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Filmfestival Rotterdam Op Naar Miljoen Bezoekers? Colofon Eindredactie Paul Verstraeten Met bijdragen van Simon Field, Sandra den Hamer, Mirjam Klootwijk, Geert Hoeven, Carlie Janszen, Femke Wolting Fotografie André Bakker, Cynthia van Elk Vormgeving Publish, Amsterdam / Jan Pieter Ekker Druk Tripiti, Rotterdam Omslag Max Kisman Het Jaarverslag is een uitgave van de Stichting Film Festival Rotterdam Kruiskadehof 36b Postbus 21696 3001 AR Rotterdam telefoon 010 411 80 80 fax OIO 413 51 32 e-mail [email protected] Vooraf Citaten uit de media 3 Awards 4 Festivai in cijfers 5 Inleiding 6 1 Programma 1.1 Tiger Awards competitie 9 1.2 Hubert Bals Fonds Oogst 9 1.3 Hoofdprogramma 9 1.4 The Cruel Machine 10 1.5 Exploding cinema 11 1.6 Film-makers in Focus 12 1.7 Italian Exploitation 12 1.8 Dutch Perspective 12 1.9 Critics’Choice 12 2 Festival als evenement 2.1 Samenwerkingsverbanden en co-producties 13 2.2 Gasten 14 2.3 Opening en sluiting 14 2.4 Lezingen, talkshows en introducties 14 3 CineMart 3.1 Inleiding 15 3.2 Werving en selectie projecten 15 3.3 Programma CineMart 16 3.4 CineMart Consultancy Service 16 3.5 Industry Office 17 3.6 CineMart USA 17 3.7 Resultaten en reacties 17 4 Hubert Bals Fonds 4.1 Inleiding 19 4.2 Jaaroogst 1998 19 4.3 Hubert Bals Fonds Conferentie 19 4.4 Geselecteerde projecten 97/98 20 4.5 Distributie 20 4.6 Overige activiteiten en samenwerking 21 5 Communicatie & Marketing 5.1 Kaartverkoop en publiekssamenstelling 22 5.1.1 Inleiding 22 5.1.2 Toegangsprijzen en kaartenbeleid 22 5.1.3 Resultaten publieksonderzoek 23 5.2 Media en promotionele acties 25 5.2.1 Inleiding 25 5.2.2 Nationale campagnes en media 25 5.2.3 International campagnes en media 26 5.2.4 Communicatie en media tijdens het festival 27 6 Sponsoring 6.1 Inleiding 29 6.2 De Volkskrant 29 6.3 Citroën Nederland 29 6.4 Grolsch 30 6.5 Canal-H 30 6.6 Fondsen en subsidies 30 7 Educatie 7.1 Rotterdam Film Course 31 7.2 Schoolvoorstelling 31 7.3 Kinderfilmdag 31 8 Filmaankoop en distributie 8.1 Tiger Releases 32 8.2 Andere distributievormen 32 9 Financiën 33 Bijlagen I Index films 35 II Citroën Publieksenquête 47 III Gastenlijst 51 IV Evenementendraaiboek 62 V CineMart projecten 65 VI HBF projecten 66 VII Organisatie 67 VIII Sponsoring en financiële steun 68 IX Het festival in de Nederlandse krant 70 El festival de Rotterdam es impresionante. No solo es una de las mejores muestras de cine sino uno de los disenos de politica cultural mós inteiigentes, sofisticados y creativos que existen hoy en el mundo. Rotterdam es, al mismo tiempo, un evento orientado al publico y a los cineastas, al cine holandésy al internacional, al criticay a la Industria, a las mejores tradiciones de ciney a susfuturos posities. Quintin - El Amante Cine (Argentinië) Like Cannes, Venice or Berlin, the rotterdam International Film Festival presents an overwhelming array of films and events that range widely - geographically, thematically - with a concentration on alternative media projects. The Dutch people are friendly and helpful. Everyone speaks English, but they all smoke - everywhere and incessantly. Ruth and Archie Perlmutter - Film Journal International (VS) This is one festival that does not conclude with its closing night party Howard Feinstein - The Independent Film & Video (VS) The Rotterdam Film Festival is distinctive not only In the way it supports filmmakers beyond its official dates, but also for the, shall we say, unusual sidebars it presents. Howard Feinstein - The Independent Film & Video (VS) An increasingly popular stopover for globalfesthoppers, between Sundance and Berlin David Rooney-Variety (VS) Rotterdam is well established as the venue of one of the most adventurous, ambitious, friendly and well organisedfilm festivals in the world Geoff Andrew - Time Out (GB) Auch wenn seine Zukunft nichtgerade rosig aussieht, in Rotterdam prasentierte sich das unabhdngige, internationale Kino mit stilistischer Vief alt und erzdhierischer Leidenschaft. Besonders die südostasiatischen Lander sorgten für zahireiche Entdeckungen. Harald Zander - Filmecho Filmwoche (Duitsland) Filme aus Tschechien, Rolen, Ungarn, Estland, Litauen, Bulgarien und Ceorgien suchte man in Berlin vergeblich, wahrend das unmittelbar vorher stattfindende Filmfestival in Rotterdam genau aus diesen Ldndern neue Produktionen prasentierte. Rotterdam hat sich inzwischen zum Schaufensterfür Filme aus den postsozialistischen Landern entwickelt. Jörg Taszman - Berliner Zeitung (Duitsland) Like Rotterdam itself, the International Film Festival is a marvelous testament to measured growth and adaptability. In its zj years, IFFR has matured in a vital business place for European distributors while maintaining warm alliances with artists, financiers and enthusiastic audiences. General good feelings are only part of the