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Lightning Bolt: Ecologia De Imagens, Ruídos E Sonoridades Extremas1
Lightning Bolt: ecologia de imagens, ruídos e sonoridades extremas1 FABRÍCIO LOPES DA SILVEIRA Resumo O artigo se detém, exclusivamente, no vídeo “Dracula Mountain”, para a música homônima do duo de noise-rock norte-americano Lightning Bolt. A intenção, de fato, é bastante restrita: trata-se de descrevê-lo e problematizá-lo, pensando-o em contraponto à sonoridade e à performance musical da banda. Ao final, sustenta-se que o vídeo é sintoma e fruto de uma ecologia midiática muito particular e contemporânea, na qual produtos e gêneros (musicais e audiovisuais), bem como Palavras-chave: hábitos de consumo (musicais e audiovisuais), são refeitos e Noise-rock, audiovisual, (re)potencializados, às vezes invertidos. ecologia da mídia VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 157 Lightning Bolt: an ecology of imagens, noises and extremes sounds FABRÍCIO LOPES DA SILVEIRA Abstract The article is focused exclusively on the music video “Dracula Mountain”, by north American noise-rock band Lightning Bolt. The aim is, in fact, sufficiently restricted: to describe the video and call it in question, considering it as a counterpoint to the band sonority and musical performance. At the end, we state that the video is both a symptom and a product of a very particular and contemporary media ecology, in which musical and audiovisual products and Keywords: genres, as well as musical and audiovisual consumption Noise-rock, audiovisual, media ecology habits are rebuilt and (re)potentialized, sometimes inverted. 158 VISUALIDADES, Goiânia v.9 n.2 p. 157-175, jul-dez 2011 VISUALIDADES, Goiânia v.9 n.2 p. -
S Final Album,Alt-Nation
Motif Music Award Winners On a rainy Tuesday night, an eclectic crowd of roughly 400 musicians and music lovers, from folk to hardcore, from hip-hop to EDM, gathered to swap stories, down drinks and receive awards. Thanks to all who came out, and thanks to the nearly 4,000 Motif readers who took the time to vote for their favorites. It was awesome to see so much talent in one room – in this case, at The Met Café in Pawtucket. Different styles, genres, ages and instruments all mixed together, including stand-out performances by the amazing School of Rock teens, the almost-performance-art random rock of The Viennagram, the acoustic stylings of Amanda Salemi and hip-hop duo DirtyDurdie. There was something for everyone, in what was probably the most eclectic mix of styles to share a Rhode Island stage in a very, very long time. Big thanks to all, as well as to our many presenters, hosts John Fuzek and BettySioux Tailor, Rhodies Food Truck (rhodiesfoodtruck.tumblr.com), and of course, The Met Café. Yes, there are winners (you picked ‘em!), but Motif puts on this awards show to celebrate all the amazing music and musical talent that’s fostered and we hope will thrive in our small-population, big- talent state. We don’t so much care who won – we’re just glad so many came out to play. [AMERICANA] By: John Fuzek BEST ACT: Consuelo’s Revenge Consuelo doesn’t need revenge this time around. The band, whose self-termed musical label is “Genericana,” showed they are tops in the Americana category this year. -
Brian Gibson (Musician)
Brian Gibson (musician) Brian Gibson (born July 25, 1975) is a musician and artist based out of Providence, Rhode Island. Gibson is best known as the bassist for the band Lightning Bolt. Sound[edit]. Brian Gibson is particularly known for his unique and complex set-up, tuning, and use of his bass guitar. The majority of Gibson's playing draws on fairly simple loops and major/minor chord structures, yet also employs more advanced guitar techniques, such as tapping. Gibson uses a high amount of distortion, feedback and effects. Brian Gibson (born July 25, 1975) is a musician and artist based out of Providence, Rhode Island. Gibson is best known as the bassist for the band Lightning Bolt. In the summer of 2015 he co-founded the game development company Drool. At Drool, he created the art and music for