Stuart says the track is “a quick gentle trip” that started in a living room — recording with Murphy’s drum mentor Pepe Jacobo — windows open, stream-of-consciousness lyrics flowing. Murphy, an accomplished DJ, session and live player in Oakland’s diverse music scene has emerged as one of indie’s most in-demand percussionists (Poolside, Toro Y Moi, U.S. Girls). In 2018, she began recording songs with multi-instrumentalist and producer Stuart, who shares a background in jazz and pop in bands such as Bells Atlas, Meernaa, and Luke Temple. Murphy’s musical talents are family heirlooms: her father, percussionist and engineer Patrick Murphy, taught Brijean her first patterns on a pair of congas that she inherited from the late Trinidadian steel drum legend Vince Charles (Neil Diamond). Growing up in LA’s Glassell Park, Murphy was raised by a cadre of honorary aunts and uncles – a deep bench of jazz, latin and soul musicians in their own rites. This meant she grew up regaled by musical lore – larger than life tales of jazz luminaries, psychedelic trips and obscure cultural enclaves – sampling some of those family stories and weaving them into her work. -
ENJOY RIGHT NOW Het Spanningsveld Tussen Nieuwe Media En De Kernwaarden Van Clubcultuur
ENJOY RIGHT NOW Het spanningsveld tussen nieuwe media en de kernwaarden van clubcultuur Beau Louisse 7 april 2015 Master Kunst- & cultuurwetenschappen Radboud Universiteit Nijmegen Abstract Enjoy Right Now. The field of tension between new media and the core values of club culture. Recently more and more clubs started to ban smartphones and cameras from their dancefloors. The club scene is divided in two sides: one that happily uses club photography and aftermovies as marketing for their events and another that wishes to ban all wearable technology. That gave rise to the suspicion that new media clash with elements of the clubbing ideology. This study therefore examines how new media create a field of tension between the core values of club culture and the practice on the dancefloor. It analyses how core values such as freedom, escapism, collectivity, and hedonism fit within the media saturated club environment and how new media influence the functioning of club culture. Finally, there will be explored how new technologies have possibly influenced the core values of club culture. The research focuses on clubs and festivals in the Benelux and Germany (Berlin) between 2010 and 2014. The new media that are being examined are mainly smartphones, digital cameras, social media and websites. Statements made in the media by clubbing insiders such as clubbers, organizers, dj’s, and other club culture affiliates are analyzed in order to map out how new media are being used in club culture and also how they affect the dance scene. Editorials by websites on electronic music and dance culture make up another important part of the primary sources. -
Tone Glow, June 2020
018: DeForrest Brown, Jr. toneglow.substack.com/p/018-deforrest-brown-jr An interview with DeForrest Brown, Jr. + an accompanying mix, album downloads, and our writers panel on Nídia's 'Não Fales Nela Que A Mentes' and Arca's 'KiCK i' Jun 17, 2020 DeForrest Brown, Jr. DeForrest Brown, Jr. is a New York-based theorist, journalist, curator, and artist. He’s created work under his own name and as Speaker Music, and is a representative of the Make Techno Black Again campaign. His writings have appeared in Tiny Mix Tapes, Afropunk, Artforum and Hyperallergic. His upcoming book, Assembling a Black Counter Culture, is out this year on Primary Information. Joshua Minsoo Kim talked with Brown, Jr. on May 28th about his new albums and book, COVID-19, George Floyd, techno, and empathy. Photos by Ting Ding. 1/21 Joshua Minsoo Kim: Hello, hello. DeForrest Brown, Jr.: Hey, how’s it going? Good, how are you? I’m all right… you know? Just all right? Yeah, it’s just one of those things… You know, the news. Hold on, I’m moving a big ass bean bag chair. (moves chair). I’ve been working on the book, but the book is kind of forming in my life right now, I guess. What do you mean by that? So my book, Assembling a Black Counter Culture, it starts at the gold rush and I’m trying to tell the history of America through techno and the Industrial Revolution, tying it all together. Between George Floyd and these protests and the economic collapse, it’s kind of a weird thing to see the end of the book. -
Facebook Was Bedeuten „Likes“ Für Die Clubs ? S
PARTY >> NIGHTLIFE >> MUSIC | MÜNCHEN BEATSTEAKS, SEAN PAUL, DEICHKIND CHIEMSEE ROCKS®GAE Alle Highlights beider Festivals ab Seite 19 ! DAS GROSSE CLUBCHEF-INTERVIEW DIE KLANGWELT Münchens Gigant der Nacht in neuen Händen S. 24 EIN BISSCHEN STATISTIK FACEBOOK Was bedeuten „Likes“ für die Clubs ? S. 26 07 2012 >> WWW.FLASHTIMER.DE >> WWW.FLASHTIMER.DE >> Intro DUMMER AUGUST >> flashtimer münchen & bayern FLASHTIMER MÜNCHEN & BAYERN JULIus Cäsar, welch ein Name. Grafingerstraße 6, 81671 München. Stolz präsentieren wir diese Fon 089 - 54 89 79 29 [email protected] Ausgabe in diesem stolzen Monat, vollgepackt mit allem, >> chefredaktion V.i.S.d.P. was der Mensch von Nacht Michael Herweg [email protected] wissen muss. Wie anders der Monat danach. Viel- leicht war es ein Süddeutscher, der ihm rachehalber >> redaktion für den vielen Regen hier den Namen aller Dummen Michael Herweg, Philipp Hartmann, Andrea Petsch, Luisa Breddermann, gegeben hat: August. Der könnte sich ja 2012 endlich Stefanie Käß mal Mühe geben, man wird es sehen, aber fürs Erste >> FLASHPACK kündigen wir die Zusammenarbeit; mit einem Bernhard Nagy - [email protected] dummen August wollen wir nichts zu tun haben, der nächste FLASHTIMER ist die inzwischen schon ziem- >> layout / satz / grafik Andrea Petsch - [email protected] lich legendäre Wiesn-Ausgabe im September. Semesterferien, Betriebsferien, Hitzefrei - ihr seid >> druck saaledruck naumburg eh nicht da, und wir können uns in Ruhe um unseren flash-festivalbus kümmern, und selbst all die wun- >> flash-festivalbus Gesamtkoordination: derschönen Festivals genießen. Philipp Hartmann - 0162/7157149 Einen schönen Sommer euch, und einen feinen [email protected] Urlaub sowieso! Flashtimer erscheint monatlich und kostenlos in einer Auflage von 25.000 Exemplaren.