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Matthias Theodor Vogt, Ulf Großmann (Text) Unter Mitwirkung Von Andreas Herrmann (Materialien)
i Matthias Theodor Vogt, Ulf Großmann (Text) unter Mitwirkung von Andreas Herrmann (Materialien) Szenarien-Entwicklung in der Haushaltsplanung der Stadt Pforzheim für das Südwestdeutsche Kammerorchester Pforzheim (SWDKO) Edition kulturelle Infrastruktur ii Edition kulturelle Infrastruktur Inhaltsverzeichnis 0. VERZEICHNIS der im Anhang abgedruckten Dokumente zum Südwestdeutschen Kammerorchester Pforzheim......................................................................... iii 1. ANALYSE .....................................................................................................1 1.1. Haushaltslage........................................................................................1 1.2. Namensgebung......................................................................................3 1.3. Künstlerische Stellung ............................................................................7 1.4. Wirtschaftlichkeit ...................................................................................9 1.5. Das Format Kammerorchester ............................................................... 14 1.6. Ausland .............................................................................................. 15 2. U LTRA VIRES............................................................................................. 17 2.1 Rechtsk onformität................................................................................ 17 2.2 Rechtslage ......................................................................................... -
Une Minorité Invisible ? the Sorbs, an Invisible Minority?
Belgeo Revue belge de géographie 3 | 2013 Les minorités nationales et ethniques : entre renouvellement et permanence Les Sorabes : une minorité invisible ? The Sorbs, an invisible minority? Hélène Yèche Édition électronique URL : http://journals.openedition.org/belgeo/11570 DOI : 10.4000/belgeo.11570 ISSN : 2294-9135 Éditeur : National Committee of Geography of Belgium, Société Royale Belge de Géographie Édition imprimée Date de publication : 30 décembre 2013 ISSN : 1377-2368 Référence électronique Hélène Yèche, « Les Sorabes : une minorité invisible ? », Belgeo [En ligne], 3 | 2013, mis en ligne le 24 mai 2014, consulté le 22 mai 2020. URL : http://journals.openedition.org/belgeo/11570 ; DOI : https:// doi.org/10.4000/belgeo.11570 Ce document a été généré automatiquement le 22 mai 2020. Belgeo est mis à disposition selon les termes de la licence Creative Commons Attribution 4.0 International. Les Sorabes : une minorité invisible ? 1 Les Sorabes : une minorité invisible ? The Sorbs, an invisible minority? Hélène Yèche 1 Longtemps caution démocratique de l’État-SED, les Sorabes de Lusace – minorité linguistique et culturelle slave au sein de l’espace germanophone dont les origines remontent au VIe siècle – ont conservé dans l’Allemagne unifiée un statut à part, protégé par la Loi fondamentale. La politique culturelle conduite dans cette région du nord-est de l’Allemagne depuis la fin de la Seconde Guerre mondiale par le gouvernement de la RDA et poursuivie après le tournant de 1989-1990 par la nouvelle République fédérale offre un exemple -
Fifth Report of the Federal Republic of Germany
+BMI Fifth Report of the Federal Republic of Germany in accordance with Article 15 (1) of the European Charter for Regional or Minority Languages 2013 2 3 Table of content A. INTRODUCTION .....................................................................................................................................8 B. UPDATED GEOGRAPHIC AND DEMOGRAPHIC INFORMATION ..............................................9 C. GENERAL TRENDS.............................................................................................................................10 I. DIVISION OF COMPETENCES BETWEEN THE FEDERAL AND STATE LEVELS .............................................10 II. COOPERATION ACROSS STATES ..............................................................................................................11 III. CHANGED FRAMEWORK CONDITIONS ......................................................................................................11 IV. BROCHURE OF THE FEDERAL MINISTRY OF THE INTERIOR .....................................................................12 V. SINTI MUSIC FESTIVAL ..............................................................................................................................12 VI. LANGUAGE CONFERENCE ........................................................................................................................13 VII. LANGUAGE CONTEST ...............................................................................................................................13 VIII. EUROPEADA .............................................................................................................................................13 -
What Is Cultural Policy?
