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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
Corredores Mineiro-Energéticos 2020
2 CORREDORES MINEIRO‐ENERGÉTICOS 2020 IMPACTOS MARÍTIMOS DO AFRO‐ÍNDICO NO CANAL DE MOÇAMBIQUE por José Lopes C/ CENTRO DE ESTUDOS SOCIAIS AQUINO DE BRAGANÇA Versão PDF – Dezembro 2013 still lost in translation mail: [email protected] __________________________________________________________________________________ Versão em Livro: 1ª edição Janeiro 2013 ISBN: 978‐989‐97730‐2‐8 editado por CESAB (Centro de Estudos Sociais Aquino de Bragança) financiado por MASC (Mecanismo de Apoio à Sociedade Civil) 3 4 ÍNDICE PREFÁCIO (6) INTRODUÇÃO (9) MARITIMIDADES E GEOPOLÍTICAS (11) NAVEGAR É PRECISO (13) Segurança e comércio marítimo no Oceano Índico Movimentos globais de cargueiros A indústria naval e o Baltic‐Dry Index Frotas navais das companhias mineiras Os donos dos portos Navegação e ambiente ROTAS NO CANAL DE MOÇAMBIQUE (26) A CONEXÃO COQUE (29) Mas afinal o que é o carvão metalúrgico? O carvão coqueificável da bacia de Tete e as especificações concorrentes Mercados‐alvo para o carvão metalúrgico de Tete O CARVÃO TÉRMICO E OUTROS COMBUSTÍVEIS (42) Mercado marítimo de carvão térmico A relevância termo‐eléctrica nos mercados marítimos de carvão (Índia e China p.e.) A Europa anti‐carvão A oferta marítima de carvão térmico E onde caberá o carvão térmico de Tete? NAVEGAR O CARVÃO DE TETE (62) Barcaças no rio Zambeze MOÇAMBIQUE A TODO O GÁS? (69) O crescimento marítimo do LNG LNG – breve roteiro 2030 Entretanto no Rovuma… Corrida entre irmãos Quem vai ao mar prepara‐se em terra QUANTO A PETRÓLEO ... (79) 5 AGRO‐MINERAIS: os Fosfatos, por -
Social and Political Criticisms Embedded in Chinese Myths and Legends
https://doi.org/10.7592/FEJF2019.75.xiyao SOCIAL AND POLITICAL CRITICISMS EMBEDDED IN CHINESE MYTHS AND LEGENDS HE Xiyao School of English Studies Zhejiang International Studies University Hangzhou, China e-mail: [email protected] Abstract: Chinese myths and legends, as popular cultural products, may be subjected to the analytical methods of cultural studies, which is the approach this study adopts when investigating their complex relationship with Chinese society and history. In particular, the social and political criticisms embedded in these myths and legends are studied, and this is done through exploring the reasons for the prominence of the embedded criticisms in Chinese myths and legends, and sorting out the general trend of their development. The prominence is accounted for by the harsh censorship and the influence of the Chu spirit and Taoism on Chinese culture.1 In the development of these criticisms, four stages are marked, each (cor)responding to the historical circumstances and with its own distinct feature. The study concludes with the historicity of Chinese myths and legends; the criticisms are embedded in them and they, in turn, are embedded in Chinese society and history. Keywords: censorship of culture, Chinese myths and legends, Chu spirit, cultural studies, social and political criticisms, strategies and tactics, Taoism APPROACH ADOPTED IN THIS STUDY Among the various approaches to the study of Chinese mythology – and of mythology in general – an important one that has persisted throughout the last century and has remained influential to this day is to study the complex relationship between mythology and society, i.e., how the two have affected, structured, and shaped each other. -
Das Wirtschaftliche Engagement Der Volksrepublik China Im Portugiesischsprachigen Afrika Am Beispiel Angolas Und Mosambiks
Christiane Tholen Das wirtschaftliche Engagement der Volksrepublik China im portugiesischsprachigen Afrika am Beispiel Angolas und Mosambiks OSTASIEN Verlag Deutsche Ostasienstudien 17 Christiane Tholen Das wirtschaftliche Engagement der Volksrepublik China im portugiesischsprachigen Afrika am Beispiel Angolas und Mosambiks Deutsche Ostasienstudien 17 OSTASIEN Verlag Bibliographische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliographie; detaillierte bibliographische Daten sind im Internet über http://dnb.d-nb.de abrufbar. ISSN 1868-3665 ISBN 978-3-940527-76-9 © 2013. OSTASIEN Verlag, Gossenberg (www.ostasien-verlag.de) 1. Auflage. Alle Rechte vorbehalten Redaktion, Satz und Umschlaggestaltung: Martin Hanke und Dorothee Schaab-Hanke Druck und Bindung: Rosch-Buch Druckerei GmbH, Scheßlitz Printed in Germa Inhalt Danksagung Vobemerkung Abstract 1 Einleitung 1 1.1 Chinesisch-Afrikanische Beziehungen im Fokus der Weltöffentlichkeit 1 1.2 Forschungsstand und Methodik 2 2 Schwarzer Kontinent und gelbe Gefahr 5 2.1 China und Afrika: 1949–1978 5 2.2 China und Afrika: 1978 bis heute 7 2.2.1 Politik 8 2.2.2 Wirtschaft 11 2.3 Neokolonialismus oder Süd-Süd-Kooperation? 15 2.3.1 Afrika 15 2.3.2 China 17 2.3.3 Der Westen und andere 19 2.4 Vorläufiges Ergebnis 25 3 China 27 3.1 1978 bis 1984 27 3.2 1984 bis 1989 28 3.3 1989: Der Tiananmen-Vorfall und seine Konsequenzen 30 3.4 1993 bis heute 31 3.5 Strukturelle Probleme 35 3.6 Themenrelevante Einzelaspekte 40 -
