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Ashanti Ja Rule Dating
Ashanti joins HuffPost Live to discuss her relationship with rapper Ja Rule. Subscribe to The Morning Email. Wake up to the day's most important news. CONVERSATIONS. Today is National Voter Registration Day! We made it easy for you to exercise your right to vote! Register Now! News;. Jan 27, · Ja Rule’s Girlfriend. Ja Rule is single. He is not dating anyone currently. Ja had at least 4 relationship in the past. Ja Rule has not been previously engaged. He has three children, Brittney, Jeffrey and Jordan, with his wife Aisha Murray Atkins, who he married in April According to our records, he has 3 renuzap.podarokideal.ruality: American. May 19, · Longtime collaborators, Ja Rule and Ashanti, have been linked together in romance rumors for the last two decades and, given their amazing musical chemistry, some fans assumed it . May 19, · Dispute the rumors over the past years, Ashanti is denying that she ever dated Ja Rule. The princess of R&B, Ashanti, jumped on Instagram live with Fat Joe and revealed that the two never shared a romantic relationship. As we know, Ashanti and Ja have been linked together for the past two decades, and collectively put out numerous amount of hits. May 18, · From there Ashanti was a household name, often performing with her friend and label-mate, rapper JaRule. The singer and rapper collaborated on numerous songs like, “Always On Time” and Ja Rule is often rapping or acting as a hypeman on her songs. Mar 07, · Ashanti joins HuffPost Live to discuss her relationship with rapper Ja Rule. -
Eminem Interview Download
Eminem interview download LINK TO DOWNLOAD UPDATE 9/14 - PART 4 OUT NOW. Eminem sat down with Sway for an exclusive interview for his tenth studio album, Kamikaze. Stream/download Kamikaze HERE.. Part 4. Download eminem-interview mp3 – Lost In London (Hosted By DJ Exclusive) of Eminem - renuzap.podarokideal.ru Eminem X-Posed: The Interview Song Download- Listen Eminem X-Posed: The Interview MP3 song online free. Play Eminem X-Posed: The Interview album song MP3 by Eminem and download Eminem X-Posed: The Interview song on renuzap.podarokideal.ru 19 rows · Eminem Interview Title: date: source: Eminem, Back Issues (Cover Story) Interview: . 09/05/ · Lil Wayne has officially launched his own radio show on Apple’s Beats 1 channel. On Friday’s (May 8) episode of Young Money Radio, Tunechi and Eminem Author: VIBE Staff. 07/12/ · EMINEM: It was about having the right to stand up to oppression. I mean, that’s exactly what the people in the military and the people who have given their lives for this country have fought for—for everybody to have a voice and to protest injustices and speak out against shit that’s wrong. Eminem interview with BBC Radio 1 () Eminem interview with MTV () NY Rock interview with Eminem - "It's lonely at the top" () Spin Magazine interview with Eminem - "Chocolate on the inside" () Brian McCollum interview with Eminem - "Fame leaves sour aftertaste" () Eminem Interview with Music - "Oh Yes, It's Shady's Night. Eminem will host a three-hour-long special, “Music To Be Quarantined By”, Apr 28th Eminem StockX Collab To Benefit COVID Solidarity Response Fund. -
The Co-Construction of Whiteness in an Mc Battle
