The Supranational Messianism of Weixin Shengjiao: Unifying the Two Chinas Thanks to the Celebration of Mythical Ancestors
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The Unity of Yin and Yang: a Philosophical Assessment
The Unity of Yin and Yang: A Philosophical Assessment Thaddeus T'ui-chieh Hang National Chengchi University, Taipei "One yin ^ and one yang d, constitute what is called Tao 51"; "When yin and yang are united in their virtue, the soft and the hard attain their physical shape." These famous statements are drawn from the "Appended Remarks" (Hsi-tz'u Slit?) of the / Ching %M.. Since they were uttered more than two thousand years ago, they became the metaphysical foun- dation for the two great philosophical schools of China, namely, Taoism and Confucianism. For both these schools, yin and yang, two contrasting but mutually compensating components constitute unity in harmony. We shall endeavor to give an historical account of this concept, describe it phenomenologically, and venture a philosophical assessment from cos- mological, anthropological, as well as theological points of view. I. An Historical Account The origin of yin-yang ideas must be sought in very ancient times. In the Book of Poetry (Shih-ching I^M?i<) the words "yin" and "yang" signified the north and south sides of a mountain.1 In the Book of Historical Documents (Shu-ching US?) the two words never appeared together ex- cept in the apocryphal "Chou-kuan" /SJ1T. Even in the Analects of Con- fucius there is no mention of yin-yang. However, the eight trigrams were probably in use at the beginning of the Chou )*] dynasty (late 12th cen- tury B.C.). Since the eight trigrams consist of combinations of broken and 'James Legge, The Chinese Classics: Vol. IV, Book of Poetry (Taipei, 1972), Ode 19, p. -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Ancient Emaki "Genesis" Exploration and Practice of Emaki Art Expression Tong Zhang Digital Media and Design Arts College Beijing University of Posts and Telecommunications Beijing, China 100876 Abstract—The ancient myths and legends with distinctive generation creators such as A Gen, sheep and others, and a Chinese characteristics, refers to myths and legends from dedicated serial picture book magazine "Paint Heart", Chinese Xia Dynasty until ancient times, it carries the origin of "STORY" appears, the delicate picture and vivid story make Chinese culture and it is the foundation of the Chinese nation, it Chinese picture book also developing rapidly and has formed a influence the formation and its characteristics of the national national reading faction craze for outstanding picture books. spirit to a large extent. The study explore and practice the art expression which combines ancient culture with full visual 1) Picture book traced back to ancient Chinese Emaki: impact Emaki form, learn traditional Chinese painting China has experienced a few stages include ancient Emaki, techniques and design elements, and strive to make a perfect illustrated book in Republican period and modern picture performance for the magnificent majestic ancient myth with a books. "Picture book", although the term originated in Japan, long Emaki. It provides a fresh visual experience to the readers and promotes the Chinese traditional culture, with a certain but early traceable picture books is in China. In Heian research value. Kamakura Period Japanese brought Buddhist scriptures (Variable graph), Emaki (Lotus Sutra) and other religious Keywords—ancient myths; Emaki form; Chinese element Scriptures as picture books back to Japan, until the end of Middle Ages Emaki had developed into Nara picture books. -
Social and Political Criticisms Embedded in Chinese Myths and Legends
