Prisoner Express Poetry Anthology Volume 14
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Focus Asia Subscribe for Free Direct to Your Inbox Every Week Anzbloodstocknews.Com/Asia
FOCUS ASIA SUBSCRIBE FOR FREE DIRECT TO YOUR INBOX EVERY WEEK ANZBLOODSTOCKNEWS.COM/ASIA Wednesday, June 9, 2021 | Dedicated to the Australasian bloodstock industry - subscribe for free: Click here STEVE MORAN - PAGE 13 FOCUS ASIA - PAGE 11 Valuable mare Tofane Read Tomorrow's Issue For It's In The Blood could still be on the market What's on Winter carnival to determine whether daughter of Ocean Park Metropolitan meetings: Canterbury races on next season (NSW), Belmont (WA) Race Meetings: Sale (VIC), Sunshine Coast (QLD), Strathalbyn (SA), Matamata (NZ) Barrier trials / Jump-outs: Kembla Grange (NSW), Pakenham (VIC), Mornington (VIC), Wangaratta (VIC) International meetings: Happy Valley (HK), Hamilton (UK), Haydock (UK), Kempton (UK), Yarmouth (UK), Cork (IRE), Lyon (FR) Sales: Inglis Digital June (Early) Sale International Sales: OBS June 2YOs and Horses of Racing Age (USA) Toofane RACING PHOTOS Coast auction last month, ran on well to finish BY TIM ROWE | @ANZ_NEWS runner-up to Emerald Kingdom (Bryannbo’s MORNING BRIEFING tradbroke Handicap (Gr 1, 1400m) Gift) in the BRC Sprint (Gr 3, 1350m) on May contender Tofane (Ocean Park), 22, a performance that convinced her owners Oaks winner Personal to whose racetrack career was extended to race her on during the Queensland winter race in the US after connections gave up a gilt- carnival. VRC Oaks (Gr 1, 2500m) winner Personal (Fastnet Sedged opportunity to sell the valuable mare at “There’s no doubt that she was highly sought Rock) is moving to the US to be trained in New the Magic Millions National Broodmare Sale, after. We had a lot of enquiry for her leading into York by Chad Brown. -
Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM Table of Contents
MUsic Piano • Vocal • Guitar • Folk Instruments • Electronic Keyboard • Instrumental • Drum ADDENDUM table of contents Sheet Music ....................................................................................................... 3 Jazz Instruction ....................................................................................... 48 Fake Books........................................................................................................ 4 A New Tune a Day Series ......................................................................... 48 Personality Folios .............................................................................................. 5 Orchestra Musician’s CD-ROM Library .................................................... 50 Songwriter Collections ..................................................................................... 16 Music Minus One .................................................................................... 50 Mixed Folios .................................................................................................... 17 Strings..................................................................................................... 52 Best Ever Series ...................................................................................... 22 Violin Play-Along ..................................................................................... 52 Big Books of Music ................................................................................. 22 Woodwinds ............................................................................................ -
Subjugation IV