Pragmatics 17:1.9-22 (2007) International Pragmatics Association DOI: 10.1075/prag.17.1.01cut THE CO-CONSTRUCTION OF WHITENESS IN AN MC BATTLE Cecelia Cutler Abstract Within hip-hop, MC (Master of Cermonies) battles are one of the most visible and potentially humiliating venues for demonstrating one’s verbal skill. Competitors face each other in front of an audience. Each has a minute to “diss” his or her opponent against a backdrop of rhythms produced by a DJ. Each participant’s performance generally consists of “freestyle” or spontaneously generated rhymes designed to belittle some aspect of the opponent’s appearance, rhyming style or place of origin, and ritual insults directed at his or her mother, sister, or crew. Opponents show good will by embracing afterwards. Ultimately the audience decides who wins by applauding louder for one opponent than the other at the end of the battle. Using the framework of interactional sociolinguistics (Goffman 1974, 1981), I will analyze clips from a televised MC battle in which the winning contestant was a White teenager from the Midwest called “Eyedea.” I will show how Eyedea and his successive African American opponents, “R.K.” and “Shells”, participate in the co-construction of his Whiteness. Eyedea marks himself linguistically as White by overemphasizing his pronunciation of /r/ and by carefully avoiding Black ingroup forms of address like “nigga” (c.f. Smitherman 1994). R.K. and Shells construct Eyedea’s Whiteness largely in discursive ways – by pointing out his resemblance to White actors, and alluding to television shows with White cultural references. Socially constructed racial boundaries must be acknowledged in these types of performances because Whiteness (despite the visibility of White rappers like Eminem) is still marked against the backdrop of normative Blackness in hip-hop (Boyd 2002). -
Legal Writing, the Remix: Plagiarism and Hip Hop Ethics
Mercer Law Review Volume 63 Number 2 Articles Edition Article 4 3-2012 Legal Writing, the Remix: Plagiarism and Hip Hop Ethics Kim D. Chanbonpin Follow this and additional works at: https://digitalcommons.law.mercer.edu/jour_mlr Part of the Cultural Heritage Law Commons, and the Legal Writing and Research Commons Recommended Citation Chanbonpin, Kim D. (2012) "Legal Writing, the Remix: Plagiarism and Hip Hop Ethics," Mercer Law Review: Vol. 63 : No. 2 , Article 4. Available at: https://digitalcommons.law.mercer.edu/jour_mlr/vol63/iss2/4 This Article is brought to you for free and open access by the Journals at Mercer Law School Digital Commons. It has been accepted for inclusion in Mercer Law Review by an authorized editor of Mercer Law School Digital Commons. For more information, please contact [email protected]. Legal Writing, the Remix: Plagiarism and Hip Hop Ethics by Kim D. Chanbonpin I. PRELUDE I begin this Article with a necessary caveat. Although I place hip hop music and culture at the center of my discussion about plagiarism and legal writing pedagogy, and my aim here is to uncover ways in which hip hop can be used as a teaching tool, I cannot claim to be a hip hop head.' A hip hop "head" is a devotee of the music, an acolyte of its discourse, and, oftentimes, an evangelist spreading the messages contained therein.2 One head, the MC' (or emcee) KRS-One,4 uses religious * Assistant Professor of Law, The John Marshall Law School (Chicago). University of California, Berkeley (B.A., 1999); University of Hawaii (J.D., 2003); Georgetown University Law Center (LL.M., 2006). -
Profile of Kenneth 'Supreme' Mcgriff; Vibe Magazine (PDF)