Matthias Theodor Vogt Prof. Dr. phil. Dr. habil. Klingewalde 40 D-02828 Görlitz Tel. +49/3581/42094.21 Fax 28 Mail: [email protected] Görlitz, March 2010 What is Cultural Policy? 1. A budget orientated approach·················································································· 2 2. Federation level, Länder level, Community level, Multicommunity level, Churches ·········· 5 3. The international union of states off the track? ·························································· 7 4. Radio and TV stations as ‘media and factors’ of culture ··············································· 9 4.1. Supply orientation versus demand orientation?·················································10 4.2. Reports medium versus a proper medium of art ···············································12 4.3. TV as a manifestation of mentality ··································································13 5. The shaping of frameworks for the arts through the elaborating of legal norms············13 6. Culture as an economic phenomenon·······································································14 7. Civil society··········································································································19 8. The humanities ·····································································································21 8.1. What are the humanities? ··············································································22 8.2. The humanities in the German system of higher education·································25 -
Vocality and Listening in Three Operas by Luciano Berio
Clare Brady Royal Holloway, University of London The Open Voice: Vocality and Listening in three operas by Luciano Berio Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Music February 2017 The Open Voice | 1 Declaration of Authorship I, Patricia Mary Clare Brady, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: February 1st 2017 The Open Voice | 2 Abstract The human voice has undergone a seismic reappraisal in recent years, within musicology, and across disciplinary boundaries in the humanities, arts and sciences; ‘voice studies’ offers a vast and proliferating array of seemingly divergent accounts of the voice and its capacities, qualities and functions, in short, of what the voice is. In this thesis, I propose a model of the ‘open voice’, after the aesthetic theories of Umberto Eco’s seminal book ‘The Open Work’ of 1962, as a conceptual framework in which to make an account of the voice’s inherent multivalency and resistance to a singular reductive definition, and to propose the voice as a site of encounter and meaning construction between vocalist and receiver. Taking the concept of the ‘open voice’ as a starting point, I examine how the human voice is staged in three vocal works by composer Luciano Berio, and how the voice is diffracted through the musical structures of these works to display a multitude of different, and at times paradoxical forms and functions. In Passaggio (1963) I trace how the open voice invokes the hegemonic voice of a civic or political mass in counterpoint with the particularity and frailty of a sounding individual human body. -
Empfehlungen Zur Stärkung Der Sorbischen Minderheit Durch Schaffung Eines Abgestimmten Selbstverwaltungs-, Kooperations-, Projekt- Und Institutionenclusters
EJM 5 (2012) 4: 211–429 Europäisches © Verlag Österreich 2012 Journal für Minderheitenfragen Empfehlungen zur Stärkung der sorbischen Minderheit durch Schaffung eines abgestimmten Selbstverwaltungs-, Kooperations-, Projekt- und Institutionenclusters Matthias Theodor Vogt unter Mitwirkung von Vladimir Kreck und den Fellows des Collegium PONTES Görlitz-Zgorzelec-Zhořelec Absctract These “Recommendations to Enforce the Sorbian Minority by Crea- ting a Coherent Cluster of Co-operation, Projects and Institutions” are the fi rst example in the history of European Minorities of an in-depth analysis of state and local allocations, both on the cultural economy and the cultural policy levels, comprising a critical evaluation and a structured recommendation for the future. The study has been commissioned by representatives of the Sorbian people together with the Federal Republic of Germany, the Land Brandenburg and the Free State of Saxony via the Foundation for the Sorbian People at Bautzen. It has been elaborated 2008–2010 by the Institut für kulturelle Infrastruktur Sachsen in the framework of the Collegium PONTES Görlitz-Zgorzelec-Zhořelec, the Ger- man-Polish-Czech Institute of Advanced Studies of the Upper Lusatia. Under the guidance of the institute’s director Matthias Theodor Vogt nearly hundred experts on minority issues from a dozen countries have been working on the issues. It took some time (and sharp adverse wind from several German institutions, up to now benefi ciaries of Sorbian allocations), till the recommendations truly arrived in the midst of the Sorbian people which is the case now at the end of 2012. The European Journal of Minority Issues, feasting its fi rst fi ve years accom- plished, publishes the entire study, with the help of the Zittau/Görlitz University, to mark the methodological progress within our academic fi eld. -
