ENDINO's EARTHWORM “UNEARTHED” Liner Notes
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
“Grunge Killed Glam Metal” Narrative by Holly Johnson
The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way. -
A Case Study of Kurt Donald Cobain
CORE Metadata, citation and similar papers at core.ac.uk Provided by South East Academic Libraries System (SEALS) A CASE STUDY OF KURT DONALD COBAIN By Candice Belinda Pieterse Submitted in partial fulfilment of the requirements for the degree Magister Artium in Counselling Psychology in the Faculty of Health Sciences at the Nelson Mandela Metropolitan University December 2009 Supervisor: Prof. J.G. Howcroft Co-Supervisor: Dr. L. Stroud i DECLARATION BY THE STUDENT I, Candice Belinda Pieterse, Student Number 204009308, for the qualification Magister Artium in Counselling Psychology, hereby declares that: In accordance with the Rule G4.6.3, the above-mentioned treatise is my own work and has not previously been submitted for assessment to another University or for another qualification. Signature: …………………………………. Date: …………………………………. ii ACKNOWLEDGEMENTS There are several individuals that I would like to acknowledge and thank for all their support, encouragement and guidance whilst completing the study: Professor Howcroft and Doctor Stroud, as supervisors of the study, for all their help, guidance and support. As I was in Bloemfontein, they were still available to meet all my needs and concerns, and contribute to the quality of the study. My parents and Michelle Wilmot for all their support, encouragement and financial help, allowing me to further my academic career and allowing me to meet all my needs regarding the completion of the study. The participants and friends who were willing to take time out of their schedules and contribute to the nature of this study. Konesh Pillay, my friend and colleague, for her continuous support and liaison regarding the completion of this study. -
Read Razorcake Issue #27 As A
t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing. -
Tr1~ AM·&RIG T
l.l\:#~J~L. ssbw~ • L.\:1,\:iJ"'-L: ~•cMri~J ., i\<ENTS GALENIDAR .,tr1~ AM·&RIG t;i~: N'Eukt)- Yum! But faster!! Now with a lightning-fast PowerPC 333MHz processor! (Not to mention a ton of software!) And still only $1,199 alpha tech , C 0 M P U T E R S • Apple Specialist 2300 James Street Bellingham, WA 98225 (360) 671-2334 • (360) 671-8571 Fax (800) 438-3216 Apple and the Apple logo are registered trademarks of Apple Computer, Inc. LOCAL SPOTLIGHT .................................. S LOCAL SHOWS ...................................... 6-7 LOCAL RECORDINGS ...................... 8-1 0 DEATH CAB FOR CUTIE •.•••••• 12-14 GARAGE SHOCK PREVIEW ••.••. 16-19 A NIGHT ON THE TOWN •..••••• 20-23 MOVIE REVIEW .............................................. 24 RESTAURANT REVIEW .............................. 25 ~D8'10NIUM IN THE SQl,.Ll\RE ORQE ....26 MY AMERICA, MY NEUROSES .............. 27 WELCOME TO THE MILLENNIUM .... 28 ASKALAN .................................................. 29 WHAT'S UP PICKS .................................. 30 LITTLE GREEN .......................................... 30 DUMBFUCK USA .................................... 30 CALENDAR .............................................. 31 EDITORS ............. JAMIE DONATUTO,JENNIFER PETERSON, KEVIN SHIWNGER GRAPHIC EDITOR /ILLUSTRATOR .......................... AMY MARCHEGIANI PHOTOGRAPHIC EDITOR ........................................................ JACOB COVEY COMIC STRIP ARTIST ............................................................ JOE MORTILLARO GRAPHIC DESIGN I LAYOUT -
Charles Peterson …And Everett True Is 481
Dwarves Photos: Charles Peterson …and Everett True is 481. 19 years on from his first Seattle jolly on the Sub Pop account, Plan B’s publisher-at-large jets back to the Pacific Northwest to meet some old friends, exorcise some ghosts and find out what happened after grunge left town. How did we get here? Where are we going? And did the Postal Service really sell that many records? Words: Everett True Transcripts: Natalie Walker “Heavy metal is objectionable. I don’t even know comedy genius, the funniest man I’ve encountered like, ‘I have no idea what you’re doing’. But he where that [comparison] comes from. People will in the Puget Sound8. He cracks me up. No one found trusted the four of us enough to let us go into the say that Motörhead is a metal band and I totally me attractive until I changed my name. The name studio for a weekend and record with Jack. It was disagree, and I disagree that AC/DC is a metal band. slides into meaninglessness. What is the Everett True essentially a demo that became our first single.” To me, those are rock bands. There’s a lot of Chuck brand in 2008? What does Sub Pop stand for, more Berry in Motörhead. It’s really loud and distorted and than 20 years after its inception? Could Sub Pop It’s in the focus. The first time I encountered Sub amplified but it’s there – especially in the earlier have existed without Everett True? Could Everett Pop, I had 24 hours to write up my first cover feature stuff. -