the video game Thumper and co-designed the game alongside Marc Flury. Thumper was released with critical acclaim in October 2016. Bryan Gibson grew up playing baseball, riding BMX bikes, and exploring the woods of the quaint town of Orangeburg, SC. It wasnâ™t until fourteen years after his birth on New Yearâ™s Eve that he picked up a guitar and tried his hand at a set of strings. That was also the year his grandmother Gibson passed awayâ”the first major death in his life. âœUp until that time, I hadnâ™t really been exposed to mortality,â says Bryan. âœI was nowhere near being able to grasp the idea that this all wasnâ™t forever. Brian Gibson is a musician and artist based out of Providence, Rhode Island. -
Nero Magazine
2 / QUI GIACE L’HARD ROCK 4 / BRENT GREEN 8 / EARTH 10 / POLAROID 12 / SILENCE IS SEXY 16 / TO BE CONTINUED... 19 / RIMEDIARE LA REALTA NER O 21 / GARDAR EIDE EINARSSON 26 / SPLITTING 29 / FIGLI DI NUGGETS Neromagazine.it 30 / ALICE IN SYNCHRONICITY 32 / JAPAN DIGITAL MUTATION GIRLS: SAWAKO 34 / WHITE E PORK 36 / RECENSIONI 44 / NERO INDEX 45 / NERO TAPES BIMESTRALE A DISTRIBUZIONE GRATUITA NUMERO 7 DICEMBRE / GENNAIO 2006 Direttore Responsabile: Giuseppe Mohrhoff Direzione Editoriale: Francesco de Figueiredo ([email protected]) Luca Lo Pinto ([email protected]) Valerio Mannucci ([email protected]) Lorenzo Micheli Gigotti ([email protected]) Staff di Redazione: Emiliano Barbieri, Rudi Borsella, Marco Cirese, Ilaria Gianni, Andrea Proia, Francesco Tatò, Francesco Ventrella Collaboratori: Gianni Avella, Marco Costa, Silvia Chiodi, France- sco Farabegoli, Roberta Ferlicca, Francesca Izzi, Alberto Lo Pinto, Federico Narracci,Anna Passarini, Silvia Pirolli, Leandro Pisano, Marta Pozzoli, Francesco M. Russo,Giordano Simoncini, Davide Talia Grafica: Daniele De Santis ([email protected] Industrie Grafiche di Roma) Responsabile Illustrazioni: Carola Bonfili (carolabonfi[email protected]) Invio Materiale: Via degli Scialoja,18 - 00196 ROMA Pubblicità: [email protected] Lorenzo Micheli Gigotti 3391453359 Distribuzione: [email protected] Editore: Produzioni NERO soc. coop. a r.l. Iscrizione Albo Cooperative n° A116843 NERO Largo Brindisi, 5 - 00182 ROMA Tel. / Fax 06 97271252 [email protected] Registrazione al Tribunale di Roma n. 102/04 del 15 marzo 2004 Stampa: OK PRINT via Calamatta 16, ROMA Distribuzione a Milano a cura di Promos Comunicazione www.promoscomunicazione.it copertina di Nicola Pecoraro www.hopaura.org – [email protected] sommario di Carola Bomfili NERO A CASA. -
A Large Shipment of Swimsuits Has Dropped in the Lap of Greek Artist Ioanna Pantazopoulou, Facilitating the Creation of Her Latest Ephemeral Monument
A large shipment of swimsuits has dropped in the lap of Greek artist Ioanna Pantazopoulou, facilitating the creation of her latest ephemeral monument. Pantazopoulou has a knack of masterfully mining the detritus of our everyday consumer culture and transforming it into epic sensation. For this exhibition the artist has created a temporary residence in the gallery by altering the space with a large-scale hut. Ioanna’s sculptures are created on site, therefore the space becomes a vital component to the development of the work. The outcome, simultaneously rough, fragile, and ambiguous, provides a trace of her activity. The viewer will be presented with a hypnotic web of interlocking bikinis used as a curtain wall for the structure. The roof of the dwelling is composed of an excess of tinsel streamers. Pantazopoulou became fascinated with the material after visiting a variety of used car dealerships. The overabundance of bikinis and streamers subvert their original leisurely intentions, and in this new incarnation are used to build an eerie setting. According to the artist the experience of disorder and unexpected combinations is manifested throughout by the re-inventing of rules. In addition to the large scale work there will be a variety of smaller works sculpted from discarded rope climbing gear, hundreds of smuggled Cuban cigar labels, and cast aside piano keys. Brian Chippendale's airy new paintings unveil a secret inner world assembled from raw drawing, scrawled notes, and compulsive doodles. By shedding the density of his past work, Chippendale trades out his heavily-populated collages for visually lighter canvases. The artist’s characteristic rainbow-hued palette remains at play as he edits out the layered space with white to carve out a new arena for expression. -
