ARTIST: ROSE COUSINS TITLE: BRAVADO GENRE: FOLK/AMERICANA RELEASE DATE: FEBRUARY 21, 2020 lp: out9132lp upc: 623339913218 12” slip sleeve, black vinyl cd: out9132cd upc: 623339913225 digipak natomy, Supergirl and Nashville among others.

LP CD OVERVIEW Over the last decade, Real Estate have crafted warm yet meticulous, pop-minded music, specializing in soaring melodies that are sentimentally evocative and unmistakably their own. While 2017’s In Mind longed for normalcy against the backdrop of a life as strange as a touring musician’s. The Main Thing brings that longing to a universal and urgent place, acknowledging the anxieties inherent in protecting a quiet existence. What emerges is a superlative collection of interrogative songs as full of depth, strangeness and contradictions as they are lifting hooks.

“I’ve got this family, and I feel this responsibility to gild this crazy world,” says guitarist, singer and primary songwriter Martin Courtney. The record’s most sentimental moments, then, are crystallized home movie flashes directed at Courtney’s children. “I can’t imagine what will be / in your earliest memories,” he sings on “You.” These mentions are set against darker realities; on “A Silent World,” he pleads, “Can’t let you wander off / Out in this wicked world.” Then there’s guitarist Julian Lynch’s first authored song for the band, “Also A But,” in which disembodied vocals intone “a poison bloom” and “mushroom cloud” apocalypse, set against sci-fi synths, unresolved guitars and propulsive drums. Instead of exploiting the juxtapositions between these opposing emotional modes, Real Estate embraces cohabiting contradictions. “It didn’t feel dark to me,” Courtney clarifies. “To me, it’s the normal stuff.” TRACKLISTING 1. Friday This duality is built into the arrangements themselves, interlocking emotionally with the nuance of the lyrics. 2. Paper Cup (feat. Sylvan Esso) “Gone,” about casting out toxic phantoms of the past, sets ominous descending strums against dirge-y drum 3. Gone machine before clearing the air with a lilting guitar lead. “Procession,” hallmarked by a bright, two-note motif set 4. You under shifting chords and beats, pits hometown pining against generational complacency. The effect is like gazing 5. November through a rearview mirror masked by fog, a sentimentalism so obfuscated you’re forced to look forward instead. 6. Falling Down “We create our own nostalgia. I’m constantly moving so I have more to reflect on,” explains Courtney. “If you look at the first record, it was a wistful feeling we wanted to explore. As we get older, the complexity has become more 7. Also A But obvious,” adds bassist and singer Alex Bleeker. That’s paralleled in the album artwork itself; the band enlisted 8. The Main Thing Bjorn Copeland of Black Dice, whose visual work focuses on recycling byproducts of consumer excess, to mimic 9. Shallow Sun the layout of Days. Bleeker describes their intention as “the understated Real Estate layout run through Bjorn’s 10. Sting pedalboard.” The effect is uncanny, reflective of this record’s astute self-awareness. 11. Silent World 12. Procession A working title for Real Estate’s fifth album was Special Album. Instead, they settled onThe Main Thing. In part, 13. Brother it’s a reference to the Roxy Music song: “Even before we decided where to record or who to record it with, I knew it needed to sound that good,” enthuses Courtney. “Which is an impossible goalpost, and a good thing.” But the CATALOG NUMBER: WIG426 “main thing” has another meaning for the group: a declaration of music making’s centrality to their own senses RELEASE DATE: February 28, 2020 of self. “We discovered through the care and attention that we brought to this record that making music to FILE UNDER: Alternative “R” resonate with other people is our catharsis,” says Bleeker. “The ‘main thing’ is following your path of inspiration, and hoping to inspire that in people around you. Hopefully the album itself will re-affirm peoples’ commitments CD to themselves and to each other, as it did for us.” Classic Real Estate reference points are still here – Yo La Tengo, UPC: 887828042623 Felt, Steely Dan – but they’re refined into hazier grooves, expanded into extraterrestrial sonic layers, deepened into slow-rolling phases. You can’t hit an impossible goalpost, but you can come close. Pouring all their hopes, dread, excitement, love and labor into these pristine arrangements, Real Estate made The Main Thing a special album indeed.

DOUBLE LP w/ DOWNLOAD UPC: 887828042616 SELLING POINTS • The band’s catalog has scanned 200k+ units in • Triple A & non-commercial radio campaign for Vinyl is non-returnable the US. Each studio album on Domino 2011’s Days, "Paper Cup (feat. Sylvan Esso)" leading into 2014’s Atlas, and 2017's In Mind has scanned release. Previous singles from 2017's In Mind INDIE EXCLUSIVE DOUBLE LP more than 160k+ album sales in the US, almost charted top 20 in Mediabase Triple A charts. 50% physical. w/ DOWNLOAD • Deluxe LP is a limited edition tip-on gatefold LP UPC: 887828042630 • Publicity campaign by Shore Fire Media (Bon Iver, jacket with a centrally mounted square illustration St. Vincent, Bruce Springsteen). Previous album on the cover, printed inner sleeves, and black campaign highlights include TV performances on 2xLP vinyl. Standard LP is a standard gatefold LP Vinyl is non-returnable Conan, CBS Saturday Morning, and Letterman. jacket, printed inner sleeves, and black 2xLP vinyl.

TOUR DATES 04-09 Detroit, MI - El Club 04-23 Boston, MA - Royale 04-10 Chicago, IL - Thalia Hall 05-07 Oakland, CA - Fox Theater 04-11 Minneapolis, MN - First Avenue 05-08 Los Angeles, CA - Fonda 04-13 Omaha, NE - Slowdown 05-09 San Diego, CA - Belly Up 04-14 Kansas City, MO - The Truman 05-10 Phoenix, AZ - Crescent Ballroom 04-15 St. Louis, MO - The Ready Room 05-12 Dallas, TX - The Granada Theatre 04-16 Indianapolis, IN - The Vogue 05-13 Austin, TX - Stubb’s 04-17 Nashville, TN - Brooklyn Bowl 05-14 Houston, TX - White Oak Music Hall 04-18 Atlanta, GA - Variety Playhouse 05-18 Denver, CO - Gothic Theatre 04-20 Chapel Hill, NC - Cat’s Cradle 05-19 Salt Lake City, UT - Urban Lounge 04-21 Washington, DC - 9:30 Club 05-21 Seattle, WA - Neptune Hall 04-22 Philadelphia, PA - Union Transfer 05-22 Portland, OR - Revolution Hall BADBADNOTGOOD featuring Jonah Yano I Majesties Key To Love (Is Understanding) LITA 45-039 7" Single I Digital UPC: 826853453974

-Latest release in Light In The Attic's Cover Series -Artwork by Robbie Simon -Pressed on "Majestic Pink" wax -45 RPM single housed in a heavy, uncoated sleeve

The latest installment of Light In The Attic's exclusive vinyl and digital singles series features Toronto's BADBADNOTGOOD with Jonah Yano on vocals covering "Key To Love (Is Understanding)," originally recorded in 1982 by Milwaukee's funk/soul pioneers Majesties. The newly recorded cover and the original version are available for streaming and on "Majestic Pink" 7" vinyl.

"As lovers of old soul, funk and rare recordings, 'Key to Love' has always been a song that has had an impact on our heart and ears," BADBADNOTGOOD said. "We hope our version relays how special this song is and gives it some new listeners and a second life[ ... ] It's an incredibly beautiful song that deserves to be heard, and we hope to play a small part in that."

The original Majesties single is highly sought after by diggers and DJs worldwide not only for "Key To Love (Is Understanding) but also for "Class A", which is considered the first-ever rap recording to come out of Milwaukee.

"It is a pleasant surprise," Donald Cooper of Majesties said upon hearing BADBADNOTGOOD's version of the song. "They did a good job and it was well done with their own slight personal twist [ ... ] [it's] an honor to be recognized."

The single follows Mac DeMarco's cover of Haruomi Hosono's "Honey Moon" in the series, which features artwork conceptualized by Los Angeles-based fine artist Robbie Simon. These tunes come on the heels of widely popular past entries in the series, including pop-auteur Ariel Pink with future-funk pioneer Dam Funk covering Donnie & Joe Emerson's eternal anthem "Baby," the inimitable Mark Lanegan covering the melancholy folk of Karen Dalton, and the one-and-only Iggy Pop with the Zig Zags transforming Betty Davis' dirty funk into a heavy Sabbath grind.

TRACKLISTING: 1. BADBADNOTGOOD featuring Jonah Yano - "Key To Love (Is Understanding)" 2. Majesties - "Key To Love (Is Understanding)"

STREET DATE: February 21, 2020

111111111111111111 I s 26853-4539-7I 4 V/A – KEARNEY BARTON: ARCHITECT OF THE NORTHWEST SOUND

LITA 168 — 2xLP | CD | Digital

• Remastered and restored audio • Booklet with liner notes and rare archive photos • Includes previously unreleased tracks

When Seattle–based recording engineer Kearney Barton died in 2012, the 80 year–old studio veteran had spent the past 50 years recording the cream of the Seattle music scene through the decades. The Fleetwoods, Quincy Jones, The Ventures, The Wailers, The Sonics, Ann Wilson (Heart), The Frantics, The Kingsmen, and Dave Lewis to name a few. Barton also captured Seattle’s vibrant 1960s–70s R&B and soul scene, including Black On White Affair and Soul Swingers, among others, as documented in Light in the Attic’s Wheedle’s Groove series. In his later years Barton’s old school reputation drew in contemporary bands like Young Fresh Fellows, The Smugglers, The Minus 5, and The A–Bones into his studio. Essentially, when a local unknown band wanted to make a demo tape, or record their debut album, or perhaps someone just wanted to capture their uncle playing banjo or their kid sister’s first songs, they’d go to Barton’s studio.