https://doi.org/10.7592/FEJF2019.75.xiyao SOCIAL AND POLITICAL CRITICISMS EMBEDDED IN CHINESE MYTHS AND LEGENDS HE Xiyao School of English Studies Zhejiang International Studies University Hangzhou, China e-mail: [email protected] Abstract: Chinese myths and legends, as popular cultural products, may be subjected to the analytical methods of cultural studies, which is the approach this study adopts when investigating their complex relationship with Chinese society and history. In particular, the social and political criticisms embedded in these myths and legends are studied, and this is done through exploring the reasons for the prominence of the embedded criticisms in Chinese myths and legends, and sorting out the general trend of their development. The prominence is accounted for by the harsh censorship and the influence of the Chu spirit and Taoism on Chinese culture.1 In the development of these criticisms, four stages are marked, each (cor)responding to the historical circumstances and with its own distinct feature. The study concludes with the historicity of Chinese myths and legends; the criticisms are embedded in them and they, in turn, are embedded in Chinese society and history. Keywords: censorship of culture, Chinese myths and legends, Chu spirit, cultural studies, social and political criticisms, strategies and tactics, Taoism APPROACH ADOPTED IN THIS STUDY Among the various approaches to the study of Chinese mythology – and of mythology in general – an important one that has persisted throughout the last century and has remained influential to this day is to study the complex relationship between mythology and society, i.e., how the two have affected, structured, and shaped each other. -
A Case Study of the Chinese Repository
Durham E-Theses Orientalism and Representations of China in the Early 19th Century: A Case Study of The Chinese Repository JIN, CHENG How to cite: JIN, CHENG (2019) Orientalism and Representations of China in the Early 19th Century: A Case Study of The Chinese Repository, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/13227/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 ORIENTALISM AND REPRESENTATIONS OF CHINA IN THE EARLY 19TH CENTURY: A CASE STUDY OF THE CHINESE REPOSITORY Cheng Jin St. Cuthbert’s Society School of Modern Languages and Cultures Durham University This dissertation is submitted for the degree of Doctor of Philosophy 2019 March 2019 DECLARATION This dissertation is the result of my own work and includes nothing, which is the outcome of work done in collaboration except where specifically indicated in the text. -
The Emergence of Essence-Function (Ti-Yong) 體用 Hermeneutics in the Sinification of Indic Buddhism: an Overview
The Emergence of Essence-Function (ti-yong) 體用 Hermeneutics in the Sinification of Indic Buddhism: An Overview A. Charles Muller (University of Tokyo) 국문요약 본질-작용(體用, Ch. ti-yong, J. tai-yū; 일본에서 불교학 이외의 연구에서 는 tai-yō) 패러다임은 기원전 5세기부터 근대 시기에 이르기까지 중국, 한국, 일본의 종교・철학적 문헌을 해석할 때에 가장 널리 사용된 해석학적 틀로 볼 수 있다. 먼저 중국에서는 유교, 도교, 불교에 적용되는 과정에서 풍부한 발전 을 이루었는데, 특히 인도 불교의 중국화 과정에서 폭넓게 적용되었다. 그리고 종종 理事(li-shi)와 유사한 형태로 화엄, 천태, 선과 같은 중국 토착 불교 학파 불교학리뷰 (Critical Review for Buddhist Studies) 19권 (2016. 6) 111p~152p 112 불교학리뷰 vol.19 들의 철학을 위한 토대를 형성하였다. 나아가 송대 신유학(新儒學)에서 ‘체용’ 의 용례는 특히 잇따라 나타나는 또 다른 유사형태인 理氣(li-qi)의 형식으로 변화하고 확장되었다. 불교와 신유학 모두 한국에 뿌리를 내리면서 한국 학자 들은 신유교와 불교 각각의 종교에 대한 해석뿐 아니라, 둘 사이에 있었던 대 화와 논쟁에도 체용 패러다임을 폭넓게 적용하였다. 본 논문은 동양과 서양 모 두의 불교학에서 거의 완전히 무시되었던 이 지극히 중요한 철학적 패러다임 에 관한 논의를 되살려 보고자 한다. 그리고 이것을 중국 불교 주석문헌들 초 기의 용례, ≷대승기신론≸속에 나타난 그 역할, 더불어 한국 불교, 특히 원효와 지눌의 저작에서 사용된 몇 가지 용례들을 조사함으로써 시도할 것이다. 주제어: 본질-작용(體用), 이사(理事), 이기(理氣), ≷대승기신론≸, 중국불교, 원효, 지눌 The Emergence of Essence-Function (ti-yong) 體用 Hermeneutics in the Sinification of Indic Buddhism … 113 I. Essence-function 體用: Introduction This examination of the place of the essence-function paradigm 體用 (Ch. ti-yong, K. che-yong, J. -
The Social Economic and Environmental Impacts of Trade
