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“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
Relatório Anual / Annual Report 2009
Relatório Anual / Annual Report 2009 Table of Contents Annual Report 2009 55 LETTER FROM THE PRESIDENT 56 ORGANIZATION 57 ORGANOGRAM 58 GENERAL MANAGEMENT REPORT 60 ADMINISTRATIVE AND FINANCIAL REPORT 61 INFORMATION TECHNOLOGY 62 NEW PROJECTS 64 COMMUNICATIONS 65 TESTIMONY ABRAMUS - MUSIC 66 THE MOST PLAYED SONGS PER REGION 71 COLLECTIVE MANAGEMENT IN BRAZIL 72 ECAD – SUPERINTENDED’S REPORT 74 COLLECTION IN NUMBERS 75 ABRAMUS DOCUMENTATION NUMBERS 76 NUMBER OF ABRAMUS HOLDERS BY CATEGORY 76 AMOUNTS DISTRIBUITE TO OWNERS 76 SHARE OF BRAZILIAN MARKET 77 INTERNATIONAL REPORT – AUTHORS 78 INTERNATIONAL REPORT – AUTHOR RIGHTS 81 AMOUNTS RELEIVED FROM OTHERS SOCIETIES 82 INTERNATIONAL REPORT – NEIGHBOURING RIGHTS 83 CONTRACTS NEIGHBOURING RIGHTS 84 ARTISTIS & REPERTOIRE ABRAMUS 85 ABRAMUS – THEATER & DANCE 86 AUTVIS 88 ABRISAN 90 AUDITORS’ REPORT ANNUAL REPORT 2009 | ABRAMUS 53 Letter from the President fter one year of intense work, ABRAMUS year there were 3,704 new registrations, a substantial closed 2009 with a record gain of 4,905 increase when compared to the 482 recorded in 2008. new members, i.e., over one dozen hold- Our engaged team has won the respect of the sources ers join the association everyday. Since its of these documents which now provide this informa- foundationA in 1982 the entity has stayed on the path tion to ABRAMUS on a surprising level and immense of growth and reached in 2008, the distinction of be- number of files. One important factor responsible ing the largest collective authors’ rights management for this change has been the format of the strategic association in Brazil in addition to ranking among the guidelines provided by our editors, especially in atten- largest in Latin America. -
A Case Study of Kurt Donald Cobain
CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) A CASE STUDY OF KURT DONALD COBAIN By Candice Belinda Pieterse Submitted in partial fulfilment of the requirements for the degree Magister Artium in Counselling Psychology in the Faculty of Health Sciences at the Nelson Mandela Metropolitan University December 2009 Supervisor: Prof. J.G. Howcroft Co-Supervisor: Dr. L. Stroud i DECLARATION BY THE STUDENT I, Candice Belinda Pieterse, Student Number 204009308, for the qualification Magister Artium in Counselling Psychology, hereby declares that: In accordance with the Rule G4.6.3, the above-mentioned treatise is my own work and has not previously been submitted for assessment to another University or for another qualification. Signature: …………………………………. Date: …………………………………. ii ACKNOWLEDGEMENTS There are several individuals that I would like to acknowledge and thank for all their support, encouragement and guidance whilst completing the study: Professor Howcroft and Doctor Stroud, as supervisors of the study, for all their help, guidance and support. As I was in Bloemfontein, they were still available to meet all my needs and concerns, and contribute to the quality of the study. My parents and Michelle Wilmot for all their support, encouragement and financial help, allowing me to further my academic career and allowing me to meet all my needs regarding the completion of the study. The participants and friends who were willing to take time out of their schedules and contribute to the nature of this study. Konesh Pillay, my friend and colleague, for her continuous support and liaison regarding the completion of this study. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Market Access Guide – Brazil 2020 – Table of Contents 01
Market Access Guide – Brazil 2020 – Table of Contents 01. COUNTRY OVERVIEW ....................................................................................................................................... 3 02. BRAZILIAN RECORDED MUSIC MARKET .................................................................................................... 5 THE MAJORS .......................................................................................................................................................... 1 INTERVIEW WITH PAULO JUNQUEIRO, PRESIDENT, SONY MUSIC BRASIL ................................ 10 THE INDEPENDENTS ........................................................................................................................................ 