Subjugation 4 Tribulation by Fel (aka James Galloway) ToC 1 To: Title ToC 2 Chapter 1 Koira, 18 Toraa, 4401, Orthodox Calendar Wednesday, 28 January 2014, Terran Standard Calendar Koira, 18 Toraa, year 1327 of the 97th Generation, Karinne Historical Reference Calendar Foxwood East, Karsa, Karis Amber was starting to make a nuisance of herself. There was just something intrinsically, fundamentally wrong about an insufferably cute animal that was smart enough to know that it was insufferably cute, and therefore exploited that insufferable cuteness with almost ruthless impunity. In the 18 days since she’d arrived in their house, she’d quickly learned that she could do virtually anything and get away with it, because she was, quite literally, too cute to punish. Fortunately, thus far she had yet to attempt anything truly criminal, but that didn’t mean that she didn’t abuse her cuteness. One of the ways she was abusing it was just what she was doing now, licking his ear when he was trying to sleep. Her tiny little tongue was surprisingly hot, and it startled him awake. “Amber!” he grunted incoherently. “I’m trying to sleep!” She gave one of her little squeaking yips, not quite a bark but somewhat similar to it, and jumped up onto his shoulder. She didn’t even weigh three pounds, she was so small, but her little claws were like needles as they kneaded into his shoulder. He groaned in frustration and swatted lightly in her general direction, but the little bundle of fur was not impressed by his attempts to shoo her away. -
MCA-500 Reissue Series
MCA 500 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-500 Reissue Series: MCA 500 - Uncle Pen - Bill Monroe [1974] Reissue of Decca DL 7 5348. Jenny Lynn/Methodist Preacher/Goin' Up Caney/Dead March/Lee Weddin Tune/Poor White Folks//Candy Gal/Texas Gallop/Old Grey Mare Came Tearing Out Of The Wilderness/Heel And Toe Polka/Kiss Me Waltz MCA 501 - Sincerely - Kitty Wells [1974] Reissue of Decca DL 7 5350. Sincerely/All His Children/Bedtime Story/Reno Airport- Nashville Plane/A Bridge I Just Can't Burn/Love Is The Answer//My Hang Up Is You/Just For What I Am/It's Four In The Morning/Everybody's Reaching Out For Someone/J.J. Sneed MCA 502 - Bobby & Sonny - Osborne Brothers [1974] Reissue of Decca DL 7 5356. Today I Started Loving You Again/Ballad Of Forty Dollars/Stand Beside Me, Behind Me/Wash My Face In The Morning/Windy City/Eight More Miles To Louisville//Fireball Mail/Knoxville Girl/I Wonder Why You Said Goodbye/Arkansas/Love's Gonna Live Here MCA 503 - Love Me - Jeannie Pruett [1974] Reissue of Decca DL 7 5360. Love Me/Hold To My Unchanging Love/Call On Me/Lost Forever In Your Kiss/Darlin'/The Happiest Girl In The Whole U.S.A.//To Get To You/My Eyes Could Only See As Far As You/Stay On His Mind/I Forgot More Than You'll Ever Know (About Her)/Nothin' But The Love You Give Me MCA 504 - Where is the Love? - Lenny Dee [1974] Reissue of Decca DL 7 5366. -
Songs by Artist 08/29/21
Songs by Artist 09/24/21 As Sung By Song Title Track # Alexander’s Ragtime Band DK−M02−244 All Of Me PM−XK−10−08 Aloha ’Oe SC−2419−04 Alphabet Song KV−354−96 Amazing Grace DK−M02−722 KV−354−80 America (My Country, ’Tis Of Thee) ASK−PAT−01 America The Beautiful ASK−PAT−02 Anchors Aweigh ASK−PAT−03 Angelitos Negros {Spanish} MM−6166−13 Au Clair De La Lune {French} KV−355−68 Auld Lang Syne SC−2430−07 LP−203−A−01 DK−M02−260 THMX−01−03 Auprès De Ma Blonde {French} KV−355−79 Autumn Leaves SBI−G208−41 Baby Face LP−203−B−07 Beer Barrel Polka (Roll Out The Barrel) DK−3070−13 MM−6189−07 Beyond The Sunset DK−77−16 Bill Bailey, Won’t You Please Come Home? DK−M02−240 CB−5039−3−13 B−I−N−G−O CB−DEMO−12 Caisson Song ASK−PAT−05 Clementine DK−M02−234 Come Rain Or Come Shine SAVP−37−06 Cotton Fields DK−2034−04 Cry Like A Baby LAS−06−B−06 Crying In The Rain LAS−06−B−09 Danny Boy DK−M02−704 DK−70−16 CB−5039−2−15 Day By Day DK−77−13 Deep In The Heart Of Texas DK−M02−245 Dixie DK−2034−05 ASK−PAT−06 Do Your Ears Hang Low PM−XK−04−07 Down By The Riverside DK−3070−11 Down In My Heart CB−5039−2−06 Down In The Valley CB−5039−2−01 For He’s A Jolly Good Fellow CB−5039−2−07 Frère Jacques {English−French} CB−E9−30−01 Girl From Ipanema PM−XK−10−04 God Save The Queen KV−355−72 Green Grass Grows PM−XK−04−06 − 1 − Songs by Artist 09/24/21 As Sung By Song Title Track # Greensleeves DK−M02−235 KV−355−67 Happy Birthday To You DK−M02−706 CB−5039−2−03 SAVP−01−19 Happy Days Are Here Again CB−5039−1−01 Hava Nagilah {Hebrew−English} MM−6110−06 He’s Got The Whole World In His Hands -
