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Prof. Dr. Anat Feinberg Hebräische Und Jüdische Literatur / Hebrew and Jewish Literature Hochschule Für Jüdische Studien

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Prof. Dr. Anat Feinberg Hebräische Und Jüdische Literatur / Hebrew and Jewish Literature Hochschule Für Jüdische Studien Prof. Dr. Anat Feinberg Hebräische und jüdische Literatur / Hebrew and Jewish Literature Hochschule für jüdische Studien Landfriedstrasse 12 69117 Heidelberg Germany [email protected] 1. Biographical Information 2. Research Interests 3. Education 4. Employment and Faculty Positions 5. Fellowships and Honors 6. Publications a. Books b. Articles c. Reviews (since January 2006) d. Encyclopedias e. Novels 7. Editor in Charge 8. Membership and Advisory Boards 9. Invited Lectures (selection, since 2004) 10. Miscellaneous 1. Biographical Information Place of birth: Tel Aviv, Israel. 2. Research Interests . Modern Hebrew Literature . Theatre Studies . Jewish Literature 3. Education 1979 Ph.D., University of London, English Literature 1975 M.A. (with distinction), Tel Aviv University, English Literature 1973 B.A., Tel Aviv University, English Literature and Philosophy 4. Employment and Faculty Positions Currently: 1990–present Hochschule für jüdische Studien, Heidelberg Previously: 2017 Patinkin Visiting Professor in Israel Studies, University of Chicago, USA (spring quarter) 1 2010 (fall) Visiting Scholar, Modern Hebrew Literature, Department of Near Estern Languages and Civilizations, University of Pennsylvania, USA 2005–2006 Gues t Professor, Hebrew Literature, Institut für jüdisch-christliche Forschung, University of Lucerne, Switzerland 2003/2004 Guest Professor, Gender Studies, Institut für jüdisch-christliche Forschung, University of Lucerne, Switzerland 1985–1986 English Department, Haifa University 1983–1989 English Department, Tel Aviv University 1979–1983 Department of Foreign Literatures, Ben Gurion University 1978–1979 English Department, Birkbeck College, University of London 5. Fellowships and Honors 2012 Verdienstkreuz am Bande des Verdienstordens der Bundesrepublik Deutschland (Order of Merit of the Federal Republic of Germany) 2009–2011 Fellow, Flemish Academic Centre for Science and the Arts, Royal Flemish Academy, Brussels, Belgium 1997 Appointed Honorary Professor for Hebrew and Jewish Literature, Hochschule für jüdische Studien, Heidelberg 1989–1990 Alexander-von-Humboldt-Stiftung Fellowship 1987 DAAD (German Academic Exchange Council): Three-months grant 1980 DAAD (German Academic Exchange Council) grant, Marburg University 1976–1978 British Council Stipend for Ph.D. Studies at the University of London 1972 Tuvia Bloch Prize for Academic Excellence, English Department, Tel Aviv University 6. Publications 6.1. Books Wieder im Rampenlicht. Jüdische Rückkehrer im deutschen Theatern nach 1945. Göttingen: Wallstein 2018. (Guest Editor): Spiel-Räume: Juden im deutschen Theater. Sonderheft. Aschkenas. Zeitschrift für Geschichte und Kultur der Juden. 