( I E o i € zln { n .t o = '9 = lll 4 UI E r ;{o ,>E il F 0 ;i o ;{i= fi i> :;1,{ N: { -:!n :ro -tnf! E -a F -o \| D 3 ,\ hen Kenneth" Supreme"M cGriffis led Flashy hustlers like Ronald "Bumps" Bassettw ere becoming neigh- downf rom hisc ellt o a closet-sizceo n- bothood role models, flauntingan alluringlifestyle beyond the reach ferenceroom, his mood shiftsfrom jovial of working-classQ reens. to fierce." Peoplein heret hink I should Soon McGriff formed a small crew of his own, selling retail be very angrywith you," McGriff says, amounts ofcoke in SouthJamaica'sB aisleyP arkH ouses.H e reclris- pulling a chair up. "They sayt hat you tened himselfSupreme in the Five Percenttradition and dubbed his madem el ook-" he'pausesse, archinfgo r crew the Supreme Team. At first the crew was conflicted about the right word-'buffoonish." embracing both the Five Percentersa nd the Qreens underworld. "A Supremeis n ot beingo versensitive. lot of the brothers and sistersd idn't like the idea that we hustled Just before ourJanuary meeting at the Metropolitan Detention becausei twas contrary to the lessons,' remembersc lose childhood Centerin Brooklyn,I had come outwith abo okcalledQyeensR tigns friend Knowledge, who askedu s not to discloseh is government Supreme: Fat Cat,5o Cent,and the Riseofthe HiVHop Hustlnthat chron- name. But the drug money in the early r98osp roved irresistible,a nd icled his stewardshipo f the crack-dealingS upremeT eam during the crew began growing into its grandiosem oniker. the r98os,i ncluding a raid on a stashh ouse in which he was busted Crack's arrival in 1985l eveled the playing field between estab- with blow on his face. -
Val Emmich ‘Slows It Down’ Upcoming Musician Is Emo’S Latest Voice of Rock Page 5 January 3, 2 0 0 5What’S Inside
MUSIC: ‘The Game’ revives west coast hip-hop MOVIE: Extreme DVD Full proves pain is universal FASHION: What to wear when you can’t find a thing in your closet EFFECTTitan Entertainment Guide The Hives shake things up at the House of Blues Val Emmich ‘slows it down’ Upcoming musician is emo’s latest voice of rock Page 5 January 3, 2 0 0 5What’S Inside Dave Muscato, an Apple fan, has opened www.freefi ona.com in an Contents attempt to make Sony release the album … 50 Cent has dropped the 02 News Briefs “Saint Valentineʼs Day” from his Calendar album title and is simply calling his sophomore effort “The Mas- 03 Movies- Are We There Yet sacre.” A video for the albumʼs Slammed second single “Candy Shop” will Flashback favorite-After be hitting the airwaves this week and the album will drop in March. School Specials Fans of System of a Down have 04 Music- The Hives two reasons to be thankful in 2005. The band will release “Hypno- Lassie Foundation tize,” featuring the single “Ciga- 05 The Game ro,” in late April and a second disc Columbia Pictures called “Mesmerize” in the sum- Val Emmich mer…Alex Garland who penned 06 Food-Brooklyn Pizza Works News Briefs of “How to Dismantle an Atomic “28 Days Later” has been tapped Book- He’s not that into you Bomb. to write “Saw 2” which will make 07 Fashion- Style Scout Head of The Inc., Irv Gotti Trent Reznor of Nine Inch itʼs way to theaters in late Octo- and his brother Chris, have been Nails announced that the bandʼs ber…Peter Jacksonʼs remake of charged with laundering more long awaited album, “With Teeth”, “King Kong,” which starts Naomi than $1 million in drug money which features drumming from Watts and Jack Black, has resumed through the record label. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
Ja Rule Pain Is Love Mp3, Flac, Wma
Ja Rule Pain Is Love mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: Pain Is Love Country: Canada Released: 2001 Style: Gangsta, RnB/Swing, Thug Rap MP3 version RAR size: 1679 mb FLAC version RAR size: 1424 mb WMA version RAR size: 1191 mb Rating: 4.9 Votes: 136 Other Formats: MP1 XM AU AC3 VOC AAC VQF Tracklist Hide Credits 1 Pain Is Love (Skit) 1:18 Dial M For Murder 2 3:33 Bass – Gimi Taylor*Co-producer – Ty Fyffe*Written-By – D. De Young*, T. Fyffe* Livin' It Up 3 Featuring [Feat.] – CaseMixed By – Supa Engineer DURO*Written-By – R. Mays*, S. 4:17 Wonder* The Inc. 4 3:57 Featuring [Feat.] – Ashanti, Black Child, Caddillac