The Doctrines and Dogma of Weixin Shengjiao the New Religion of the World Taiwan Weixin Shengjiao
Chapter 3 The doctrines and dogma of Weixin Shengjiao The New Religion of the World Taiwan Weixin Shengjiao The sect is established by heaven and earth. The principles were established by the sages. Weixin Shengjiao learns the laws of Heaven and Earth and practices them. Ancestor Fuxi Shi Lady of the Nine Heavens) Three Chinese ancestors Chiyou Emperor Yellow Emperor Yan Emperor Gui Gu Immortal Master Wan Chan Lao Chu Grand Master Hun Yuan Eternities - 32 - Chapter 3 The doctrines and dogma of Weixin Shengjiao Ancestor Fuxi Shi makes his first draw as Heaven; second as Earth. Wuji is considered as the Primordial (earlier heaven eight guas), so it is emptiness. Then Jiutian Xuannu inherited the knowledge. Tai chi is the Manifested (later heaven eight guas). Two polarities give rise to four phenomena. Then the knowledge of Bagua was passed to Three Chinese Ancestors Yellow Emperor and Yan Emperor. The Original Bagua is the knowledge of Feng Shui, describing mountains and rivers or practicing divination. Chiyou Emperor created the Later Heaven Nine Places and Eight Guas It is three Yuan Nine Yuan . Then the successor of Sage Gui Gu Immortal Master Wan Chan Lao Chu followed. Wang Chan Lao Chu and Grand Master Hun Yuan united and passed the knowledge to modern time. That is the reason why it is difficult for people to see the mystery of I Ching Feng Shui, and now it appeared after so many disasters. Weixin Shengjiao honors Wang Chan Lao Chu and considered him as the leader of Tian-jie (the ecclesial world) while Grand Master Hun Yuan is a master in mankind’s world. -
Imperial Tombs of the Ming and Qing Dynasties
WHC Nomination Documentation File Name: 1004.pdf UNESCO Region: ASIA AND THE PACIFIC __________________________________________________________________________________________________ SITE NAME: Imperial Tombs of the Ming and Qing Dynasties DA TE OF INSCRIPTION: 2nd December 2000 STATE PARTY: CHINA CRITERIA: C (i) (ii) (iii) (iv) (vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Criterion (i):The harmonious integration of remarkable architectural groups in a natural environment chosen to meet the criteria of geomancy (Fengshui) makes the Ming and Qing Imperial Tombs masterpieces of human creative genius. Criteria (ii), (iii) and (iv):The imperial mausolea are outstanding testimony to a cultural and architectural tradition that for over five hundred years dominated this part of the world; by reason of their integration into the natural environment, they make up a unique ensemble of cultural landscapes. Criterion (vi):The Ming and Qing Tombs are dazzling illustrations of the beliefs, world view, and geomantic theories of Fengshui prevalent in feudal China. They have served as burial edifices for illustrious personages and as the theatre for major events that have marked the history of China. The Committee took note, with appreciation, of the State Party's intention to nominate the Mingshaoling Mausoleum at Nanjing (Jiangsu Province) and the Changping complex in the future as an extention to the Imperial Tombs of the Ming and Qing dynasties. BRIEF DESCRIPTIONS The Ming and Qing imperial tombs are natural sites modified by human influence, carefully chosen according to the principles of geomancy (Fengshui) to house numerous buildings of traditional architectural design and decoration. They illustrate the continuity over five centuries of a world view and concept of power specific to feudal China. -
The Ancient Chinese Notes on Hydrogeology
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by RERO DOC Digital Library The ancient Chinese notes on hydrogeology Yu Zhou & François Zwahlen & Yanxin Wang Abstract The ancient Chinese notes on hydrogeology are people had profound insight into, and widespread use of, summarized and interpreted, along with records of some groundwater at a very early stage. The work summarized related matters, like groundwater exploration and utiliza- in this report involved collection and interpretation of the tion, karst springs, water circulation, water conservation available historical information on the ancient Chinese and saline-land transformation, mine drainage, and envi- perspective on hydrogeology and some related matters. It ronmental hydrogeology. The report focuses only on the introduces seven aspects of groundwater utilization and earliest recorded notes, mostly up until the Han Dynasty related issues. While hydrogeologists gather groundwater- (206 BC– AD 25). Besides the references cited, the related background data, ancient literature and books discussion in this report is based mainly on archaeological should be given as much attention as modern ones. material, the preserved written classic literature, and some Although numerous historical documents are available, assumptions and/or conclusions that have been handed very few hydrogeological records were found scattered down in legends to later ages. Although most material among them. It is hard to find them but they are useful for relates to ancient China, the lessons learned may have enriching the data and understanding the hydrogeological practical significance worldwide. Compared to other condition, and some literature contains records of col- contemporary parts of the world, ancient China, without lected data. -