Journal of Modern Education Review, ISSN 2155-7993, USA March 2019, Volume 9, No. 3, pp. 161–168 Doi: 10.15341/jmer(2155-7993)/03.09.2019/002 Academic Star Publishing Company, 2019 http://www.academicstar.us Using Social Innovation to Implement Weixin Shengjiao Doctrine in Lifelong Education Li-Yueh Chen, Chen-Mei Li (Weixin Shengjiao College, Taiwan) Abstract: In the past decade, the concept of social innovation has been constantly looked at and examined by scholars, for-profit organizations, non-profit organizations as well as the government, and has been widely explored and applied. Taiwan is facing the problem of an aging population and low birth rate. It is therefore of the essence to be able to maintain harmony and stability in society. This study conducts individual case studies to explore how the new religious group, Weixin Shengjiao applies the concept of social innovation to implement its doctrine through lifelong education, and to help the government create a harmonious society. The research found that the central tenet of the Weixin Shengjiao is the fusion of I Ching and Feng Shui, with the thoughts of Confucianism, Taoism and Buddhism in Chinese culture, to pass on and further promote Chinese culture in modern society. In 1994, the founder of Weixin Shengjiao, Grand Master Hun Yuan, created a lifelong education platform known as I Ching University. The university has three major foci, which implements the core essences of the Weixin Shengjiao of moral, life, environmental, filial piety and cultural education. Based on the local humanistic, social and economic features, I Ching University uses practical, current, realistic innovations for widespread distribution, in order to nurture talents and create a harmonious society. -
THE. COLORADO MAGAZINE Published Quarterly by the State Historical Society of Colorado
THE. COLORADO MAGAZINE Published Quarterly by The State Historical Society of Colorado Vol. XXXVII Denver, Colorado, October, 1960 Number 4 The Pioneer Men and Women of Colorado Celebrate Their Centennial* "Homage to them we gladly pay The Pioneers of Yesterday." -Motto of Pioneers One hundred years ago, on January 15, 1860, The Ladies Union Aid Society was organized in Denver City, Kansas Ter ritory. It became the nucleus of what is today The Pioneer Men ana Women of Colorado. The first membership roll of the society carried only twelve names, with Mrs. William N. Byers, President; Mrs. F. A. Farwell, First Vice President; Mrs. T. C. Miles, Record ing Secretary; and Miss Fannie C. Miles, Treasurer. This group aimed to aid the sick and the unfortunate families in the new community. There was no organized charity. Hence, The Ladies Union Aid Society provided food, shelter, medicines, and often money to the needy. Another purpose of the society was to implant in this new country the patriotic, educational, religious, cultural, and social life which its members had known in their former homes. Twice a month these civic-minded women held afternoon meetings. Social gatherings, literary societies, spelling bees, concerts and dances, and home talent plays were given in the evening. Sunday School was conducted on Sunday. When the members of the Aid Society found that there was no flag available in Denver City to put up for the Fourth of July celebration in 1860, they searched their trunks for the right colored goods and all joined in sewing a flag. By 1864 various religious sects began to organize churches and aid societies in Denver, but the pioneer women's organiza tion continued to function, with the exception of conducting Sunday School. -
Politics, Classicism, and Medicine During the Eighteenth Century 十八世紀在德川日本 "頌華者" 和 "貶華者" 的 問題 – 以中醫及漢方為主
East Asian Science, Technology and Society: an International Journal DOI 10.1007/s12280-008-9042-9 Sinophiles and Sinophobes in Tokugawa Japan: Politics, Classicism, and Medicine During the Eighteenth Century 十八世紀在德川日本 "頌華者" 和 "貶華者" 的 問題 – 以中醫及漢方為主 Benjamin A. Elman Received: 12 May 2008 /Accepted: 12 May 2008 # National Science Council, Taiwan 2008 Abstract This article first reviews the political, economic, and cultural context within which Japanese during the Tokugawa era (1600–1866) mastered Kanbun 漢 文 as their elite lingua franca. Sino-Japanese cultural exchanges were based on prestigious classical Chinese texts imported from Ming (1368–1644) and