THE FABULOUS BAKER BOYS" an Original Screenplay by Steve Kloves
"THE FABULOUS BAKER BOYS" An Original Screenplay by Steve Kloves WARNER BROS.INC. 4000 Warner Boulevard Burbank, California 91522 April, 1985 (C) 1985 WARNER BROS. INC. All Rights Reserved "THE FABULOUS BAKER BOYS" FADE IN: JACK BAKER is standing before a dirty window, looking out at a dirty city street. He is wearing a tuxedo. VOICE (O.S.) Hey. WIDEN ANGLE It's the GIRL from this afternoon. JACK Hey. Jack looks at the Girl, sleepy and warm under the bedcovers, then at the rest of the apartment. Not good. GIRL Whatcha doin' over there? JACK Gotta go. GIRL How come? JACK Job. The Girl glances at the bedside clock. GIRL Funny hours. JACK Funny job. GIRL Will I see you again? Jack looks out at the dirty street again. JACK No. The Girl doesn't appear terribly unnerved by this. GIRL (at the tux) You weren't wearing that, were you? Earlier. Jack shakes his head, taps a brown paper bag on the sill. JACK Brought it. GIRL Shit, thank God. You look like a creep. JACK Thanks. GIRL I mean, I'd hate to think I'd pick up someone who wore that shit. Jack smiles, grabs the paper bag, and moves to the door. GIRL (continuing) Hey. (as he stops) You got great hands. EXT. STREET - JACK Jack ain't exactly Cary Grant, but any guy wearing a tux on these streets doesn't exactly mesh with the milieu. Pausing for a flask of whiskey at an all-night liquor store, he breaks the seal before he hits the sidewalk and moves on, drinking as he goes. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
Legal Writing, the Remix: Plagiarism and Hip Hop Ethics
Mercer Law Review Volume 63 Number 2 Articles Edition Article 4 3-2012 Legal Writing, the Remix: Plagiarism and Hip Hop Ethics Kim D. Chanbonpin Follow this and additional works at: https://digitalcommons.law.mercer.edu/jour_mlr Part of the Cultural Heritage Law Commons, and the Legal Writing and Research Commons Recommended Citation Chanbonpin, Kim D. (2012) "Legal Writing, the Remix: Plagiarism and Hip Hop Ethics," Mercer Law Review: Vol. 63 : No. 2 , Article 4. Available at: https://digitalcommons.law.mercer.edu/jour_mlr/vol63/iss2/4 This Article is brought to you for free and open access by the Journals at Mercer Law School Digital Commons. It has been accepted for inclusion in Mercer Law Review by an authorized editor of Mercer Law School Digital Commons. For more information, please contact [email protected]. Legal Writing, the Remix: Plagiarism and Hip Hop Ethics by Kim D. Chanbonpin I. PRELUDE I begin this Article with a necessary caveat. Although I place hip hop music and culture at the center of my discussion about plagiarism and legal writing pedagogy, and my aim here is to uncover ways in which hip hop can be used as a teaching tool, I cannot claim to be a hip hop head.' A hip hop "head" is a devotee of the music, an acolyte of its discourse, and, oftentimes, an evangelist spreading the messages contained therein.2 One head, the MC' (or emcee) KRS-One,4 uses religious * Assistant Professor of Law, The John Marshall Law School (Chicago). University of California, Berkeley (B.A., 1999); University of Hawaii (J.D., 2003); Georgetown University Law Center (LL.M., 2006). -
Central Sand Hills Ecological Landscape