There were 7,000 reel–to–reel tapes piled up in Barton’s house at the time of his passing. The University of Washington carefully cataloged these tapes, and former Sub Pop employee Dan Trager (who had learned the art of recording from Kearney years earlier as a student) began listening and taking notes. With input from a team drawn from the university and Light in the Attic, Dan compiled a shortlist of essential tracks that would form the basis of this compilation.

Kearney Barton: Architect of the Northwest Sound is a comprehensive document of Seattle in the 1960s, 70s, and 80s. It is also a testament to Barton’s life–long dedication to the art of recording. It includes long out of print recordings originally released by local labels such as Jerden, Topaz, Piccadilly, and Etiquette Records. It covers a wide range of genres: sitar and balalaika players, gospel church choirs, unknown garage bands, steel drums, obscure soul artists and teenage a cappella singers. There’s also some familiar names here: Sonics, Wailers, a young pre– Heart Ann Wilson, Larry Coryell making his first ever studio recordings with Chuck Mahaffay, the Hudson Brothers long before they were on TV.

“However diverse, there is a commonality that stands out among his recordings: hardcore analog fidelity,” says University of Washington archivist John Vallier. “It sounds like you are in the room with the drums, bass, guitar, and vocals. The mix is minimum. It’s a raw, sonic reality, even if the band is poppy and jangly. It’s an honest sound that doesn’t sugarcoat what’s being performed. That’s Kearney, too.”

STREET DATE: FEBRUARY 21, 2020

TRACKLISTING: 1. Introduction – Kearney Barton 2. Hey Little One – Woody Carr & the Entertainers 3. Through Eyes And Glass – Ann Wilson & The Daybreaks 4. Bold Soul Sister, Bold Soul Brother – Black On White Affair 5. Occupation Soul – Occupation Soul 6. Sticky – James Henry & The Olympics 7. Dig That Crazy Jam Session – Valamont 8. Two Guitars – Serge Lusgins & His Russian Balalaika Orchestra 9. Ooze – Valamont 10. Flying Bird – Tropical Rainstorm 11. Spanish Harlem – Prabha Devi 12. Happy – Secret Dynamics 13. Introducing A New Concept – Kearney Barton 14. Hold To God’s Unchanging Hand – Beacon Hill First Baptist Choir 15. Everybody Knows – Sweet Rolle 16. Wrong Age – MUF 17. With Five Types of Music – Kearney Barton 18. Qui El Petit – Wilkins 19. Gold + Mellow – Fox-Brownsmith 20. Sunshine Morning – Keith Kessler 21. Bossa Nada – Chuck Mahaffay & The Individuals 22. For All We Know – Patty Waters 23. MMM MMM MMM – Dave Lewis 24. Don’t Ask Me – Tiki & The Fabulons 25. He’s Waitin’ – The Sonics 26. High Flyer – Magic Fern 27. Blind Love – The Cuidads 28. All My Nights, All My Days – The Wailers 29. Mr. Blue – Fury Four

BLACK LP BARCODE PACIFIC NORTHWEST GREEN CD BARCODE 8 26853 0168 2 7 8 26853 0168 1 0 LP BARCODE 8 26853 1168 1 7 mintrecords PO Box 3613, Vancouver, BC Canada V6B 3Y6 [email protected] • mintrecs.com lié YOU WANT IT REAL LP MRL189 / CD MRD189 Release Date: February 28, 2020 ith ties to techno and a penchant for earth- on this album. That being said, this doesn’t Wrumbling post-punk — along with a mean any less care was taken in constructing staunch willingness to stop rape culture, privi- the lyrics, quite the opposite actually, more that lege and patriarchy in its tracks — there’s no there has just been an effort to focus more on denying that Vancouver trio lié [pronounced “lee- imagery and flow.” ey” and lower-case preferred] are an integral That’s not to say You Want It Real is any less force in the global underground. Since forming in confrontational than past releases. “You Got It,” 2013, they’ve only grown louder, brasher and for example, is a fierce track that leaves no Armed with aesthetic assuredness, relentless more intense as they’ve developed their sound punches pulled. Still, the album manages to musicianship and lyrics that are at once bleak across numerous releases and a near endless explore the absurdity of life in a modern dysto- and empowering, there are few bands on earth stream of international DIY tours. That momen- pia without beating us over the head with it. quite like lié. And with You Want It Real, tum has culminated in You Want It Real, an Opener “Digging in the Desert” pairs heavy they’ve made their most challenging and eight-song LP to be released on February 28, bass and skull-searing guitars as bassist and cohesive statement to date. 2020 via Mint Records. vocalist Brittney West guides us through the You Want It Real, the band’s fourth album, sandy moonscapes of New Mexico — a setting TRACK LISTING: expands on previous themes with an assured she’s picked to explore what she describes as A1. Digging in the Desert * intensity and plenty of world-weary lyrics. “hedonistic feelings and being eaten alive by A2. All Night Long Sonically, lié’s recordings have unlocked the full- the hardships of love.” Then there’s “Bugs,” a A3. Bugs * bore wall of sound that’s present in their live Flipper-esque dirge that crushes metaphorical A4. Good Boy shows. That’s due in part to the work of legend- insects of self-doubt, worry, anxiety, stress and ary punk producer Jesse Gander (White Lung, fear. Undoubtedly living up to its title, B5. You Got It Japandroids), who has helped unlock a further “Drowning in Piss” is a woozy, disorienting B6. Drowning in Piss * disharmony of melody and feedback in the and strangely enjoyable bad trip. B7. Fantasy of Destructive Force band’s relentless aggression. B8. LSD Musically, the sheer thrill of the album is the While lié had previously made a name for trio’s ability to build enormous and complex * Focus Tracks eschewing vagaries in favour of direct confronta- compositions within the constraints of a tradi- “a battering ram through the barred door of tion in their lyrics, You Want It Real leaves plen- tional punk structure. The members of lié are rape culture, abuse, and male privilege.” ty open to interpretation. As guitarist and vocalist no strangers to finding the beauty within rigidi- – Martin Douglas, KEXP Ashlee Luk explains, the goal was to let some ty, as Luk and West moonlight in the respec- musical and metaphorical moments stand on tive acid/rave/techno projects Minimal “a hostile maelstrom of fractured guitar their own. “Part of the shift away from the direct Violence and Sigsaly. While that influence is melodies and punch-drunk punk beats.” lyrics of previous albums is also in part to not immediately obvious in lié, the ability to – Gregory Adams, Revolver Mag encourage the listener, (and the interviewer) to think outside the box has proven contagious. focus on the music as well, not just the lyrics,” “It makes you think outside of the typical rock “goes from cool and moody to inflamed and Luk says. “When people focus too much on the song structure,” drummer Kati J says agitated with authority and speed” lyrics it tends to overshadow the musicality regarding the ways electronic music has – Robert Ham, Paste Magazine which I think should speak for itself, especially inspired the band.

CD LP lievancouver Lightning Bolt Ride The Skies Thrill - 499 LP 79037H-AE9916 Baby Blue Sky LP 790377-499117 All Vinyl is non-returnable

GENRE : Metal FILE UNDER : “L” for Lightning Bolt RELEASE DATE : Feb. 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK)

LISTEN HERE TRACK LISTING: Ride the Skies is the 2nd album by Lightning Bolt, and this re- 1. Forcefield 5. The Faire Folk release makes it available to fans for the first time since it’s original 2. St. Jacques 6. Into The Mist 2 release. Compared to their first album it’s cleaner, tighter, recorded 3. 13 Monsters 7. Wee Ones Parade in studio rather than live. Which is not to say this is boring or 4. Ride The Sky 8. Rotator sanitized in any way, Lightning Bolt never fail to make magic, filling a space with loud, raw sound. Sounds of synth or guitar turn out to be bass, and riffs become patterns, become a beat in the background, become a wall of noise, become a clear sound above SALES POINTS it all. Lightning Bolt are known for the sound that truly comes into it’s own in this album. Available for the first time new since its original release 20 years ago.

Outside of their 7 acclaimed albums, they’re known for frequent & Never before seen jacket art, wrapped in a 3-panel exhilirating live shows, and this reputation has created a market for 2-sided printed wrap with full art as initially conceived their older titles. Ride the Skies is rereleased with deluxe packaging by Lightning Bolt and created by Brian Chippendale. featuring jacket art that was designed by Brian Chippendale for the original release but has never been realized until now. Recent All 2019 Lightning Bolt releases sold out of mail-order Thrill Jockey Lightning Bolt re-releases seem to move as quickly limited-edition color vinyl before their release date. as the Brians playing live, as old and new fans jump at the rare opportunity to finally get an old favorite in a shiny new jacket. Lightning Bolt’s most recent music video, “Blow To The Head” was illustrated by Caleb Wood and garnered over 75k views across Vimeo and YouTube in the month “on Ride the Skies, Gibson makes his bass do things ... resulting in after premiered nationally on Adult Swim. some of the most distinctive tones ever to be produced from the instrument. Brian Chippendale... rounds off the dynamic duo of Lightning Bolt will be touring Europe & the US starting Brians that is Lightning Bolt. With a style that’s similarly frantic, late 2019 and continuing thru 2020. though decidedly more conventional than his fellow Brian, Chippendale completes the musical package nicely, intensifying Lightning Bolt’s Sonic Citadel charted in Billboard (#22 the furious energy that makes Ride the Skies so fucking awesome.“ hard rock & #23 Heat seakers) in 2019 -Pitchfork “Listening is akin to the scene in The Wizard Of Oz where a sepia tone gives way to Technicolor; it opens up new vistas to the sound, while giving the band an ALSO AVAILABLE : opportunity to exhibit more involved musicianship. Lightning Bolt 2xLP (Thrill 498) It’s less a blur and more a detailed map of planned Sonic Citadel CD/2xLP (Thrill 505) aggression.” - NPR Wonderful Rainbow LP (Thrill 501) ______Fantasy Empire CD/2xLP (Thrill 380) COMING SOON: Hypermagic Mountain 2xLP (Thrill 502) Follow Lightning Bolt