Qing (1644–1911) China via the controlled Ningbo-Nagasaki trade and Kanbun texts sent in the other direction, from Japan back to China. The role of Japanese Kanbun teachers in presenting language textbooks for instruction and the larger Japanese adaptation of Chinese studies in the eighteenth century is then contextualized within a new, socio-cultural framework to understand the local, regional, and urban role of the Confucian teacher–scholar in a rapidly changing Tokugawa society. The concluding part of the article is based on new research using rare Kanbun medical materials in the Fujikawa Bunko 富士川文庫 at Kyoto University, which show how some increasingly iconoclastic Japanese scholar–physicians (known as the Goiha 古醫派) appropriated the late Ming and early Qing revival of interest in ancient This article is dedicated to Nathan Sivin for his contributions to the History of Science and Medicine in China. Unfortunately, I was unable to present it at the Johns Hopkins University sessions in July 2008 honoring Professor Sivin or include it in the forthcoming Asia Major festschrift in his honor. -
The Concept of Cheng and Confucian Religiosity
THE CONCEPT OF CHENG AND CONFUCIAN RELIGIOSITY Wenyu Xie Abstract: To conceptualize Confucian religiosity is to reveal the ultimate concern contained in the Confucian concept of life. Conceptually, ultimate concern connotes an understanding of the foundation of life, the ultimate goal of life, and the way to it. Based on this perspective, this paper attempts to analyze existentially the concept of cheng (诚), the central concept of the Zhongyong. I will endeavor to demonstrate that cheng expresses a religious feeling that sustains Confucianism. Conceptually, cheng is a disposition of feeling in which one is able to see the Tian- endowed nature, free from internal and external influences. Since the Tian- endowed nature is the foundation of human existence, it is the primary sustaining force for human beings. To be in touch with this force and follow its drive are then the ultimate concern for Confucians. In the Zhongyong, we can read a systematical effort to reveal the fundamental disposition of human existence in terms of cheng, from which a Confucian’s religiosity is nurtured. THIS ESSAY considers a Confucian religiosity framed by the Zhongyong, one of four most significant Confucian books.1 Traditionally this book has been the focus of much interest and scholarship in the past.2 However, the fundamental concept in the Zhongyong, cheng (诚),3 though it has been exerting a tremendous influence on Confucian personality, seems not very attracted to current discussions of Confucian religiousness. 4 Although the increasing interest in Confucian religiousness is an 1Zhu Xi (朱熹 ), a most influent Confucian in Song Dynasty (12th century), selected four books as the frameworks of Confucianism. -
The Doctrines and Dogma of Weixin Shengjiao the New Religion of the World Taiwan Weixin Shengjiao
Chapter 3 The doctrines and dogma of Weixin Shengjiao The New Religion of the World Taiwan Weixin Shengjiao The sect is established by heaven and earth. The principles were established by the sages. Weixin Shengjiao learns the laws of Heaven and Earth and practices them. Ancestor Fuxi Shi Lady of the Nine Heavens) Three Chinese ancestors Chiyou Emperor Yellow Emperor Yan Emperor Gui Gu Immortal Master Wan Chan Lao Chu Grand Master Hun Yuan Eternities - 32 - Chapter 3 The doctrines and dogma of Weixin Shengjiao Ancestor Fuxi Shi makes his first draw as Heaven; second as Earth. Wuji is considered as the Primordial (earlier heaven eight guas), so it is emptiness. Then Jiutian Xuannu inherited the knowledge. Tai chi is the Manifested (later heaven eight guas). Two polarities give rise to four phenomena. Then the knowledge of Bagua was passed to Three Chinese Ancestors Yellow Emperor and Yan Emperor. The Original Bagua is the knowledge of Feng Shui, describing mountains and rivers or practicing divination. Chiyou Emperor created the Later Heaven Nine Places and Eight Guas It is three Yuan Nine Yuan . Then the successor of Sage Gui Gu Immortal Master Wan Chan Lao Chu followed. Wang Chan Lao Chu and Grand Master Hun Yuan united and passed the knowledge to modern time. That is the reason why it is difficult for people to see the mystery of I Ching Feng Shui, and now it appeared after so many disasters. Weixin Shengjiao honors Wang Chan Lao Chu and considered him as the leader of Tian-jie (the ecclesial world) while Grand Master Hun Yuan is a master in mankind’s world. -
