Director of Campus Safety Resigns
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Sewanee Purple, 1998-2000
etoanee purple VOL. CLXXVIII No. 7 FEBRUARY 4. 1999 UNIVERSITY OF THE SOUTH SEWANEE. TENNESSEE, Damaging ice storm strikes Domain I *^ require anar Xfrk/I'l'*'^Inside W _^^____^^__ hMheating,: n0 «systemsv ,, emi tvoicallytypically branches Because of the Fallen electric spark to start made sev- wreak havoc with power cold, the Sewanee police residents and Shake Day eral rounds to check on the semester break over ensure (heir safety buildings were dam- by Justin Sausville No University storm, a direct result of the ice Writer uged as Staff was dam- but the University Gallery 23 and 24 ol outages Between December aged as a result of power was hit with an i lasl year. Scwanee According to Pate, i watei coB in ice storm. The " not sur extremely destructive heating unit froze This was began to solidify a. .'bout against an ice, which prising, as "the unit was up twenty-third, formed din el on the outside wall" andhadaduci one-half io three-quar- power was re- .,„ sphere from to the outside When on tree limbs and ruptured the ters inches o1 ice stored, the sudden heating Fortunately, the ice did spray out. other surfaces coil and caused water to surfaces, the only offices not solidify on road causing significant damage to were Uv with major obstacles to travel below, some of which were found tree limbs which blocked water The ens ot fallen large amounts ot standing steam from roaus leak was discovered when damage to Jrees which triggered a fire Tigers to play And it was the escaping water most problems lor created the alarm. -
Black Circle Song Catalogue
Black Circle Song Catalogue Ten Vitalogy Yield Riot Act Pearl Jam L. Bolt Singles / G. Hits Other Bands Hunger Strike Once Last Exit Brain of J. Can't Keep Gone Mind Your Manners Breath Rockin’In The Free World Even Spin the Black Faithful Save You Come Back Sirens I Got ID Love Reign Oér Me Flow Circle Given to Fly Love Boat Captain Inside Job Sleeping By Myself Can't Deny Me Baba O'Riley Alive Not For You Wishlist Ghost Future Days State of Love and Breed Why Go Tremor Christ Do THe Evolution I Am Mine Infallible Trust Heart-Shaped Box Black Nothingman Low Light Thumbing My Way Them Bones Jeremy Whipping In Hiding ½ Full Would? Oceans Corduroy All Those Yesterdays All or None Black Hole SUn Porch Satan's Bed Comfortably Numb Deep Better Man Little Wing Garden Immortality I Believe in Miracles Release You've got to Hide Your Love away Go Sometimes Light Years Sad The Fixer Comes Then Goes Sleepless Nights Low Light Ceiling Animal Hail, Hail Thin Air Leaving Here Just Breathe Superblood Setting Forth Of The Light Daughter Smile Insignificance Yellow Ledbetter Amongst the Wolfmoon Rise Pages Glorified G Off He Goes Hard to Imagine Waves Dance of The Hard Sun DIsarray Dissident Red Mosquito Wash Unthought Clairvoyants Society Penguins and Butterflies W.M.A Present Tense Known Quick Escape Guaranteed Autumn Theory Blood The End Divide Rearviewmirror Never Thought I Would Rats Drive Home in the Rain Small Town Leash Indifference Crazy Mary Vs. No Code Binaural Lost Dogs Backspacer Gigaton Vedder Black Circle. -
No Code (Vinyl-Reissue)
Pearl Jam – No Code (Vinyl- Reissue) (49:37, LP, Sony Music/Legacy, 1996/2016) „No Code“ – ein Statement als Albumtitel. Pearl Jam weigerten sich, mit einem Barcode das Artwork zu verschandeln. Ob man den Künstlern das abnimmt oder es für eine werbewirksame Masche hält, sei dahingestellt. „No Code“ will als Gesamtkunstwerk betrachtet werden, da ist das Drumherum ebenso wichtig wie der musikalische Gehalt. „No Code“ schafft das. Das LP-Cover ist aufwändig gestaltet, es lässt sich mehrfach aufklappen. Als Beilage gibt es neun Polaroids, die das Cover als Collage zieren. Der eigentliche Clou – hier wird es für passionierte Sammler und Die-hard-Fans interessant: Es gibt vier verschiedene Versionen (C-O-D E) dieser Polaroid-Beilagen. Welche davon