story; Rotterdam learned to give back to the film community in many ways several years ago..... From a logistical standpoint, the IFFR is practically faultless. Christian Gaines - IndieWire Lefestival de Rotterdam constitue un des poles essentiels de I'active cinéphile européenne. Jean-Marc Lalanne-Cahiers de Cinema (Frankrijk) For those who bemoan the commercialisation of Sundance and the Americanisation of Berlin, Rotterdam is much more than a convenient stopover on the filmfestival circuit. A u-day event... has a well-earned reputation as a sanctuary for film lovers. The prevailing mood is anabeshedly cinephilic, the glitz quotient agreeable low. Under British director Simon Field, Rotterdam has consolidated its position as Europe’s moest adventurous festival. Dennis Urn - Independent on Sunday (GB) The Rotterdam Film Festival, held in the dead afwinter in a city that will never be mistaken for Acapulco, may be the internationalfilm event offering the most poignant intimations of spring. To attend is to glimpse the future of movies or, at least, the future ofcinephilia.(...) This is the place where the Centre Pompidou premieres Chris Marker’s new CD-ROM. (...) mirroring the mysterious dutch national character, Rotterdam combines social responsibility with libertarian license. Jim Hoberman - Village Voice (VS) Proiezioni belle, in sale pefette e su schermi giganti, nonostante sia un Multiplex il centra del festival. Quasi 400 film che, grazie a un buon sistema di repliche, prima o poi sipossono vedere quasi tutti. E' il miracolo Rotterdam. Roberto Silvestri - II Manifesto (Italië) (...) If there's one point that Rotterdam makes, it’s that non-commercial cinema still ahs every possibility of being explosive.(...) Rotterdam continues to be regarded as the cutting edge of the Euro festival circuit. Jonathan Romney-Sight and Sound (GB) 3 Jaarverslag IFFR 97/98 VPRO Tiger Awards FIPRESCI Prijs Een internationale jury bestaande uit Carole Myer (voorzit- De jury van internationale filmcritici georganiseerd in de ter, Groot Brittannië), Christine Hakim (Indonesië), Stanley Fipresci, bestaande uit Chidananda Dasgupta (India), Gerald Kwan (Hongkong), Baba Hama (Burkina Faso) en Peter Del- Peary (Verenigde Staten), Eduardo Antin (Argentinië), Nina peut (Nederland) was bijzonder onder de indruk van de kwa- Tsyrkun (Rusland) en Hans Kroon (Nederland), kende dit jaar liteit van de 14 films die dit Jaar waren geselecteerd voor de ex aequo de prijzen toe aan: Tiger Awards Competitie. ‘De competitie bestond uit vele ambitieuze films, bemoedigend voor de toekomst van de ■ FROST - Fred Kelemen (Duitsland) filmkunst. Opvallend was vooral de mix van technieken van 'Voor zijn verkenning van de grenzen van de cinema door verschillende disciplines, waaronder een veelvuldig gebruik middel van een spirituele road-movie en een vermetele wis- van de avantgarde.’ selwerking van werkelijke tijd en fictieve tijd.’ De VPRO Tiger Awards werden verleend aan de volgende re- gisseurs: ■ FIRST LOVE, LAST RITES -Jesse Peretz (Verenigde Staten) 'Voor zijn uitdaging aan het dominante Amerikaanse film- ■ Petr Zelenka - KNOFLIKARI (Tsjechië) verhaal, door de onverwachte concentratie op stemming, ■ GuiseppeCaudino-ciRO Dl LUNE TRATERRA E MARE (Italië) atmosfeer en seksueel mysterie.' ■ Stefan Ruzowitzky- DIE SIEBTELBAUERN (Oostenrijk) ■ Een speciale juryvermelding ging naar MOTEL CACTUS van Aan de drie Tiger Awards is een prijs verbonden van elk Park Ki-Yong (Zuid-Korea). 10.000 dollar, ter beschikking gesteld door de VPRO. De om- roep zal de drie winnende films uitzenden tijdens de volgen- de editie van het filmfestival in 1999. KI\IF Prijs De jury van de Kring van Nederlandse Filmjournalisten CITROËni Publieksprijs kende haar jaarlijkse persprijs toe aan: De Poolse Bruid van de Nederlands/Algerijnse regisseur ■ GUMMO - Harmony Korine (Verenigde Staten) Karim Traïdia werd na de allerlaatste tellingen onverwacht 'GUMMO portretteert op een vernieuwende, energieke en de favoriete film van defestivalbezoekers. De regisseur werd ongepolijste manier een kleine dorpsgemeenschap in Ohio. gehonoreerd met de Citroën Publieksprijs. De film weet de toeschouwer achter te laten met sterke 4 Jaarverslag IFFR 97/98 Vertoonde films totaal aantal films 624 langefilms 256 korte films/video’s/etc. 368 lezingen/presentaties/live events 30 performances 9 exposities/installaties 7 Premières lange films totaal 53 wereldpremières 22 internationale premières 19 Europese premières 12 Voorstellingen emoties en gevoelens van onrust. Het is een film die als een totaal 1096 tornado op de kijker inwerkt.’ Rotterdam 975 Groningen 55 Aan de KNF Prijs is een premie verbonden voor ondertiteling, Maastricht 59 gesponsord door Holland Subtitling. NFM Distributie heeft Utrecht 7 belangstelling getoond om de film in Nederland
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