24/2. Berlin, München, Boston: De Gruyter 2014. (Guest Editor): Über Berlin nach Jerusalem. Deutschland und die hebräische Literatur. Trumah. Zeitschrift der Hochschule für Jüdische Studien Heidelberg 21.2011. Heidelberg: Winter Universitätsverlag, 2013. (With Heidy M. Müller and Kamal O. Kolo): Das Ende des Babylonischen Exils. Kulturgeschichtliche Epochenwende in der Literatur der letzten irakisch-jüdischen Autoren. Wiesbaden: Reichert Verlag, 2011. (Ed.) Rück-Blick auf Deutschland. Ansichten hebräischer Autoren. Munich: Verlag text + kritik, 2009. (Ed.) Moderne hebräische Literatur. Ein Handbuch. Munich: Verlag text + kritik, 2005. 2 . Nachklänge: Jüdische Musiker in Deutschland nach 1945. Berlin: Philo Verlag, 2005. George Tabori. Munich: Deutscher Taschenbuch Verlag, 2003. Embodied Memory. The Theatre of George Tabori. Iowa: University of Iowa Press, 1999. (Ed.) Wüstenwind auf der Allee. Zeitgenössische israelische Autoren blicken auf Deutschland. Berlin: Aufbau Verlag, 1998. (Ed.): Die Erben der Propheten. Israelisches Lesebuch. Zürich, Munich: Pendo Verlag, 1998. (Ed.): Rose unter Dornen. Frauenliteratur aus Israel. Gerlingen: Bleicher Verlag 1993. (Ed.): Kultur in Israel. Gerlingen: Bleicher Verlag 1993. Wiedergutmachung im Programm. Jüdisches Schicksal im deutschen Nachkriegsdrama. Cologne: Prometh Verlag 1988. The Infinite Vexation: Mind, Appearance and Reality in Selected Jacobean and Caroline Plays. Ph.D. Thesis, University of London 1978. 6.2. Articles . Literatur, in: Israel. Informationen zur politischen Bildung 336, 1/2018, 55-57. Die besten Seiten: Israelische Literatur, in: Jüdische Allgemeine Zeitung Nr. 11/18, 15.3.2018. Wenn die Sprache Heimat wird. Der Schauspieler Norbert Schiller. Ein Erinnerung, in: Jüdische Allgemeine Zeitung Nr. 1/18, 4.1.2018. Musiktheater und hebräische Identität nach dem Holocaust, in: Judaism in Opera, ed. by Isolde Schmid-Reiter and Aviel Cahn, Schriften der Europäischen Musiktheater- Akademie, Bd. 11. Regensburg: 2017, 297-302. „These Pieces of Art Are Our Rebellion Against the Holocaust…“: Chaya Czernowin, Boston in Conversation with Anat Feinberg, Heidelberg, in: Judaism in Opera, ed. by Isolde Schmid-Reiter and Aviel Cahn, Schriften der Europäischen Musiktheater- Akademie, Bd. 11. Regensburg: 2017, 303-310. Wächter der Demokratie, in: Wilhelm Genziano(Hrsg.): Freiheit und Verantwortung. 95 Thesen heute. Stuttgart: Metzler 2016, 199-200. Drama und Theater von 1933 bis zur Gegenwart, in: Handbuch der deutsch-jüdischen Literatur, ed. by Hans-Otto Horch. Berlin: De Gruyter 2015, 491-499. 3 . Der Aufstieg und Fall des Herrn K.: Claudius Kraushaar und das Alte Schauspielhaus in Stuttgart, in: Ersessene Kunst. Der Fall Gurlitt, ed. by Johannes Heil und Annette Weber. Berlin: Metropol 2015, 165-188. Theater als (Ersatz-)Heimat: Die Remigration des Schauspielers Herbert Grünbaum (1903-1981), in: Spiel-Räume: Juden im deutschen Theater. Sonderheft Aschkenas 24/2, 2014. Tabori, in: Enzyklopädie jüdischer Geschichte und Kultur, ed. by Dan Diner. Vol. 5, . Stuttgart and Weimar: Metzler 2014, 538-543. Der Dichter und sein Land. Amos Oz, in: Jüdische Allgemeine Nr. 18/14, 2. Mai 2014, 17. Versuche und Versuchungen: Hebräische Gegenwartsliteratur und Sprachwandel, in: Jahrbuch des Simon-Dubnow-Instituts XII, Göttingen: Vandenhoeck & Ruprecht, 2013, 367-386. Der Fasan, Bialik und die Sehnsucht nach dem Zuhause, in: Jahrbuch Exilforschung, vol. 31: Dinge des Exils, ed. by Dörte Bischoff und Joachim Schlör, München: Verlag text + kritik, 2013, 250-267. Against “False Piety”: George Tabori and The Merchant of