@thrilljockey Sightless Pit Grave of a Dog Thrill - 517 CD 79037H-A51728 LP 79037H-A51711 Translucent Pink LP 790377-517118 All vinyl is non-returnable

GENRE : Industrial FILE UNDER : “S“ Sightless RELEASE DATE : Feb. 21, 2020 NO EXPORT (JAPAN, S. AMERICA EXPORT OK) LISTEN HERE TRACK LISTING:

Sightless Pit may be a new name in heavy music, however its 1. Kingscorpse 6. Miles Of Chain members are anything but, some of the most groundbreaking artist 2. Immersion Dispersal 7. Whom The Devil Long of the genre. Lee Buford (The Body), Kristin Hayter (Lingua Ignota) 3. The Ocean of Mercy 8. Sought To Strangle and Dylan Walker (Full of Hell) recorded their debut Grave of a 4. Violent Rain 9. Love Is Dead, All Love Dog at Machines with Magnets with Seth Manchester (The Body, 5. Drunk On Marrow Is Dead Lightning Bolt). Fans will recognize immediately Buford’s singular percussion and production, Walker’s venomous howl and Hayter’s SALES POINTS virtuosic voice. The three share a bleak vision of existence and a Sightless Pit may be a new band, but all three members willingness to follow each other into the musical abyss. are longtime fan favorites from groups that are pushing The album recording process was extensive and intentional. the limits. Stretching over the course of two years, recording sessions by individual members shaped songs and continued to shape and Composed of Lee Buford (The Body), Kristin Hayter (Lingua Ignota), and Dylan Walker (Full of Hell), with inspire the next session be it by an individual or a pair. Walker additional vocals by Ben Eberle (Sandworm) describes the album’s core themes as being “about the anonymity of struggle, the darkness of a lifetime wasted warring against nature, Comes in limited-edition translucent pink god and everything else, only to be defeated... nothing... the end.” Throughout the album, Sightless Pit embody those struggles Artists have 70k combined followers on Instagram and 100k together on Facebook through building oceans of tension. A diversity of instruments and arrangements subvert expectations at every turn and bring new depth Between their respective bands there is 125K monthly to each passage with the band utilizing samples of contra bassoon listeners on Spotify and Rufai mystic rituals while doing away with guitar entirely. Sightless Pit is a group of expansive ideas, extensive experience Full of Hell & Lingua Ignota named as Roadburn’s Artist in Residence working together and shared vision. Over the course of the eight tracks, the trio reflect the extremes and emotional weight of “Some of the most captivating heavy music around right their world view through elegiac dirges, driving beats, explosive now.” - Rolling Stone on The Body crescendos. Together, three strong voices unite to create a work of remarkable clarity of expression of enormous sorrow, futility and “A wild experiment that somehow works” -Decibel Magazine on Lingua Ignota’s Caligula, their #2 ranked most of all, beauty. album of 2019

“Grindcore, hardcore, and death metal meet within their ALSO AVAILABLE : music to produce something feral and unknowable... Remixed CD/2xLP (Thrill 506) There’s just something about them, a reason that they’ve I Have Fought Against... CD/2xLP (Thrill 460) been met with such acclaim and fervent fandom.” Ascending a Mountain... CD/LP (Thrill 447) -Pitchfork on Full of Hell

@thrilljockey Wrekmeister Harmonies We Love To Look at the Carnage Thrill - 510 CD 790377-A51025 LP 790377-A51018 Blood Orange LP 790377-510119 All vinyl is non-returnable LISTEN HERE GENRE : Rock / Experimental

FILE UNDER : “W” Wrekmeister 8 RELEASE DATE : Feb. 21, 2020 We Love to Look at the Carnage the 5th album by Brooklyn’s NO EXPORT (JAPAN, S. AMERICA EXPORT OK) Wrekmeister Harmonies, J.R. Robinson, and Esther Shaw, features frequent collaborator Thor Harris (Swans, Shearwater) percussion and Jamie Stewart (Xiu Xiu) electronics. The album was tracked in a cabin TRACK LISTING: in the woods and mixed with Martin Bisi (Sonic Youth, Swans) at his 1. Midnight To Six BC Studios. Wrekmeister Harmonies, known for their large ensemble 2. Still Life With Prick Cancer performances and intense recordings, create immense tension with 3. Coyotes of Central Park spare arrangements and instrumentation. We Love to Look at the 4. The Rat Catcher Carnage charts a restless journey beginning in the middle of the night 5. Immolation and ending in the wee hours of the morning. Robinson’s brooding lyrics grapple with phantoms both real and imagined, apparitions amplified by the feverish anxiety of insomnia. Shaw’s ethereal vocals dueling with SALES POINTS Robinsons baritone create a delicious tension. Her stellar keyboard Features Thor Harris (Swans & Shearwater) and Jamie and violin work are on full display providing moments of calm. Stewart (Xiu Xiu) In keeping with the album’s stark lyrical content, much of We Love to Look at the Carnage was written in relative isolation. During Recorded with Martin Bisi (whose worked with Sonic the deep freeze of the New York winter, the duo decamped from their Youth, Boredoms, Swans) at the BC Studios home in Brooklyn to a cabin in Woodstock. Wrekmeisters music has always drawn heavily on literature, this one is no exception. Influenced Comes in limited-edition blood orange vinyl housed in full by Marcus Aurelius’ Meditations, they find strength in stoicism. He color inner sleeve and jacket featuring art by Esther Shaw explains: “hanging a more positive frame on the circumstances through European tour currently planned for Spring 2020, US the practice of negative visualization, …. things could always be worse”. dates to follow We Love to Look at the Carnage, traverses an emotional landscape, through a metaphorical night with moments of calm between the dark For fans of Godspeed, Dirty Three, Chelsea Wolfe, Emma storms. It is a celebration of the beauty of endurance, the hope in stoically Ruth Rundle, Marissa Nadler moving against the dark forces that invade our thoughts and lives. The spare instrumentation a potent reflection of the isolation of the insomniac. “...an immensely rewarding listen that takes both his band—and the hybrid genre he’s helping invent—to new heights.” - Pitchfork

ALSO AVAILABLE : “A kind of grisly immersion therapy.” - Invisible Oranges The Alone Rush CD/LP (Thrill 458) Light Falls CD/LP (Thrill 421) “While Wrekmeister share a lot - in terms of worldview and sonic tricks - with more funeral doom bands, they Night of Your Ascension CD/LP (Thrill 403) approach their exploration of the nooks and crannies Then It All Came Down CD (Thrill 360) of human despair with far more nuance. Instead of You’ve Always Meant So Much To Me LP (Thrill 339) bludgeoning with a single, overwhelming wave of misery, Light Falls drags the listener through a long, slow journey that allows them to really appreciate the fine, grim details.” - 8/10, Decibel Magazine Follow Wrekmeister Harmonies:

@thrilljockey

Soul Jazz Records Presents

Kollington Ayinla & His Fuji ’78 Organisation Blessing

14th February 2020

This is the first in Soul Jazz Records’ new series of one-off pressings of limited-edition Tracklisting 1000 copies vinyl-only releases of Afro-funk/Afro-beat exact-replica, super-rare albums 1. E Ye Ika Se that were previously only ever released in Nigeria. 2. Oromo Adie Fo The series starts with Kollington Ayinla’s celebrated 1978 album ‘Blessing,’ a rare lost 3. Ko S’Ohun Tan O Le Fi Gberaga classic of Nigerian Fuji music, featuring Ayinla’s sharp political lyrics together with his 4. Adio Shile new band Fuji ’78. ‘Blessing’ blends the heavily percussive style of Fuji music with a 5. Won Ti Gbe Oye Fun Mi stunning array of modern instruments, including synthesizers, Bata drums and guitars, 6. Pataki L’Omo to create one of the most forward-thinking and heavily danceable sounds ever to come out of Nigeria – a highly successful mixture of profound Fuji rhythms and Fela Kuti-style 7. To Ba Jisoro Mi Afrobeat. 8. Engineer Olatunji / Iya Suna Kollington Ayinla ranks alongside his friend and competitor Ayinde Barrister as the two 9. Odun Titun De most important artists to dominate Fuji music from its inception in the 1970s through to 10. Ao Toro Emi Gesa Fun Enia the 1990s by which time it had grown to become one of the most popular dance genres 11. Ki Aiye Ma Gbagbe Mi

in Nigeria.

At the start of the 1980s Ayinla started his own record company, Kollington Records, to

release his music and remains to this day an extremely prolific artist, having recorded

over 50 albums, most of which have never been released outside of Nigeria.

. Release Date: 14th February 2020 Artist: Kollington Ayinla and His Fuji ’78 Organisation Title: Blessing Label: Soul Jazz Records 5 026328 004471 Format 1: LP, Cat. No: SJRLP447 UPC: 5026328004471

Michael Doucet LÂCHER PRISE

“one of the leading figures in American traditional folk music…”—LA Times

“an American national treasure” —Sarah Zupko, PopMatters

OVERVIEW Michael Doucet the GRAMMY® Award-winning singer, songwriter, artist, founder STREET DATE February 14, 2020 of BeauSoleil avec Michael Doucet, and Cajun legend crafts the quintessential Louisiana soundtrack to a good time on his new solo album, LÂCHER PRISE. Joined LABEL Compass Records by Sarah Quintana [vocals, guitar], Chad Viator [guitar], Chris French [bass], and FILE UNDER Cajun Jim Kolacek [drums], he stirs up a sweet and simmering brew of Acadian tradition, swamp soul, and infectious grooves.

In many ways, the moniker embodies the spirit of these five musicians.

