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Lightning Bolt: Ecologia De Imagens, Ruídos E Sonoridades Extremas1
Lightning Bolt: ecologia de imagens, ruídos e sonoridades extremas1 FABRÍCIO LOPES DA SILVEIRA Resumo O artigo se detém, exclusivamente, no vídeo “Dracula Mountain”, para a música homônima do duo de noise-rock norte-americano Lightning Bolt. A intenção, de fato, é bastante restrita: trata-se de descrevê-lo e problematizá-lo, pensando-o em contraponto à sonoridade e à performance musical da banda. Ao final, sustenta-se que o vídeo é sintoma e fruto de uma ecologia midiática muito particular e contemporânea, na qual produtos e gêneros (musicais e audiovisuais), bem como Palavras-chave: hábitos de consumo (musicais e audiovisuais), são refeitos e Noise-rock, audiovisual, (re)potencializados, às vezes invertidos. ecologia da mídia VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 157 Lightning Bolt: an ecology of imagens, noises and extremes sounds FABRÍCIO LOPES DA SILVEIRA Abstract The article is focused exclusively on the music video “Dracula Mountain”, by north American noise-rock band Lightning Bolt. The aim is, in fact, sufficiently restricted: to describe the video and call it in question, considering it as a counterpoint to the band sonority and musical performance. At the end, we state that the video is both a symptom and a product of a very particular and contemporary media ecology, in which musical and audiovisual products and Keywords: genres, as well as musical and audiovisual consumption Noise-rock, audiovisual, media ecology habits are rebuilt and (re)potentialized, sometimes inverted. 158 VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 VISUALIDADES, Goiânia v.9 n.2 p. -
Vodafone Paredes De Coura 2017
DOSSIER DE IMPRENSA VODAFONE PAREDES DE COURA 2017 Vodafone Paredes de Coura Ritmos Edição 2017 Biblioteca Digital Vodafone Vozes da Escrita Vodafone Music Sessions Acções Vodafone Vodafone FM Fest Cool Down Palco Jazz Relva Sobe à Vila Cartaz 2017 Programação por Dias Biografias Contactos 2017 © RITMOS, LDA VODAFONE PAREDES DE COURA 2017 VODAFONE O Vodafone Paredes de Coura está de regresso às margens do Taboão para celebrar a 25.ª edição. paredes DE São 25 anos de história repletos de momentos inesquecíveis. Das atuações COURA memoráveis, ao reencontro entre amigos e ao convívio com a natureza, o festival cresceu e deu fama internacional à vila minhota, que é agora destino de férias de eleição para tantos que a visitam. O Vodafone Paredes de Coura, habitat natural da música, mudou a forma de a ouvir, e viver. Soube despertar tendências, arriscar sonoridades, descobrir novos talentos, consagrar grandes nomes. Uma caminhada de esforços e superações, de provas e de conquistas, de lutas e de vitórias. 25 anos depois, a música continua no centro das atenções de um festival de experiências únicas. A história da música em Portugal não seria a mesma sem o Festival Paredes de Coura. EDIÇÃO 2016 A 24.ª edição materializou o sonho sob a forma de quatro dias de música em comunhão com a natureza, numa celebração conjunta que levou perto de 100 mil pessoas à Praia Fluvial do Taboão. Depois do sucesso da edição de 2015, completamente esgotada, o Vodafone Paredes de Coura continuou a apostar nas melhorias na área do campismo e do anfiteatro natural, que viu o seu espaço ampliado, mas manteve a lotação, o que permitiu receber o público com um cuidado reforçado e proporcionar ainda mais conforto, condições de higiene e segurança. -
May 21-27, 2015