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Hg. v. Olaf Zimmermann und Theo Geißler Die Kirchen, die unbekannte kulturpolitische Macht Redaktion: Gabriele Schulz Die Kirchen, die unbekannte kulturpolitische Macht. Hg. v. Olaf Zimmermann und Theo Geißler. Redaktion: Gabriele Schulz Nachdruck von Beiträgen aus politik und kultur, der Zeitung des Deutschen Kulturrates Gefördert aus Mitteln des Beauftragten der Bundesregierung für Kultur und Medien Bibliographische Information Der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliogra- phie; detaillierte bibliographische Daten sind im Internet über http://dnb.ddb.de abrufbar. 1. Aufl age Berlin November 2007 Deutscher Kulturrat e.V. Chausseestraße 103 10115 Berlin Tel. 030/24 72 80 14 Fax: 030/24 72 12 45 Email: [email protected] Internet: http://www.kulturrat.de ISBN: 978-3-934868-14-4 ISSN: 1865-2689 Inhaltsverzeichnis Inhaltsverzeichnis Seite Olaf Zimmermann: Vorwort . 5 Gabriele Schulz: Einführung . 7 Kirche und Kultur Karl Lehmann: Kirche und Kultur – Kirche als Kultur . 12 Wolfgang Huber: Zukunftskongress „Kirche der Freiheit“ . 15 Johannes Friedrich: Kultur ist der Spielraum der Freiheit – Zum Verhältnis von Kultur und Christentum aus evangelischer Perspektive . 17 Heinrich Mussinghoff: Ohne zweckfreies Tun verkümmert der Mensch Der Beitrag der katholischen Kirche zum kulturellen Leben in Deutschland . 19 Max Fuchs: Der Glaube, die Vernunft und die Leitkultur – Ein Blick auf die Regensburger Rede von Papst Benedikt XVI. .20 Armin Conrad: Selbstsäkularisation und Benedikt-Effekt – Über einen stetigen Klimawechsel in unserer Gesellschaft . 25 Katrin Göring-Eckardt: Es kann keinen kulturellen Rabatt geben – Von der Unabdingbarkeit eines konstruktiven Dialogs der Kulturen . 28 Thomas Sternberg: Die Kirchen als kulturpolitische Akteure. Zum Beitrag eines Vertreters der Kirchen in der Enquete-Kommission „Kultur in Deutschland“ . -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations. -
Zur Person Berufliche Tätigkeiten
Matthias Theodor Vogt Klingewalde 40 Prof. Dr. phil. Dr. habil. Prof. h.c. D-02828 Görlitz www.kultur.org [email protected] Zur Person Tel.: +49/3581/42094.22 (01/2016) Fax: +49/3581/42094.28 GEBOREN am 5. Mai 1959 in Rom, römisch-katholisch, verheiratet, drei Kinder. Aufgewachsen in und bei Freiburg/Breisgau, 1979 humanistisches Abitur. Studium der Theaterwissenschaften, Philosophie, Germanistik und Musikwissenschaften an den Universitäten München LMU, Paris III, Aix-en-Provence, Berlin TU. 1983 Magister Artium (bei Klaus Lazarowicz und Susanne Vill, Ludwig-Maximilians-Universität München), 1988 Promotion zum Dr. phil. (bei Carl Dahlhaus, Technische Universität Berlin), 2008 Promotion zum Dr. habil. (am Institut für Baukunst der Mihály-Pollack-Fakultät, Universität Pécs / Fünfkirchen). 2012 Promotion zum Professor honoris causae der Universität Pécs / Fünfkirchen. 2014 Offizierskreuz des Verdienstordens der Republik Polen Regelmäßige Vortragstätigkeit auf deutsch, englisch, französisch und italienisch in zahlreichen Ländern seit 1983. Kontinuierliche Forschungstätigkeit seit 1990. Forschungsgebiete: Kulturgeschichte Europas, insbesondere kulturelle Transformationsprozesse; Kulturpolitikwissenschaften; Minderheitenfragen, Interkulturalität Zeitgenössisches Musiktheater. Kontinuierliche Lehrtätigkeit seit 1994. Rund 200 Bücher und Aufsätze als Autor, Herausgeber und Mitherausgeber. Zwei Schriftenreihen im Verlag Peter Lang Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Oxford, Wien. Mitherausgeber u.a. Europäisches Journal für Minderheitenfragen -
MINLANG17 Germany 5Th Eval Report for Plenary