“In French, Lâcher Prise means ‘let go’,” Doucet explains. “It’s also a Buddhist ALSO AVAILABLE term. When it came to making this music, it was just total freedom. The new songs were different from what I typically do, so we formed a group of great people and musicians. I’ve reached a point in my life and career where I can do whatever the hell I want to do. There’s freedom for everybody because of the mutual respect though.” Doucet describes the album’s music as “Les îles Français Zarico”, a description that takes into account an eclectic mix of styles including New Orleans rhythm & blues and Southwest Louisiana rock ‘n roll, as well as his own interpretations of zydeco and Cajun, infused with the intoxicating rhythms of the French Caribbean. BeauSoleil avec Michael Doucet Fiddlers 4 From Bamako to Carencro Fiddlers 4 The new band, now known as Michael Doucet avec Lâcher Prise, recorded the ten COMPASS 4591 COMPASS 4334 songs comprising the debut in just three days at Dockside in Maurice, Louisiana, a 766397459127 766397433424 hallowed studio that has hosted everyone from Dr. John to Allen Toussaint, and Rod Stewart to Arcade Fire. The triumvirate of Doucet, Viator, and Compass Records co- founder Garry West produced, and friends including Sarah Dugas (The Duhks), Reese Wynans (Stevie Ray Vaughan, Joe Bonamassa), and Jim Hoke (NRBQ) lent their respective talents to the end result.

CAT# COMP4740CD CAT# COMP4743LP FORMAT CD FORMAT LP PACKAGING Wallet PACKAGING Jacket

PPD $11.00 PPD $14.25 UPC 766397474021 UPC 766397474311

TRACK TITLES VINYL EDITION TRACK TITLES 1. Water, Water Side A 2. Lula Lula Don’t You Go To Bingo 1. Water, Water 3. Dites Moi Pas 2. Lula Lula Don’t You Go To Bingo 4. Walking on a Mardi Gras Day 3. Dites Moi Pas 5. Abandone 4. Walking on a Mardi Gras Day 6. Bad Woman 5. Abandone 7. Marie Catin Side B 8. He’s Got All The Whiskey 1. Bad Woman 9. Chere Emelie 2. Marie Catin 10. Cajun Gypsy 3. He’s Got All The Whiskey [Deluxe Edition - CD Only] 4. Chere Emelie 11. Lula Lula Don’t You Go To Bingo 5. Cajun Gypsy (Extended Version)

COMPASS RECORDS GROUP 916 19th Avenue South, Nashville, TN 37212 Distributed by Outside Music p. 615.320.7672 f. 615.320.7378 compassrecords.com P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 • SADDLE-CREEK.COM

ADAM CAYTON-HOLLAND Adam Cayton-Holland Performs His Signature Bits February 21st, 2020

• Saddle Creek’s rst ever comedy record! Originally released digitally by Comedy Central TRACK LISTING 01. Intro 1:01 • LP only limited to 500 copies pressed on translucent yellow-orange vinyl. 02. Least Favorite Race 1:30 03. Real Rascal 4:11 • LP includes digital download. 04. I Choose a New Destiny 3:00 05. Birds, Birds, Birds 5:09 06. Ballad of Jake the Roadie 11:38 "Consistently combines sharp observation with a rambunctious spirit all foregrounded by 07. I Can't Go Back to Prison 3:12 08. Nü Testament 4:22 his great talent for painting detailed, layered pictures with words.” - The Comedy Bureau 09. A Reasonable Amount of Dogs 2:59 10. Hot Dogs and Hot Dog Tongs 6:41 11. P t. Canadians 2:39 "Cayton-Holland wastes no time addressing the obvious: He’s a rascal. And he wants to 12. Harper Lee 2:55 discuss everything from his audience’s least favorite race, to Satanism and condoms full of 13. Sketchy Reggie 1:21 Slurpees.” - The Laugh Button Artist: Adam Cayton-Holland Title: Adam Cayton-Holland Performs "He’s got a wife, three dogs, and a modest Ford Escape. He listens to ‘90s rock radio and His Signature Bits enjoys bird-watching. On paper that sounds quaint at best and boring as hell at worst. Catalog #: LBJ-3081 Formats: LP However, this is the life he was destined for, and he has a gift for making it absolutely Street Date: February 21, 2020 hilarious with the help of a healthy dose of Surrealism." - Vulture Box Lot Quantity: 30 LP Genre: Comedy

Adam Cayton-Holland is a national touring comic who has appeared on Conan, The Late Late Show with James Corden, Comedy Central Presents, @midnight, The Meltdown with Jonah and Kumail, Happy Endings, Deadbeat, Flophouse, Hidden America. He has been named one of Esquire’s “25 LP Comics to Watch,” as well as one of “10 Comics to Watch” by Variety. Along with his cohorts in The (Single LP jacket, yellow-orange vinyl) Grawlix he created, wrote and starred in “Those Who Can’t,” which aired for three seasons on truTV. Adam’s writing has appeared in Village Voice, Spin, The A.V. Club, The New York Times, Esquire and The Atlantic. His rst book, Tragedy Plus Time, is available everywhere.

Born-and-raised in Denver, Colorado, Adam has released three albums to-date: “I Don’t Know If I Happy,” “Backyards,” and “Adam Cayton-Holland Performs His Signature Bits” - the latter of which was voted one of Vulture’s Top Ten Albums of 2018.

Adam has long-admired Saddle Creek, viewing them as that amazing label in Omaha making the rest of the country come to them. He is beyond honored to be the rst comedy artist on Saddle Creek.

More info: www.adamcaytonholland.com SADDLE CREEK DOCUMENT SERIES DOCUMENT 011: The Big Net - Big Moon b/w Rufus

TRACKLIST 1. Big Moon 5:06 2. Rufus 5:14

Artist: The Big Net Title: Big Moon b/w Rufus Catalog #: LBJ-305 Formats: 7" Street Date: February 28, 2020 Genre: Alternative

An exercise in simplicity, The Big Net is the musical project of Kevin Copeland (guitar, vocals) 7” spineless jacket, download card, insert “zine” Andrew Emge (drums) and Logan Miley (bass). Attempting to maximize the emotive power of the trio, the band’s style drives down the highway somewhere between drone and country, folk and rock. With Corey Rubin on bass and secondary vocals, their rst self-titled record explored more of those rock roots: recorded as live as possible in just two days with very few overdubs, trying to capture the freewheeling magnetism that can come alive in a room. 7” NOT RETURNABLE

Released as part of Saddle Creek’s Document Series, the band’s two new songs - "Big Moon" and “Rufus" - were recorded that same weekend. The idea of The Big Net is and has always been immediacy, letting that tangible thing in the air be itself and tuning into “song” at its most genuine. Both songs make good on those aspirations. “Big Moon” is quite literal. Written during a particularly lonely period in Copeland’s life, he would sing so that he could fall asleep and from that process the song seemed to “oat in all at once.” “Sometimes all you have is yourself, and the moon, or a guitar, or a bed, or the ground under your feet, and that's ok. Those things will always hold you,” Kevin says of the song.

Suitably, "Rufus" was tuned into to the same kind of frequency, pulled from the ether as if it had somehow always existed. “When our friend Corey was playing bass with us, most rehearsals before everyone’s gear was even set up; someone was o and everyone else would catch up,” Copeland says. “Somewhere in that soup, an idea would come through. I remember latching onto what became the verse of “Rufus” and, when Andrew and Corey were out getting some air, I just played it over and over and that melody seemed to oat right in.”

The band have just nished recording a new, more exploratory LP, again captured in a single room over two days. With Copeland as the primary songwriter, the group continues to interpret earnest emotion in song through their hypnotic and dynamic sensibilities. For now, though, we have this new 7” single; an exercise in vulnerability, in trusting your impulses, in the magic that can be found within.

S SADDLE CREEK C P.O. BOX 8554 • OMAHA, NE 68108-0554 / 4538 EAGLE ROCK BLVD • LOS ANGELES, CA 90041 P: (402) 558-8208 • SADDLE-CREEK.COM Artist: SOLO ANSAMBLIS Title: OLOS

Format: CD / LP SKU: AOF318CD / AOF318 UPC CD: 628070631827 UPC LP: 628070631810 Label: Artoffact Records Street Date: 02/21/2020 TRACK LISTING:

1. INTRO (FOSFORINIS BASEINAS) 2. FOSFORINIS BASEINAS 3. BALOJE 4. PILIGRIMAI II 5. NETURĖJOM DAINOS 6. BYDERMEJERIS 7. ORO BALIONU 8. NETILDAI SALES BULLETS:9. NEPABUST •

• Exciting new Lithiuania electronic / post-punk / art- • rock project. • Priority release for Artoffact, Q1 2020. 1.1M views • 800,000 viewsVery good viewership on YouTube: 0.5M views • 25,000 Monthly Spotify Video Juoda Juoda Juoda Juoda Naktis has . • Video for Moteris has reached Reeperbahn, ESNS, Tallinn Music Week, Nouvelle Prague & Video for Įstriži Žiburiai has reached . • Listeners on MENT . • Recent showcases at: Music Moves Europe Talents Awards, 2020 showcase at (Ljubljana) INFORMATION:Nominated for best artist Electronic genre. Solo Ansamblis

Lithunian four-piece has gained a dedicated audience with music that combines Underworld, stadium rave vibes with emotion-shattering moods; electronic sounds with live instrumentation. The The Knife, Test Dept Einsturzende Neubauten band calls the sound sad dance. Fans and the press see their music in the same space as ., and . The band’s explosive home-town live shows have become a go-to event, while the band has been much sought-after on Europe’s festival live circuit. In cyberspace, Solo’s glorious videos have racked up hundreds of thousands and millions of views, making them a candidate for one of Europe’s most promising purveyors of art rock. Roboxai Solo Ansamblis exploded onto the Baltic music scene in 2016 with their wonderful debut album , which spawned several singles, including Moteris, the video for which is nearing one million views on YouTube. The band released several singles, including „Netildai“, „Eskalatorius į Dangų“, "Limonadas", „1“, and, later, "Dansingas." These singles gained the band a solid following on both Reeperbahn, Eurosonic, Tallinn Music Week, Nouvelle Prague Spotify and social media, which enabled them to enter the European market with showcases at Artoffact Records and many others. In 2019 the band signed a worldwide record deal with Toronto-based record label , and announced a new album, OLOS, to be released in February 2020.