China Goes Global
“Chinese business enterprises are ‘going global,’ greatly expanding the scope of their overseas investment activities in recent years. Wang and Miao insightfully review this key new development in the world economy, drawing upon broad surveys and extensive data to provide a rigorous and broad picture of Chinese business enterprise globalization. These qualities make China Goes Global a book of great practical and theoretical significance.” – Long Yongtu, Chief Negotiator, China’s Entry to WTO, Former Vice Minister, Ministry of Foreign Economic Cooperation and Trade, Chairman of CCG “China Goes Global is an important book. It draws attention to a new reality that many business people have either missed or underestimated in terms of impli- cations: Chinese outward investment in foreign companies recently exceeded that of foreign investment in China! This book empirically examines Chinese foreign investment that exceeds $100 billion annually. It considers the various models followed, provides examples and rankings, and acknowledges the need for Chinese investors to improve their talent acquisition ability. Another trans- formation is underway regarding China’s place in the global economy. This book helps us better understand it.” – Paul W. Beamish, Canada Research Chair in International Business, Ivey Business School, Western University, Canada “Well documented and convincingly presented, this book is a must-read for anyone interested in understanding the transformative phenomenon of China's going out strategies and their policy implications.” – Liu Hong, Chair, School of Humanities and Social Sciences, Nanyang Technological University, Singapore “As China seeks to upgrade its economic growth model by globalizing its business enterprises, we need to examine carefully and sum up the experiences of inter- nationalization success stories that can serve as models to guide Chinese enter- prises trying to go global. -
Historical Romance and Sixteenth-Century Chinese Cultural Fantasies
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2013 Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Yuanfei Wang University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons, and the History Commons Recommended Citation Wang, Yuanfei, "Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies" (2013). Publicly Accessible Penn Dissertations. 938. https://repository.upenn.edu/edissertations/938 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/938 For more information, please contact [email protected]. Genre and Empire: Historical Romance and Sixteenth-Century Chinese Cultural Fantasies Abstract Chinese historical romance blossomed and matured in the sixteenth century when the Ming empire was increasingly vulnerable at its borders and its people increasingly curious about exotic cultures. The project analyzes three types of historical romances, i.e., military romances Romance of Northern Song and Romance of the Yang Family Generals on northern Song's campaigns with the Khitans, magic-travel romance Journey to the West about Tang monk Xuanzang's pilgrimage to India, and a hybrid romance Eunuch Sanbao's Voyages on the Indian Ocean relating to Zheng He's maritime journeys and Japanese piracy. The project focuses on the trope of exogamous desire of foreign princesses and undomestic women to marry Chinese and social elite men, and the trope of cannibalism to discuss how the expansionist and fluid imagined community created by the fiction shared between the narrator and the reader convey sentiments of proto-nationalism, imperialism, and pleasure. -
UNDERSTANDING CHINA a Diplomatic and Cultural Monograph of Fairleigh Dickinson University
