An Oral History of Berlin Minimal Techno
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L Oca Tion Condominiums by the East Side Gallery
CONDOMINIUMS BY THE EAST SIDE GALLERY SIDE EAST THE BY CONDOMINIUMS LOCATION LOCATION e the food and nightlife and nightlife e the food PAGE 2 INTRODUCTION In the midst of the inspiring bustle of the metropolis, around a lovingly landscaped garden courtyard, a pleasant refuge that lends its inhabitants peace and energy for the vibrant life outside its front entrance is emerging. The enduring, timeless elegance of the architecture and the stylish serenity of the mate- rials and surfaces sourced with self-assured taste create this pure reflection of a distinctive residential lifestyle. Few places in Berlin condense the city’s new cosmopolitan places in Berlin condense the city’s Few Spree. of the River on the banks Anschutz site the flair like new world a whole of Friedrichshain, district In the vibrant busi- and lifestyle work-life shopping, of entertainment, and labels with an international hip Berlin startups nesses, all from the same time, visitors At is opening up. reputation and the Gallery Side the East to flocking are the world over neighbourhoods wher surrounding Berlin flair. with a pure entice Berlin flair Pure lifestyle residential of a distinctive expression Pure Berlin – world-class metropolis by the Spree PAGE 4 LOCATION As established as Paris, as liveable as Copenhagen, as hip as New York – the German capital is very popular in many respects. Visitors are flocking to Berlin to experience its diverse cultural landscape and retrace European history. Students, artists and those with great ambitions are mov- ing to Berlin to be part of the vibrant art or startup scene and experience the spirit of the city that is constantly reinventing itself. -
Classic Albums: the Berlin/Germany Edition
Course Title Classic Albums: The Berlin/Germany Edition Course Number REMU-UT 9817 D01 Spring 2019 Syllabus last updated on: 23-Dec-2018 Lecturer Contact Information Course Details Wednesdays, 6:15pm to 7:30pm (14 weeks) Location NYU Berlin Academic Center, Room BLAC 101 Prerequisites No pre-requisites Units earned 2 credits Course Description A classic album is one that has been deemed by many —or even just a select influential few — as a standard bearer within or without its genre. In this class—a companion to the Classic Albums class offered in New York—we will look and listen at a selection of classic albums recorded in Berlin, or recorded in Germany more broadly, and how the city/country shaped them – from David Bowie's famous Berlin trilogy from 1977 – 79 to Ricardo Villalobos' minimal house masterpiece Alcachofa. We will deconstruct the music and production of these albums, putting them in full social and political context and exploring the range of reasons why they have garnered classic status. Artists, producers and engineers involved in the making of these albums will be invited to discuss their seminal works with the students. Along the way we will also consider the history of German electronic music. We will particularly look at how electronic music developed in Germany before the advent of house and techno in the late 1980s as well as the arrival of Techno, a new musical movement, and new technology in Berlin and Germany in the turbulent years after the Fall of the Berlin Wall in 1989, up to the present. -
Marcel Dettmann Title: Conducted Label: Music Man Release: 14.11.2011
Artist: Marcel Dettmann Title: Conducted Label: Music Man Release: 14.11.2011 Music Man Records is proud to present the long awaited second mix-cd from Marcel Dettmann, resident at the notorious Berghain club in Berlin since it's oldest incarnation as Ostgut and a key artist on their label Ostgut Ton. Marcel Dettmann’s previous mix-cd was named best mix-cd of 2008 by Resident Advisor and last year he released his debut album ‘Dettmann’ to high critical acclaim. In the meantime he’s also built the profile of his own label MDR, and is a hugely in demand remixer for the likes of Emika, Ellen Allien, Radioslave, Scuba and O/V/R. The tracklist of ‘Conducted’ includes a mixture of new to be discovered talents, alongside older ready to be re-discovered