Antioch University COMMON THREAD
Antioch University COMMON THREAD JANUARY 25, 2018 SANTA BARBARA CAMPUS & COMMUNITY BEGIN RECOVERY FROM THOMAS FIRE AND MONTECITO FLOOD DISASTERS The Antioch University Santa Barbara campus and surrounding community was significantly impacted by the Thomas Fire -now measured as the largest wildfire in California history- in December 2017, and by the subsequent floods and mudslides in Montecito on January 9, 2018. At the time of writing this, twenty lives were confirmed lost and three are missing as a result of the mudslide tragedy. Highway 101, the only highway route in and out of the city toward the south, remains closed as Caltrans clears mud and debris. To say the least, our entire campus community has been tremendously impacted by the injury and loss of people we may know. In addition, many of us have experienced damage and loss of homes and property, as well as the impact of damaged infrastructure, isolation or disruption of transportation, and local economic impact. Antioch University has responded in a number of ways to generously support students, staff, and faculty in Santa Barbara. For example, AU increased the number of pro Zoom accounts for each academic department which allow faculty to include all students in their classes so that they may make academic progress. We remain grateful to first responders, search and rescue crews, and the current search and recovery teams in our area. The compassion and kindness demonstrated by the recovery teams has been appreciated as we mourn the loss of those in our community, and acknowledge the profound impact on each one of us. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc. -
Krist Novoselic, Dave Grohl, and Kurt Cobain
f Krist Novoselic, Dave Grohl, and Kurt Cobain (from top) N irvana By David Fricke The Seattle band led and defined the early-nineties alternative-rock uprising, unleashing a generation s pent-up energy and changing the sound and future of rock. THIS IS WHAT NIRVANA SINGER-GUITARIST KURT Cobain thought of institutional honors in rock & roll: When his band was photographed for the cover of Rolling Stone for the first time, in early 1992, he arrived wearing a white T-shirt on which he’d written, c o r p o r a t e m a g a z i n e s s t i l l s u c k in black marker. The slogan was his twist on one coined by the punk-rock label SST: “Corporate Rock Still Sucks.” The hastily arranged photo session, held by the side of a road during a manic tour of Australia, was later recalled by photogra pher Mark Seliger: “I said to Kurt, T think that’s a great shirt... but let’s shoot a couple with and without it.’ Kurt said, ‘No, I’m not going to take my shirt off.’” Rolling Stone ran his Fuck You un-retouched. ^ Cobain was also mocking his own success. At that moment, Nirvana - Cobain, bassist Krist Novoselic, and drummer Dave Grohl - was rock’s biggest new rock band, propelled out of a long-simmering postpunk scene in Seattle by its incendiary second album, N everm ind, and an improbable Top Ten single, “Smells Like Teen Spirit.” Right after New Year’s Day 1992, Nevermind - Nirvana’s first major-label release and a perfect monster of feral-punk challenge and classic-rock magne tism, issued to underground ecstacy just months before - had shoved Michael Jackson’s D angerous out of the Number One spot in B illboard. -
Drummer's DIY Journey Continues to Evolve
INDIE LIFE BARRETT MARTIN Barrett Martin’s recent creative endeavors include a book and a related album. Drummer’s DIY Journey Continues to EVolve any musicians who thrived during known in the rock world for his drumming taught music and theory classes at Antioch Mthe alternative-rock gold rush of on the last two studio albums by Screaming University Seattle. In addition to writing a the 1990s have, by now, hopped Trees and post-grunge supergroup Mad blog for The Huffington Post, he has penned onto the nostalgia circuit to cash in on their Season, the 52-year-old has spent the major- two books—The Singing Earth: Adventures past glories. Others, however, have sought out ity of his life traveling the world, seeking from a World of Music (2017) and the recently new lands and new interests. Henry Bogdan, enlightenment and new musical terrain to released The Way of the Zen Cowboy: Fireside former bassist for neo-metal quartet Helmet, cultivate. Those journeys have included gov- Stories from a Globetrotting Rhythmatist. has carved out a comfortable niche as a gui- ernment-sponsored jaunts to Cuba, explora- (The latter book includes a free download of tarist for traditional Hawaiian music ensem- tions of the Peruvian rainforest and record- the Barrett Martin Group’s new album, Songs bles and old-time jazz groups. And John ings with Brazilian singer Nando Reis and Of The Firebird.) Martin has filtered his ongo- Frusciante, ex-guitarist for Red Hot Chili with tribes in the Arctic National Wildlife ing interest in ethnomusicology, his own per- Peppers, now tests the outer limits of elec- Refuge in Alaska. -