Strasbourg, 28 May 2014 ECRML (2014) 6 EUROPEAN CHARTER FOR REGIONAL OR MINORITY LANGUAGES APPLICATION OF THE CHARTER IN GERMANY 5th monitoring cycle A. Report of the Committee of Experts on the Charter B. Recommendation of the Committee of Ministers of the Council of Europe on the application of the Charter by Germany 1 The European Charter for Regional or Minority Languages provides for a control mechanism to evaluate how the Charter is applied in a State Party with a view to, where necessary, making recommendations for improving its legislation, policy and practices. The central element of this procedure is the Committee of Experts, set up under Article 17 of the Charter. Its principal purpose is to report to the Committee of Ministers on its evaluation of compliance by a Party with its undertakings, to examine the real situation of regional or minority languages in the State and, where appropriate, to encourage the Party to gradually reach a higher level of commitment. To facilitate this task, the Committee of Ministers adopted, in accordance with Article 15, paragraph 1, an outline for periodical reports that a Party is required to submit to the Secretary General. The report should be made public by the State. This outline requires the State to give an account of the concrete application of the Charter, the general policy for the languages protected under Part II and, in more precise terms, all measures that have been taken in application of the provisions chosen for each language protected under Part III of the Charter. The Committee of Experts’ first task is therefore to examine the information contained in the periodical report for all the relevant regional or minority languages on the territory of the State concerned. -
WCCI 17Th World Conference Speakers
About the Speakers Federico Mayor Zaragoza was born in Barcelona in 1934. He holds a Ph.D. in Pharmacy from the Universidad Complutense de Madrid (1958). In 1963, he became a Professor of Biochemistry at the Facultad de Farmacia of the Universidad de Granada. In 1968, he became Rector of that institution, a job he held until 1972. The following year, he was named Professor in his specialty at the Universidad Autónoma de Madrid. In these years it started up the National Plan of Prevention of Mental Handicap, to avoid, by means of F. M. Zaragoza precocious diagnosis, diseases that can evolve with serious mental deterioration. During his 12 years as head of UNESCO (1987–1999) Federico Mayor Zaragoza gave new life to the organization's mission to "build a bastion of peace in the minds of all people", putting the institution at the service of peace, tolerance, human rights and peaceful coexistence, working within the scope of its powers and remaining faithful to its original goals. Under Mayor's guidance, UNESCO created the Culture of Peace Programme, whose objectives revolve around four main themes: education for peace; human rights and democracy; the fight against isolation and poverty; the defense of cultural diversity and intercultural dialogue; and conflict prevention and the consolidation of peace. On 10 November 1998, the UN General Assembly declared the years 2001–2010, International Decade for the Promotion of a Culture of Peace and Non-Violence for the Children of the World and, on 13 September 1999, it adopted the Declaration and Programme of Action on a Culture of Peace, which embodies Mayor's greatest aspirations from both a conceptual and practical standpoint. -
Comparing Minority Languages – a Case Study of Flemish Sign Language and Upper Sorbian1
EJM 3- 4 2017 Europäisches Journal für Minderheitenfragen Comparing Minority Languages – a Case Study of Flemish Sign Language and Upper Sorbian1 Maartje De Meulder, Eduard Werner and Danny De Weerdt Abstract This paper compares some sociolinguistic aspects of Flemish Sign Lan- guage (the language signed in Flanders, the northern part of Belgium) and Upper Sorbian (a West Slavonic language spoken in the east of Germany). For both languages, the following aspects are discussed: establishing the number of sign- ers/speakers; policies which lead to a situation of unstable diglossia; the domain in which both languages are being used; disrupted transmission patterns; (ab- sence of) written tradition; (absence of) formal standard; language rights and the grounds on which these rights are granted; and attitudes towards the languages and their speakers/signers. To end with, the future vitality of VGT and USo is discussed. ###Keywords are missing### Maartje De Meulder (University of Namur, [email protected], Prof. Dr. Eduard Werner Danny De Weerdt, University of Jyväskylä, danny.deweerdt@jyu.fi . 1 We would like to thank Prof. Dr. Matthias Theodor Vogt, Dr. Arnfi nn Muruvik Vonen and Dr. Patrick McCafferty for their generous and valuable comments on earlier drafts of this article. © BWV • BERLINER WISSENSCHAFTS-VERLAG GmbH This material is under copyright. Any use outside of the narrow boundaries of copyright law is illegal and may be prosecuted. This applies in particular to copies, translations, microfilming as well as storage and processing in electronic systems. Berlin 2017 286 Maartje De Meulder, Eduard Werner and Danny De Weerdt 1. Introduction This paper compares some sociolinguistic aspects of minority languages, taking as an example Flemish Sign Language (Vlaamse Gebarentaal, VGT) and Upper Sorbian (hornjoserbšćina, USo).