MAY 21-27, 2015 Hotel California ------------ Feature • Tommy James & The Shondells ---------- a salute to the Eagles A Lifetime in Clover By Michele DeVinney lowing its release in movie theaters, the stage version is set to hit Broadway. It’s a surprising story, one made It may be possible that a segment of the popula- even more so because it almost never happened. tion is unfamiliar with the name Tommy James, but it “Hanky Panky,” first recorded in 1964, received is pretty near impossible that anyone walking Planet some local airplay in Niles, but ultimately went no- Earth is unfamiliar with the hits Tommy James & the where. In 1965 the song found an unlikely second life Shondells enjoyed through the late 1960s. The songs when a Pittsburgh DJ found the forgotten gem in a weren’t just popular during their heyday; they contin- bin of old records. He began playing it in dance clubs, ue to sound pitch perfect nearly 50 years later and still and an enterprising bootlegger started distributing the turn up on televi- song to local sion, in film and radio stations. through an as- Unbeknownst to tonishing list of James, he had covers. “I Think a hit single in We’re Alone Pittsburgh. Tickets Now,” “Crim- “The record 6DWXUGD\-XQHSP son and Clover,” had no distribu- $15 “Crystal Blue tion when it first Persuasion,” came out and “Take It Easy” “Heartache Tonight” “Mony Mony” went nowhere, ):$UHD&RPPXQLW\%DQG-XQHSP)5(( and “Hanky so it died. Two Panky” demon- years later I had Foellinger Theatre, 3411 Sherman Blvd. -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Intellectuals (These are excerpts from my book "A History of Rock and Dance Music") As it is often the case with rock genres, "post-rock" had become a term encompassing more than one style, and sometimes simply differentiating the non-song format from the song format. There were three main schools: the "ebbing and flowing" style of post-rock (as in God Speed You Black Emperor and Mogwai), the brainy jazz-influenced style of post-rock (Tortoise), and the original style of post-rock, that was simply a form of non-linear instrumental music (Slint, Don Caballero). Prog-rock, by comparison, tended to be more exuberant (if not bombastic) and more about the technical skills of the musicians. Ambient, noise, glitch and world music all contributed to further confuse the tongue of post-rock. Post-rock in Chicago TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Aesthetically speaking, being "post" something was the artistic manifesto of many in the 2000s. It was basically a generalization of post-modernism: not only pushing the boundaries of existing styles, but reinventing, reinterpreting, recontextualizing them and, ultimately, dismantling them. Chicago's school of post-rock was still alive and kicking in the 2000s, although its focus and scope was rapidly shifting towards the digital soundscape. -
Internazionale1099-1.Pdf
24/29 aprile 2015 • Numero 1099 • Anno 22 “Ma chi ha costruito e messo in moto la macchina del tempo? Un uomo dalle qualità Sommario tutto sommato mediocri” vlAdimir sorokiN, pAgiNA La settimana iN copertiNA Il naufragio dell’Europa Umanità Il numero dei migranti annegati nel Mediterraneo dall’inizio dell’anno è trenta volte più alto rispetto allo stesso periodo del 2014 (p. 14). Nella foto, operazioni di salvataggio al largo di Rodi, 20 aprile 2015 (Xinhua Press/ Giovanni De Mauro Corbis/Contrasto). Citizenfour, il documentario di Laura Poitras europA portfolio tecNologiA che ha vinto l’Oscar, non è un ilm di 22 Genocidio 64 La notte 100 L’interprete spionaggio. È un ilm politico. Racconta la armeno di Okinawa automatico storia di Edward Snowden, ex analista della Novoe Vremja Keizō Kitajima The Atlantic National security agency, uno degli organismi 24 Finlandia governativi statunitensi che si occupano della Le Monde ritrAtti ecoNomiA Haitham e lAvoro sicurezza nazionale. Poitras e Glenn 70 AfricA Abdalrazak 102 Austria- Greenwald, del Guardian, lo intervistano in e medio orieNte Narratively Germania una stanza d’albergo di Hong Kong. Snowden 26 Sudafrica Frankfurter ha 29 anni, è timido, pallido, magro, l’aria da Daily Maverick viAggi Allgemeine Zeitung nerd. Ha visto qualcosa che non gli piace e sa 74 L’Atlantide russa che se parlerà probabilmente non potrà più Americhe Le Monde cultura tornare nel suo paese da uomo libero e forse 30 Ambiente la sua vita sarà in pericolo. Ma sa anche che se El País grAphic 80 Cinema, libri, non sarà lui a parlare probabilmente non lo jourNAlism musica, arte farà nessun altro. -
