Read Ebook {PDF EPUB} Five Against One The Story by Kim Neely Pearl Jam. Five Against One: The Pearl Jam Story by Kim Neely Book Description: More than any other band, Pearl Jam embodies the alternative style that dominates rock today. From their early days as fame-ducking pioneers, through their headline-making battle with Ticketmaster, to their current status as self-assured survivors, Five Against One brings to life Pearl Jam's tumultuous ascent to superstardom in rich detail. A compelling portrait of the band's elusive leader and family photos never seen before by the public make this a must-have for every Pearl Jam fan. (Paperback) Pearl Jam Ten: With Notes & Tablature (Paperback - November 1992) Pearl Jam: Ten by Steve Gorenberg (Translator) (Paperback - September 1993) None Too Fragile: Pearl Jam and Eddie Vedder by Martin Clarke (Paperback) Pearl Jam: The Illustrated Biography by Brad Morrell Out of Print - Try Used Books Pearl Jam by Mark Blake Out of Print - Try Used Books. It’s five against one with 60 minutes that define Pearl Jam. When it comes to Pearl Jam, musical comparisons aren’t difficult, but finding many other bands that experienced the same career trajectory might be. The group is one of the few bands in history to go from playing its first show to becoming arguably the biggest band in the world in barely over a year. Its first album, Ten , is one of the highest-selling rock albums of all time, going platinum 13 times. When your first release goes to No. 1 in almost every country in the world, you’ve created a tough act to follow. But after 25 years and 10 albums, the group has evolved into the classic rock band it always intended to be. Pearl Jam formed from the ashes of , a promising glam-rock group that died along with its lead singer Andy Wood, after his heroin overdose. Guitarist began writing songs with a more stripped-down, elemental feel, and after he and Mother Love Bone bassist recruited lead guitarist Mike McCready and drummer Dave Krusen, they demoed a few songs and sent out a tape in search of a new singer. Which is how they found Eddie Vedder, still probably one of the most recognizable rock frontmen on the planet. Whatever alchemy led to the creation of debut album Ten , the band—along with fellow Seattleites Nirvana—became the global face of grunge, an image it labored to overcome. By the second album Vs. , Pearl Jam was already writing songs with a more traditional rock vibe, combining various elements of ’70s rock that fused arena-ready bombast with the rootsy intimacy of a or Van Morrison. (Vedder also brought punk into the mix, both as an aesthetic and personal ethos, and musically on certain tracks.) It’s difficult to overstate just how ubiquitous Pearl Jam was during this time. And not all the members were happy about it. In Five Against One , the closest thing to a solid biography of the band, Kim Neely recounts how unhappy Vedder was in the spotlight. But his status as the face and voice of the group also led to a quiet transfer of power behind the scenes, as Vedder slowly took over Gossard’s role as de facto bandleader. Subsequent years saw the band recede from the pop culture landscape, as the group intentionally tried to make its life as a rock band more manageable. Some of this was unavoidable, as the group’s very public fight with Ticketmaster made touring during the latter part of the decade difficult. And while Pearl Jam was still incredibly commercially successful, this began a period of artistic experimentation. For the next 10 years, Pearl Jam played around with its sound, testing the limits of its rock ’n’ roll identity. The results included both more straight-ahead rock albums ( Yield ) and sprawling, adventurous offerings that trafficked in a plethora of sounds ( Riot Act ). By the time its contract with Epic was up, the band had managed to develop a fairly consistent personality, in no small part due to the addition of drummer , who brought a stability to the group and a distinct backbeat to Pearl Jam’s music. A Pearl Jam record can be largely anticipated as a blending of disparate ’70s-rock influences, from punk stompers to acoustic ballads to a bevy of midtempo rockers crafted with an eye toward ever-so-gently pushing the typical verse-chorus envelope, without straying too far. That combination of mild experimentation while still remaining within the confines of classic rock songwriting have served the group well, along with a dedication to its fan base that has earned Pearl Jam some of the most devout followers this side of a Rush concert. However, the group’s consistency in songcraft is often matched by an inconsistency of output. Pearl Jam has tons of great songs, but few great start-to-finish