TahWritten-By – A. Douglas* Always On Time 5 4:05 Featuring [Feat.] – AshantiVocals [Additional] – Ashanti Douglas Down A** B**ch 6 5:31 Featuring [Feat.] – ChuckWritten-By – T. Lane* 7 Never Again 4:19 Worldwide Gangsta 8 Featuring [Feat.] – Black Child, Boo & Gotti, Caddillac TahWritten-By – M. Mitchell*, S. 3:20 Sledge* 9 Leo (Skit) 2:19 I'm Real (Murder Remix) 10 Bass – Marty OstererFeaturing [Feat.] – Jennifer LopezWritten-By – C. Rooney*, J. Lopez*, 4:13 L. Lewis*, R. James*, T. Oliver* Smokin And Ridin 11 4:51 Featuring [Feat.] – Jodie Mack*, O-1Written-By – C. Bristol*, O. Miller* X 12 Featuring [Feat.] – Missy "Misdemeanor" Elliott*, TweetRecorded By – Brian 5:02 SpringerWritten-By – C. Keys*, M. Elliott* 13 Big Remo (Skit) 0:20 14 Lost Little Girl 5:01 So Much Pain 15 5:03 Featuring [Feat.] – 2PacWritten-By – D. -
Prisoner Express Poetry Anthology Volume 14
Prisoner Volume Express Poetry Anthology 14 Volume 14 June 2015 Alternatives Library Featured Authors Love and Relationships Jamie D. Chaffin Miscellaneous William Andrews R.J. Clayton Carl Branson Raylon Shane Attebury Rene Farias R.J. Clayton William Carlson Catherine La Fleur Sherry Davis Robert Allan Cooke Daniel R. Jackson Gary Gregory Robert Castle Jr. Malcom Jackson Aaron V. Hill Jerome Fitzpatrick Sonny Juarez Daniel R. Jackson Mark Hamme Eric KP Richard Conway Jackson Derrick A. Hinds Tony Lee Isaiah J. Johnson Aaron V. Hill Michael Madrid “Black Rain” Bennet-Kenitzki D.B. Hughes Lavonté D. Maxwell David W. LaCoutre J.W. Johnson James A. Merrill Robert McHale Debbie Jones Benjamin Rivera Jason Miears J.A. Lopez Ray Sanchez Jr. Alessandro Milan Steven Newell Jacob Silva Travis Newell Geneva J. Phillips Tori “T’Andrews” Starks C.F. Villa Arthur Saucedo Lou Tompkins Tom Williams John Tyrone Slade Jason Treadaway Nathan Zimmerman Anthony Washington Daniel Ahmed Byron Wattree Paul K. Valdez Hope and Optimism Reynaldo Zamora Brian Joseph Wake R.J. Clayton Tom Williams Santiago Duran Hope and Optimism through David LaCouture Religion Social Commentary C. Michael Lau Chris Blanton Mr. Leslie Samuel Charles Alexander Valentine Daniel Easter Amison Jr. Jose H. Villarreal Juan Frias Carl Branson Tom Williams Alessandro Milan Heather Coffey Luis Ortiz Jerome Fitzpatrick Featured Artists Gary Gregory Loss and Mourning Michael S. Griffis Kelly Fredricksen Michael E. Drebert Isaiah J. Johnson Raymond Palmore Walter Greaves David LaCouture Anthony Tinsman Lorraine “Black Rain” Bennett- El Roderick Mckissick Kenitaki Geneva J. Phillips John King “Farmer John” - Micheal Pogue Kent D. -
The Evolution of Commercial Rap Music Maurice L
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 A Historical Analysis: The Evolution of Commercial Rap Music Maurice L. Johnson II Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION A HISTORICAL ANALYSIS: THE EVOLUTION OF COMMERCIAL RAP MUSIC By MAURICE L. JOHNSON II A Thesis submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Master of Science Degree Awarded: Summer Semester 2011 The members of the committee approve the thesis of Maurice L. Johnson II, defended on April 7, 2011. _____________________________ Jonathan Adams Thesis Committee Chair _____________________________ Gary Heald Committee Member _____________________________ Stephen McDowell Committee Member The Graduate School has verified and approved the above-named committee members. ii I dedicated this to the collective loving memory of Marlena Curry-Gatewood, Dr. Milton Howard Johnson and Rashad Kendrick Williams. iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to the individuals, both in the physical and the spiritual realms, whom have assisted and encouraged me in the completion of my thesis. During the process, I faced numerous challenges from the narrowing of content and focus on the subject at hand, to seemingly unjust legal and administrative circumstances. Dr. Jonathan Adams, whose gracious support, interest, and tutelage, and knowledge in the fields of both music and communications studies, are greatly appreciated. Dr. Gary Heald encouraged me to complete my thesis as the foundation for future doctoral studies, and dissertation research. -