jeweils in der Hülle steckt, lässt sich nicht erkennen solange die LP verschweißt ist – wem kommen da nicht Panini-Bilder in den Sinn? Die Gestaltung ist ohne Frage gelungen und das verkaufsfördernde Spiel ist nicht neu. Man kennt es von Genesis („Abacab“), Led Zeppelin („In Through The Out Door“) und diversen anderen Künstlern. Nebenbei bemerkt: In der Hülle steckt auch eine LP, und die enthält immer dieselben 13 Songs. Gut so, sonst würde es wirklich kompliziert. Zu Zeiten seiner Erstveröffentlichung war „No Code“ umstritten. Für viele Fans hatten Peal Jam sich zu weit von den Erwartungen entfernt. War „Vitaology“ mit seiner ruppigen und punkigen Attitüde noch als Statement wider den Ausverkauf des Seattle-Movements verstanden worden, so löste sich die Band mit „No Code“ noch weiter aus ihrem bisherigen Klangkosmos. Das das Album beschließende ‚Around The Bend‘ mit seiner Kaffeehaus-Atmosphäre mag für Manchen nur schwer verdaulich gewesen sein. -
Arbiter, September 4 Students of Boise State University
Boise State University ScholarWorks Student Newspapers (UP 4.15) University Documents 9-4-1996 Arbiter, September 4 Students of Boise State University Although this file was scanned from the highest-quality microfilm held by Boise State University, it reveals the limitations of the source microfilm. It is possible to perform a text search of much of this material; however, there are sections where the source microfilm was too faint or unreadable to allow for text scanning. For assistance with this collection of student newspapers, please contact Special Collections and Archives at [email protected]. , .< . l 1,I 101 ,II ~ I' ~ i~ !I I f , I i ., 2 INSIDE --,---~_:__-------WEONESOAY, SEPTEMBER4,1996 THEARBITER We now move to the Administration Freshmen, wel<now Building, where lines extend out 'the doors of the Financial Aid Office, straight into the wall who you are ...' on the other side. Americans aren't used to lines; we seldom have to wait for anything. But . .. It occurs to us that some BSU newcomers take this advice: curve the line along the wall ~JDj;B;m; need a primer on campus etiquette, and some instead of cutting off traffic. pinion college veterans require a refresher. Bewildered freshmen often like to stand in ' Students can learn communication skills from Freshmen frustration starts in the Education' the doorway of Administration Building Clinton, Dole and Perot. Building (the tall one). Some people apparently offices like deer with lights in their eyes-not don't think elevators arc required to obey the sure whether they're at the right office, or law of physics-s-peoplc in the elevator have to whether they're prepared if it is. -
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1
CHICAGO, ILLINOIS SUNDAY, JULY 21, 1991 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Wash 2. Once 3. Even Flow 4. State Of Love And Trust 5. Alive 6. Why Go CHICAGO, ILLINOIS FRIDAY, NOVEMBER 29, 1991 LOCATION CHICAGO, IL Aragon Ballroom SET 1 1. Release 2. Even Flow 3. Smells Like Teen Spirit 4. Once 5. Alive 6. Jeremy 7. Why Go 8. Porch CHICAGO, ILLINOIS SATURDAY, MARCH 28, 1992 LOCATION CHICAGO, IL Cabaret Metro SET 1 1. Release 2. Even Flow 3. Improv (You Tell Me) 4. Rockin' In The Free World 5. Once 6. State Of Love And Trust 7. Alive 8. Black 9. Deep 10. Jeremy 11. Why Go 12. Porch TINLEY PARK, ILLINOIS SUNDAY, AUGUST 02, 1992 LOCATION TINLEY PARK, IL World Music Amphitheater SET 1 1. Summertime Rolls 2. Why Go 3. Deep 4. Jeremy 5. Even Flow 6. Alive 7. Black 8. Once 9. Porch CHICAGO, ILLINOIS THURSDAY, MARCH 10, 1994 LOCATION CHICAGO, IL Chicago Stadium SET 1 1. Release 2. Animal 3. Go 4. Even Flow 5. Dissident 6. Empire Carpet song 7. State Of Love And Trust 8. Why Go 9. Jeremy 10. Glorified G 11. Daughter 12. The Real Me 13. Not For You 14. Rearviewmirror 15. Blood 16. Alive 17. Porch 18. Garden 19. Happy Birthday (Jeff) 20. Spin The Black Circle 21. Black 22. Tremor Christ 23. Footsteps 24. Rockin' In The Free World 25. I Won't Back Down 26. Leash 27. Sonic Reducer Indifference CHICAGO, ILLINOIS SUNDAY, MARCH 13, 1994 LOCATION CHICAGO, IL New Regal Theater SET 1 1. -