New GLORIA REUBEN FOR ALL WE KNOW & MARTY ASHBY

Label: MCG Jazz Catalogue # MCGJ-1050 UPC #612262105029 Category: Jazz Release Date: February 14, 2020

For All We Know is a collection of tunes that speaks to the deeply personal, often heart-breaking, and eternal hopeful nature of love and relationships. All of the songs evoke in the listener the question: how do you face the denial, sorrow, anger that arises from a break-up, a lost love, and pick yourself up to start over and celebrate love once again?

For additional information: www.mcgjazz.org www.martyashby.com www.gloriareuben.com

Tracks: 1. I’ll Close My Eyes (3:16) 2. A Time For Love (2:41) 3. Time After Time (3:40) 4. For All We Know (4:17) 5. I Get Along Without You Very Well (3:53) 6. The People That You Never Get To Love (3:54) 7. Maybe You’ll Be There (4:07) 8. How High The Moon (2:14) 9. Where Do You Start? (2:58) 10. Sing My Heart (2:31)

EPIPHANY Diné Nishłi Navajo Skip Dance & Two-Step Dance Songs Alger Greyeyes The Martin Sisters Todi Neesh Zhee

Epiphany presents three styles of skip dance and two-step dance songs: time-honored, traditional-style songs by Todi Neesh Zhee (popular across Dinétah for over 30 years), youth-oriented songs by Tewakeedah and Dachuneeh Martin, and new songs by Alger Greyeyes (leader of Todi Neesh Zhee) performing with the fresh voices of the Martin sisters. Includes K-Pop Dream Boy, Piccadilly Billy, and Dreaming About You. Available on CD: Feb 28, 2020

3 versions of Navajo skip dance and two-step dance 1. My Valentine - Ay00 Aniinishn7 (3:30) · songs - traditional-style by Todi Neesh Zhee, youth- Featuring Alger Greyeyes, Tewakeedah & Dachuneeh Martin oriented by sisters Tewakeedah & Dachuneeh Martin, 2. Piccadilly Billy - T’1neesk’1n7a[ts00z7g77 Y7stin7 (3:07) and new songs by the Martin sisters and Alger Featuring Tewakeedah & Dachuneeh Martin Greyeyes. 3. Come Out and Dance - Tewakeedah & Dachuneeh Martin make their album Nizhon7go Da’o[zhish T’11’1n0[tso (3:20) · debut with fun songs in Navajo and English for their Featuring Todi Neesh Zhee teenage peers and everyone to enjoy. 4. Wake-up - Nid77d11h (3:19) Featuring Alger Greyeyes, Tewakeedah & Dachuneeh Martin Todi Neesh Zhee, led by Alger Greyeyes, have created · 5. K-Pop Dream Boy - T0naandei Ashiik4 (3:33) and performed skip dance and two-step dance songs for Featuring Tewakeedah & Dachuneeh Martin over 30 years. 6. Sugar Baby - She’iich’osh7 (3:19) Notes include Navajo lyrics and English translations. Featuring Todi Neesh Zhee · 7. Salsa Dancing - Salsa Adiilzhish Sh7[n7 (3:16) Featuring Alger Greyeyes, Tewakeedah & Dachuneeh Martin 8. Superman Grandpa - Sh7chei Superman (3:09) *29337-GFFHCa Featuring Tewakeedah & Dachuneeh Martin 9. I’m Waiting for Her - Ch’44h n7b1’ koo N1sh1 (4:15) CD - CR-6557 Featuring Todi Neesh Zhee Total time: 39:30 10. Morning Song - Nizhon7go Sod7z7n B7[hay77[k1 (2:25) Featuring Tewakeedah & Dachuneeh Martin Canyon Records 11. We Are Going to Dance Well - 1761 W. University Dr., Suite 145 T=’ga Nizh0nigo Naadiilzh7sh (3:01) Tempe, Arizona 85281 Featuring Todi Neesh Zhee Phone: (800) 268-1141 • Fax: (602) 279-9233 12. Dream About You - N7h0s4s3’go Naaneis44[ (2:35) www.CanyonRecords.com Featuring Alger Greyeyes, Tewakeedah & Dachuneeh Martin

Also Todi Neesh Zhee Todi Neesh Zhee Swinging Wranglers Second Night: Singers Yatahey from the Recommended El Capitan First Night: Swinging Wranglers CR-6545 Moonlit Nights CR-7130 CR-7182

Radmilla Cody Talibah Begay Natay Precious Friends: Navajo Songs Navajo Singer Songs for Children for Children CR-6160 CR-6424 CR-6475 CD

LP

Release Date: February 28, 2020 CD

LP

Release Date: February 28, 2020 CD

Release Date: February 28, 2020 NEW RELEASES: LATE FEBRUARY 2020

GEINOH YAMASHIROGUMI 2LP Akira (Original Soundtrack - Red & Black Marbled Vinyl) Release Date: 31-Jan-20 [Light In The Attic / Milan] 2LP / 19439710451 / 194397104516 / $39.44

• Exclusive LITA color variant ressed on 180gm RED & BLACK MARBLED colored vinyl • The soundtrack to the legendary anime filmAKIRA is now available on 2xLP! • One of the most popular anime films of all time • Includes download card and liner notes by Mr. Yamashiro

Set in the year 2019 in Neo-Tokyo, the world is still recovering from the ravages of World War III. One night, teen delinquent Kaneda has his biker gang hurtle through the busy city. Kaneda’s friend, Tetsuo, is seriously injured during an accident and is taken to an army hospital. There the military notice Tetsuo’s potential psychic power, so they transfer Tetsuo to a secret government laboratory to awakening his latent abilities. When Kaneda gets involved in an antigovernment guerrilla movement, he encounters Kei, a member of the revolutionaries, and learns that the goal of the fighters is to infiltrate a secret laboratory – the very one whereTetuso is being held. The experiments to awaken Tetsuo’s powers are a terrifying success as he begins to wield psychic energy he cannot control – reminiscent of the emergence of the legendary esper boy “Akira”, which triggered World War III. The stage set, a fierce battle begins between Kaneda, Kei, the army and Tetsuo with the destiny of Earth at stake.

The symphonic music to AKIRA was composed by Dr. Shoji Yamashiro, head of the beloved Japanese musical collective Geinoh Yamashirogumi, and performed by the group. Rerecorded and remastered using the most advanced audio techniques available, this release of the unforgettable score of AKIRA is peerless in quality and audio fidelity.

WERTHER CD LP Werther Release Date: 7-Feb-20 [Light In The Attic / Altercat] CD / ALTCD007 / 0619843385764 / $18.88 LP / ALT007 / 0619843385757 / $32.68 Format / Cat # / UPC / PPD • Reissue of the most collectable Bossa Nova record, originals costing $1500+ • Official, fully licensed high quality reissue, with original gatefold cover and extended liner notes • Features “Catavento”, written by Arthur Verocai • Two tracks previously compiled in the acclaimed Via Brazil and Nicola Conte’s “Viagem” compilations • With the participation of world-class percussionists Naná Vasconcelos and Edison Machado

The list of musicians born or raised in the Tijuca district of Rio de Janeiro is long and illustrious and includes names that have shaped Brazilian music: Tom Jobim, Roberto Carlos, Tim Maia, Milton Nascimento, Jorge Ben or Erasmo Carlos – to mention but a few. We can now add to that list another name: Werther. In 1970, a man by that name recorded an album unique in its personality, its honesty, and its lack of pretense. In a time when Bossa Nova had become a global phenomenon and its main characters were already household names in Brazil, Werther assembled a collection of songs that uncannily – almost naively – remind us of the time when Bossa Nova was just a group of youngsters making music. His songs are about simple things: bohemian life, the sea, love. NEW RELEASES: LATE FEBRUARY 2020

CARIOCA CD LP Mysteries of the Amazon (Mistérios Da Amazônia) Release Date: 7-Feb-20 [Light In The Attic / Altercat] CD / ALTCD008 / 0619843385788 / $18.88 LP / ALT008 / 0619843385771 / $32.68

• Debut album of artist compiled on the acclaimed Outro Tempo compilation of Brazilian 80’s contemporary music • Fully licensed reissue, original artwork and sound straight from the master tapes. Comes with 4-page insert with extended liner notes in English and Portuguese • Recorded in Rogério Duprat’s (Tropicalia’s maestro/producer) Studio Vice-Versa • Ayahuasca connections which puts it for some folk under the label of Shamanic music • Featured in Gilles Peterson’s “Best albums of 2019” list

Ronaldo Leite De Freitas assumed the artistic name Carioca (“from Rio de Janeiro”) upon his move to São Paulo where he began studying music and conducting. His debut 1980 album, Mistérios Da Amazônia, demonstrates his early mastery of innovative musical forms – blending MPB, psychedelic folk, and even spiritual jazz sensibilities into experimental song structures incorporating instruments like the zither and tabla. Though Carioca may now best be known by collectors around the globe for his piece on Music From Memory’s “Outro Tempo” compilation – his work spans over thirty releases and various other pieces for theater, dance, and film – and Mistérios Da Amazônia is a singular musical journey though Carioca’s very first brilliant experimental musical expressions.