Vodafone Paredes De Coura 2017
DOSSIER DE IMPRENSA VODAFONE PAREDES DE COURA 2017 Vodafone Paredes de Coura Ritmos Edição 2017 Biblioteca Digital Vodafone Vozes da Escrita Vodafone Music Sessions Acções Vodafone Vodafone FM Fest Cool Down Palco Jazz Relva Sobe à Vila Cartaz 2017 Programação por Dias Biografias Contactos 2017 © RITMOS, LDA VODAFONE PAREDES DE COURA 2017 VODAFONE O Vodafone Paredes de Coura está de regresso às margens do Taboão para celebrar a 25.ª edição. paredes DE São 25 anos de história repletos de momentos inesquecíveis. Das atuações COURA memoráveis, ao reencontro entre amigos e ao convívio com a natureza, o festival cresceu e deu fama internacional à vila minhota, que é agora destino de férias de eleição para tantos que a visitam. O Vodafone Paredes de Coura, habitat natural da música, mudou a forma de a ouvir, e viver. Soube despertar tendências, arriscar sonoridades, descobrir novos talentos, consagrar grandes nomes. Uma caminhada de esforços e superações, de provas e de conquistas, de lutas e de vitórias. 25 anos depois, a música continua no centro das atenções de um festival de experiências únicas. A história da música em Portugal não seria a mesma sem o Festival Paredes de Coura. EDIÇÃO 2016 A 24.ª edição materializou o sonho sob a forma de quatro dias de música em comunhão com a natureza, numa celebração conjunta que levou perto de 100 mil pessoas à Praia Fluvial do Taboão. Depois do sucesso da edição de 2015, completamente esgotada, o Vodafone Paredes de Coura continuou a apostar nas melhorias na área do campismo e do anfiteatro natural, que viu o seu espaço ampliado, mas manteve a lotação, o que permitiu receber o público com um cuidado reforçado e proporcionar ainda mais conforto, condições de higiene e segurança. -
Gigs of My Steaming-Hot Member of Loving His Music, Mention in Your Letter
CATFISH & THE BOTTLEMEN Van McCann: “i’ve written 14 MARCH14 2015 20 new songs” “i’m just about BJORK BACK FROM clinging on to THE BRINK the wreckage” ENTER SHIKARI “ukiP are tAKING Pete US BACKWARDs” LAURA Doherty MARLING THE VERDICT ON HER NEW ALBUM OUT OF REHAB, INTO THE FUTURE ►THE ONLY INTERVIEW CLIVE BARKER CLIVE + Palma Violets Jungle Florence + The Machine Joe Strummer The Jesus And Mary Chain “It takes a man with real heart make to beauty out of the stuff that makes us weep” BLACK YELLOW MAGENTA CYAN 93NME15011142.pgs 09.03.2015 11:27 EmagineTablet Page HAMILTON POOL Home to spring-fed pools and lush green spaces, the Live Music Capital of the World® can give your next performance a truly spectacular setting. Book now at ba.com or through the British Airways app. The British Airways app is free to download for iPhone, Android and Windows phones. Live. Music. AustinTexas.org BLACK YELLOW MAGENTA CYAN 93NME15010146.pgs 27.02.2015 14:37 BAND LIST NEW MUSICAL EXPRESS | 14 MARCH 2015 Action Bronson 6 Kid Kapichi 25 Alabama Shakes 13 Laura Marling 42 The Amorphous Left & Right 23 REGULARS Androgynous 43 The Libertines 12 FEATURES Antony And The Lieutenant 44 Johnsons 12 Lightning Bolt 44 4 SOUNDING OFF Arcade Fire 13 Loaded 24 Bad Guys 23 Lonelady 45 6 ON REPEAT 26 Peter Doherty Bully 23 M83 6 Barli 23 The Maccabees 52 19 ANATOMY From his Thai rehab centre, Bilo talks Baxter Dury 15 Maid Of Ace 24 to Libs biographer Anthony Thornton Beach Baby 23 Major Lazer 6 OF AN ALBUM about Amy Winehouse, sobriety and Björk 36 Modest Mouse 45 Elastica -
Journal Adult Providence .Indd