Cinematic Funk Cult Combo CALIBRO 35 Announce Their 7Th Studio Album “MOMENTUM”
DAN DEACON MYSTIC FAMILIAR OVERVIEW Dan Deacon, composer and performer, returns with his new studio album, Mystic Familiar. Following 2015’s Gliss Riffer, Dan embarked on a whirlwind of collaborative projects, scoring eight fi lms, including Rat Film and Time Trial; collaborating with choreographer Justin Peck on dance piece The Times Are Racing; producing and co-writing with Ed Schrader’s Music Beat; and performing with the Baltimore Symphony Orchestra. While fulfi lling, these projects all lacked one instrument: Dan’s voice. During this time, solo writing became his personal oasis, taking on an exploratory new direction informed by his newly adopted therapeutic practices of self-compassion and mindfulness, daily prompts from Brian Eno’s Oblique Strategies, and meditation to access an inner well of creativity as discussed by David Lynch in Catching the Big Fish. TRACKLISTING The result is Mystic Familiar, 11 kaleidoscopic tracks of majestic synth-pop, and Dan Deacon’s 1. Become a Mountain fi rst record in which each song is built around a single thematic throughline. The titular 2. Hypnagogic character, the Mystic Familiar: a supernatural other being that we carry with us everywhere in 3. Sat By A Tree 4. Arp I: Wide Eyed our head, which only we can hear and with whom we live our lives in eternal conversation. 5. Arp II: Float Away 6. Arp III: Far From Shore These are songs that wield the profundity of a philosopher and the absurdity of a court jester, 7. Arp IV: Any Moment painting life as a psychedelic journey brimming with bliss and disruption, darkness and light. -
Lightning Bolt Rips Aurora Apart
Lightning Bolt Rips Aurora Apart PHOTO CREDIT: Aaron Bressler What better way to kick off your week than getting your ears blown to bits with a bunch of emphatic noise? Lightning Bolt brought that and more to Aurora in Downcity on Mon, May 18 along with electro pop act Unicorn Hard- On, metal punks Extinction Machine and noisegaze act Cottaging. The roof was about to blow off the place, people shuffled in like a bunch of addicts looking for a fix and it was absolutely electrifying. Rhythmic ground zero was at Aurora and musical destruction was taking place. A crazy infectious band with a witty name (look at the definition), Cottaging kicked things off with the walls shaking. Loud and intense, this quartet brings the fury like few can with a hyper sense of distortion and sheer power. Imagine if Drive Like Jehu & My Bloody Valentine had a baby, then Cottaging would be its name. Fantastic riffs and screaming vocals gave the night an authoritative start; I’m very much looking forward to Cottaging’s next show and I’m sure everyone else that was at Aurora on Monday will as well. With Olneyville Sound System’s Dan St. Jacques being a mad man on the mic, Dropdead’s Bob Otis unleashing fury on guitar, Revival Brewing’s Sean Larkin and Lolita Black’s Kaleigh Crass forming a flawless rhythm section on bass and drums, Extinction Machine annihilated everything in sight. They fused sludge metal and hardcore punk together to form an arsenal that conquered the crowd. The walls continued shaking and the music got louder and louder. -
Lightning Bolt: Tour Italiano Dei Lightning Bolt Per L’Uscita Del Nuovo Album “Fantasy Empire”