ORCHESTRA BAOBAB LP Mouhamadou Bamba Release Date: 14-Feb-20 [Light In The Attic / Syllart] LP / SYLREC0220 / 3770014952028 / $39.44

• First reissue of this legendary album from Orchestra Baobab • Limited Vinyl 180g, remastered from tapes

Released in 1981, the legendary album “Mouhamadou Bamba” is the masterpiece of the Orchestra Baobab, which has dedicated more than ten years of existence. Under the direction of the percussionist saxophonist Issa Sissokho, of the irremovable guitarist Barthélémy Attiso the band records this album at the Golden Baobab studio in Dakar directed and produced by the young producer Ibrahima Sylla.

The Baobab symbolizes both the rooting in Senegalese traditional values and the ability of the tree to reach heights, the sound of the group is a perfect syncretism of Senegalese and Afro-Cuban imaginaries in which the montunos of electric guitars and vocal improvisations in wolof language marry subtly to the rhythms of cuban son and other boleros. NEW RELEASES: LATE FEBRUARY 2020

BOBBY PATTERSON LP The Storyteller Release Date: 14-Feb-20 [Light In The Attic / Tidal Waves Music] LP / TWM45 / 752505992341 / $29.31

• Rare Southern-Soul private pressing recorded in 1976-1977 • First vinyl reissue since 1982 • Deluxe 180g vinyl edition • Black Vinyl Edition Limited to 500 copies, comes with obi strip

Bobby Patterson’s (born 1944) life in music has had many facets. Whether as a DJ in Texas (he had a popular show at the Dallas- based radio station KKDA until 2012), a producer for artists like Fontella Bass & Roscoe Robinson, a writer whose work has been covered by everyone from Albert King to Jeff Tweedy, or as a recording artist – Bobby always brings the soul! Mr. Patterson’s career résumé includes every aspect of the business as a recording artist, singer, songwriter, producer, label owner and promoter.

Bobby Patterson began performing when he was ten, playing guitar and drums. In his early teens his band (The Royal Rockers) won many talent contests, including one in 1957 which earned him a trip to California to record a single for Liberty Records. In 1962, Patterson recorded for Abnak Records and convinced the label’s owner to start a soul division, called Jetstar Records. Bobby Patterson recorded for them for the next six years, becoming a talented songwriter, producer, and promoter in the process.

Bobby wrote numerous hits (all self-penned) and next to recording under his own name, he also went on to produce and promote records made by other artists…he was even awarded with gold records for his work as a promoter for LL Cool J and RUN DMC. In 1972 Bobby signed with Paula records and recorded another milestone of his, the album: It’s Just A Matter Of Time.

To this day Bobby continuous to delight his longtime fans (and first-time listeners) with his stage presence and overall high-spirited performances. Patterson’s personality, combined with his nostalgic aura, produce an unforgettable live experience…bringing his energy and vibrancy to audiences wherever he appears. Bobby is engaging and stunning audiences around the country with his charm and unique showmanship.

On the album we are presenting you today (The Storyteller, recorded under his alias Bobby Story) you’ll find elements all of the above and more! The LP is classic “storytelling” Modern Southern Soul, with so many magical moments all the way through. The tracks on here were actually recorded in 1976-1977 but were only released in 1982 (on Bobby’s own label Proud). All the songs were produced by Bobby Patterson himself and are the perfect mix of sensitive ballads and dance tracks to let you boogie all night long. What we have here is THE perfect blend of soul, funk and blues… The Storyteller is deep soul done right and it has been fascinating DJ’s, fans & collectors since the very start.

Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic funk/soul album (originally released in 1982 on Mr. Patterson’s own Dallas-based Proud Records). This rare classic (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition (500 copies) complete with the original artwork. NEW RELEASES: LATE FEBRUARY 2020

OFEGE LP How Do You Feel Release Date: 14-Feb.-20 [Light In The Attic / Tidal Waves Music] LP / TWM46 / 752505992365 / $29.31

• Rare 1978 Nigerian Afrobeat classic • First vinyl reissue since its original release in 1978 on Polydor Nigeria • Black Vinyl Edition Limited to 500 copies, comes with obi strip • Comes with insert containing exclusive liner notes by founding member Melvin Ukachi

Ofege was formed in the early 1970s by a bunch of teenagers at the St. Gregory’s College in Lagos Nigeria. They were largely influenced by the guitar solos of Carlos Santana, Jeff Beck & Jimmy Page while closer to home, they were influenced by the music of ‘BLO’, ‘Monomono’ (led by Joni Haastrup), ‘The Funkees’, and ‘Ofo The Black Company’.

Due to their vibrant combo of sweet harmonies, hooks & fuzz, Ofege would become one of the most legendary Nigerian groups of all time, with expressive sales and national stardom. At the turn of the century (and because of tracks appearing on various psychedelic music compilations) Ofege would receive international acknowledgment for being the first of their kind and the ultimate est-AfricanW psychedelic funk band!

Their first album (Try and Love – 1973) was recorded while the band members were still in high school (average age of 16). It took some years before other albums saw the light since some band members still had to finish school. Further astonishing recordings include ‘The Last of The Origins’ (1976), ‘Higher Plane Breeze’ (1977) and ‘How Do You Feel’ (1978).

How Do You Feel (released in 1978 on Polydor Nigeria) is Ofege’s fourth (and final) album. On this amazing record, the listener is treated to the trademark Ofege sound, but you can also hear the band absorbing some of the other things that were happening at the time (like disco & reggae). By 1978, North American bands like Funkadelic and the Ohio Players that had formerly purveyed raggedly funky rock were shifting their output exclusively towards slicker, more dancefloor-oriented material. These shifts also applied to bands on the European and African continent…and Ofege was no exception. The difference in sound from their earlier recordings sounds organic and can be attributed to the band’s burgeoning maturity & said changes in their musical environment.

Next to the regular band-members, this album has some serious ‘all-star’ guest musicians featured on it as well…Kofi Ayivor (Eddy Grant) on congas, Robert Bailey (Osibisa) on keyboards …and of course the legendary Jake Sollo (The Funkees) who’s trademark solo-guitar work is all over this Ofege record.

How Do You Feel is a an Afrobeat club-classic with some serious funky & spacey disco (of the good kind) mixed through its tracks…a faithful snapshot of what was actually happening in the African soul music scene at that specific period in time. This album shows a perfect glimpse of the late 70’s afrobeat works combining soul, jazzy rhythms & fluid danceability…but when you listen to songs like ‘World Peace’ and ‘Frustration,’ that’s just the basic, rootsy and raw Ofege sound.

Tidal Waves Music now proudly presents the first reissue of this landmark Nigerian album. This RARE classic (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited vinyl edition (500 copies) complete with the original artwork and exclusive liner notes/pictures provided by Ofege’s founding member ‘Melvin Ukachi’ who also supervised this reissue. NEW RELEASES: LATE FEBRUARY 2020

BOBBY FRANK BROWN LP The Enlightening Beam Of Axonda (Gods Proof) Release Date: 24-Jan.-20 [Light In The Attic / HoboAngelMutt] LP / DR4002 / 826853000079 / $25.94

• First ever vinyl reissue of this LP from 1972 • Housed in a Stoughton tip-one jacket

On earth as it is in heaven. Bobby wants to show how science will help that manifest. As a small boy he prayed for wisdom. Soon that led to a new physics he began telling people about, that will play a crucial role in bringing this total enlightenment. This concept album story, goes into detail, how Axonda technology, will be guided by what he now calls “Gods Physics.” He introduced pairing particle physics, with the spiritual. He feels eventually, it will cause many to believe in God. The Bible states we will know more, could this be part of that. Light In The Attic is proud to distribute this masterpiece. For having no major label behind it, this Axonda album over the years, has received a great deal of press. We’ll be utilizing what we feel are some of the most superlative quotes we’ve seen about any artist. Look under our description of Prayers Of A One Man Band, for more important information. Antonbildern “Something big a true revelation.” It’s that totally idiosyncratic thang we all are looking for.”This is a kind of magic, but it isn’t Queen it’s much much much better. “But the most astonishing fact is that Brown has an extraordinary voice, one ranging 6octaves. Yes we’re accustomed to Diamanda Galis, Sainkho or Ima Sumac, but this man is even superior because this truly transcendent chanting comes directly from his soul, it’s not a technique learned at school.” Surprisingly genuine and honest.” Animal Collective “A true original, he has been a huge influence on many of us that play music.” Dusted Magazine , “musical polymath.”

The nearly 50 homemade instruments placed on racks, gave Bobby the ability to play some of them simultaneously. Turning around to a more percussive rack in the middle of a song. Some pioneering instruments were played by his feet. His 7 varying sized electro acoustic square drums could have been a stadium show in themselves. He had giant metal flutes he could play while drumming. He had a 7 foot bass drone, that influenced John Lazell to build an amazing 14 foot bass beam. Later versions were used in Star arsW sound tracks by others. Possibly the worlds first portable synthesizer, designed by Bobby an built by Mike Wood, was the voice on Axonda. A high quality portable echo, along with the first high quality loop pedal , was built for Bobby by Ed Haas. Bobby didn’t use the pedal on this album. The challenge was to leave the last song on side 1, and all of side 2, one man band style. Hands an feet a goin, no overdubbing. There were 311 strings.

Leaving a doctorate program at UCLA to train for the Olympics in Santa Barbara, he met John Lazell and Carol Kleyn. John taught Bobby how to make electric pickups to fit any size creation. John was a huge influence on several of Bobbys instruments. Bobby gave Carol a harp an they played separately. His electro acoustic harp, an especially her acoustic, may have launched a 1000 harpists. Without Carols help, an Chuck Plotkin, an Michael Boshears ,this album might not be. John Hartmann (elite manager of many famous acts said,“You’ll be the next Beatles.” He also said “If you’d go out with just a guitar, you’ll blow any singer song writer away.”