Tunnel Vision Why Our Cities Need Less Jane Jacobs
Stuff white people write • Hockey’s haunted houses $6.50 Vol. 24, No. 8 October 2016 Lev Bratishenko Tunnel Vision Why our cities need less Jane Jacobs PLUS Douglas Coupland and Christian Bök on fetishizing the future Donna Bailey Nurse on forgetfulness Andy Lamey on our abuse addiction Ana Siljak on the new Edwardians Publications Mail Agreement #40032362 Sonnet L’Abbé on Anne Carson Return undeliverable Canadian addresses to LRC, Circulation Dept. PO Box 8, Station K Paul Wilson on the real John le Carré Toronto, ON M4P 2G1 New from University of Toronto Press A Quiet Evolution The Emergence of Indigenous-Local Intergovernmental Partnerships in Canada by Christopher Alcantara and A Mile Of Make-Believe Jen Nelles A History of the Eaton’s Santa Claus A Quiet Evolution is a call to politicians, Parade policymakers and citizens alike to by Steve Penfold encourage Indigenous and local governments to work towards mutually This unique history of the Eaton’s Santa beneficial partnerships. Claus parades in Toronto, Montreal, Winnipeg, Calgary, and Edmonton reveals how Eaton’s pressed its image onto public life and influenced parade traditions. Productivity and Prosperity An Historical Sociology of Productivist Thought Redesigning Work by Karen R. Foster A Blueprint for Canada’s Future Well- In Productivity and Prosperity, Karen Being and Prosperity Foster challenges the prevailing notion by Graham Lowe and Frank Graves that productivity is the lynchpin to prosperity and that economic growth is In Redesigning Work the authors essential for quality of life. provide a blueprint for the future of work in Canada by identifying practical ways to make work more motivating, rewarding and productive. -
Pearl Jam Evolution
1 “L’uomo dalle parole d’oro” “I Pearl Jam sono migliori di quasi ogni altra band nella storia che abbia avuto quell’ enorme tipo di successo, l'hanno gestito in modo davvero eloquente. Penso che ciò rappresenti un grande esempio per gli altri musicisti di come sia davvero possibile controllare l’attenzione dei media. Penso siano riusciti a restare vitali. I dischi che hanno fatto non hanno necessariamente attratto lo stesso numero di fans di Ten, ma hanno comunque attratto un sacco di persone. Hanno venduto milioni di dischi senza dover fare video e senza dover fare una campagna pubblicitaria esagerata per ogni album.” (Chris Cornell) Stato di Washington, primi anni Ottanta. I complessi più amati dai ragazzi americani in quegli anni sono veloci, aggressive ed arrabbiate hardcore punk band come i Black Flag, i Minor Threat o i Dead Kennedys. Proprio questi ultimi, capitanati dall’istrionico Jello Biafra, giungono a Seattle nell’Ottobre 1984. Quella stessa sera, ad aprire il loro concerto c’è una band locale composta da musicisti che dopo pochi anni diventeranno personaggi chiave del sound di Seattle. Si tratta dei Green River. Fanno parte dei Green River: il cantante Mark Arm, il chitarrista Steve Turner, il batterista Alex Vincent, il bassista Jeff Ament e l’altro chitarrista, Stone Gossard. Il futuro chitarrista ritmico dei Pearl Jam nasce il 20 Luglio 1966 a Seattle. Da ragazzo vive sempre a Seattle insieme ai genitori, due avvocati di successo, e alle due sorelle, Shelley e Star. I suoi genitori, democratici convinti, lo mandano ad una scuola superiore alternativa e multiculturale, la Northwest School, dove le lezioni di storia includono discussioni prolungate sul coinvolgimento degli Stati Uniti negli assassinii politici. -
{PDF EPUB} Five Against One the Pearl Jam Story by Kim Neely Pearl Jam
