Danny Carey Fearless Jerry Roe Nashville Firebrand
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TAMA STARCLASSIC REVIEWED IN VEGAS THE WORLD’S #1 DRUM MAGAZINE TOOL’S DANNY CAREY FEARLESS JERRY ROE NASHVILLE FIREBRAND SECURITY WIN A $12,000+ PROJECT’S DW JERRY MAROTTA PACKAGE! + DECEMBER 2019 “FIFTY WAYS” REBOOT • MANU KATCHÉ: SOLO ALBUM CHARLIE WATTS: NEW BIOGRAPHY LINDA PITMON: BASEBALL PROJECT/THE MINUS 5 An Icon for an Icon. DW is proud to present the long-awaited Collector’s Series® Jim Keltner Icon Snare Drum. Precise, laser-cut wood inlays are meticulously applied over an all-maple 11-ply VLT shell. A collectible meets highly-playable instrument that will always endure. Legendary, timeless, iconic. To experience more, visit dwdrums.com. ©2019 DRUM WORKSHOP, INC. ALL RIGHTS RESERVED. 12 Modern Drummer June 2014 June 2013 Modern Drummer 1 CONTENTS Volume 43 • Number 12 CONTENTS Cover and contents photos by Travis Shinn 12 AEROSMITH IN VEGAS We check in with drummer Joey Kramer and percussionist Colin Douglas as the band attacks its current Deuces Are Wild Las Vegas residency. 42 SECURITY PROJECT’S JERRY MAROTTA Recreating the sounds and grooves he conceived with Peter Gabriel—and reminding us just how shockingly satisfying they were. by Ken Micallef 48 JERRY ROE By day he makes hits with country-music superstars. By night he pounds it out with his raging rock band. by Jeff Potter 54 LINDA PITMON The drummer at the legendary Peter Buck/ ON THE COVER Steve Wynn/Scott McCaughey axis. by Adam Budofsky 30 TOOL’S DANNY CAREY On the highly anticipated new album, Fear Inoculum, his 60 MANU KATCHÉ thunderous tribal tom grooves and mind-bending odd-meter Avoiding the obvious, ignoring the plaudits, and patterns have never sounded so right. always being himself. by Ilya Stemkovsky by Ilya Stemkovsky 64 REASONS TO LOVE THE VELVET UNDERGROUND This month we check out some classic tracks from the infl uential band and associated artists. by Patrick Berkery LESSONS DEPARTMENTS 66 ROCK ’N’ JAZZ CLINIC 4 AN EDITOR’S OVERVIEW “Fifty Ways to Leave Your Lover” Variations by Dylan Wissing Every Drummer’s a Snowfl ake by Adam Budofsky 68 JAZZ DRUMMER’S WORKSHOP Funkify Your Swing, Part 3 by Steve Fidyk 6 READERS’ PLATFORM What’s Your Favorite Danny Carey Track? 70 AROUND THE WORLD Samba Rhythms, Part 2 by Kiko Freitas 8 OUT NOW Brian Chippendale on Lightning Bolt’s 72 ROCK PERSPECTIVES Sonic Citadel Five-over-Two Variations by Aaron Edgar 10 ON TOUR Andy Woodard and Jola with Adam Ant EQUIPMENT 76 RETAILER PROFILE Memphis Drum Shop 14 PRODUCT CLOSE-UP 80 CRITIQUE Tama Starclassic Walnut/Birch Drumset WIN! A DW package worth Dynamicx Medallion Brass Snares 82 BOOKINGS NickyMoon “1” Series Cymbals more than $12,000! Mike Edison’s Sympathy for the Drummer: Blue Microphones Drangonfl y and Page 62 Why Charlie Watts Matters Mouse Condensers 84 THE 2019 DCI WORLD 22 GEARING UP CHAMPIONSHIP RESULTS Origin’s John Longstreth 87 IN MEMORIAM 26 IN THE STUDIO Harvey Vogel The Off spring’s Pete Parada 88 KIT OF THE MONTH 74 NEW AND NOTABLE A Modern Class Act AN EDITOR’S OVERVIEW Every Drummer’s a Snowfl ake Founder Ronald Spagnardi 1943–2003 o, not that kind of snowfl ake—you’ll have to Nfi nd me at the bar if you want to talk politics. President/CEO Isabel Spagnardi What I’m talking about here is the age-old Senior Vice President Lori Spagnardi concept of every snowfl ake being utterly unique. After forty-odd years of deep conversation and Publisher David Frangioni deeper listening, it’s more obvious to me than Vice President Kevin W. Kearns ever that no two drummers are at all alike. Associate Publisher Tracy A. Kearns No matter how much the public might try to pigeonhole us as a group (of course we’re not all Jim Esposito Advertising Director Bob Berenson like Animal from The Muppet Show), no two of Advertising Assistant LaShanda Gibson us are the same. Not even if we want to be. No matter how much we mimic Senior Art Director Scott G. Bienstock our heroes in the woodshed, or how many of the same records we listen to, Editorial Director Adam J. Budofsky method books we work out of, or snare drums we spend our hard-earned cash on, no two of us will ever be the same. Not exactly. Managing Editor Michael Dawson Don’t get me wrong, I think it’s important to learn what makes the great Editor at Large Billy Amendola drummers tick, and which records represent our art at the highest and most infl uential levels. Likewise, it will only benefi t you to at least have a working knowledge of concepts explored in classic texts like Master Studies and The THE MD PRO PANEL/ADVISORY BOARD: Chris Adler, Kenny Aronoff, Eddie Bayers, Gregg Bissonette, Jason Bittner, Bill Bruford, Will Calhoun, Terri Lyne New Breed. And it’s smart to