Alex Chliton the Letter
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Star Shines at Shell
May 24, 2014 Star Shines at Shell PHOTO BY YOSHI JAMES Homage to cult band’s “Third” kicks off Levitt series By Bob Mehr The Levitt Shell’s 2014 summer season opened Friday night, with a teeming crowd of roughly 4,000 who camped out under clear skies to hear the music of Memphis’ greatest cult band Big Star, in a show dedicated to its dark masterpiece, Third. Performed by an all-star troupe of local and national musicians, it was yet another reminder of how the group, critically acclaimed but commercially doomed during their initial run in the early 1970s, has developed into one of the unlikeliest success stories in rock and roll. The Third album — alternately known as Sister Lovers — was originally recorded at Midtown’s Ardent Studios in the mid-’70s, but vexed the music industry at the time, and was given a belated, minor indie-label release at the end of the decade. However, the music and myth of Third would grow exponentially in the decades to come. When it was finally issued on CD in the early ’90s, the record was hailed by Rolling Stone as an “untidy masterpiece ... beautiful and disturbing, pristine and unkempt — and vehemently original.” 1 North Carolina musician Chris Stamey had long been enamored of the record and the idea of recreating the Third album (along with full string arrangements) live on stage. He was close to realizing a version of the show with a reunited, latter- day Big Star lineup, when the band’s camp suffered a series of losses: first, with the passing of Third producer Jim Dickinson in 2009, and then the PHOTO BY YALONDA M. -
Razorcake Issue #82 As A
RIP THIS PAGE OUT WHO WE ARE... Razorcake exists because of you. Whether you contributed If you wish to donate through the mail, any content that was printed in this issue, placed an ad, or are a reader: without your involvement, this magazine would not exist. We are a please rip this page out and send it to: community that defi es geographical boundaries or easy answers. Much Razorcake/Gorsky Press, Inc. of what you will fi nd here is open to interpretation, and that’s how we PO Box 42129 like it. Los Angeles, CA 90042 In mainstream culture the bottom line is profi t. In DIY punk the NAME: bottom line is a personal decision. We operate in an economy of favors amongst ethical, life-long enthusiasts. And we’re fucking serious about it. Profi tless and proud. ADDRESS: Th ere’s nothing more laughable than the general public’s perception of punk. Endlessly misrepresented and misunderstood. Exploited and patronized. Let the squares worry about “fi tting in.” We know who we are. Within these pages you’ll fi nd unwavering beliefs rooted in a EMAIL: culture that values growth and exploration over tired predictability. Th ere is a rumbling dissonance reverberating within the inner DONATION walls of our collective skull. Th ank you for contributing to it. AMOUNT: Razorcake/Gorsky Press, Inc., a California not-for-profit corporation, is registered as a charitable organization with the State of California’s COMPUTER STUFF: Secretary of State, and has been granted official tax exempt status (section 501(c)(3) of the Internal Revenue Code) from the United razorcake.org/donate States IRS. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Graceland Announces Additional Guests for Elvis Week 2019 August 9-17
FOR IMMEDIATE RELEASE Contact: David Beckwith 323-632-3277 [email protected] Christian Ross 901-652-1602 [email protected] Graceland Announces Additional Guests for Elvis Week 2019 August 9-17 The New Guests Have Been Added to the Line-up of Events Including Musicians Who Performed and Sang with Elvis, Researchers and Historians Who Have Studied Elvis’ Music and Career and More Memphis, Tenn. – July 31, 2019 – Elvis Week™ 2019 will mark the 42nd anniversary of Elvis’ passing and Graceland® is preparing for the gathering of Elvis fans and friends from around the world for the nine- day celebration of Elvis’ life, the music, movies and legacy of Elvis. Events include appearances by celebrities and musicians, The Auction at Graceland, Ultimate Elvis Tribute Artist Contest Finals, live concerts, fan events, and more. Events will be held at the Mansion grounds, the entertainment and exhibit complex, Elvis Presley’s Memphis,™ the AAA Four-Diamond Guest House at Graceland™ resort