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Boston Symphony Orchestra Concert Programs, Season 14, 1894-1895, Subscription

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PRoGRHftttE *'• »"^ •"• tt O /?• 38eet!)otoen SHagnet 3Sacj)- — {>anTiel— -})agHn ci O JO aiffiSilAN ss Is Acknowledged by the World's Best Musicians to be one of the Greatest Musical Inventions Of Modern Times. "S The Idea Orchestral Properties. Conceived in inventing the JEOLIAN From the nature of its construction was to make an instrument that and the means employed to sound would render all classes of music the notes, the music for the iEOLIAN equally well and without the drudg- need not be confined to the simple ery of practice and of tedious study piano or organ arrangements, but is on the part of the performer. adapted from the full orchestral scores; thus the harmony may be Essential Feature. doubled, the melody embellished St An with flute and horn obligatos, and It was fully recognized, however, aided by the different stops control- that no instrument would appeal to ling various instrumental effects the the cultivated music lover that did /EOLIAN music possesses a charm not present facilities for individual only equalled by the concerted efforts playing. This important feature has of a number of performers. been successfully accomplished. An Educator. Repertoire Unlimited. As the artistic sense is refined by Upon the iEOLIAN any music ever the study of choice paintings, the lit- written can be played (the performer erary sense improved by the reading imparting all the delicate changes of of good books, so the musical instinct tempo and tone color) by a person of may be developed by hearing fre- no musical education, and without quently the works of the great com- instruction, after a few days' prac- posers. tice. ^ Famous Musicians, Other Characteristics. Such as Seidl, Arditi, Gilmore, De The iEOLIAN resembles an upright Pachmann, Guilmant, Sarasate, piano in appearance, an orchestra in Soma, and more than 100 leading o tone, and has an independent key- pianists, organists, operatic singers, board. The piano has been called the music instructors, conductors of epitome of the orchestra; the orchestras, and music critics endorse ^EOLIAN is the orchestra itself, in the ^EOLIAN as an artistic and im- miniature. portant instrument. Already more than 3,000 ^EvOLIANS have been sold in different parts of the world to the most representative people, including Royal Families, Statesmen, Diplomats, Lawyers, Editors, Bankers, Physi- /a cians, Clergymen, Merchants, Musicians, etc., and the universal ver- "re dict is — complete satisfaction. It is a pleasure for us to display the 2&OI,IAN, for we wish every one to become familiar with the merits of this wonderful instrument. Descriptive catalogue mailed on application. si s Agents. ® Sole 146 Boylston St., Boston, Mass. (0ounoti -gttbet- Cfcoptn &ttUtoan jflagcagnt DOStOfl Music Hall, Boston Symphony Iff FOURTEENTH SEASON, ii» 1 894-95. Orchestra EMIL PAUR, Conductor. PROGRAMME OF THE SIXTH REHEARSAL AND CONCERT WITH HISTORICAL AND DESCRIPTIVE NOTES BY WILLIAM F. APTHORP. Friday Afternoon, November 23, At 2.30 o'clock. Saturday Evening, November 24, At 8 o'clock. PUBLISHED BY C. A. ELLIS, MANAGER. (201) A Remarkable Piano. The Mason & Hamlin Piano is constructed in one particular dif- ferently from any other : the strings are held by screws, not by pins. As a result, the Mason & Hamlin Piano does not require one-quarter as much tuning as any other piano made. This fact has been demonstrated by actual test, and verified by mechanics, tuners, and private individuals. Piano tuning costs money. It costs only one-fourth as much to keep a Mason & Hamlin Piano in tune as it does to keep any other in tune. Consequently the expense of keeping a Mason & Hamlin Piano is reduced to one-fourth that of any other. Catalogue and full particulars mailed on application. Mmmic^xaim BOSTON. NEW YORK. CHICAGO. KANSAS CITY. L. P. HOLLANDER & CO. NEW DEPARTMENT. Ladies' Fur Garments, CONSISTING OF ALASKA SEAL COATS AND CAPES, MOIRE ASTRACHAN COATS AND CAPES, PERSIANA COATS AND CAPES. NECK SCARFS of Sable and all other Fashionable Furs. Also, FUR-LINED and FUR-TRIMMED GARMENTS of every description. FUR GARMENTS MADE OVER and REPAIRED. This department is under