gems, and those you may expect such as Sandwell District, Redshape or Shed. ‘Conducted’ is simply a timeless mix from one of the most important DJs and producers of the current techno scene. Tracklist CD/Digital 1. Sandwell District - Immolare (First) 2. Signal - Wismut 3. Roman Lindau - Sub Suggestion 4. Mono Junk - Channel B 5. Reel By Real - Sundog Tracklist 12’’ sampler 6. Bluemoon Productions - Night 7. The Analogue Cops - Why You Love Me 12” sampler 1: 8. Vril - V3 A1. Bluemoon Productions – Night 9. Milton Bradley - Don't Phonk A2. Morphosis - Too Far 10. Silent Servant - El Mar B1. Signal – Wismut 11. Morphosis - Too Far B2. FBK – Nanomal 12. Redshape - The Lesson 13. Shed - Hello Bleep! 12” sampler 2: 14. Cheeba Starks presents The Toupe Committee - GoGo A1. -
The DIY Careers of Techno and Drum 'N' Bass Djs in Vienna
Cross-Dressing to Backbeats: The Status of the Electroclash Producer and the Politics of Electronic Music Feature Article David Madden Concordia University (Canada) Abstract Addressing the international emergence of electroclash at the turn of the millenium, this article investigates the distinct character of the genre and its related production practices, both in and out of the studio. Electroclash combines the extended pulsing sections of techno, house and other dance musics with the trashier energy of rock and new wave. The genre signals an attempt to reinvigorate dance music with a sense of sexuality, personality and irony. Electroclash also emphasizes, rather than hides, the European, trashy elements of electronic dance music. The coming together of rock and electro is examined vis-à-vis the ongoing changing sociality of music production/ distribution and the changing role of the producer. Numerous women, whether as solo producers, or in the context of collaborative groups, significantly contributed to shaping the aesthetics and production practices of electroclash, an anomaly in the history of popular music and electronic music, where the role of the producer has typically been associated with men. These changes are discussed in relation to the way electroclash producers Peaches, Le Tigre, Chicks on Speed, and Miss Kittin and the Hacker often used a hybrid approach to production that involves the integration of new(er) technologies, such as laptops containing various audio production softwares with older, inexpensive keyboards, microphones, samplers and drum machines to achieve the ironic backbeat laden hybrid electro-rock sound. Keywords: electroclash; music producers; studio production; gender; electro; electronic dance music Dancecult: Journal of Electronic Dance Music Culture 4(2): 27–47 ISSN 1947-5403 ©2011 Dancecult http://dj.dancecult.net DOI: 10.12801/1947-5403.2012.04.02.02 28 Dancecult 4(2) David Madden is a PhD Candidate (A.B.D.) in Communications at Concordia University (Montreal, QC). -
The Queer of Color Sound Economy in Electronic Dance Music
The Queer of Color Sound Economy in Electronic Dance Music Blair Black Within electronic dance music cultures (EDMCs), musicality and experi- mentation have been indebted to black and Latinx DJs of color since its inception in the 1980s. Even today, queer DJs of color continue to push the envelope of experimental EDM by showcasing dance music from the “global south,” centering remix styles that border between hip hop and EDM, and sampling cultural references popular in queer communities of color. This article explores music’s complex entanglements with identity and community for queer people of color in underground electronic dance music scenes. To be specific, the individuals within these communities self-identify as racial/ethnic minorities on the genderqueer spectrum of non-normative gender and sexual identities (gay/lesbian, trans, non- binary, etc.). Moreover, I argue that these socio-economic positions act as an impetus of a sound economy – the shared system of socio-cultural aesthetics – for queer communities of color in EDM. The first section dis- cusses the identity politics that underlie this sound economy by tracing how intertextuality allows DJs to display these minoritarian1 perspectives. I then highlight why (re)centering racialized queer identities is radical by tracing EDM’s political shifts. Specifically, I highlight how narratives sur- rounding EDM changed due to the demographic turn in Europe during the 1990s. The last section explores the re-emergence of pivotal queer DJs of color and the scenes they founded in Los Angeles, Chicago, and New York by focusing on the flows of culture and people between cities to point to a more extensive global network of racialized queer communities in constant musical and political dialogue. -