hotel and the just-opened Graceland Exhibition Center. This year marks the 50th anniversary of Elvis’ legendary recording sessions at American Sound that produced songs such as “Suspicious Minds,” “In the Ghetto” and “Don’t Cry Daddy.” A special panel will discuss the sessions in 1969. Panelists include Memphis Boys Bobby Wood and Gene Chrisman, who were members of the legendary house band at the American Sound between 1967 until it’s closing in 1972; Mary and Ginger Holladay, who sang back-up vocals; Elvis historian Sony Music’s Ernst Jorgensen; songwriter Mark James, who wrote "Suspicious Minds"; and musicians five-time GRAMMY Award winning singer BJ Thomas and six-time GRAMMY Award winning singer Ronnie Milsap, who will also perform a full concert at the Soundstage at Graceland that evening. -
On Bach's Bottomby Alex Chilton
On Bach’s Bottom by Alex Chilton Elizabeth Barker Not too many years ago, I stole a rock star’s likeness for my novel and then he asked me on a date. He’s the singer for a band I’ve loved since I was 14, one of the most enduring infatuations of my life. The character I based on him was very minor: my protagonist’s most adored ex-boyfriend, who wore beaded necklaces and ate his ice cream from the pint, with a butter knife instead of a spoon. He existed in flashbacks where kids drank Alex Chilton warm beer on back porches in the New England summertime, Rickie Lee Jones on the Bach’s Bottom radio. In one scene he dragged his finger through the melted frosting of a lemon danish, on a front stoop on a Sunday morning when he and his girl had barely slept and both had 1981 exciting hair, unwashed and ocean-salty. Line Records There wasn’t much point in adding that character to the story. I mostly stole the singer’s likeness so that I could infuse some of his goofball aura into my book. His aura was the exact sunny-yellow of the nucleus of a lemon danish, and I wanted to use him like a filmmaker uses pop songs to siphon off the sentiment of the melody. A few months after I wrote that section of my book, the singer moved to Los Angeles, to my side of town. And it unthrills me to get to this part of the story, because no one ever wants to use the word Twitter when they’re talking about love—but I suppose that’s the reality of the world today. -
Alex Chilton By:Dave Hoekstra Jan
Alex Chilton by:Dave Hoekstra Jan. 30, 1994 The pairing of Alex Chilton and Ben Vaughn is a natural. Each is a terrifically perceptive songwriter, influenced by the wonder of 1960s AM radio, but stimulated by the challenge of reinvention in the 1990s. Chilton, 42, grew up in Memphis, Tenn., where he played in the Box Tops from 1967-70 and the celebrated Big Star from 1971-74. Chilton's songs have been recorded by the Bangles, R.E.M. and the Replacements, who paid homage with the hit tune "Alex Chilton." Besides working as a songwriter, he has been a cabbie and a dishwasher, and last year, took part in an acclaimed Big Star reunion. Vaughn, 38, was borm in Camden, N.J. Marshall Crenshaw had a hit with Vaughn's "I'm Sorry (But So Is Brenda Lee)," and the Skeletons dipped into the Vaughn songbag for "I Dig Your Wig" and "Lookin' for a 7-11." Vaughn is a passionate American musicologist, having compiled and annotated "Johnny Otis: The Capitol Years," and last year, produced the late Arthur Alexander's "Lonely Just Like Me." Besides being a songwriter, he's been a landscaper and a dishwasher. His new record is "Mono U.S.A." (Bar None Records). Chilton and Vaughn met in the mid-1980s, when they did some Midwestern dates together, and now the Ben Vaughn Combo will open for Chilton Friday at Metro.[Editors note: the cover was only $4!] Chilton and Vaughn plan to collaborate on some new songs. On a conference call last week, Chilton and Vaughn discussed the craft of songwriting. -
North Mississippi Allstars: up and Rolling