albums. Interestingly, it’s the clockwork traditional tunes that misfire as often as the more experimental tracks, though the band’s album-first ethos means that it sees records as a singular entity, containing plenty of room for sound collages and odd trifles as part of a larger whole. And while some of its singles find their way onto this sampling of the most representative music to define Pearl Jam, devotees know that it’s a deep-cuts band. (To wit: “Alive” is easily the group’s most culturally relevant track—so much so, there is zero need for it, or “Jeremy,” in this compilation.) The group makes records, not hits, and a song that “sounds like Pearl Jam” is rarely an early single. Consider this an introduction to Pearl Jam, the actual warts-and-all classic rock act spanning 25 years, and not “Pearl Jam,” the early ’90s symbol of grunge where slapping a distortion pedal on traditional riffs made for a “new sound.” 1. “The Fixer” (2009) There’s no reason not to start with the greatest song in the back half of the Pearl Jam catalog. A fiery anthem fueled by one of the catchiest sing- along refrains Vedder has ever come up with, “The Fixer” chimes and reverberates with the strength of the band’s best rock ’n’ roll tendencies. “When something’s gone, I wanna fight to get it back again,” goes the transition into the chorus, echoing the rebel yell spirit that characterizes so much of the group’s ideology. It’s a powerhouse track, and a natural first song on this mix. How Pearl Jam Helped Define the Grunge Music Movement. Pearl Jam, the band that would come to define a region and an era found its earliest pieces when Montana-born bassist Jeff Ament and Seattle guitarist Stone Gossard joined fellow guitarist , drummer Alex Vincent and frontman in 1984 to launch Green River, a band named after a local serial killer. As documented in Kim Neely's Five Against One: The Pearl Jam Story , among the pioneering Seattle groups that were fusing hardcore and metal in the wake of punk's rise and fall, in autumn 1985, Green River put out what many consider to be the first grunge record, the six-track EP Come On Down . Clashing interests led to their demise before the release of a full-length album in June 1988. Meanwhile, Ament and Gossard had found another like-minded musician in vocalist Andy Wood, a magnetic frontman equally capable of outlandish stage theatrics and heart-tugging piano ballads. The trio merged with guitarist Bruce Fairweather and drummer Greg Gilmore to form Mother Love Bone, their must-see performances and increasingly polished sound leading to a deal with PolyGram Records in November 1988. However, as Mother Love Bone recorded their debut album, Apple , in fall 1989, Wood's heroin use had become a major source of concern for the band. Although he seemingly righted the ship in rehab, the talented frontman fell into a coma after a relapse in March 1990 and was pulled from life support just days before the scheduled release of Apple . After the death of Wood, Ament and Gossard had to start a new band from scratch. As Mother Love Bone was meeting its sudden and shocking end, another Seattle musician, guitarist Mike McCready, was rediscovering his groove. Formerly a member of the hard-rock outfit Shadow, McCready had abandoned his musical dreams after his group struck out in . But the passion was reignited with his discovery of Stevie Ray Vaughan's blues guitar, and he was playing with a group called Love Chile when Gossard, an old friend, approached him to collaborate in spring 1990. Ament soon joined their rehearsals, and with the threesome quickly jelling, they recruited Soundgarden drummer Matt Cameron to record a five- track instrumental collection that became known as Stone Gossard Demos '91 . With Cameron only assisting on a temporary basis, the others reached out to former drummer Jack Irons, who declined their offer to join the group but knew of a singer-songwriter who could help their cause. Eddie Vedder impressed his future bandmates by singing over their instrumentals. Hailing from the Chicago area, Eddie Vedder spent his high school years in San Diego and returned there after fleeing a turbulent home life. Laser- focused on a career in music, he fronted a band called through the late 1980s and worked night jobs that came with the freedom to write songs, squeezing in gigs as a volunteer roadie for major bands that passed through the area. One such gig led to his friendship with Irons, who put Vedder in touch with Ament and Gossard. Armed with a copy of the Stone Gossard Demos , Vedder listened to the instrumentals at work one night, the music echoing through his sleep-deprived mind as he went surfing the following morning. Returning home, he recorded vocals for three of