BB-1971-12-25-II-Tal
0000000000000000000000000000 000000.00W M0( 4'' .................111111111111 .............1111111111 0 0 o 041111%.* I I www.americanradiohistory.com TOP Cartridge TV ifape FCC Extends Radiation Cartridges Limits Discussion Time (Based on Best Selling LP's) By MILDRED HALL Eke Last Week Week Title, Artist, Label (Dgllcater) (a-Tr. B Cassette Nos.) WASHINGTON-More requests for extension of because some of the home video tuners will utilize time to comment on the government's rulemaking on unused TV channels, and CATV people fear conflict 1 1 THERE'S A RIOT GOIN' ON cartridge tv radiation limits may bring another two- with their own increasing channel capacities, from 12 Sly & the Family Stone, Epic (EA 30986; ET 30986) month delay in comment deadline. Also, the Federal to 20 and more. 2 2 LED ZEPPELIN Communications Commission is considering a spin- Cable TV says the situation is "further complicated Atlantic (Ampex M87208; MS57208) off of the radiated -signal CTV devices for separate by the fact that there is a direct connection to the 3 8 MUSIC consideration. subscriber's TV set from the cable system to other Carole King, Ode (MM) (8T 77013; CS 77013) In response to a request by Dell-Star Corp., which subscribers." Any interference factor would be mul- 4 4 TEASER & THE FIRECAT roposes a "wireless" or "radiated signal" type system, tiplied over a whole network of CATV homes wired Cat Stevens, ABM (8T 4313; CS 4313) the FCC granted an extension to Dec. 17 for com- to a master antenna. was 5 5 AT CARNEGIE HALL ments, and to Dec. -
Music Matters on BET!
May 2, 2016 Music Matters on BET! BET NETWORKS GOES ‘INSIDE' THE MUSIC INDUSTRY WITH ITS NEW ORIGINAL DOCU-SERIES "INSIDE THE LABEL," WHICH EXAMINES THE SHAKESPEAREAN TRAJECTORY OF SOME OF THE MOST ICONIC MUSIC LABELS IN THE HIP HOP INDUSTRY INCLUDING DISTURBING THA PEACE (DTP), GRAND HUSTLE, LOUD RECORDS, MURDER INC., RUFF RYDERS, SLIP-N-SLIDE RECORDS AND TERROR SQUAD Premiere Episode on Tuesday, May 17 at 9PM ET/PT Looks Behind The Scenes of Uptown Records Second Season Premiere of "BET Life Of: Diddy" Premieres Same Night at 8PM ET/PT NEW YORK--(BUSINESS WIRE)-- BET Networks goes deep ‘inside' the music industry with the premiere of its new original series "INSIDE THE LABEL," airing Tuesday, May 17 at 9 PM ET/PT. The original docu-series tells in-depth stories of the rise... and sometimes fall of iconic record labels, told through the eyes of the founders, artists, competitors, and key players involved in the creation of the music that defined us over the last quarter century. "INSIDE THE LABEL" unfolds in eight one-hour episodes and explores how music labels transformed the sound, face and business of hip hop and reveals the behind-the-scenes power players responsible for the rise and success of many artists. Labels featured include in the series include Uptown Records (premiere episode), Disturbing Tha Peace (DTP), Grand Hustle, Loud Records, Murder Inc., Ruff Ryders, Slip-N-Slide Records and Terror Squad. Prior of the premiere of "INSIDE THE LABEL," the second season premiere of the Network's docu-series BET LIFE OF will focus on the career and evolution of Diddy at 8 PM ET/PT.