Chapter 9 Central Sand Hills Ecological Landscape Where to Find the Publication The Ecological Landscapes of Wisconsin publication is available online, in CD format, and in limited quantities as a hard copy. Individual chapters are available for download in PDF format through the Wisconsin DNR website (http://dnr.wi.gov/, keyword “landscapes”). The introductory chapters (Part 1) and supporting materials (Part 3) should be downloaded along with individual ecological landscape chapters in Part 2 to aid in understanding and using the ecological landscape chapters. In addition to containing the full chapter of each ecological landscape, the website highlights key information such as the ecological landscape at a glance, Species of Greatest Conservation Need, natural community management opportunities, general management opportunities, and ecological landscape and Landtype Association maps (Appendix K of each ecological landscape chapter). These web pages are meant to be dynamic and were designed to work in close association with materials from the Wisconsin Wildlife Action Plan as well as with information on Wisconsin’s natural communities from the Wisconsin Natural Heritage Inventory Program. If you have a need for a CD or paper copy of this book, you may request one from Dreux Watermolen, Wisconsin Department of Natural Resources, P.O. Box 7921, Madison, WI 53707. Photos (L to R): Karner blue butterfly, photo by Gregor Schuurman, Wisconsin DNR; small white lady’s-slipper, photo by Drew Feldkirchner, Wisconsin DNR; ornate box turtle, photo by Rori Paloski, Wisconsin DNR; Fassett’s locoweed, photo by Thomas Meyer, Wisconsin DNR; spatterdock darner, photo by David Marvin. Suggested Citation Wisconsin Department of Natural Resources. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Ja Rule Rule 336 Full Album Zip
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Official Thesis (Work)
MONSTERS IN THE EAST ! An Undergraduate Research Scholars Thesis by MASON LYLE MORGAN ! Submitted to Honors and Undergraduate Research Texas A&M University in partial fulfillment of the requirements for the designation as an ! UNDERGRADUATE RESEARCH SCHOLAR ! Approved by Research Advisor: Dr. Nathan Bracher ! May 2014 ! Major: English ! ! ! TABLE OF CONTENTS Page ABSTRACT………………………………………………………………………………… 1 CHAPTER I INTRODUCTION…………………………………………………………. 2 II LITERATURE REVIEW………………………………………………….. 5 III MONSTERS IN THE EAST………………………………………………. 10 IV CONCLUSION……………………………………………………………. 50 REFERENCES…………………………………………………………………………… 52 ! ! ! ! ! ! ! ABSTRACT Monsters In The East. (May 2014) Mason Lyle Morgan Department of English Texas A&M University ! Research Advisor: Dr. Nathan Bracher Department of International Studies ! This research is an attempt to implement various artistic aesthetics inspired by the world wars into a fictional narrative focused an artist’s struggle in wartime. Works by Tristan Tzara, William Burroughs, Andre Breton, Hugo Ball, and Jack Kerouac were read to provide aesthetic and structural inspiration. The goal of the project was, by analyzing and replicating the styles and subject matter of these artists, to put the reader into the mindset of an artist experiencing traumatic events and thus understand how war affects art. ! ! ! ! ! ! "1 INTRODUCTION Art is difficult to define. An obvious definition is an object that demands admiration, such as a painting or a sculpture, while art can also define great workmanship, such as the ‘art’ of carpentry. Some may even define science itself as an art. Given the word’s multiple applications, people often believe it is easier to define what isn’t art, but this is an equally unfriendly approach. By nature, art is subjective; what some find beautiful may repulse others.