the tracks – songs that became "Alive," "Once" and "Footsteps" – and sent his redubbed tape back to Seattle. As he recalled in Five Against One , Vedder soon wished he'd put more time and effort into his homemade demo, but that didn't matter to Ament and Gossard, who invited him into the fold after listening to his emotionally wrenching vocals and lyrics. Photo: Gie Knaeps/Getty Images. The band originally named themselves after a pro basketball player. By October 1990, the burgeoning group had found their drummer in Gig Harbor native Dave Krusen, who fit in despite coming of age outside the punk-metal community that had shaped the others. They also had their frontman when Vedder arrived, ready to get down to immediate business. After a few days of rehearsal, the band played their debut gig at the Off Ramp Cafe in Seattle on October 22 under the name "Mookie Blaylock," then known by basketball fans as a player for the NBA’s New Jersey Nets. Their set included many of the songs that would appear on their first album, Ten , including "Alive," "Black" and "," though Vedder's mostly restrained performance only hinted at the showmanship to come. After polishing off their Wood tribute project with Soundgarden, , Mookie Blaylock set to work on building buzz for their debut effort for , with local production on the Cameron Crowe-directed Singles providing an amusing distraction (Ament, Gossard and Vedder appeared in the film as members of Matt Dillon's band). Shortly before stepping into London Bridge Studio to record Ten in March 1991, the band announced that they would now be known as Pearl Jam, a name with murky origins, though Vedder claimed was inspired by a Native American grandmother who made preserves out of psychedelic ingredients. The band went through several drummers before the release of 'Ten' While momentum was building, there were still a few obstacles in Pearl Jam’s path to stardom. Krusen had developed a serious alcohol problem, a situation that raised red flags for the surviving members of Mother Love Bone, and he was out of the band after playing at the Singles wrap party on May 25. They found a capable replacement with New Bohemians drummer , but he, too, would soon exit, thanks to an offer to join the Saturday Night Live house band. While the drummer seat would prove a difficult one for the band to fill on a permanent basis, Chamberlain at least found the man who would accompany Pearl Jam over the finish line and into the national spotlight. Dave Abbruzzese had dropped out of his Texas high school to pursue his musical dreams, and he was playing in a funk band called Dr. Tongue and hosting a Dallas weekly radio show when he got the call to try out for Pearl Jam in summer 1991. Arriving on Seattle on August 3, Abbruzzese watched Pearl Jam film the video for "Alive" at the RKCNDY club before getting the chance to show his skills. Despite his funk leanings – and what he perceived as a not-so-warm welcome from Vedder – it was clear to all that the musical chemistry was there. On August 23, Abbruzzese played his first show with Pearl Jam before 4,000 fans at the Mural Amphitheatre at Seattle Center. Four days later, the release of Ten ensured that they would soon be playing for far larger audiences as drivers of the alt-rock movement that was about to take off and shape popular music through the rest of the decade. Five Against One. More than any other band, Pearl Jam embodies the alternative style that dominates rock today. From their early days as fame-ducking grunge pioneers, through their headline-making battle with Ticketmaster, to their current status as self-assured survivors, Five Against One brings to life Pearl Jam's tumultuous ascent to superstardom in rich detail. A compelling portrait of the band's elusive leader Eddie Vedder and family photos never seen before by the public make this a must-have for every Pearl Jam fan. New : A book in its original condition, as released by the publisher. 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Call for Availability: Please call us at 612-822-4611 to place an order for this title. This item is temporarily out of stock at our store and our distributor, but we may be able to get it from an alternative distributor or the publisher. Out of Stock: This item is not in stock and may be out-of-print. Please check back at a later time or click the Notify Me button to be notified of its availability. Five Against One: The Pearl Jam Story by Kim Neely. This extraordinary project has been made possible because Paul McCartney, George Harrison and Ringo Starr have agreed to tell their combined story especially for this book. Together with Yoko Ono Lennon, they have also made available the full transcripts (including