the most competent management, and the PRICES, WE GUARANTEE, ARE AS LOW AS CAN BE FOUND IN THE CITY. EVENING WRAPS . Made up and to order at very reasonable prices. (202) • Sixth Rehearsal and Concert, Friday Afternoon, November 23, at 2.30 Saturday Evening, November 24, at 8.00 PROGRAMME. " " Karl Goldmark ______ Overture to Sappho (First time at these concerts.) " Karl Maria von Weber Recitative and Aria, Ocean ! thou mighty mon- " ster," from " Oberon Joachim Raff - Symphony No. 3, in F major, "In the Woods," Op. 153 PART I. IN THE DAYTIME. Impressions and Sensations : Allegro (P major) - 3-4 PART II. AT TWILIGHT. (a) Revery : Largo (A-flat major) ----- 2-4 (b) Dance of Dryads : Allegro assai (D minor) - 3-4 Poco meno mosso (A major) 3-4 PART III. AT NIGHT. Silent rustling of the woods at night. Entrance and exit of the Wild Hunt with Frau Holle (Hulda) and Wotan. Daybreak : Allegro (F major) - 4-4 <4 George Frideric Handel Air, sleep, why dost thou leave me ? " from "Semele" " Franz Liszt - Symphonic Poem No. 3, " Les Preludes Soloist, Mrs. ELENE B. EATON. (203) MANUFACTURERS OF GRAND, SQUARE, AND UPRIGHT PIANOS EUGEN D'ALBERT: From fullest conviction, I declare them to be the best In- struments of America. ........ DR. HANS VON BULOW: Their sound and touch are more sympathetic to my ears and hands than all others of the country. I declare them the absolutely best in America. ....... ALFRED GRUNFELD: I consider them the best instruments of our times. P. TSCHAIKOVSKY:' Combines with great volume of tone rare sympathetic and noble tone color and perfect action. —WAREROOMS BALTIMORE, WASHINGTON, 22 and 24 E. Baltimore Street. 817 Pennsylvania Avenue. NEW YORK, 148 Fifth Avenue. OLIVER DITSON COMPANY, Sole Ag'ts, 453-463 Washington St., Boston. E. W. TYLER, Manager. (204) " Karl Goldmark was born at Keszthely, in Hungary, on May 18, 1832, and is still living in Vienna. His first instruction on the violin was at the Musikverein in Oedenburg (1843) \ ^ en he studied in Vienna under Jansa, and for a short time under Bohm at the Conservatorium (1847-48). He was, however, for the most part self-taught, especially in composition. In 1853, while living in Buda-Pesth, he devoted much time to studying the scores of Bach, Beethoven, and Schumann by himself. At first he made quite a notable reputation as a violinist ; but, excepting a suite for piano- forte and violin, which he used to play a good deal on concert tours, his compositions were but little noticed until the production of his overture to Sakuntala by the Vienna Philharmonic Society in 1865. This composition soon made the rounds of the musical world, and made him a wide-spread reputation. In 1875 his opera, die Konigin vo?i Saba, set the seal upon his fame ; and he has ever since been regarded as the foremost dramatic com- poser in Germany and Austria. Goldmark is an industrious, but exceedingly careful and self-criticising composer, and has produced comparatively few works. His style is so far individual that it is almost always easily recognizable ; it has traits that remind one at times of Schumann, while it also often suggests the modern French school. Goldmark's richness and gorgeousness of orchestral color- ing have long been famous ; he inclines toward very full scoring,— indeed, " Wagner's first remark, on hearing an act of the Konigin von Saba, was : It is curious to me how heavily these young fellows score nowadays ! " Overture to Sappho," in G-flat major, Op. 44 . Karl Goldmark. This, Goldmark's latest orchestral work, begins with an introduction, Moderato assai, alia breve, in G-flat major (2-2 time). The first twenty- ATonic FOR BRAIN-WORKERS, THE WEAK AND DEBILITATED. Horsford's Acid Phosphate Is, without exception, the Best Remedy for relieving Mental ano> Nervous Exhaustion ; and, where the system has become debilitated by disease, it acts as a general tonic and vitalizer, affording sustenance to both ">rain and body. Dr. E. Cornell Easten, Philadelphia, Pa., says, " I have met with the greatest and most satisfactory results in dyspepsia and general derangement of the cerebral and nervous systems, causing debility and exhaustion." Descriptive pamphlet free. Rumford Chemical "Works Providence, R.I. Beware of Substitutes and Imitations. f205) In our . DRESSMAKING DEPARTMENT We are exhibiting a beautiful line of NOVELTIES : : : in : : : Silk and Woollen Fabrics, Laces, etc. Which are not shown elsewhere. RECEPTION, PARTY, and WEDDING DRESSES Made in the most recent Paris modes by our Mme. LACHAMBRE. Very Reasonable Prices. Orders Quickly Executed, 256 BOYLSTON STREET. OYSTERS AND SALADS A SPECIALTY. 