Lightning Bolt: Tour italiano dei Lightning Bolt per l’uscita del nuovo album “Fantasy Empire” 05/10/2015 “Fantasy Empire is the best they've done it in a long time, and the new sheen makes everything seem magic again” Pitchfork “Death techno played by humans”, così sono stati definiti i Lightning Bolt all’uscita del loro primo album, nel lontano 1999. Da quel momento in poi il noise non è più stato lo stesso. Durante questi due decenni i Lightning Bolt hanno rivoluzionato il rock underground in maniera incommensurabile: il duo ha rotto la barriera tra palco e pubblico, impostando il loro show in mezzo alla folla, le loro esibizioni hanno aperto la strada a tecniche utilizzate da Dan Deacon e centinaia di altri artisti ed il loro sound ha dato vita ad un nuovo tipo di rumore. L’American Noise di Providence violentò i cuori di tutti negli anni 2000 ed oggi, nel 2015, il rumore bianco torna più feroce che mai con l’ultimo album della coppia Brian Chippendale - Brian Gibson: Fantasy Empire. Dopo tre anni di fermo, i due rumoristi tornano con un capolavoro di casa Thrill Jockey. Per la prima volta abbandonano la tanto affezionata Load Records, etichetta underground di riferimento non solo per la scena di Providence ma per tutto il noise di ultima generazione. Questo album denota molti primati, in particolare l'utilizzo di attrezzatura hi-fi per la registrazione dal rinomato studio Machines With Magnes. A differenza degli altri album, Fantasy Empire suona come se il batterista Brian Chippendale e il bassista Brian Gibson stessero suonando ad un metro di distanza; ciò dipende dal lavoro effettuato dallo studio per amplificare l’intensità del suono. -
The New Yorker
Kindle Edition, 2015 © The New Yorker COMMENT UNCLEAR DANGERS BY AMY DAVIDSON In the past few weeks, a certain map has been causing a lot of discussion online and, particularly, in Texas. It shows seven states in the Southwest color-coded as red and “hostile” (Texas, Utah), or blue and “permissive” (California, Colorado, Nevada), or designated “uncertain” but leaning toward hostile (New Mexico) or toward friendly (Arizona). The map also features a circle zeroing in on Texas and acronyms associated with the military. To numerous observers, its meaning is clear: it is a plan for a U.S. military takeover of Texas and beyond, or, perhaps, a rehearsal for civil war and the enforcement of martial law. Resistance is anticipated in some areas, such as the part of Southern California marked as an “insurgent pocket.” The Pentagon quickly explained that the map was actually a prop in a large-scale but routine training exercise called Jade Helm 15, scheduled to take place this summer. Blue and red are standard colors on war-game maps and unconnected to, say, voting patterns. But the theorists were unpersuaded, and the code name seemed to excite them further. (Jade—a reference to China?) Some pointed to several Walmart stores that had abruptly closed and might now, they said, be used as internment camps run by FEMA . (Walmart says it isn’t so—sometimes stores just close.) The matter might have been dismissed as another one of those things that happen on the Internet if Greg Abbott, the governor of Texas, had not sprung into action. -
Book-3 Web.Pdf
ARTIST: ROSE COUSINS TITLE: BRAVADO GENRE: FOLK/AMERICANA RELEASE DATE: FEBRUARY 21, 2020 lp: out9132lp upc: 623339913218 12” slip sleeve, black vinyl cd: out9132cd upc: 623339913225 digipak natomy, Supergirl and Nashville among others. LP CD OVERVIEW Over the last decade, Real Estate have crafted warm yet meticulous, pop-minded music, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. While 2017’s In Mind longed for normalcy against the backdrop of a life as strange as a touring musician’s. The Main Thing brings that longing to a universal and urgent place, acknowledging the anxieties inherent in protecting a quiet existence. What emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks. “I’ve got this family, and I feel this responsibility to gild this crazy world,” says guitarist, singer and primary songwriter Martin Courtney. The record’s most sentimental moments, then, are crystallized home movie flashes directed at