11 CHART SERVICES ................................................................................................................................................. 1 03. POPULAR BRAZILIAN MUSIC - GENRES ...................................................................................................... 1 GOSPEL .................................................................................................................................................................. 16 FUNK ...................................................................................................................................................................... 20 SERTANEJA .......................................................................................................................................................... -
Tr1~ AM·&RIG T
l.l\:#~J~L. ssbw~ • L.\:1,\:iJ"'-L: ~•cMri~J ., i\<ENTS GALENIDAR .,tr1~ AM·&RIG t;i~: N'Eukt)- Yum! But faster!! Now with a lightning-fast PowerPC 333MHz processor! (Not to mention a ton of software!) And still only $1,199 alpha tech , C 0 M P U T E R S • Apple Specialist 2300 James Street Bellingham, WA 98225 (360) 671-2334 • (360) 671-8571 Fax (800) 438-3216 Apple and the Apple logo are registered trademarks of Apple Computer, Inc. LOCAL SPOTLIGHT .................................. S LOCAL SHOWS ...................................... 6-7 LOCAL RECORDINGS ...................... 8-1 0 DEATH CAB FOR CUTIE •.•••••• 12-14 GARAGE SHOCK PREVIEW ••.••. 16-19 A NIGHT ON THE TOWN •..••••• 20-23 MOVIE REVIEW .............................................. 24 RESTAURANT REVIEW .............................. 25 ~D8'10NIUM IN THE SQl,.Ll\RE ORQE ....26 MY AMERICA, MY NEUROSES .............. 27 WELCOME TO THE MILLENNIUM .... 28 ASKALAN .................................................. 29 WHAT'S UP PICKS .................................. 30 LITTLE GREEN .......................................... 30 DUMBFUCK USA .................................... 30 CALENDAR .............................................. 31 EDITORS ............. JAMIE DONATUTO,JENNIFER PETERSON, KEVIN SHIWNGER GRAPHIC EDITOR /ILLUSTRATOR .......................... AMY MARCHEGIANI PHOTOGRAPHIC EDITOR ........................................................ JACOB COVEY COMIC STRIP ARTIST ............................................................ JOE MORTILLARO GRAPHIC DESIGN I LAYOUT -
“Late 'Punk Poet' Jim Carroll Had Strong Seattle Music Ties (Part 1 Of
Late 'punk poet' Jim Carroll had strong Seattle music ties (part 1 of 2) 9/21/09 Mon 9/21, 11:57 PM Go mobile | Favorite Examiners | Meet the Examiners Search articles from thousands of Examiners Select your city National Home Entertainment Business Family & Home Life News & Politics Sports & Recreation National Arts and Entertainment Seattle Local Music Examiner Late 'punk poet' Jim Carroll had strong YOUR AD HERE Seattle music ties (part 1 of 2) September 16, 6:54 PM Seattle Local Music Examiner Greg Roth Comment Print Email RSS Subscribe Previous Next Part 1 of a 2 part series (Part 2 will run on Sunday, September 20th)... With, the sad death of Patrick Swayze and the MTV Video Music Awards featuring "Kaynegate", The death of legendary performance artist/singer/songwriter and poet, Jim Carroll, on September 14th, by a sudden heart attack, somehow got lost in the mix in Recent Articles the last few days. Late 'punk poet' / artist Jim Carroll had strong Carroll, who's "no holds barred" style of prose Seattle music ties (part 2 of 2) married with hard edged rock music, garnered Sunday, September 20, 2009 a fiercely loyal following and influenced many Part 2 of a 2 part series, Part 1 or the newer generation of artists today. ran on Wednesday, September 16th... With the death of Patrick Swayze and Kanye West's It could be said that Carroll was hard core rap interruption of Taylor Swift's … before the genre ever officially existed. Carroll Local Licks: Seattle local musical happenings: was an artist years ahead of his time and weekend of: 9/18 - 9/20 used his art to uncover the underbelly of the Saturday, September 19, 2009 human condition during an era, when others As always, there is an invariable chose to look away. -
O Homoerotismo Em Canções Interpretadas Por Cássia Eller: Psicologia, Literatura E Semiótica