25 Temple PI. and 33 West St. GENUINE VIENNA ICES. JACOB THOMA, Notman Photo. Co. VIOLIN MAKER, 3 P FROM VIENNA. STUDIOS, BOSTON. | ^^' ,„ \ 480 B S (Awarded a Prize Medal at the Vienna Exposition.) All the Newest Styles of Old Violins, Violas, 'Cellos, PHOTOGRAPHS: Artist Italian Strings, Silver G's, MEZZO-TINTS, Artist Bows, Paris Rosin, Violin Cases of all kinds, etc. IVORY FINISH, etc. INSTRUMENTS TAKEN IN EXCHANGE. Flash-light Pictures made at Residences. ARTISTIC REPAIRS A SPECIALTY. BOWS REHAIRED, WEDDING PARTIES. Building, Room - - BOSTON. FANCY DRESS PARTIES. Music Hall 7, DINNER PARTIES. Repairer for the Boston Symphony Orchestra. (206) eight measures are for the harps alone,* broad phrases in strongly swept chords, that have at once something of the character of a choral chant and of a solemn march. Against a soft repetition of the first two phrases of this passage, played by the harps as an accompaniment, a solo oboe then plays a suave melody of a rather pastoral character in 6-4 time, a solo flute continuing the melody over the next two phrases of the original harp passage, ending on the full chord of the tonic, G-flat major.
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  • March 1909) James Francis Cooke

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    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 3-1-1909 Volume 27, Number 03 (March 1909) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 27, Number 03 (March 1909)." , (1909). https://digitalcommons.gardner-webb.edu/etude/545 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 4 MARH41- - mirr^ $1.50 per year Theodore Presser, Philadelphia 15c. per copy 145 SIX HAND THE ETUDE New Publications F THE EDITOR’S COLUMN MME. MARCELLA SEMBRICH ON “HOW » following ensemble pieces include all FORTUNES ARE WASTED IN The Isle of Jewels 1 Women’s Club Collection s ,Sserin^^fchaTs' W of interest to our readers. VOCAL EDUCATION.” Juvenile Album Part Songs and Choruses st. ard foreign c0Q^p°£f sj/t”sf'VoveftteS are Seated upon a throne on the stage of the ^ OPERETTA FOR YOUNG PEOPLE Price, 35 Cents . bo g “the number? We' shall continue to add A MONTHLY JOURNAL FOR THE MUSICIAN, THE ORDER THE APRIL ISSUE NOW AND Metropolitan Opera House, New York, sur- f FOR THE PIANOFORTE „„?of merit from time lo time until we have Text by JESSICA MOORE J of ci"br cino™‘l'sbandC higS'^chools.
  • John Mccormack 1843-1997 IM.M035.1998

    John Mccormack 1843-1997 IM.M035.1998

    Frederick M. Manning Collection of John McCormack 1843-1997 IM.M035.1998 http://hdl.handle.net/2345/956 Irish Music Archives John J. Burns Library Boston College 140 Commonwealth Avenue Chestnut Hill 02467 library.bc.edu/burns/contact URL: http://www.bc.edu/burns Table of Contents Summary Information .................................................................................................................................... 3 Administrative Information ............................................................................................................................ 4 Biographical Note: John McCormack ........................................................................................................... 5 Biographical Note: Frederick M. Manning ................................................................................................... 5 Scope and Contents ........................................................................................................................................ 6 Arrangement ................................................................................................................................................... 6 Collection Inventory ....................................................................................................................................... 7 I: Correspondence ........................................................................................................................................ 7 II: Manuscripts and Typescripts by John McCormack