Richie Hawtin Is a Genuine Original. His Critical Acclaim Spans the Creative Realm of the Fine Art Community to the Technological Vanguard
Richie Hawtin is a genuine original. His critical acclaim spans the creative realm of the fine art community to the technological vanguard. Meanwhile, as a performing artist, he is constantly pushing conceptual frontiers, moving things forward, welcoming as many as he can to ideas and experiences that would have seemed pure science fiction when he began his career. Hawtin is British-born and Canadian-raised. He is the business mind behind Plus8 and MINUS Records, nurturing a plethora of talent from Speedy J in the early 90s to Gaiser in the 2010s. And, of course, he is Plastikman, perhaps that most of all, electronic musician par excellence, maintaining an underground agenda of avant-garde electronica over six albums (and two compilations). He returned spectacularly to the live circuit in 2010 with his Plastikman 1.5 incarnation which held its own among the new EDM generation of Skrillex, Deadmau5, etc, stars to whom Hawtin is both old guard ambassador and hero. It is not just the rising young talents who look up to Hawtin. Daniel Miller, founder of the seminal Mute label, referred to him as “a leader” and “a pioneer”, the New York Times called him “one of the electronic dance world's intellectual forces,”. However, it's plaudits from other areas that showcase the breadth of Hawtin's appeal. Raf Simons, former Creative Director at Dior, says he listens “to Richie Hawtin's music like others listen to classical music”, calling him “the Kraftwerk of today”. In 2013 Simons asked Hawtin to put on a special performance at the Guggenheim, New York's iconic art museum, as the centre-piece for their annual fund- raiser. -
SXSW2016 Music Full Band List
P.O. Box 685289 | Austin, Texas | 78768 T: 512.467.7979 | F: 512.451.0754 sxsw.com PRESS RELEASE - FOR IMMEDIATE RELEASE SXSW Music - Where the Global Community Connects SXSW Music Announces Full Artist List and Artist Conversations March 10, 2016 - Austin, Texas - Every March the global music community descends on the South by Southwest® Music Conference and Festival (SXSW®) in Austin, Texas for six days and nights of music discovery, networking and the opportunity to share ideas. To help with this endeavor, SXSW is pleased to release the full list of over 2,100 artists scheduled to perform at the 30th edition of the SXSW Music Festival taking place Tuesday, March 15 - Sunday, March 20, 2016. In addition, many notable artists will be participating in the SXSW Music Conference. The Music Conference lineup is stacked with huge names and stellar latebreak announcements. Catch conversations with Talib Kweli, NOFX, T-Pain and Sway, Kelly Rowland, Mark Mothersbaugh, Richie Hawtin, John Doe & Mike Watt, Pat Benatar & Neil Giraldo, and more. All-star panels include Hired Guns: World's Greatest Backing Musicians (with Phil X, Ray Parker, Jr., Kenny Aranoff, and more), Smart Studios (with Butch Vig & Steve Marker), I Wrote That Song (stories & songs from Mac McCaughan, Matthew Caws, Dan Wilson, and more) and Organized Noize: Tales From the ATL. For more information on conference programming, please go here. Because this is such an enormous list of artists, we have asked over thirty influential music bloggers to flip through our confirmed artist list and contribute their thoughts on their favorites. The 2016 Music Preview: the Independent Bloggers Guide to SXSW highlights 100 bands that should be seen live and in person at the SXSW Music Festival. -
Peter Mettler