PROVIDENCE FRACAS PSYCHÉDÉLIQUE EN NOUVELLE-ANGLETERRE DU 4 DÉCEMBRE 2015 AU 22 MAI 2016 MUSÉE INTERNATIONAL DES ARTS MODESTES À SÈTE LE MIAM FÊTE SES 15 ANS À PROVIDENCE 15 ans de découvertes et de recherches pour ouvrir les horizons de l’art contemporain. 15 ans d’expositions pour changer notre regard et faire tomber les frontières. 15 ans à l’affût de créateurs inclassables et d’œuvres rebelles à la taxinomie. Depuis quelques années, le MIAM a prêté ses clés (ainsi que ses équipes et ses modestes budgets) à des artistes qui nous ont dévoilé leurs influences et ont partagé leur biotope artistique avec le public. En 2015, l’exploration continue sous la houlette de l’artiste-commissaire Jonas Delaborde, jeune pousse des années 90, rompu à une pratique de l’art collective qui lui a permis en particulier de tresser des liens transatlantiques avec des dessinateurs et artistes de la ville de Providence aux États-Unis. L’année dernière, j’ai visité cette ville, capitale de l’État de Rhode Island, une des plus anciennes des États-Unis, jamais vraiment remise de son déclin industriel à partir des années 20. J’y allais sur la piste de l’écrivain Lovecraft *, le « reclus de Providence » qui y était né, y avait passé le plus clair de son temps et était devenu l’écrivain mythique qu’on redécouvre aujourd’hui. La mémoire de l’écrivain est discrète dans cette petite ville de province où un café Starbucks occupe sa maison natale. En revanche son héritage est bien présent, vivant dans les œuvres des artistes que j’ai eu la chance de rencontrer et que Jonas Delaborde nous convie à découvrir dans l’exposition Providence : fracas psychédélique en Nouvelle-Angleterre. -
Les Trinitaires Septembre / Décembre 2013
LES TRINITAIRES SEPTEMBRE / DÉCEMBRE 2013 +++++++++++++++++++++++++++++++++++++ LES TRINITAIRES 12, rue des Trinitaires 57000 Metz Contact Presse : Pauline Husser T. : 03 87 201 084 [email protected] www.lestrinitaires.com Aaaah la rentrée. C’est toujours un peu stressant, la rentrée. Alors on regarde autour de soi pour voir si l’on va passer toute cette année en bonne compagnie. Là, on est vite rassuré, avec quelques têtes connues : Zikametz va forcément mettre les petits plats dans les grands pour la boum de son 10e anniversaire, comme vous allez le voir dans les pages qui suivent. Et Musiques Volantes atteint la majorité avec sa 18e édition, mais c’est chaque année comme une renaissance, un foisonnement de découvertes musicales. Et il y a ces cases de l’emploi du temps que l’on connaît déjà un peu : les soirées Jazz, les Release Party, les soirées Puissance, … Quant aux petits nouveaux, ils ne sont pas en reste : le festival Freeeze, qui s’installe en Lorraine et rayonne maintenant jusqu’au Luxembourg, revient cette année pour la deuxième fois aux Trinitaires. La Chapelle accueillera également pour la seconde fois la finale régionale du BuzzBooster. Mais rapidement, on se projette un peu plus loin. Est-ce que l’on va faire aussi bien que l’an dernier au moment du conseil de classe (avec 22 000 spectateurs en 2012, les Trinitaires avaient atteint leur record absolu de fréquentation) ? Est-ce que la fête de fin d’année sera aussi réussie (plus de 20 000 personnes sur la semaine Musiques Hors Format, notre festival gratuit du mois de juin) ? Et puis l’on sait déjà que l’an prochain, on retrouvera à nouveau des têtes connues et des nouveaux, mais que tout ce petit monde change de section : la BAM ouvrira ses portes en 2014 et viendra compléter le Pôle Musiques Actuelles – avec les Trinitaires – et plus largement tout le dispositif Metz en Scènes, avec l’Arsenal. -
Winter 2015/2016
N N December 2015 January/February 2016 Volume 44, No. 2 Winter Orgy® Period N 95.3 FM Mussorgsky: Pictures at an Exhibition; Reiner, Chicago WHRB Program Guide Symphony Orchestra (RCA) Bach: Violin Concerto No. 1 in a, S. 1041; Schröder, Hogwood, Winter Orgy® Period, December, 2015 Academy of Ancient Music (Oiseau-Lyre) Gershwin: Rhapsody in Blue; Katchen, Kertesz, London with highlights for January and February, 2016 Symphony Orchestra (London) Chopin: Waltzes, Op. 64; Alexeev (Seraphim) Rimsky-Korsakov: Scheherazade, Op. 35; Staryk, Beecham, Wednesday, December 2 Royal Philharmonic Orchestra (EMI) Strauss, J., Jr.: On the Beautiful Blue Danube, Op. 314; Karajan, Berlin Philharmonic Orchestra (DG) 6:45 pm HARVARD MEN’S BASKETBALL Tchaikovsky: Ouverture solennelle, 1812, Op. 49; Bernstein, Harvard