Venice, in: Shakespeare Jahrbuch, 2013, 104-116. ‘Two Different Worlds and a Cemetery between Them’: Dahn Ben Amotz’s Novel To Remember, To Forget, in: Trumah 21.2011, 2013, 69-80. Renaissance der biblischen Sprache, in: Aufbau. Das jüdische Monatsmagazin, Februar 2013, 15-17. Die Helden sind müde. Neue Tendenzen in der israelischen Gegenwartsliteratur, in: Allgemeine Jüdische Wochenzeitung, 6. Juni 2013, 19. Jeckes, in: Enzyklopädie jüdischer Geschichte und Kultur, ed. by Dan Diner. Vol. 3. Stuttgart and Weimar: Metzler, 2012, 180-183. ‘Von Gott begnadete Schauspielerin’: Elisabeth Bergner in Israel, in: Aschkenas. Zeitschrift für Geschichte und Kultur der Juden 2012, 229-246. Brit Mila in der hebräischen Literatur, in: Beschneidung: Das Zeichen des Bundes in der Kritik, hrsg. von Johannes Heil und Stephan J. Kramer. Berlin: Metropol 2012, 61- 68. The Joy of Breaking Taboos: Jews and Postwar German Theatre, in: Jews and Theatre in Intercultural Context, ed. by Edna Nahshon. Leiden and Boston: Brill Publishers 2012, 277-296. Schiller’s Wilhelm Tell in Bialik’s Translation, in: The Russian Jewish Diaspora and European Culture 1917-1937, ed. by Jörg Schulte, Olga Tabachnikova and Peter Wagstaff. Leiden and Boston: Brill Publishers 2012, 11-24. 4 . ‘Hem roim ba uvemischaka et masaat nafsham’: Elisabeth Bergner in Israel (Hebrew), in: Haaretz, Tarbut ve-Sifrut, 9. March 2012, 4. ‘The Sky of Eretz Israel: My Sky’ – Berlin and the Early Yishuv as Reflected in the Letters of Feivel Shraga Grüngard, in: Jewish Lifeworlds and Jewish Thought, ed. by Nathanael Riemer. Wiesbaden: Harrassowitz 2012, 272-283. Modern Ibrani Kurgusal [Modern Hebrew Prose], in: Roman Kahramanlari, ed. by Ömer Asan, 9, Ocak/Mart 2012, 149-155. [Turkish] . Theatre: Europe (Jews in European Theatre), in: The Cambridge Dictionary of Judaism and Jewish Culture, ed. by Judith R. Baskin. Cambridge: CUP 2011, 593-594. Von der Leidenschaft, Tabus zu brechen. Das Theater von George Tabori, in: Täter und Tabu. Grenzen der Toleranz in deutschen und niederländischen Geschichtsdebatten, ed. by Nicole Colin, Matthias N. Lorenz and Joachim Umlauf (Schriften der Bibliothek für Zeitgeschichte, Neue Folge, 25). Essen: Klartext 2011, 105-118. Vom bösen Nathan und edlen Shylock. Überlegungen zur Konstruktion jüdischer Bühnenfiguren in Deutschland nach 1945, in: Shylock nach dem Holocaust: Zur Geschichte einer deutschen Erinnerungsfigur, ed. by Zeno Ackermann and Sabine Schülting (Conditio Judaica 78). Berlin: De Gruyter 2011, 41-61. Sich dem Unbeschreiblichen nähern. Israelis zwischen Erinnerung und Neuanfang, in: Chaya Czernowins Oper „Pnima“. Programmheft der Staatsoper Stuttgart, Juli 2010, 54-58. ‘Wir laden Sie höflich ein’ – The Grüngard Salon and Jew-Zionist Sociability in Berlin in the 1920s, in: Transit und Transformation. Osteuropäisch-jüdische Migranten in Berlin 1918 bis 1939, ed. by Verena Dohrn und Gertrud Pickhan. Göttingen: Wallstein 2010, 235-254. The Rock of Injuries: George Tabori’s Variations on Shylock, in: Maske und Kothurn, Jg. 56 (2010), H. 3, 55-62. Stagestruck: Jewish Attitudes to the Theatre in Wilhelmine Germany, in: Jews and the Making of Modern German Theatre, ed. by Jeanette R. Malkin and Freddie Rokem. Iowa: University of Iowa Press 2010, 59-76.
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