The End of Time A film by Peter Mettler 114 min, English, Digital (DCP, Blu-ray), Canada, 2012, DoCumentary FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 / Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] www.firstrunfeatures.Com/endoftime Synopsis "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker" (Hollywood Reporter), Peter Mettler’s enthralling new film combines elements of documentary, essay, and experimental cinema to create a tour de force that challenges our conception of time — and perhaps the very fabric of our existence. With stunning cinematography and a knack for capturing astonishing moments, The End of Time travels the planet — from the CERN particle accelerator outside Geneva to the lava flows of Hawaii; from a disintegrating Detroit where Henry Ford Built his first factory to the tree where Buddha was enlightened. Both mind-expanding and eerily familiar, Mettler's provocative film explores the links between renewal and destruction, between primordial mysticism and the furthest reaches of modern science, giving the viewer a transcendent cinematic experience. Praise for The End of Time "Recalling the work of Terrence Malick, Werner Herzog and the late Chris Marker...THE END OF TIME Becomes immersive and hypnotic...a ravishingly Beautiful experience." – Stephen Dalton, The Hollywood Reporter "A work of vision...A gloBe-trotting cine-essay about time...poetic and lovely." – Adam Nayman, POV "Mettler's trippy -
Nrf Magazine 18
EDITORIAL SECCIONES 06 Noticias 18 Festivales 15 Novedades NUEVAS SECCIONES 12 Sesiones 22 Charts 14 Agenda Ibiza 20 Agenda BIOGRAFIA 32 HARDWELL REPORTAJES 13 Opening Space Ibiza 31 app deej ENTREVISTAS 24 SOUND OF STEREO NOTICIAS ULTRA EUROPE, nuevas confirmaciones Avance MONEGROS DESERT FESTIVAL 2013 NOTICIAS Tercer Avance ELECTROBEACH 2013 Tercer Avance del DREAMBEACH Villaricos ELECTRIC DAISY CARNIVAL también en Londres NOTICIAS Primeros nombres ELECTRIC ZOO 2013 Primeras confirmaciones TOMORROWWORLD FIB 2013 cierra cartel. NOTICIAS FENNSOOTTTIIVICCAIILAAESSS Lo último de Crookers Nervo nos presenta su nuevo tema ‘Hold On’ BOT ExCrookers se estrena en solitario Nuevo EP de Knife Party Rusty Warriors se unen a Dim Mak NOTICIAS Disponible el álbum de Henry Saiz en Nuevo trabajo de Remute PREORDER Headhunterz presenta su nuevo sello NOTICIAS Daft Punk – “Random Access Memories” – Tracklist completo John Digweed presenta su nuevo directo SESIONES NEW NOISE ZEDS DEAD CHEWY CHOCOLATE COOKIES MAINROOM Space Ibiza Opening Party 2013 Después de un largo y triste invierno, por fin, es la hora del sol, el calor, la playa, el mar y, como ya es tradición, el Opening de Space Ibiza que es, sin duda, lo que marca el comienzo de la temporada estival en esta isla paradisiaca, pero, ¿qué es lo que le hace tan especial? Tras tantos años en el “mundo” del entretenimiento es my difícil seguir manteniendo la línea de crecimiento y de asistencia pública, sin embargo, parece que Space Ibiza ha dado con la receta. Esta discoteca es considerada una de las Mecas de la música electrónica por la que cualquier dj importante tiene que haber actuado alguna vez. -
Richie Hawtin Has Always Been at the Leading Edge of Innovation in All Aspects of Electronic Music. Now More Than Ever, He's S
RICHIE HAWTIN WordsRichie Richie Hawtin and Thomas H Green Photos www.alexanderkoch.com 0123456789 Hawtin 0123456789 new horizons Richie Hawtin has always been at the leading edge of innovation in all aspects R e of electronic music. Now more than ever, he’s searching for fresh horizons and new MM joe pli worlds to conquer. Who better to launch the first ever Mixmag Live? [[1L]] MARCH 2012 RICHIE HAWTIN Plastikman @ Brixton Academy, London from his lively blue eyes. He’s in dance music’s warlock, derive from his family’s move on November premier league these days, an immediately 14 1979 from the Northamptonshire village of recognisable name atop bills at clubs, raves and Middleton Cheney to LaSalle, Ontario, Canada, festivals and someone who is these days recognised when he was nine years old. even in the least likely of places. “My main memory of Middleton Cheney is a R te “I took a vacation on the coast of Morocco with strong sense of extended family, cousins, aunts, S ee my girlfriend,” he says in his relaxed Canadian uncles, a very close-knit family, everyone getting M accent, “walking though streets without pavements, together regularly,” he says. “That’s why the Canadian eule so far away from our world – and someone was like, move was such a big change: becoming isolated, M ‘Are you Richie Hawtin? Can I get your autograph?’