at Northeastern. Israel Philharmonic Orchestra (DG) 6:45 pm HARVARD MEN’S HOCKEY Harvard at Union. Thursday, December 3 10:00 pm BRIAN CHIPPENDALE (cont.) 10:00 pm BRIAN CHIPPENDALE Hailing from Providence, Rhode Island, drummer Brian Saturday, December 5 Chippendale has been churning out an endless wall of noise since the late 90s. Using a hand-painted and well-beaten drum 5:00 am PERDIDO EN EL SIGLO: A MANU CHAO kit, homemade masks equipped with contact mics, and an ORGY (cont.) array of effect and synthesizer pedals, his sound is powerful, 9:00 am HILLBILLY AT HARVARD relentless, and intensely unique. Best known for his work with 12:45 pm PRELUDE TO THE MET (time approximate) Brian Gibson as one half of noise-rock duo Lightning Bolt, 1:00 pm METROPOLITAN OPERA Chippendale also works with Matt Brinkman as Mindflayer and Puccini: La Bohème; Barbara Frittoli, Ana Maria solo as Black Pus. -
May 21-27, 2015
MAY 21-27, 2015 Hotel California ------------ Feature • Tommy James & The Shondells ---------- a salute to the Eagles A Lifetime in Clover By Michele DeVinney lowing its release in movie theaters, the stage version is set to hit Broadway. It’s a surprising story, one made It may be possible that a segment of the popula- even more so because it almost never happened. tion is unfamiliar with the name Tommy James, but it “Hanky Panky,” first recorded in 1964, received is pretty near impossible that anyone walking Planet some local airplay in Niles, but ultimately went no- Earth is unfamiliar with the hits Tommy James & the where. In 1965 the song found an unlikely second life Shondells enjoyed through the late 1960s. The songs when a Pittsburgh DJ found the forgotten gem in a weren’t just popular during their heyday; they contin- bin of old records. He began playing it in dance clubs, ue to sound pitch perfect nearly 50 years later and still and an enterprising bootlegger started distributing the turn up on televi- song to local sion, in film and radio stations. through an as- Unbeknownst to tonishing list of James, he had covers. “I Think a hit single in We’re Alone Pittsburgh. Tickets Now,” “Crim- “The record 6DWXUGD\-XQHSP son and Clover,” had no distribu- $15 “Crystal Blue tion when it first Persuasion,” came out and “Take It Easy” “Heartache Tonight” “Mony Mony” went nowhere, ):$UHD&RPPXQLW\%DQG-XQHSP)5(( and “Hanky so it died. Two Panky” demon- years later I had Foellinger Theatre, 3411 Sherman Blvd. -
Internazionale1099-1.Pdf
24/29 aprile 2015 • Numero 1099 • Anno 22 “Ma chi ha costruito e messo in moto la macchina del tempo? Un uomo dalle qualità Sommario tutto sommato mediocri” vlAdimir sorokiN, pAgiNA La settimana iN copertiNA Il naufragio dell’Europa Umanità Il numero dei migranti annegati nel Mediterraneo dall’inizio dell’anno è trenta volte più alto rispetto allo stesso periodo del 2014 (p. 14). Nella foto, operazioni di salvataggio al largo di Rodi, 20 aprile 2015 (Xinhua Press/ Giovanni De Mauro Corbis/Contrasto). Citizenfour, il documentario di Laura Poitras europA portfolio tecNologiA che ha vinto l’Oscar, non è un ilm di 22 Genocidio 64 La notte 100 L’interprete spionaggio. È un ilm politico. Racconta la armeno di Okinawa automatico storia di Edward Snowden, ex analista della Novoe Vremja Keizō Kitajima The Atlantic National security agency, uno degli organismi 24 Finlandia governativi statunitensi che si occupano della Le Monde ritrAtti ecoNomiA Haitham e lAvoro sicurezza nazionale. Poitras e Glenn 70 AfricA Abdalrazak 102 Austria- Greenwald, del Guardian, lo intervistano in e medio orieNte Narratively Germania una stanza d’albergo di Hong Kong. Snowden 26 Sudafrica Frankfurter ha 29 anni, è timido, pallido, magro, l’aria da Daily Maverick viAggi Allgemeine Zeitung nerd. Ha visto qualcosa che non gli piace e sa 74 L’Atlantide russa che se parlerà probabilmente non potrà più Americhe Le Monde cultura tornare nel suo paese da uomo libero e forse 30 Ambiente la sua vita sarà in pericolo. Ma sa anche che se El País grAphic 80 Cinema, libri, non sarà lui a parlare probabilmente non lo jourNAlism musica, arte farà nessun altro.