all the outtakes) of the television and video series The Beatles Anthology. Through painstaking compilation of sources worldwide, John Lennon's words are equally represented in this remarkable volume. Furthermore, The Beatles have opened their personal and management archives specifically for this project, allowing the unprecedented release of photographs which they took along their ride to fame, as well as fascinating documents and memorabilia from their homes and offices. What a book The Beatles Anthology is Each page is brimming with personal stories and rare vintage images. Snapshots from their family collections take us back to the days when John Lennon, Paul McCartney, George Harrison and Richard Starkey were just boys growing up in Liverpool. They talk in turn about those early years and how they came to join the band that would make them known around the world as John, Paul, George and Ringo. Then, weaving back and forth, they tell the astonishing story of life as The Beatles: the first rough gigs, the phenomenon of their rise to fame, the musical and social change of their heyday, all the way through to their breakup. From the time Ringo tried to take this drum kit home on the bus to their much anticipated audience with Elvis, from the making of the Sgt. Pepper album to their last photo session together at John's house, The Beatles Anthology is a once-in-a-lifetime collection of The Beatles' own memories. Interwoven with these are the recollections of such associates as road manager Neil Aspinall, producer George Martin and spokesman Derek Taylor. And included in the vast array of photographs are materials from both Apple and EMI, who also opened their archives for this project. This, indeed, is the inside story, providing a wealth of previously unpublished material in both word and image. Created with their full cooperation, The Beatles Anthology is, in effect, The Beatles' autobiography. Like their music has been a part of so many of our lives, it's warm, frank, funny, poignant and bold. At last, here is The Beatles' own story. When Bobbie Ann Mason first heard Elvis Presley on the family radio, she recognized him as "one of us . . . a country person who spoke our language"--Southern, working class, a little wild. In "Elvis Presley," the bestselling author of the two modern American classics "Shiloh and Other Stories" and "In Country" captures all the vibrancy and tragedy of this mythic figure. With heartfelt intimacy and a novelist's insight, Mason charts the intoxicating life of the first rock-and-roll superstar, whose music shattered barriers and changed the sound of America. Elvis the impassioned singer and charismatic youth embraced the celebrity brought him by a host of top-forty hits and movies. But Elvis the small-town boy and devoted son was in no way prepared for being catapulted into an unimagined stratosphere. This is the riveting story of an unforgettable man and his indelible legacy. (Berklee Press). How does a song become more than words and music to represent or influence the voice of a generation? Inside the Hits dissects more than 60 of the most powerful and memorable hit songs since the birth of rock and roll to reveal the roots of their success. Author Wayne Wadhams examines the key ingredients that made the songs work then and now, including: melody, lyrics, performance, production, artist image, promotion, and market timing. What really stopped Mick Jagger from getting "Satisfaction"? How did a secretary who was mistaken for a prostitute give Donna Summer her new sound? Find all the answers in Inside the Hits . "Reading Inside the Hits was like reliving some of the most memorable moments in rock and roll. A captivating read for industry professionals and fans alike." Phil Ramone. An updated edition of the biography of The Stone Roses, the band who single-handedly set the blueprint for the resurgence of UK rock'n'roll in the 1990s. This is the story of their success, written with full co-operation of the various band members, including John Squire and Ian Brown. (Book). Through the eyes and ears of top music writers, Playing from the Heart brings you closer to 43 of the best players in popular music. Drawn from the rich archives of Guitar Player, Bass Player, Keyboard and Drums & Drumming, these classic interviews and photos reveal the skill, artistry and personality of world-class musicians in rock, blues, jazz and other styles. Provocative, often controversial, and always insightful, these interviews get to the heart of each player's creative process: their musical ideas and innovations, playing styles and techniques, equipment, influences and more. Plus you'll learn the "backstory" of each interview, direct from the writers and editors. Artist