.” introverted. The ‘DJ Richie Hawtin’ aspect of me Ann De : He laughs – “But it’s alright, people who come up are reflects what I remember of myself before I went S long term fans, not ‘I know that guy’s face from a to Canada: having all these people around, being boot D 0123456789 n 0123456789 A magazine.’ It’s a nicer sort of fame.” in elementary school, the cool kid in class who CH As Richie Hawtin he is the DJ who brings techno everyone talked to. -
January 2012
JANUAR 2012 Freitag 06.01.2012 Start 24 Uhr ... get perlonized! Panorama Bar > Daniel Bell Sammy Dee Zip Samstag 07.01.2012 Start 24 Uhr Klubnacht Berghain > Mathew Jonson LIVE Levon Vincent Objekt Ron Albrecht Panorama Bar > Âme Oskar Offermann & Edward Shonky Freitag 13.01.2012 Start 24 Uhr Clink Nacht Freitag 06.01.2012 Start 24 Uhr ... get perlonized! SONNTAGS: Marc Schneider Jan Krüger Nico Purman Panorama Bar Panorama Bar Donnerstag 12.01.2012 Start 20 Uhr Certain People 3 Daniel Bell Sammy Dee Zip Heartthrob LIVE m_nus Ambivalent m_nus Tim Xavier clink Camea clink Berghain > Star Slinger Niki & The Dove Vondelpark Jörg Franzmann VIDEO Ein Technolabel, das von einer Frau geführt wird, ist nach wie vor keine Selbstverständlichkeit. Dienstag 17.01.2012 Start 20 Uhr Elektroakustischer Salon Freitag 27.01.2012 Start 24 Uhr Moodmusic Freitag 13.01.2012 Start 24 Uhr Clink Nacht Blip. Blurp. Bleep. Daniel Bell hat die Essenz seiner Musik schon selbst bestens auf den Camea Hoffman hat Clink vor sechs Jahren in Brooklyn, New York gegründet, inzwischen Panorama Bar Panorama Bar > Heartthrob LIVE Ambivalent Tim Xavier Camea Punkt gebracht. Der große schweigsame Nomade des Technos hat sich vor allem mit seinem Berghain ist sie nach Berlin übergesiedelt. Ihr Label steht mit Künstlern wie Alexi Delano, Tony Rohr, Projekt DBX und dessen radikal entschlacktem, futuristischem Funk für immer in die Dance- Jon Rose The Palimpolin Project Martin Dawson LIVE Samstag 14.01.2012 Start 24 Uhr Klubnacht Tim Xavier oder Mark Henning für einen puristischen Minimal Techno Sound, der genauso Geschichtsbücher eingeschrieben. Bisher hat sich noch jede neue Generation an DJs und Francisco Lopez Sonopolis Sasse Alexander Maier La Fleur Michelle Owen Berghain > LIVE abstrakt wie kickend ist. -
ENJOY RIGHT NOW Het Spanningsveld Tussen Nieuwe Media En De Kernwaarden Van Clubcultuur
ENJOY RIGHT NOW Het spanningsveld tussen nieuwe media en de kernwaarden van clubcultuur Beau Louisse 7 april 2015 Master Kunst- & cultuurwetenschappen Radboud Universiteit Nijmegen Abstract Enjoy Right Now. The field of tension between new media and the core values of club culture. Recently more and more clubs started to ban smartphones and cameras from their dancefloors. The club scene is divided in two sides: one that happily uses club photography and aftermovies as marketing for their events and another that wishes to ban all wearable technology. That gave rise to the suspicion that new media clash with elements of the clubbing ideology. This study therefore examines how new media create a field of tension between the core values of club culture and the practice on the dancefloor. It analyses how core values such as freedom, escapism, collectivity, and hedonism fit within the media saturated club environment and how new media influence the functioning of club culture. Finally, there will be explored how new technologies have possibly influenced the core values of club culture. The research focuses on clubs and festivals in the Benelux and Germany (Berlin) between 2010 and 2014. The new media that are being examined are mainly smartphones, digital cameras, social media and websites. Statements made in the media by clubbing insiders such as clubbers, organizers, dj’s, and other club culture affiliates are analyzed in order to map out how new media are being used in club culture and also how they affect the dance scene. Editorials by websites on electronic music and dance culture make up another important part of the primary sources.