O HOMOEROTISMO EM CANÇÕES INTERPRETADAS POR CÁSSIA ELLER: PSICOLOGIA, LITERATURA E SEMIÓTICA Ertz Clarck Melindre dos Santos* (Técnico em Assuntos Educacionais do Departamento de Antropologia e Museologia/UFPE-Campus Recife, Licenciado Pleno em Letras/UNIFAP, Psicólogo/UFMS-Campus do Pantanal, Designer de Moda/Faculdade SENAC-PE, Especialista em Literatura Brasileira/PUC Minas, Mestre em Psicologia Clínica/UNICAP e Doutorando em Psicologia/UNESP-Campus de Assis, Recife/PE – Brasil); Fernando Silva Teixeira Filho (Mestre e Doutor em Psicologia Clínica/PUC-São Paulo, Professor Adjunto e Livre Docente em Psicologia Clínica no Departamento de Psicologia Clínica da UNESP, Campus de Assis – Brasil). contato: [email protected] Palavras-chave: Homossexualidades. Música popular brasileira. Interpretações. O HOMOEROTISMO EM CANÇÕES INTERPRETADAS POR CÁSSIA ELLER: PSICOLOGIA, LITERATURA E SEMIÓTICA. 1. Introdução A música popular brasileira é uma expressão artística de notória riqueza em se tratando de cantores, estilos e ritmos. Para Tatit (1995, p. 11) “o compositor traz sempre um projeto geral de dicção que será aprimorado ou modificado pelo cantor e, normalmente modalizado pelo arranjador. Todos são, nesse sentido cancionistas”. Baseando-nos na visão integralizante acima mencionada podemos considerar cancionistas personalidades como Caetano Veloso, Chico Buarque, Cazuza, Gilberto Gil, Hermelino Neder, Arrigo Barnabé, Luiz Pinheiro, Riachão, Ataulfo Alves e Itamar Assumpção. O estudo dessa futura pesquisa será acerca de uma outra cancionista que interpretou todos esses profissionais da MPB anteriormente elencados: Cássia Rejane Eller, ou melhor, Cássia Eller. Em 1962, ano de seu nascimento, o mundo passava a conhecer a Bossa Nova, pois algumas canções da época como “Samba de uma nota só” (Tom Jobim) e “O barquinho” (Roberto Menescal) foram apresentadas no Carnegie Hall, em Nova York. -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
ENDINO's EARTHWORM “UNEARTHED” Liner Notes
ENDINO'S EARTHWORM “UNEARTHED” Liner Notes BANDCAMP EXCLUSIVE: Released November 6, 2020 COMPLETE REMIX/RESTORATION of my semi-obscure 2nd solo record from 1992, intended as a follow-up and continuation of Angle Of Attack (1989), plus a half-hour's worth of bonus tracks from the same creative period, 1985-1996. With hindsight I later realized Jim Blanchard's cover art was better than the music, because my engineering and original mixes were not great. But this has now been remedied! Restoring this was quite a journey. I even had Jim update the cover art, because it's kind of a new record now. I hope you enjoy it. Recorded by Jack Endino at Studio Endino, Reciprocal Recording, Hanzsek Audio, Private Radio, and the Crocodile. Remixed and mastered 2020 by JE. -- Guitar & Vocs: Jack Endino, except on "Edge Of Unease" the guitar is Greg Gilmore. -- Drums: Barrett Martin, Greg Gilmore, "Matt C", Jack. -- Bass: Rob Skinner, Pat Pedersen, Daniel House, Jack. -- Misc percussion: Barrett, Greg, Jack. -- Cover art: Jim Blanchard (1992 orig, updated 2020). THE SONGS 01 How Much Time REMIX -- Recorded by Jack and Rich Hinklin (that's him saying "you're rolling") on 1-inch 16-track at Reciprocal, Dec 1989. Remixed 2020. This is drummer Barrett Martin's earliest released performance! He joined Skin Yard right after we did this session (also songs 2, 3 and 5). Jack - Guitar/vocals, Barrett Martin - drums, Rob Skinner - bass. Written by Jack (BMI). 02 Talk Yourself Blind REMIX -- Recorded by Jack and Rich Hinklin on 1-inch 16- track at Reciprocal, Dec 1989. -
Read Ebook {PDF EPUB} up by R.E.M. up by R.E.M
Read Ebook {PDF EPUB} Up by R.E.M. Up by R.E.M. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 660c7973f8a24e2c • Your IP : 116.202.236.252 • Performance & security by Cloudflare. The Real Reason R.E.M. Broke Up. Regardless of what your opinion about R.E.M. is, there's no denying that they shaped the face of alternative rock for years. Heck, they've basically been every kind of alternative rock band themselves. They spent their formative years as cult favorite college rockers. Then, they started attracting more and more attention until they were making music with genuine mainstream appeal. Between 1991 and 1992 alone, they released the folk- inspired Out of Time and the baroque Automatic For The People, making them easily the most successful band to attack the audiences of the early grunge era with both mandolins ("Losing My Religion") and string arrangements (A good chunk of Automatic ).