Read Ebook {PDF EPUB} Five Against One The Pearl Jam Story by Kim Neely Pearl Jam. Five Against One: The Pearl Jam Story by Kim Neely Book Description: More than any other band, Pearl Jam embodies the alternative style that dominates rock today. From their early days as fame-ducking grunge pioneers, through their headline-making battle with Ticketmaster, to their current status as self-assured survivors, Five Against One brings to life Pearl Jam's tumultuous ascent to superstardom in rich detail. A compelling portrait of the band's elusive leader Eddie Vedder and family photos never seen before by the public make this a must-have for every Pearl Jam fan. (Paperback) Pearl Jam Ten: With Notes & Tablature (Paperback - November 1992) Pearl Jam: Ten by Steve Gorenberg (Translator) (Paperback - September 1993) None Too Fragile: Pearl Jam and Eddie Vedder by Martin Clarke (Paperback) Pearl Jam: The Illustrated Biography by Brad Morrell Out of Print - Try Used Books Pearl Jam by Mark Blake Out of Print - Try Used Books. It’s five against one with 60 minutes that define Pearl Jam. When it comes to Pearl Jam, musical comparisons aren’t difficult, but finding many other bands that experienced the same career trajectory might be. The Seattle group is one of the few bands in history to go from playing its first show to becoming arguably the biggest band in the world in barely over a year. Its first album, Ten , is one of the highest-selling rock albums of all time, going platinum 13 times. When your first release goes to No. -
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The Tulane Hullabaloo I September 6, 1996 I N a | c N 。 セ ・ 5 and vocal tracks remi- disappointments of the niscent of the magic album. In a way it is still that created the original refreshing to see a musi- 1 greats, "Once," cian sacrifice pleasing . "Alive," "Even Flow" melodies to get a point and "Black." across, but "Habit" and "In My Tree" is fol- "Lukin" aren't nearly at lowed by the most the same level as, say, heavily Neil Young- "Deep" or "Blood." influenced song yet, Take "Blood" in partic- "Smile." While there ular-it is a scathing song were hints of Young which fully captures the throughout Vitalogy, torn, beaten and abused Pearl Jam makes no state of its author. It is not bones about it in this one of the most pleasing one. Vedder breaks out songs to listen to, but his harp while to artistically it is very suc- accompany Ament's cessful. "Habit" on the heavily charged guitar other hand, does not come riffs. What this song off so well. Perhaps it is brings up is the ques- because he is writing the music from anoth- reasons, none of which are the music i middle of this album, which brings up an tion as to whether or not Pearl Jam went too er person's point of view that it comes out Gossard wrote this one on his own, tht interesting point about this band. far in imitating the styles of others, and crit- watered down, or maybe it just happened to song to which Vedder hasn't at least wr Pearl Jam is above all else, an album ics will have a field day with this one. -
October 1994
Features AARON COMESS Album number two sees Spin Doctors drummer Aaron Comess laying down that slippery funky thing yet again. Not that Aaron has cut down on his extracurricular jazz work. Does this guy ever stop? • Teri Saccone 20 BOB MOSES The eccentric but unarguably gifted drummer who powered the first jazz-rock band is still breaking barriers. With a brand- new album and ever-probing style, Bob Moses explains why his "Simul-Circular Loopology" might be too dangerous in live doses. • Ken Micallef 26 HIGHLIGHTS OF MD's FESTIVAL WEEKEND '94 Where should we start? Simon Phillips? Perhaps "J.R." Robinson? Say, Rod Morgenstein? How about Marvin "Smitty" Smith...or David Garibaldi...maybe Chad Smith, Clayton Cameron, or Matt Sorum.... Two days, one stage, a couple thousand drummers, mega-prizes: No matter how you slice it, it's the mother of all drum shows, and we've got the photos to prove it! 30 Volume 18, Number 9 Cover Photo By Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 52 DRUM SOLOIST 8 UPDATE Max Roach: Bill Bruford, "Blues For Big Sid" David Garibaldi, TRANSCRIBED BY Dave Mancini, CRAIG SCOTT and Ray Farrugia of Junkhouse, plus News 76 HEALTH & SCIENCE 119 INDUSTRY Focal Dystonia: HAPPENINGS A Personal Experience BY CHARLIE PERRY WITH JACK MAKER DEPARTMENTS 42 PRODUCT CLOSE-UP 80 JAZZ 4 EDITOR'S Tama Iron Cobra DRUMMERS' OVERVIEW Bass Drum Pedals WORKSHOP BY ADAM BUDOFSKY Expanding The 6 READERS' 43 Tama Tension Watch Learning Process PLATFORM Drum Tuner BY JOHN RILEY BY ADAM BUDOFSKY 12 ASK A PRO 84 Rock 'N' 44 Vic Firth Ed Shaughnessy, American Concept Sticks JAZZ CLINIC Stephen Perkins, and BY WILLIAM F. -