Most acts play The Troubadour Hoot, to try getting a record deal. Owner Doug Weston said “it was the best reception ever at the hoot”. Kenny Loggins was there an said “It was the most incredible thing I’ve ever seen. It was like a wave building and building, an the crashing on me.” Ram Das at a concert to get Timothy Leary out of jail, said to the audience,“What you just witnessed is the most talented and advanced example, of a new type of music that’s beginning to emerge.” Alan Ginsberg agreed. Johny Rivers was there an wanted to produce Bobby. One of several record deals Bobby says he stupidly passed up. John Salstone Warner Bros.-“We have a tiger by the tail, but if we put put out Axonda first, we’ll have to promote him as the greatest prophet goin.” Carl Wilson (BeachBoys) “A first, the only thing new. Many many years ahead of his time.” George Winston- “Axonda is one of 2 of my favorite all time albums.” All Music-Mark Deming-“Sonic experimenter supreme, of cosmic psych masterpiece Axonda fame.” Ed Pinset London’s highly respected musicologist, in his Sound Projector Magazine, picked Bobby as one of the “Four American Monsters,The Geniuses Of Avant Garde Music.” Andrew Rieger (U of Georgia prof.- and Elf Power/Orange Twin Records “I’m writing a book showing Axonda Physics was before The God Particle, and Philup K. Dicks Valis. Bobbys phenomenal voice is well documented, as well as his many musical inventions that played a part in the evolution of music. But most importantly, I want to show why he’s the greatest sci-fi prophet ever.” NEW RELEASES: LATE FEBRUARY 2020

BOBBY FRANK BROWN LP Live (Divinity And Dignity Of All Life) Release Date: 24-Jan.-20 [Light In The Attic / HoboAngelMutt] LP / DR4001 / 826853000086 / $25.94

• First ever vinyl reissue of this LP from 1978 • Housed in a Stoughton tip-one jacket

Light In The Attic is distributing another album, that played a part in the evolution of music. Bobby Frank Brown Live (Divinity And Dignity Of All Life), is his second recording. It followed his legendary, The Enlightening Beam Of Axonda, which is considered by many, as the holy grail of rare psych albums. To be more portable, he rebuilt most of the 50 or so pioneering instruments he used for Axonda. His first performance with his new instruments, at UC Davis, went amazingly well. David Dowd wrote “A one man phenomenon, with an incredible voice.”. Another article in that university paper said the Axonda album, “told its truths, better than wading through volumes of Plato, Kant, and Shopenhauer.” With his new smaller creations, he decided to put off going back to LA, and a certain major record deal. He started playing flea markets, and selling his albums. That worked super, an he loved the freedom. It was the beginning of one of the first successful Indie labels. One reason he left LA, David Geffen put Bobbys manager, Chuck Plotkin, as head A&R of Asylum Records. Bobby wanted to get back with Chuck when the time was right. Chuck produced Springsteen projects, then Dylan, an then several top film scores. Bobby just loved traveling, playing street music, hitch hiking, and living like a hobo. Sometimes sleeping in bushes, but mostly staying with people that bought his albums. His first paid singing job was in Haiti.Also he worked as a first mate sailing the Caribbean. Bobby wants to co-produce a Rock album with Chuck some day.

This Live album he used instruments he played in the South Pacific. He opened a Fleetwood Mac, and Kenny Logins concert, in the stadium at UC Santa Barbara. For this Live album, to get a high quality sound, he decided to record those songs in his van, with just his dog for an audience. He could have used the first high quality loop pedal, built for him by Ed Haas. But as he did in the last half of the Axonda album, it was hands an feet a goin. At that stadium concert, when he turned on his pioneering deep base electronic beats, the crowd let out a big whoa. Those electronic rhythms are very common in music now. On albums 4-7 he will play his many percussion instruments over them. Larry Finley master drummer said “Bobby has incredible rhythm, it’s uncanny.” He used that to win many dance contests up and down California, Wolfman Jack judged one in Hollywood, an likely would have helped Bobby ounce signed to a record label. Where ever he played, looking at comments by some people that saw him live, they felt love, an great affection for hime. Even with his new smaller set of instruments, on this Live album. Seeing Axonda live was a very deep spiritual experience for many. His new physics ideas were totally new. After a performance at The Troubador, Chuck Plotkin pointed out, “They didn’t understand the words, but what they loved, what they related to, was the vibe.” The Axonda album is considered by many, as the first pioneering recording, for new age healing music. This Live album, his second, could fit right in at a rock, country, or folk concert. Especially at earth day concerts. Bobby ad libs a lot, an jazz audiences would love it. Actually because of the creativity, an immense talent, he would likely go over very well with most any audience, even in church.

Did Bobby influence many musicians to play with electronic sounds, oh yea!And world music got a boost from his altered home made musical instruments, and the unique way he played them. These songs are about his immense love of animals, an peace, with comments to preserve the environment. Many environmental concerns expressed in music back then, were a bit of a rarity. He traveled the US in a van with his dog. He loved his dog dearly. He called her mom, since the time she had puppies in his van. One song about his little friend is an instrumental, in a classical music style. Utilizing a computer in a new way, being able to expand his reach as a one man orchestra.

Bette-Joan Rac acclaimed classical pianist, now teaching performance an musical history, through the University of Toronto Royal Academy of Music, is finishing a book. In “The da Vinci Of Our Time, she says “I felt Bobby should be known as classical musics 5th B. I was very glad Ed Pinset of London’s Sound Projector Magazine, picked him as one of the 4 American Monster Geniuses Of Avant- Garde Music. On the front cover of the book Valis, Rolling Stone Magazine said Philip K. Dick is “THE MOST BRILLIANT SF MIND ON ANY PLANET.” Some are blogging Bobby’s 1972 Axonda album is exactly like Valis, which was published in 1981. Actually Bobby had predicted much of it as a boy, an went far beyond Valis. Brown even predicted what the next physics will be, an how it will produce The Enlightening beam Of Axonda. I think he’s one of the most important musicians, and visionary thinkers of today. NEW RELEASES: LATE FEBRUARY 2020

CHET BAKER LP Sings and plays with Len Mercer and His Orchestra Angel Eyes Release Date: 7-Feb.-20 [Light In The Attic / Cinevox / BTF / AMS (Italian Imports)] LP / LPQ25005 / 8004883215607 / $34.38

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. studio

The lyricism of Chet Baker cannot be doubted because Chet in his musical expressions remains as singer and musicians essentially romantic. He fits beautifully into a context created around him and for him, a context that finds in the sonority of his trumpet or in the opacity of his voice a leading element, dominator and at the same time attractive and fascinating.

The songs on this record are aimed to everyone: jazz fans and those who are not very familiar with jazz. For music arrangers Ezio Leoni and Giulio Libano the work ground with Chet has been smoothed out: there was no need to build beyond the measure, it was important to expand, enhance, galvanize what Chet wanted to express. They have alternated lyrical songs with more stringent and alive tracks. With the continuous alternation of times, expressions and atmospheres they made sure to avoid any monotony.

The orchestra that recorded the album was consisted of 16 violins, 4 violas, 4 cellos, a flute, a bass clarinet, an oboe, a French horn, a harp which matched with Glauco Massetti’s alto sax, Fausto Papetti’s baritone sax, Mario Pezzotta’s trombone, Gianni Basso’s tenor sax, Franco Cerri’s double bass, Gene Victory’s drums. An imposing orchestra that was able to mix perfectly and alternate purely jazzy instruments with strings during the performances.

The repertoire included in the album ranges a lot: from well-known motifs such as “Angel Eyes”, “When I Fall In Love” or “I Should Care”, to others less known but very pleasant tracks as “The Song Is You” or “Forgetful”. Other tracks lend themselves perfectly to a wider orchestration such as “Autumn In New York”, “Violets for Your Fur” or “Deep in A Dream”. Another theme was treated with a thrifty intervention of the strings, almost a crown of the whole performance, represented by the recording “Street of Dreams”. In the last track “Good-bye” of Side “A” Chet expresses an exceptional sadness in a very valid and unusual way.

The tracks were recorded on September 28, 1958 and October 5, 1959 at the Guertler Bros. recording studio. NEW RELEASES: LATE FEBRUARY 2020

FRANCO FALSINI LP Cold Nose Release Date: 7-Feb.-20 [Light In The Attic / Vinyl Magic] LP / VMLP217 / 8016158021745 / $34.38

Franco Falsini is a musician and composer who, already in the mid-‘60s, was full-time involved in music activities: a tireless traveler and experimenter, an artist with uncommon curiosity and intuition, after having lived for some time in the United States and England, he finally established again in Italy where he gave shape to Sensations’ Fix and signed a contract with Polydor for the release of six records in five years.

In addition to the composition and release of the Sensations’ Fix LP’s, Falsini was able to record a solo album in 1975, “Cold Nose (Naso freddo)”, the soundtrack of the eponymous short film directed by Filippo Milani, which Falsini himself says it’s the description of “a day in the life of a Freudian cocaine addict. There were only three actors, two of whom represented the paranoia of the main and only character, Miguel, a Spaniard who lived as a photomodel companion. […] There was no action at all in the film, which was basically made of moving photographs, with many close-ups […].This, with the absence of dialogues, made the soundtrack fundamental. The slowness of the images had to be reflected in music, and synchronizing everything wasn’t easy. […] Everything was analogic and the tape cuts were handmade”.

Sonically speaking, “Cold Nose” is a space/psychedelic trip played by Falsini in complete autonomy, with only bass, guitar, keyboards/synthesizers and sporadic vocalizations at the end of the third and last part of the opera, a long 20-minute composition that fills the entire B-side of the record. Sounds and atmospheres are still fresh totay, and it wouldn’t have been wrong to define them “avant-garde” back in those days!