covered include: Chuck Berry, The Edge, Bonnie Raitt, Bootsy Collins, Billy Joel, Ginger Baker, Lars Ulrich and many others. A complete, stand-alone method for rock guitar which builds musicianship and encourages creativity. It has the same attributes as the core method, and the two correlate. Covers rock and blues riffs, power chords, lead scales, and classic rhythm and lead guitar patterns as played by the greats. In standard notation and tablature. With a play-along recording. Book 1 includes power chords, eighth note rhythms, the blues form, minor pentatonic scales, rhythm riffs, music theory, boogie patterns, and lead guitar riffs and techniques. Includes riffs in the style of Led Zeppelin, ZZ Top(R), The Rolling Stones and Eric Clapton. More than any other band, Pearl Jam embodies the alternative style that dominates rock today. From their early days as fame-ducking grunge pioneers, through their headline-making battle with Ticketmaster, to their current status as self-assured survivors, Five Against One brings to life Pearl Jam's tumultuous ascent to superstardom in rich detail. A compelling portrait of the band's elusive leader Eddie Vedder and family photos never seen before by the public make this a must-have for every Pearl Jam fan. In the first full-scale life of the most important composer-lyricist at work in musical theatre today, Meryle Secrest, the biographer of Frank Lloyd Wright and Leonard Bernstein, draws on her extended conversations with Stephen Sondheim as well as on her interviews with his friends, family, collaborators, and lovers to bring us not only the artist--as a master of modernist compositional style--but also the private man. Beginning with his early childhood on New York's prosperous Upper West Side, Secrest describes how Sondheim was taught to play the piano by his father, a successful dress manufacturer and amateur musician. She writes about Sondheim's early ambition to become a concert pianist, about the effect on him of his parents' divorce when he was ten, about his years in military and private schools. She writes about his feelings of loneliness and abandonment, about the refuge he found in the home of Oscar and Dorothy Hammerstein, and his determination to become just like Oscar. Secrest describes the years when Sondheim was struggling to gain a foothold in the theatre, his attempts at scriptwriting (in his early twenties in Rome on the set of Beat the Devil with Bogart and Huston, and later in Hollywood as a co-writer with George Oppenheimer for the TV series Topper), living the Hollywood life. Here is Sondheim's ascent to the peaks of the Broadway musical, from his chance meeting with play- wright Arthur Laurents, which led to his first success-- as co-lyricist with Leonard Bernstein on West Side Story--to his collaboration with Laurents on Gypsy, to his first full Broadway score, A Funny Thing Happened on the Way to the Forum. And Secrest writes about his first big success as composer, lyricist, writer in the 1960s with Company, an innovative and sophisticated musical that examined marriage a la mode. It was the start of an almost-twenty-year collaboration with producer and director Hal Prince that resulted in such shows as Follies, Pacific Overtures, Sweeney Todd, and A Little Night Music. We see Sondheim at work with composers, producers, directors, co-writers, actors, the greats of his time and ours, among them Leonard Bernstein, Ethel Merman, Richard Rodgers, Oscar Hammerstein, Jerome Robbins, Zero Mostel, Bernadette Peters, and Lee Remick (with whom it was said he was in love, and she with him), as Secrest vividly re-creates the energy, the passion, the despair, the excitement, the genius, that went into the making of show after Sondheim show. A biography that is sure to become the standard work on Sondheim's life and art. "From the Hardcover edition." A must-have for every Fab Four fan, this classic visual tribute to their music is now available in a handsomely repackaged and affordable paperback edition. The music and lyrics of the Beatles have proven them to be artists of the page as well as the stage and have here provided inspiration to dozens of artists. Rendered in full color on every page are extravagantly colorful scenes and images, from the psychedelic visions evoked by Strawberry Fields to the youthful innocence that springs from She Loves You. Witty commentary and candid insights from John, Paul, George and Ringo make this a very special and personal tribute." This book provides an insightful companion to Dylan's 1960s recordings, tracing the people, places, and events behind some of his greatest songs and revealing his many early influences, from rock and folk music to philosophy and symbolist poetry.