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Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
Editor's Notes
R&R Editor’s Notes editoR and PubliSheR: Jann S. Wenner Managing editoR: Will Dana executive editors: Eric Bates, Jason Fine dePuty Managing editors: Nathan Brackett John Dioso AssiStant Managing editoR: Jonathan Ringen The Future Is Unwritten SenioR wRiters: David Fricke, Peter Travers SenioR editors: Michael Endelman, Thomas Walsh Sean Woods esides barack obama himself, Associate editors: Brian Hiatt, Coco McPherson there probably aren’t many peo- AssiStant editors: Nicole Frehsée, Andy Greene Julia Holmes, Sarene Leeds, Eric Magnuson ple who have done more to put Kevin O’Donnell, Jamie Reynolds, Phoebe St. John B AssiStant to the editoR and PubliSheR: Ally Lewis our current president in the White House editoRial Staff: Alison Weinflash than artist-activist-provocateur Shepard ROLLINGSTONE.COM: Robert Mancini (Executive Ed.) Caryn Ganz (Deputy Ed.), Erica Futterman, John Gara Fairey. Fairey’s samizdat “Hope” poster, contRibuting editors: Mark Binelli, David Browne Rich Cohen, John Colapinto, Jonathan Cott plastered all over America on walls, Anthony DeCurtis, Tim Dickinson, Raoul Duke (Sports) T-shirts and computer screens, helped the Gavin Edwards, Jenny Eliscu, Mikal Gilmore, Jeff Goodell Vanessa Grigoriadis, Erik Hedegaard, Christian Hoard country connect to this man who prom- Claire Hoffman, Robert F. Kennedy Jr., Steve Knopper David Kushner, Guy Lawson, David Lipsky, Kurt Loder ised voters such an extraordinary change Greil Marcus, P.J. O’Rourke, Charles Perry, Janet Reitman from politics as usual. Austin Scaggs, Jeff Sharlet, Rob Sheffield, Paul Solotaroff Ralph Steadman (Gardening), Neil Strauss, Randall Sullivan Seven months into his presidency, in Matt Taibbi, Touré, David Wild, Peter Wilkinson, Evan Wright the midst of the debate over health care, Art diRectoR: Joseph Hutchinson Obama is facing the tests that will likely Art dePaRtMent: Steven Charny (Sr. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
On Bach's Bottomby Alex Chilton
On Bach’s Bottom by Alex Chilton Elizabeth Barker Not too many years ago, I stole a rock star’s likeness for my novel and then he asked me on a date. He’s the singer for a band I’ve loved since I was 14, one of the most enduring infatuations of my life. The character I based on him was very minor: my protagonist’s most adored ex-boyfriend, who wore beaded necklaces and ate his ice cream from the pint, with a butter knife instead of a spoon. He existed in flashbacks where kids drank Alex Chilton warm beer on back porches in the New England summertime, Rickie Lee Jones on the Bach’s Bottom radio. In one scene he dragged his finger through the melted frosting of a lemon danish, on a front stoop on a Sunday morning when he and his girl had barely slept and both had 1981 exciting hair, unwashed and ocean-salty. Line Records There wasn’t much point in adding that character to the story. I mostly stole the singer’s likeness so that I could infuse some of his goofball aura into my book. His aura was the exact sunny-yellow of the nucleus of a lemon danish, and I wanted to use him like a filmmaker uses pop songs to siphon off the sentiment of the melody. A few months after I wrote that section of my book, the singer moved to Los Angeles, to my side of town. And it unthrills me to get to this part of the story, because no one ever wants to use the word Twitter when they’re talking about love—but I suppose that’s the reality of the world today. -
*'10P40* with Shtdjoe STEVENS
rai~IIN(f41~1 *'10P40* WITH SHtdJOE STEVENS PLBASB AUDITION BACH DISC IHKBDlAXBLY. IF YOU HAVB ANY QUESTIONS, PLBASB CONTACT US TOLL PRBB AT 1-800-423-2502 . ... COMPACT DISC 11, TRACK 10, HAS 1KHz REFERENCE TONE ... TOPICAL PROMO$ TOPICAL PROMO$ FOR SHOW fat ABE LOCATED ON DISC 4. JBACKS 8 AND 7. DO NOT USE AFTER SHOW up. 1. ADORAM VJBRADQNS :29 Hi, Shadoe Stevena, AT40. Last week, Oklahoma's a Clll)pella angels, Color Me Badd, were devirlshly clever and colorful enough on the BUiboard chart to score their first 111 with 'I Adore Mi Amor'. But will they still adore the pop PMk thi<l -v.? Coming up fast from below and c1irnhing '" 112. ~ Ma!r!