have experience playing a brass snare drum, a Carrington, Matt Chamberlain, Jeff Davis, Peter Erskine, Daniel Glass, Benny thin jazz ride cymbal, or even a single-headed kit fi tted with Pinstripe heads. Greb, Matt Halpern, Horacio Hernandez, Gerald Heyward, Taku Hirano, Susie But it’s even smarter to realize that no matter how much you understand Ibarra, Jim Keltner, Paul Leim, Peter Magadini, George Marsh, Pat Mastelotto, how those books and records and pieces of gear fi t into the history and Allison Miller, Rod Morgenstein, Andy Newmark, Stephen Perkins, Dafnis evolution of our instrument, we are all unique individuals by both nature Prieto, Rich Redmond, Brian Reitzell, Jim Riley, Antonio Sanchez, Gil Sharone, and nurture, and there’s only so much we can do to force ourselves to play a Chad Smith, Steve Smith, Todd Sucherman, Billy Ward, Kenny Washington, Dave Weckl, Paul Wertico certain way, regardless of our reasons for wanting to. In the drumming world, there’s perhaps no more famous example of this idea than the story of Rush drummer Neil Peart’s early desire to play like his CONTRIBUTING WRITERS: SUBSCRIPTIONS: Patrick Berkery, Stephen Bidwell, U.S. $29.95, Canada $33.95, hero, Keith Moon. The thought seems almost absurd now—could two drum David Ciauro, John Colpitts, Bob Girouard, other international $44.95 stylists be further apart? But as a young player in the ’60s and ’70s, Neil was Mike Haid, John Martinez, Ben Meyer, per year. For two-year doing exactly what one would expect him to: working to get close to the Ken Micallef, Jeff Potter, Will Romano, subscription prices go to www. Bernie Schallehn, Ilya Stemkovsky, Robin moderndrummer.com. secret of the most exciting player of his generation. Fortunately, Neil came Tolleson, Lauren Vogel Weiss, Paul Wells. Single copies $6.99. to the realization that it wasn’t in his makeup to play like Moon, searching MODERN DRUMMER magazine SUBSCRIPTION CORRESPONDENCE: instead within himself to fi nd his own true voice and—and here’s the (ISSN 0194-4533) is published monthly Modern Drummer, PO Box 274, Oregon, important part—honing his idiosyncrasies in the practice room and within by MODERN DRUMMER Publications, IL 61061-9920. Change of address: the music of his band. Inc., 271 Route 46 West, Suite H-214, Allow at least six weeks for a change. Fairfi eld, NJ 07004. PERIODICALS Please provide both old and new Every month in Modern Drummer you can fi nd examples of professional MAIL POSTAGE paid at Fairfi eld, NJ address. Call 800-551-3786 or 815- drummers who’ve become successful with this basic formula: fi gure out 07004 and at additional mailing offi ces. 732-5283. Phone hours, what’s worked for others, take the things you like, leave the things you don’t, Copyright 2019 by MODERN DRUMMER 8AM–4:30PM Monday–Friday CST, Publications, Inc. All rights reserved. or visit Subscriber Services at and make your own way. This issue, however, seems to illustrate the concept Reproduction without the permission of the www.moderndrummer.com. particularly well. Cover artist Danny Carey has developed his own vocabulary publisher is prohibited. POSTMASTER: Send address changes to built on the explorations of his fusion heroes, fueled by his own polymetric EDITORIAL/ADVERTISING/ Modern Drummer, PO Box 274, Oregon, and sonic ideas, and tweaked by the possibilities of modern electronics. ADMINISTRATIVE OFFICES: IL 61061-9920. Jerry Marotta focused his timekeeping ideas on the toms and helped Peter MODERN DRUMMER Publications, 271 Route 46 West, Suite H-214, Canadian Publications Mail Agreement Gabriel defi ne his own legendary sound. Jerry Roe somehow fi nds the Fairfi eld, NJ 07004. Tel: 973-239- No. 41480017 Return undeliverable commonalities of classic prog rock and Americana, and uses it to freshen up 4140. Fax: 973-239-7139. Canadian addresses to: PO Box 875, Stn A, Nashville tracks. And Linda Pitmon identifi ed the core elements of alternative Email: [email protected]. Windsor ON N9A 6P2 rock that literally saved her life, and learned how to bring that energy and MODERN DRUMMER welcomes MEMBER: National Association of Music effi ciency to the work of multiple legendary rock fi gures. manuscripts and photos but cannot Merchants, Percussive Arts Society So, the question is, how are you going to be you? assume responsibility for them. MODERN DRUMMER ONLINE: www.moderndrummer.com PRINTED IN THE UNITED STATES Adam Budofsky Editorial Director Music Key facebook.com/moderndrummer @modern_drummer +moderndrummer @modern_drummer 4 Modern Drummer December 2019 No other retailer off ers more for drummers than Sweetwater Cymbals and hardware not included. and hardware Cymbals Zildjian Shell pack only. Shell pack only. 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