North Mississippi Allstars: Up and Rolling A forgotten roll of film inspired a musical accompaniment, the North Mississippi Allstars’ new record Up and Rolling. Shot before the turn of the century, the photographs resonate with the music of four families from the Mississippi hills. The album captures the communal spirit upon which the band was founded. In 1996, a photographer from Texas, Wyatt McSpadden, traveled to North Mississippi looking to photograph local musicians. Brothers Luther and Cody Dickinson had grown up just south of Memphis and cut their teeth playing experimental rock & roll together, as well as the roots repertoire pioneered by their father, Jim Dickinson, a legendary producer (Big Star, the Replacements) and session player (Rolling Stones, Bob Dylan). Their feet were firmly planted in the North Mississippi mud and music scene, and they were excited to show Wyatt around their community, to introduce him to the musical families of Otha Turner, RL Burnside and Junior Kimbrough. Their first stop was Otha Turner’s farm. Then in his late eighties, he was the last living fife and drum musician in the hills—“and a friend to all,” Luther exclaims. “He looked sharp that day, still in his Sunday best and ready for a good time.” They all sat together on Otha’s fabled front porch, which was something like a classroom for the elder Dickinson brother. The two would sit for hours, the kid playing guitar while the old man made up lyrics on the spot. That’s how “Call That Gone” came into the world, decades before the Allstars recorded it for Up and Rolling. -
Karaoke Book
10 YEARS 3 DOORS DOWN 3OH!3 Beautiful Be Like That Follow Me Down (Duet w. Neon Hitch) Wasteland Behind Those Eyes My First Kiss (Solo w. Ke$ha) 10,000 MANIACS Better Life StarStrukk (Solo & Duet w. Katy Perry) Because The Night Citizen Soldier 3RD STRIKE Candy Everybody Wants Dangerous Game No Light These Are Days Duck & Run Redemption Trouble Me Every Time You Go 3RD TYME OUT 100 PROOF AGED IN SOUL Going Down In Flames Raining In LA Somebody's Been Sleeping Here By Me 3T 10CC Here Without You Anything Donna It's Not My Time Tease Me Dreadlock Holiday Kryptonite Why (w. Michael Jackson) I'm Mandy Fly Me Landing In London (w. Bob Seger) 4 NON BLONDES I'm Not In Love Let Me Be Myself What's Up Rubber Bullets Let Me Go What's Up (Acoustative) Things We Do For Love Life Of My Own 4 PM Wall Street Shuffle Live For Today Sukiyaki 110 DEGREES IN THE SHADE Loser 4 RUNNER Is It Really Me Road I'm On Cain's Blood 112 Smack Ripples Come See Me So I Need You That Was Him Cupid Ticket To Heaven 42ND STREET Dance With Me Train 42nd Street 4HIM It's Over Now When I'm Gone Basics Of Life Only You (w. Puff Daddy, Ma$e, Notorious When You're Young B.I.G.) 3 OF HEARTS For Future Generations Peaches & Cream Arizona Rain Measure Of A Man U Already Know Love Is Enough Sacred Hideaway 12 GAUGE 30 SECONDS TO MARS Where There Is Faith Dunkie Butt Closer To The Edge Who You Are 12 STONES Kill 5 SECONDS OF SUMMER Crash Rescue Me Amnesia Far Away 311 Don't Stop Way I Feel All Mixed Up Easier 1910 FRUITGUM CO. -
Golden Age Echoes: Big Star
plause. But these are merely druthers; you won't a marked lack of originality or is merely a legitimate get me to admit that this album has anyflaws! attempt to work within an established genre. But Paul Kresh despite the fact that I reallylikesome of this ersatz - Liverpool stuff (especially such recent Raspberries CLEO LAINE: Live!!! at Carnegie Hall. Cleo Laine efforts asTonight),there's an air of selfconscious- (vocals); John Dankworth (clarinet and saxophone); ness about even the best of it that largely spoils it Anthony Hymas (piano and electric piano); Daryl Runs - wick (Fender bass and upright bass); Carmine D'Amico for me.. It's all, somehow, too clever for its own (guitar); Graham Morgan (drums); John Dankworth arr. good, as are the earnest appeals to an imagined and cond.Intro; I Know Where I'm Going; Music; Teenage Consciousness that it all too often comes Wish You Were Here (I Do Miss You); Gimme aPig couched in. Foot and a Bottle of Beer: You Must Believe in Spring; Which is why Big Star's very unselfconscious Perdido; Control Yourself; Send in the Clowns; Ridin' High; Bill; Big Best Shoes; Stop and Smell the Roses; second album on Ardent, "Radio City," is such an Please Don't Talk About Me When I'm Gone.RCA unabashed delight The songs are as unforced and LPL1-5015 $5.98, ® LPSI-5015 $6.98, © LPKI-5015 natural sounding as the models they're based on, $6.98. and when the band does get down to the kind of naïve, adolescent love songs that you really haven't heard in years, for a change you believe the senti- ments expressed. -
Alan Jackson