(y Mltrk and The Funky !'lunch with 'Good IIIJrations'. Are there 111 vibes in their immediate future? Ah, D'Shadoe knows. And you can too - when we count 'em down •• right here •• on American Top 40. (LOCAL TAG) 2. TOP TENS TO TALK ABOUT :36 Hi, Shadoe Stevena, AT40. Her first four singles·· all from her debut allum- hit 111. And now Mariah Carey is looking top ten bound with her latest hit caUec! 'Emotions'. But also moving up, looking for a top ten follow-up to 'Losing My Religion', it's MTV Award Winnens R.E.M. with 'Shiny Happy People'. And looking to IT'Bke her first top 40 hit ever her first top tenner, it's last year's big Grammy winner, Bonnie Raitt with 'Something To Talk About'. We've got the hits everybody talks aboul - listens to and buys - the 40 biggest in the U.S.A. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
At a Glance Concert Schedule
At A Glance Concert Schedule SC- Supper Club CH- Concert Hall MB- Music Box Full Venue RT- Rooftop Deck RF- Riverfront Porch PDR- Private Dining Room Sun 4/23 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/23 SC BB King Brunch With Travis "The Moonchild" Haddix (View Page) Sun 4/23 CH Bob Mould Solo Electric Show with Hüsker Dü Frontman (Tickets) Wed 4/26 SC Topic: Cleveland Starts Here: History of Western Reserve Historical Society Storytellers: Kelly Falcone-Hall & Dennis Barrie Cleveland Stories Dinner Parties (View Page) Thu 4/27 SC Motown Night with Nitebridge Enjoy the jumpin' sounds of your favorite classic hits! (View Page) Thu 4/27 CH Dan Fogelberg Night with The Don Campbell Band (Tickets) Sun 4/30 CH Turning Point Church Presented by NEO Church Planting network Weekly Worship Service (View Page) Sun 4/30 SC Beatles Brunch With The Sunrise Jones (Tickets) Sun 4/30 SC Cleveland Songwriters Showcase Raymond Arthur Flanagan, Rebekah Jean, & Austin Stambaugh (View Page) Wed 5/3 SC Topic: Plans Made, Plans Changed: CLE’s Urban Design Storyteller: Chris Ronayne Cleveland Stories Dinner Parties (View Page) Thu 5/4 SC Rebels Without Applause One of Cleveland's Longtime Favorite Cover Bands Celebrating 35 Years! (View Page) Fri 5/5 CH Martin Barre of Jethro Tull Award-Winning Legendary Guitarist (Tickets) Fri 5/5 SC Tequila! Cinco de Mayo Party with Cats on Holiday Tequila Flights, Taco Features and more! (Tickets) Sat 5/6 SC Hey Mavis Northeast Ohio’s Favorite Americana Folk -
Vinyl Theory
Vinyl Theory Jeffrey R. Di Leo Copyright © 2020 by Jefrey R. Di Leo Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to publish rich media digital books simultaneously available in print, to be a peer-reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. The complete manuscript of this work was subjected to a partly closed (“single blind”) review process. For more information, please see our Peer Review Commitments and Guidelines at https://www.leverpress.org/peerreview DOI: https://doi.org/10.3998/mpub.11676127 Print ISBN: 978-1-64315-015-4 Open access ISBN: 978-1-64315-016-1 Library of Congress Control Number: 2019954611 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Without music, life would be an error. —Friedrich Nietzsche The preservation of music in records reminds one of canned food. —Theodor W. Adorno Contents Member Institution Acknowledgments vii Preface 1 1. Late Capitalism on Vinyl 11 2. The Curve of the Needle 37 3. -
Wooster, OH), 1998-11-05 Wooster Voice Editors
The College of Wooster Open Works The oV ice: 1991-2000 "The oV ice" Student Newspaper Collection 11-5-1998 The oW oster Voice (Wooster, OH), 1998-11-05 Wooster Voice Editors Follow this and additional works at: https://openworks.wooster.edu/voice1991-2000 Recommended Citation Editors, Wooster Voice, "The oosW ter Voice (Wooster, OH), 1998-11-05" (1998). The Voice: 1991-2000. 