UNDERSTANDING CHINA a Diplomatic and Cultural Monograph of Fairleigh Dickinson University by Amanuel Ajawin Ahmed Al-Muharraqi Talah Hamad Alyaqoobi Hamad Alzaabi Molor-Erdene Amarsanaa Baya Bensmail Lorena Gimenez Zina Ibrahem Haig Kuplian Jose Mendoza-Nasser Abdelghani Merabet Alice Mungwa Seddiq Rasuli Fabrizio Trezza Editor Ahmad Kamal Published by: Fairleigh Dickinson University 1000 River Road Teaneck, NJ 07666 USA April 2011 ISBN: 978-1-457-6945-7 The opinions expressed in this book are those of the authors alone, and should not be taken as necessarily reflecting the views of Fairleigh Dickinson University, or of any other institution or entity. © All rights reserved by the authors No part of the material in this book may be reproduced without due attribution to its specific author. THE AUTHORS Amanuel Ajawin is a diplomat from Sudan Ahmed Al-Muharraqi is a graduate student from Bahrain Talah Hamad Alyaqoobi is a diplomat from Oman Hamad Alzaabi a diplomat from the UAE Molor Amarsanaa is a graduate student from Mongolia Baya Bensmail is a graduate student from Algeria Lorena Gimenez is a diplomat from Venezuela Zina Ibrahem is a graduate student from Iraq Ahmad Kamal is a Senior Fellow at the United Nations Haig Kuplian is a graduate student from the United States Jose Mendoza-Nasser is a graduate student from Honduras Abdelghani Merabet is a graduate student from Algeria Alice Mungwa is a graduate student from Cameroon Seddiq Rasuli is a graduate student from Afghanistan Fabrizio Trezza is a graduate student from Italy INDEX OF -
A Brief Evolutionary History of TCM Culture in Hubei— from the Pre
2017 3rd Annual International Conference on Modern Education and Social Science (MESS 2017) ISBN: 978-1-60595-450-9 A Brief Evolutionary History of TCM Culture in Hubei— From the Pre-Qin Period to the Qing Dynasty Ming-An HUANG1,a, He-Rong MAO2,b*, Hui WEN3,c and Chong WEN4,d 1Center for TCM Development and Research, Hubei University of TCM, No. 1, West Huang Jiahu Road, Hongshan District, Wuhan City, Hubei Province, 430065, PRC. 2*Center for Compilation and Translation of TCM Literature, School of Foreign Languages, Hubei University of TCM, No. 1, West Huang Jiahu Road, Hongshan District, Wuhan City, Hubei Province, 430065, PRC. 3Department of Finance/Center for Military Medicine, Academy of Military Economics, No.122, Luo Jiadun, Qiaokou District, Wuhan City, Hubei Province, 430035, PRC. 4Department of TCM Rehabilitation, the Central Hospital of Wuhan, No. 26, Shengli Street, Jiang’an District, Wuhan City, Hubei Province, 430014, PRC. [email protected],[email protected]* [email protected],[email protected] *He-Rong MAO, Center for Compilation and Translation of TCM Literature, School of Foreign Languages, Hubei University of TCM, No. 1, West Huang Jiahu Road, Hongshan District, Wuhan City, Hubei Province, 430065, PRC. Telephone: +86-13986187098, E-mail: [email protected] Keywords: Evolutionary History, TCM Culture, Hubei Abstract: This paper tries to analyze the rules of evolution and development of TCM culture in Hubei in history. By exploring the rich materials from the authentic history books and local annals and interpreting the great medical thoughts of representative TCM masters lived in Hubei, we find that TCM culture has been well inherited and carried forward in Hubei and Hubei enjoys a respected position in the holistic development of TCM culture in China. -
The Difference Between Chinese Myth and Western Myth and Its
Journal of Contemporary Educational Research Research Article The Difference Between Chinese Myth and Western Myth and its Reflections on Culture Wenhao Shi Foreign languages institute of Xihua University, Chengdu 610039, Sichuan Province, China Abstract: Myth is a kind of story from ancient times. peculiar to Scandinavia. Scandinavia has Norway and Both Chinese and western cultures have myths. And Sweden and it is surrounded by Iceland, Denmark and they are quite different in the shaping of the Gods. Finland. The word “Scandinavian” is derived from the Although there are also many similarities between Teutonic “skadino”, meaning “darkness”, plus the suffix them, but we can find out the reason why two different -via representing the territory, the full name means “dark cultures can develop on the same land, and the key is place”. We all know it is a land with high latitudes the differences. The western myths have two big parts and long winter nights. In this harsh environment, called Greek mythology and Nordic mythology, these the late birth of Nordic mythology is entirely two myths have some differences, too. So, I want to reasonable. Different from the Greek mythology full of explore the cultural differences reflected in different Romanticism, what Nordic mythology brings us is the myths. ruthlessness of reality and the cruelty of fate. People Key words: Mythology; Cultural differences; Chinese who lived in the frosty forests couldn’t feel the warmth and Western from the Gods, so they created a world that is not just about love and beauty. Publication date: October, 2020 As Mao Dun said in Nordic Mythology ABC, “Nordic Publication online: 31 October, 2020 mythology is solemn and tragic[1].” Gods in Nordic *Corresponding author: Wenhao Shi, 675587138@ mythology are just like the normal human beings with qq.com power who in charge of the land of God.