COUNCIL FILE NO. /0~051-7 COUNCIL DISTRICT NO. 13 .,/ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1 075-S 1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s). _x} E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* 1. Council Office of the District 2. Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date notice and report copy mailed to interested parties advising of Council date for this item. Date scheduled in Council. AFTER COUNCIL ACTION: ____J Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ___}Other: PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office ofthe City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles > MAR 2 5 211111 Honorable Members: C. -
Elvis for Dummies‰
spine=.76” Music ™ The ultimate introduction to the Making Everything Easier! life and works of the King Want to understand Elvis Presley? This friendly guide covers Open the book and find: all phases of Elvis’s career, from his musical influences as a • The significance of the major teenager in Memphis and his first recordings to his days at events in Elvis’s career Graceland and the mystery surrounding his death. You’ll discover little-known details about his life, appreciate his • Meanings behind Elvis’s music contributions to music and film, and understand why his • The controversy over his musical Elvis work still resonates with so many people today. performing style Elvis • Explore Elvis’s musical roots — see how Elvis’s childhood and his • Career highlights that no other Southern background influenced the development of his sound performer has accomplished • Trace the beginnings of his storied career — be there as Elvis • A typical Elvis concert — what it makes his first recordings for Sun Records was like and what it meant • Relive the magic — experience the frenzy and excitement that • Details on Elvis’s television surrounded Elvis’s entrance to the national music scene appearances • Take a fresh look at Elvis’s films — understand the • The many ways fans keep Elvis’s misconceptions surrounding Elvis’s Hollywood career memory alive • Watch as Elvis reinvents himself — witness his comeback to live • An appendix of the important performances, culminating with an historic act in Las Vegas people in Elvis’s life Learn to: Go to dummies.com® • Look objectively at Elvis’s major life events, for more! both on and offstage • Identify Elvis’s influence on music, society, and popular culture • Explain to your friends why Elvis is the undisputed King of Rock ’n’ Roll $21.99 US / $25.99 CN / £15.99 UK • Appreciate Elvis’s enduring legacy and his place as an American cultural icon Susan Doll, PhD, is the author of numerous books on Elvis Presley. -
South Hall at Sunday’S Meeting Ofthe Tufts Com- to Lobby Their National Chapters to Repre- Munity Union Senate,The Proposed Change Sent Their Views on This Matter
THETUFTS DAILY Volume XXXV, Number 51 \Where You Read It First Tuesdav, November 18,1997 I aenateIy discusses1. s Intruder atmosphere on campus arrested in By ANDREWFREEDMAN A Senate committee, headed by Daily Editorial Board Schnirman,will ask the Greekorganizations South Hall At Sunday’s meeting ofthe Tufts Com- to lobby their national chapters to repre- munity Union Senate,the proposed change sent their views on this matter. “This com- by LnvDABENTLEY in the University’s social policy was dis- mittee will organize this [lobbying] effort. Daily Editorial Board Tufts University Policearrested amale at cussed. The committeewill deal with what will hap- 9 a.m. on Saturday morning, and charged Last week, Tufts announcedthat it would pen with the social life at Tufts. If this him with trespassing and breaking and en- conduct random spot checks of fraternities resolution is approved we will haveavastly tering into a South Hall dorm room on Friday to ensure that the fraternities are abiding by different social climate next semester,” night. FIPG guidelines which stipulate that only Schnirman said. If convicted, the 20-year-old suspect . two persons per brother can enter a frater- The committeewill investigate ways that could.face up to ten years in prison, TUPD ’ nity party. the University can keep the social atmo- sphere at Tufts viable while keeping within Lt. Mark Keith said. ~ Senate Vice President Jack Schnirman Keith said that two female residents of said he recently met with members offrater- FIPG guidelines. Schnirman said that after the South Hall room notified police that the year 2000, fraternitieswill be more re- nities as well as Associate Dean of Stu- there were as many as three intruders in the dents Bruce Reitman to discuss the matter.