1 TABLE of CONTENTS Background Born in Bronx, New York City, March 6, 1938 Immigrant Background Impact of World War II 1941-1945
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project ROBERT H. STERN Interviewed by: David Reuther Initial interview date: April 8, 2015 Copyright 2019 ADST TABLE OF CONTENTS Background Born in Bronx, New York City, March 6, 1938 Immigrant Background Impact of World War II 1941-1945 Attended public schools 1943-1955 Attended Academy of Aeronautics in Long Island City, NY 1955-1956 Joined the Air Force 1956-1960 Exposure to Jim Crow Discrimination Stationed at Yokota Air Base, Japan Salesman paper products/Night school Queens College 1960-1966 Entered the Foreign Service 74th A-100 Class 1966 San Jose, Costa Rica — Junior Office Rotation assignment 1967–1968 Consular Section Becoming Acting Consul AID Section Economic Section Uneven quality of section chiefs Manila, The Philippines—Chief, Non-Immigrant Section 1968-1970 Impact of 1968 Immigration Law Organization of the Consular Section Ship crew issues Value of Foreign Service Staff Officers Views on ambassadors Tricks of the visa trade Night school at Santo Tomas Deputy Commercial Attaché—Economic Section 1970-1972 Organization of Economic Section Commodities reporting Laurel-Langley Act reporting 1 Traveling around the Philippines Sugar Industry and end of quota system Representational entertaining in the Philippines Moon Landing Sharing notes with Anglo-Saxon embassies Rumors of coup State Department, FSI Economics Course 1972–1973 Student Colleagues and Professors Demanding course Department of Commerce 1973-1974 Latin American Bureau—trade promotion State Department, Bureau of Inter-American Affairs, 1974-1976 Office Regional Economic Policy (ARA/ECP) Venezuela and energy policy Liaison with Petroleum Intelligence Weekly Drafting U.S. -
Pearl Jam; Ten Past
Pearl Jam TEN PAST TEN: La historia completa FANS DEL DEPORTE: La conexión Pearl Jam - Deportes PEARL JAM LINKS MAXIMUN ROCK AND ROLL La cinta de mezclas de Pearl Jam definitiva Ten Past Ten Pearl Jam · Ten Past Ten Página 1 Indice Ten Past Ten: La historia completa. Intro..............................................................................3 1990: Prehistoria..........................................................5 1991: Given to fly march…………………………….9 1992: Why go home?……………………………….12 1993-94: Dejando sangre...........................................17 1995: Push me, pull me..............................................23 1996-99: Even flow....................................................26 2000: Gods’ dice.........................................................30 2001: Present tense.....................................................34 Seguidores del Deporte. La conexión Pearl Jam – Deportes..36 Maximun Rock And Roll La cinta de mezclas definitiva de Pearl Jam................................................................38 Pearl Jam Links..................................................................….41 Pearl Jam · Ten Past Ten Página 2 HA PASADO UNA DÉCADA DESDE QUE PEARL JAM LANZÓ TEN, EL CUAL VENDIÓ 11 MILLONES DE COPIAS Y DIO AL ROCK DURO UN TRANSPLANTE DE CORAZÓN. EN UN EXCLUSIVO REMEMORAMIENTO, LA BANDA Y MULTITUD DE COMPAÑEROS LO REPASAN TODO, DESDE EL CENSURADO VÍDEO DE “JEREMY” Y LOS PROBLEMAS INTERNOS HASTA LA TRAGEDIA DE ROSKILDE Y EL CAMINO A SEGUIR. UNA HISTORIA ORAL DE UNA BANDA QUE SE PREOCUPA. Personajes