The Taoist Religion
Digitized by the Internet Archive in 2011 with funding from University of Toronto http://www.archive.org/details/taoistreligionOOpark : ,The Taoist Religion BY E. H. PARKER {Professor of Chinese at the Owens College). I REPRINTED FROM THE "DUBLIN REVIEW. PRICE Is. 6d. / Xonfcon LUZAC & CO., OREIGN AND ORIENTAL PUBLISHERS, ETC., 46 GREAT RUSSELL STREET, W. {Opposite the British Museum.) : The Taoist Religion i E. H.^ PARKER (Professor of Chinese at the Owens College). REPRINTED FROM THE "DUBLIN REVIEW." PRICE Is. 6<L Xonfcon LUZAC & CO., FOREIGN AND ORIENTAL PUBLISHERS, ETC., 46 GREAT RUSSELL STREET, W. (Opposite the British Museum.) 1925 ?37 59B278 8 a .54 THE TAOIST RELIGION, little is a significant fact that, whilst comparatively so IT has yet been done in the fields of Chinese etymology and history, where an ample supply of exact knowledge is at hand, almost every foreigner who has either seriously studied or superficially toyed with Chinese philosophical literature, where everything is so vague, considers himself at liberty to expatiate upon Taoism, although Confucius himself frankly declared it to be rather beyond his compre- hension, even when explained by the Taoist prophet him- self. Personally I have, for better or for worse, succeeded in surviving the nineteenth century without falling a victim if, thirty-five years to the fashionable cacoethes ; and after of dalliance with Chinese books, I at last yield to the tempter, I may at least be permitted to plead in palliation that I only commit in my approaching dotage that rash act which others have perpetrated in the heyday of their youth and fame. -
Imperial Tombs of the Ming and Qing Dynasties
WHC Nomination Documentation File Name: 1004.pdf UNESCO Region: ASIA AND THE PACIFIC __________________________________________________________________________________________________ SITE NAME: Imperial Tombs of the Ming and Qing Dynasties DA TE OF INSCRIPTION: 2nd December 2000 STATE PARTY: CHINA CRITERIA: C (i) (ii) (iii) (iv) (vi) DECISION OF THE WORLD HERITAGE COMMITTEE: Criterion (i):The harmonious integration of remarkable architectural groups in a natural environment chosen to meet the criteria of geomancy (Fengshui) makes the Ming and Qing Imperial Tombs masterpieces of human creative genius. Criteria (ii), (iii) and (iv):The imperial mausolea are outstanding testimony to a cultural and architectural tradition that for over five hundred years dominated this part of the world; by reason of their integration into the natural environment, they make up a unique ensemble of cultural landscapes. Criterion (vi):The Ming and Qing Tombs are dazzling illustrations of the beliefs, world view, and geomantic theories of Fengshui prevalent in feudal China. They have served as burial edifices for illustrious personages and as the theatre for major events that have marked the history of China. The Committee took note, with appreciation, of the State Party's intention to nominate the Mingshaoling Mausoleum at Nanjing (Jiangsu Province) and the Changping complex in the future as an extention to the Imperial Tombs of the Ming and Qing dynasties. BRIEF DESCRIPTIONS The Ming and Qing imperial tombs are natural sites modified by human influence, carefully chosen according to the principles of geomancy (Fengshui) to house numerous buildings of traditional architectural design and decoration. They illustrate the continuity over five centuries of a world view and concept of power specific to feudal China.