Courtney’s children. “I can’t imagine what will be / in your earliest memories,” he sings on “You.” These mentions are set against darker realities; on “A Silent World,” he pleads, “Can’t let you wander off / Out in this wicked world.” Then there’s guitarist Julian Lynch’s first authored song for the band, “Also A But,” in which disembodied vocals intone “a poison bloom” and “mushroom cloud” apocalypse, set against sci-fi synths, unresolved guitars and propulsive drums. Instead of exploiting the juxtapositions between these opposing emotional modes, Real Estate embraces cohabiting contradictions. “It didn’t feel dark to me,” Courtney clarifies. -
Alt-Nation: Lightning Bolt’
Alt-Nation: Lightning Bolt’s Latest and Other Electrifying Shows Lightning Bolt – Fantasy Empire (Thrill Jockey) The first time I experienced the rush of Lightning Bolt live was sometime in the late ’90s. I was talking to someone when Lightning Bolt, without any fanfare, launched a full-on assault. I could barely see through the crowd that was going apeshit huddled around the band playing on the floor, per usual. I had to get closer. Their intensity was like a tractor beam sucking you into the fire of the pit with the adrenaline rush of a rock show. They get saddled with the noise rock tag, which is understandable to a certain extent. But their tunes had this element of experimental jazz where they pound and carve up squalls of feedback to push the song into another dimension. Lightning Bolt will be forever linked to the legendary Fort Thunder — an abandoned warehouse in Eagle Square started by drummer Brian Chippendale and his college roommate. Fort Thunder really harkened the rise of the whole Providence noise rock and Olneyville warehouse scene that is still going today. Fort Thunder grew to host national and local shows as an under-the-radar word-of-mouth thing till the city stepped in and shut it down. But nobody has been able to stop Lighting Bolt. They continue to roll like a freight train into their 21st year as a band. This month Lightning Bolt will release Fantasy Empire, their first full-length album since 2009’s Earthly Delights, although they did release an EP titled Oblivion Hunter in 2012. -
Danger Doom the Suicide Girls Rise Against
MUSICARTPOLITICSCULTURE~ SYSYSTEMS OFTEM A DOWN OF DANGER DOOM THE SUICIDE GIRLS RISE AGAINST ATMOSPHERE RÖYKSOPP MEAR ONE CURRENT TV LMNO VAUX STEVE LAWLER USA $3.99 CANADA $4.99 ISSUE 5 MAX CAVALERA 0 5 0 74470 04910 4 THE (INTERNATIONAL) NOISE CONSPIRACY WWW.WAVMAG.COM WAV FPPDF0- # - 9 #- -9 #9 #-9 + ~ 005 | TABLE OF CONTENTS DANGER DOOM “A lot of the hip-hop nowadays, a lot of the rhymes that you hear, it’s just typical, you can almost predict what it’s about. We wanted Swim Presents... DangerDoom to be the total antithesis of that.” - MF DOOM 18 SYSTEM OF A DOWN “We’re not shooting for their minds, we’re shooting for their hearts... when you change the perception of how someone looks at something, that’s what you’re aiming for.” - Serj Tankian 40 MEAR ONE Originally known as one of the most notorious graff writers on the west coast, Mear One now paints with oil, acrylics, and anything else you can think of while simultaneously showing his work internationally and coast-to-coast. 46 WAVFORMS Atmosphere WAV Slugs it out with the emotionally ravaged MC. His shit’s VAUX 10 gettin’ hotter and hotter...and it ain’t because of global warming. 06 Nine Black Alps 24 The (International) Noise Conspiracy Colossus 26 The Swedes are coming! The Swedes are coming! And they’re Opus Dai 33 brandishing axes! 14 Nillaz 64 The Suicide Girls Young freaky girls...need we say more? 21 Ask Steezo 25 KIA 36 Rise Against Why Wax is So Hot 38 Pound the pavement! Pummel the masses! Rise Rise Rise Against! 28 Spin Off 51 Clothing of the American Mind 52 LMNO Beat the Press - Bayou Nation 54 A true Visionary re-writes the alphabet all hip-hop like.