207. https://openworks.wooster.edu/voice1991-2000/207 This Book is brought to you for free and open access by the "The oV ice" Student Newspaper Collection at Open Works, a service of The oC llege of Wooster Libraries. It has been accepted for inclusion in The oV ice: 1991-2000 by an authorized administrator of Open Works. For more information, please contact [email protected]. TTze Wooster While the student leaders are enthusiastic ",.Y(he : : catch us online at general student body does not exhibit much interest "HE" in student government unless a major issue arises, www.woostet.eduvoice from the Collrge'j 1992 accreditation report by ths ICE North Central Asinrintitm of Collrm and St hnritl Volume CXV, Issue 9 America's;0Oldest Weekly College Newspaper Thursday, November 5, 1998 Turnover in Facility talks objectives "Liberal arts core" sent back to EPC Admissions Herring. He said that the EPC docu- Dan Shortrjdce ment was similar to information News Editor which had been "leaked" to the fac- Caitun Pine ulty in the spring, and that the cen- ' Staff Writer Cm Monday night, the faculty dis- tral debate was between "giving cussed and generally rejected the more of a smattering than we are High turnover in the student visit "Objectives for a Liberal Arts Core" now . -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
Patient Safety in the OR 5Th Edition
The OR Management Series Patient Safety in the OR 5th Edition A compilation of articles from OR Manager Editor Elizabeth Wood Editor, OR Manager Clinical Editor Judith M. Mathias, MA, RN Clinical Editor, OR Manager Contributor Cynthia Saver, MS, RN President, CLS Development Inc, Columbia, Maryland Patient Safety in the OR The OR Management Series 1 Copyright © 2014, Access Intelligence, LLC All rights reserved. No part of this book may be reproduced in any form or by any means, electronic or mechanical, including photocopying or by an information stor- age and retrieval system, without permission from the publisher. Publisher Access Intelligence, LLC 4 Choke Cherry Rd, 2nd Floor Rockville, MD 20850 Library of Congress Catalog Card Number: 2011937405 ISBN: 978-0-9914473-3-6 Printed in the USA 2 The OR Management Series Patient Safety in the OR Foreword his update of the 2011 Patient Safety in improvement approach after safety failures, the OR reflects an ever-greater emphasis and they note that organizations using this T on processes and standards aimed at im- approach have seen impressive reductions in proving outcomes. We’ve included 15 articles surgical site infections and ineffective handoffs. from 2012 and 25 from 2013, along with 5 ar- ticles published thus far in 2014. Implementation of the Affordable Care Act is shifting the emphasis to greater collaboration Every issue of OR Manager includes ar- and coordination among healthcare providers. ticles related to patient safety because almost Those themes are also explored in our patient everything done in the perioperative environ- safety articles, along with new approaches to ment is related to patient safety. -
Perfect Circle: the Story of REM Free
FREE PERFECT CIRCLE: THE STORY OF REM PDF Tony Fletcher | 480 pages | 10 May 2013 | OMNIBUS PRESS | 9781780386980 | English | London, United Kingdom Perfect Circle (song) - Wikipedia And Tony Fletcher is the man to tell the tale. The early days of the formation of the band in their hometown of Athens, Georgia and their first Perfect Circle: The Story of REM at making music together are covered in detail with references from various friends who saw them through their formative days. They were heavily bolstered by a healthy local music scene which was open to embracing the new wave of sounds together with a healthy student population and college radio network which was prepared to air their music. Of course their dues were paid and their act was honed by playing live and most of the period was spent on the road. Supported by a sympathetic record label in IRS, they were lucky enough to have artistic license even from their early days and it was only when they veered from their Athens comfort zone and relocated to London to record their third album, Fables Of The Reconstructionthat they hit their first stumbling block. It was the break from IRS not an easy decision to make and their deal with Warner Brothers which elevated REM into the big time and one that could be viewed as the end of one era and the start of a new one — older fans maybe being a little more Perfect Circle: The Story of REM about the IRS albums and output whilst the early Warner recordings gained the mass Perfect Circle: The Story of REM and critical acclaim yet still allowed REM to remain a band who worked under their own terms and agenda.