Faithful reproduction of the original edition with inner envelope, in white vinyl. AVIS DE CHANGEMENTS - CHANGES UPDATES

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Cher(e) client, Veuillez prendre note que les produits énumérés sur la page suivante sont retirés de notre catalogue actif et ce, à compter du 24 janvier 2020. Nous vous demandons de nous faire parvenir la marchandise avant le 28 février 2020. Tous les produits retournés après ce délai seront refusés et retournés aux frais de l’expéditeur. Votre liste de retour doit nous parvenir au plus tard le 7 février 2020. Pour toute question, n’hésitez pas à nous contacter. Merci de votre collaboration.

January 24, 2020,

Dear valued customer, Please be advised that the title listed on next page have been discontinued and removed from our catalogue effective January 24, 2020 Please return the merchandise no later than February 28th, 2020. All products returned after the above-mentioned date will be refused and shipped back to you collect. Your return request must be received by us no later than February 7th, 2020. If you have any questions, please feel free to contact us. Thank you for your cooperation. Ian Hamel, Directeur des ventes, Distribution Select

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POUR LA PÉRIODE DU 24 JANVIER 2020 AU 28 FÉVRIER 2020 / FROM JANUARY 24, 2020 TO FEBRUARY 28TH, 2020 NO. DE ARTISTE TITRE PRODUIT ÉTIQUETTE ARTIST TITLE FORMAT PRODUCT NO. UPC LABEL

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OUTSIDE MUSIC - NEW RELEASE ORDER FORM - LATE FEBRUARY 2020 * Please submit all new orders to your Distribution Select sales representative * * Order deadline for Feb 21 is Feb 10 // *Order deadline for Feb 28 is Feb 17 * CAT. NO. ARTIST TITLE LABEL GENRE NOTES UPC CONF. PPD DATE QTY OUT9132CD COUSINS, ROSE Bravado Outside Music Folk Canadian 623339913225 CD $ 11.00 21-Feb-20 OUT9132LP COUSINS, ROSE Bravado Outside Music Folk Canadian 623339913218 LP $ 16.00 21-Feb-20 WIG426CD REAL ESTATE The Main Thing Domino Rock-Pop 887828042623 CD $ 12.80 28-Feb-20 WIG426LP REAL ESTATE The Main Thing Domino Rock-Pop 887828042616 2LP $ 24.73 28-Feb-20 The Main Thing (Indie WIG426LPX REAL ESTATE Only Gold Vinyl) Domino Rock-Pop INDIE ONLY 887828042630 2LP $ 26.47 28-Feb-20 Key To Love (Is LITA45039 BADBADNOTGOOD / MAJESTICS Understanding) Light In The Attic Funk / Soul Canadian 826853453974 7" $ 12.43 21-Feb-20

Kearney Barton: Architect LITA1682 VARIOUS ARTISTS of the Northwest Sound Light In The Attic Rock / R&B 826853016827 CD $ 15.50 21-Feb-20

Kearney Barton: Architect LITA1681 VARIOUS ARTISTS of the Northwest Sound Light In The Attic Rock / R&B 826853016810 2LP $ 34.38 21-Feb-20

Kearney Barton: Architect of the Northwest Sound LITA16811 VARIOUS ARTISTS (Green Vinyl) Light In The Attic Rock / R&B 826853116817 2LP $ 42.81 21-Feb-20 MRD189 LIÉ You Want It Real Mint Records Punk Canadian 773871018923 CD $ 13.50 28-Feb-20 MRL189 LIÉ You Want It Real Mint Records Punk Canadian 773871018916 LP $ 18.75 28-Feb-20 THRILL499LP LIGHTNING BOLT Ride The Skies Thrill Jockey Metal 790377049916 LP $ 22.27 21-Feb-20 Ride The Skies (Baby THRILL499LPC LIGHTNING BOLT Blue Sky Vinyl) Thrill Jockey Metal Indie Only 790377499117 LP $ 24.06 21-Feb-20 THRILL517CD SIGHTLESS PIT Grave of a Dog Thrill Jockey Industrial 790377051728 CD $ 14.00 21-Feb-20 THRILL517LP SIGHTLESS PIT Grave of a Dog Thrill Jockey Industrial 790377051711 LP $ 20.46 21-Feb-20 Grave of a Dog THRILL517LPC SIGHTLESS PIT (Translucent Pink Vinyl) Thrill Jockey Industrial Indie Only 790377517118 LP $ 22.27 21-Feb-20 We Love To Look at the Rock / THRILL510CD WREKMEISTER HARMONIES Carnage Thrill Jockey Experimental 790377051025 CD $ 14.00 21-Feb-20 We Love To Look at the Rock / THRILL510LP WREKMEISTER HARMONIES Carnage Thrill Jockey Experimental 790377051018 LP $ 22.27 21-Feb-20 We Love To Look at the Carnage (Ltd / Blood Rock / THRILL510LPC WREKMEISTER HARMONIES Orange Vinyl) Thrill Jockey Experimental 790377510119 LP $ 24.06 21-Feb-20 AYINLA, KOLLINGTON AND HIS FUJI '78 Blessing (Ltd 1000 unit SJRLP447 ORGANISATION pressing) Soul Jazz Records World / Africa 5026328004471 LP $ 29.25 14-Feb-20

COMP4740CD DOUCET, MICHAEL Lâcher Prise Compass Records Cajun 766397474021 CD $ 11.00 14-Feb.-20

COMP4743LP DOUCET, MICHAEL Lâcher Prise Compass Records Cajun 766397474311 LP $ 14.25 14-Feb.-20 Adam Cayton-Holland Performs His Signature Saddle Creek LBJ3081 CAYTON-HOLLAND, ADAM Bits Records Comedy 648401030815 LP $ 19.63 21-Feb-20 Big Moon b/w Rufus Saddle Creek LBJ305 BIG NET, THE (Document Series) Records Rock-Pop 648401030570 7" $ 8.25 28-Feb-20 AOF318CD SOLO ANSAMBLIS OLOS Artoffact Records Electronic 628070631827 CD $ 12.00 21-Feb-20 AOF318 SOLO ANSAMBLIS OLOS Artoffact Records Electronic 628070631810 LP $ 17.50 21-Feb-20 MCGJ1050 REUBEN, GLORIA & ASHBY, MARTY For All We Know There / MCG Jazz Jazz 612262105029 CD $ 13.00 14-Feb-20 MBF10002 HAWLEY, ADAM Escape There Records Jazz 888295973342 CD $ 13.25 28-Feb.-20 Epiphany (Navajo Skip DINÉ NISHLI (GREYEYES, ALGER / MARTIN Dance & Two-Step Dance CR6557 SISTERS / NEESH ZHEE, TODI) Songs) Canyon Records First Nations 729337655720 CD $ 12.90 28-Feb-20 ACT99112 NORBY CAECILIE Portraying ACT Jazz 614427991126 CD $ 15.50 28-Feb-20 ACTLP99111 NORBY CAECILIE Portraying ACT Jazz 614427991119 LP $ 18.00 28-Feb-20 SHAERER, ANDREAS & LERNT FLIEGEN, The Waves Are Rising ACT99102 HILDEGARD Dear! ACT Jazz 614427991027 CD $ 15.50 28-Feb-20 The Waves Are Rising SHAERER, ANDREAS & LERNT FLIEGEN, Dear! (w / hand signed ACTLP99101 HILDEGARD print) ACT Jazz 614427991010 LP $ 18.00 28-Feb-20 In Duo with Mihkel ACT97392 VOORAND, KADRI Mälgand ACT Jazz 614427973924 CD $ 15.50 28-Feb-20 NEW RELEASES: LATE FEBRUARY 2020

Akira (Original Soundtrack - Red & Black Light In The Attic / 19439710451 YAMASHIROGUMI, GEINOH Marbled Vinyl) Milan Soundtrack 194397104516 2LP $ 39.44 31-Jan-20 Light In The Attic / ALTCD007 WERTHER Werther Altercat World / Brazil 0619843385764 CD $ 18.88 7-Feb-20 Light In The Attic / ALT007 WERTHER Werther Altercat World / Brazil 0619843385757 LP $ 32.68 7-Feb-20 Mysteries of the Amazon Light In The Attic / ALTCD008 CARIOCA (Mistérios Da Amazônia) Altercat World / Brazil 0619843385788 CD $ 18.88 7-Feb-20 Mysteries of the Amazon Light In The Attic / ALT008 CARIOCA (Mistérios Da Amazônia) Altercat World / Brazil 0619843385771 LP $ 32.68 7-Feb-20 Light In The Attic / SYLREC0220 ORCHESTRA BAOBAB Mouhamadou Bamba Syllart World / Africa 3770014952028 LP $ 39.44 14-Feb-20

Light In The Attic / TWM45 PATTERSON, BOBBY The Storyteller Tidal Waves Music Funk / Soul 752505992341 LP $ 29.31 14-Feb-20

Light In The Attic / TWM46 OFEGE How Do You Feel Tidal Waves Music World / Africa 752505992365 LP $ 29.31 14-Feb.-20 The Enlightening Beam Light In The Attic / DR4002 BROWN, BOBBY FRANK Of Axonda (Gods Proof) HoboAngelMutt Folk / Country 826853000079 LP $25.94 24-Jan.-20 Live (Divinity And Dignity Light In The Attic / DR4001 BROWN, BOBBY FRANK Of All Life) HoboAngelMutt Folk / Country 826853000086 LP $25.94 24-Jan.-20 Light In The Attic / Sings and plays with Len Cinevox / BTF / Mercer and His Orchestra AMS (Italian LPQ25005 BAKER, CHET Angel Eyes Imports) Jazz 8004883215607 LP $34.38 7-Feb.-20 Light In The Attic / VMLP217 FALSINI, FRANCO Cold Nose Vinyl Magic Psych 8016158021745 LP $34.38 7-Feb.-20