Sulla Storia Della Nascita Dei Pearl Jam C'è Molto Di Più Di Quanto È
Sulla storia della nascita dei Pearl Jam c’è molto di più di quanto è sempre stato raccontato. Per scoprirlo ho intervistato Eddie Vedder, Stone Gossard, Jeff Ament, Matt Cameron, Chris Cornell e altri attori chiave, ho ripescato manufatti originali del 1990 e ho dato la caccia a registrazioni rare, ho triangolato dati e messo insieme ogni fatto. Per celebrare il ventesimo compleanno dei Pearl Jam, sono orgogliosa di presentare il frutto di oltre 10 anni di minuziosa ricerca originale. Fate un bricco di caffè, accendete la stampante e preparatevi ad una lunga e avvincente lettura ricca di dettagli inediti sugli eventi del 1990, l’anno in cui una serie di magiche e selvagge coincidenze portarono all’unione di un improbabile gruppo di persone che diventarono i PEARL JAM. Jessica Letkemann, ottobre 2010 INVERNO Il nuovo decennio era iniziato in maniera radiosa per il ventitreenne Stone Gossard, il ventiseienne Jeff Ament e i loro compagni dei Mother Love Bone. Il primo album della band, Apple, stava per uscire, il manager Kelly Curtis stava organizzando un tour che sarebbe partito ad aprile, subito dopo l’uscita del disco, e il frontman Andy Wood non stava usando droghe. Il loro primo concerto del 1990 si teneva due giorni dopo capodanno (cinque giorni prima del ventiquattresimo compleanno di Andy) al Vogue, il piccolo club che da allora ha le parole MOTHER LOVE BONE dipinte sulla facciata dell’edificio. La band, speranzosa ed emozionata, era sostenuta inoltre, come fece notare Andy dal palco, dalla nascita della prima figlia di Kelly, avvenuta poco prima, quello stesso giorno. -
Pearl Jam Evolution
1 “L’uomo dalle parole d’oro” “I Pearl Jam sono migliori di quasi ogni altra band nella storia che abbia avuto quell’ enorme tipo di successo, l'hanno gestito in modo davvero eloquente. Penso che ciò rappresenti un grande esempio per gli altri musicisti di come sia davvero possibile controllare l’attenzione dei media. Penso siano riusciti a restare vitali. I dischi che hanno fatto non hanno necessariamente attratto lo stesso numero di fans di Ten, ma hanno comunque attratto un sacco di persone. Hanno venduto milioni di dischi senza dover fare video e senza dover fare una campagna pubblicitaria esagerata per ogni album.” (Chris Cornell) Stato di Washington, primi anni Ottanta. I complessi più amati dai ragazzi americani in quegli anni sono veloci, aggressive ed arrabbiate hardcore punk band come i Black Flag, i Minor Threat o i Dead Kennedys. Proprio questi ultimi, capitanati dall’istrionico Jello Biafra, giungono a Seattle nell’Ottobre 1984. Quella stessa sera, ad aprire il loro concerto c’è una band locale composta da musicisti che dopo pochi anni diventeranno personaggi chiave del sound di Seattle. Si tratta dei Green River. Fanno parte dei Green River: il cantante Mark Arm, il chitarrista Steve Turner, il batterista Alex Vincent, il bassista Jeff Ament e l’altro chitarrista, Stone Gossard. Il futuro chitarrista ritmico dei Pearl Jam nasce il 20 Luglio 1966 a Seattle. Da ragazzo vive sempre a Seattle insieme ai genitori, due avvocati di successo, e alle due sorelle, Shelley e Star. I suoi genitori, democratici convinti, lo mandano ad una scuola superiore alternativa e multiculturale, la Northwest School, dove le lezioni di storia includono discussioni prolungate sul coinvolgimento degli Stati Uniti negli assassinii politici. -
{PDF EPUB} Five Against One the Pearl Jam Story by Kim Neely Pearl Jam
Read Ebook {PDF EPUB} Five Against One The Pearl Jam Story by Kim Neely Pearl Jam. Five Against One: The Pearl Jam Story by Kim Neely Book Description: More than any other band, Pearl Jam embodies the alternative style that dominates rock today. From their early days as fame-ducking grunge pioneers, through their headline-making battle with Ticketmaster, to their current status as self-assured survivors, Five Against One brings to life Pearl Jam's tumultuous ascent to superstardom in rich detail. A compelling portrait of the band's elusive leader Eddie Vedder and family photos never seen before by the public make this a must-have for every Pearl Jam fan. (Paperback) Pearl Jam Ten: With Notes & Tablature (Paperback - November 1992) Pearl Jam: Ten by Steve Gorenberg (Translator) (Paperback - September 1993) None Too Fragile: Pearl Jam and Eddie Vedder by Martin Clarke (Paperback) Pearl Jam: The Illustrated Biography by Brad Morrell Out of Print - Try Used Books Pearl Jam by Mark Blake Out of Print - Try Used Books. It’s five against one with 60 minutes that define Pearl Jam. When it comes to Pearl Jam, musical comparisons aren’t difficult, but finding many other bands that experienced the same career trajectory might be. The Seattle group is one of the few bands in history to go from playing its first show to becoming arguably the biggest band in the world in barely over a year. Its first album, Ten , is one of the highest-selling rock albums of all time, going platinum 13 times. When your first release goes to No.