Before the COPYRIGHT ROYALTY JUDGES Washington, D.C. in Re
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Perceptions of Information Overload in the American Home
The Information Society, 28: 161–173, 2012 Copyright c Taylor & Francis Group, LLC ISSN: 0197-2243 print / 1087-6537 online DOI: 10.1080/01972243.2012.669450 Taming the Information Tide: Perceptions of Information Overload in the American Home Eszter Hargittai Department of Communication Studies, Northwestern University, Evanston, Illinois, USA W. Russell Neuman Department of Communication Studies, University of Michigan, Ann Arbor, Michigan, USA Olivia Curry School of Communication, Northwestern University, Evanston, Illinois, USA In the last few decades Americans have integrated ca- This study reports on new media adopters’ perceptions of and ble television, the Internet, smart phones, blogging, and reactions to the shift from push broadcasting and headlines to online social networking into their lives, engaging a much the pull dynamics of online search. From a series of focus groups more diverse, interactive, always-on media environment. with adults from around the United States we find three dominant As was the case with most previous developments in media themes: (1) Most feel empowered and enthusiastic, not overloaded; technology, a few proponents have trumpeted the virtues (2) evolving forms of social networking represent a new manifes- of these devices (Negroponte 1995), but most academics tation of the two-step flow of communication; and (3) although and authors in the popular media are moved to warn of critical of partisan “yellers” in the media, individuals do not re- dire, dystopic consequences (Wartella & Reeves 1985). port cocooning with the like-minded or avoiding the voices of those There are concerns about sensory overload (Beaudoin with whom they disagree. We also find that skills in using digital 2008; Berghel 1997), media addiction (Byun et al. -
Current, October 31, 2011
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 10-31-2011 Current, October 31, 2011 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, October 31, 2011" (2011). Current (2010s). 93. https://irl.umsl.edu/current2010s/93 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. OCTOBER 31, 2011 VOL. 45; TheWWW.T H ECURRECurrentN T-ONL INE . C OM ISSUE 1359 Cardinals win World Series, St. Louis parties! By Owen Shroyer, page 2 SARAH LOWE / THE CURRENT ALSO INSIDE RumMan DiariesEating review Sandwich Harry Potter celebration Men’s soccer ends strong 77 WorthyNew art adaptation installation of feeds Hunter one S . manThompson1312 UPB provides showing of final film 14 UMSL takes game 5-2 2 | The Current | OCTOBER 31, 2011 | WWW.THECURRENT-ONLINE.COM | | NEWS TheCurrent VOL. 45, ISSUE 1359 News WWW.THECURRENT-ONLINE.COM EDITORIAL Cardinals craze sweeps over the Editor-in-Chief....................................................Matthew B. Poposky Managing Editor.........................................................Janaca Scherer News Editor..................................................................Minho Jung University of Missouri and St. Louis Features Editor............................................................Ashley -
Sunday Morning Grid 12/7/14 Latimes.Com/Tv Times
SUNDAY MORNING GRID 12/7/14 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Pittsburgh Steelers at Cincinnati Bengals. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News (N) Swimming PGA Tour Golf Hero World Challenge, Final Round. (N) Å 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) News (N) Wildlife Outback Explore World of X 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX Paid Joel Osteen Fox News Sunday FOX NFL Sunday (N) Football Indianapolis Colts at Cleveland Browns. (N) Å 13 MyNet Paid Program Paid Program 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Como Local Jesucristo Local Local Gebel Local Local Local Local Transfor. Transfor. 24 KVCR The Omni Health Revolution With Tana Amen Dr. Fuhrman’s End Dieting Forever! Å Joy Bauer’s Food Remedies (TVG) Deepak 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Biz Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Hour Of Power Paid Program Holiday Heist (2011) Lacey Chabert, Rick Malambri. 34 KMEX Paid Program República Deportiva (TVG) Al Punto (N) 40 KTBN Walk in the Win Walk Prince Redemption Liberate In Touch PowerPoint It Is Written B. Conley Super Christ Jesse 46 KFTR Tu Dia Tu Dia Beverly Hills Chihuahua 2 (2011) (G) The Chronicles of Narnia: The Lion, the Witch and the Wardrobe Fútbol MLS 50 KOCE Wild Kratts Maya Rick Steves’ Europe Rick Steves Suze Orman’s Financial Solutions for You (TVG) The Roosevelts: An Intimate History 52 KVEA Paid Program Raggs New. -
Balloon Boy” Hoax, a Call to Regulate the Long-Ignored Issue of Parental Exploitation of Children
WHAT WILL IT TAKE?: IN THE WAKE OF THE OUTRAGEOUS “BALLOON BOY” HOAX, A CALL TO REGULATE THE LONG-IGNORED ISSUE OF PARENTAL EXPLOITATION OF CHILDREN RAMON RAMIREZ* I. INTRODUCTION On October 15, 2009, the world was captivated by the story of a little boy in peril as he allegedly floated through the Colorado sky in a homemade balloon.1 The boy’s parents, Richard and Mayumi Heene, first alerted authorities with an “emotional and desperate” 9-1-1 call, claiming that their son Falcon was in a balloon that had taken off from their backyard.2 Rescuers set out on a “frantic” ninety-minute chase that ended when the balloon “made a soft landing some 90 miles away;” but to their surprise, no one was in it.3 One of Falcon’s older brothers repeatedly said he saw Falcon get into the balloon before it took off, and a sheriff’s deputy said he saw something fall from the balloon while it was in the air, causing rescuers to fear the worst: Falcon fell out.4 The story appeared to have a happy ending after Falcon emerged from the family attic where he was hiding because his father yelled at him earlier in the day.5 That evening, the family appeared on Larry King Live on the Cable News Network (“CNN”) to tell their story, and when asked by his parents why he did not come out of the attic when they initially called for him, Falcon responded, “[y]ou guys said we did this for the show”; with that, suspicions began to arise.6 * J.D., University of Southern California Law School, 2011. -
The Place of Creative Writing in Composition Studies
H E S S E / T H E P L A C E O F C R EA T I V E W R I T I NG Douglas Hesse The Place of Creative Writing in Composition Studies For different reasons, composition studies and creative writing have resisted one another. Despite a historically thin discourse about creative writing within College Composition and Communication, the relationship now merits attention. The two fields’ common interest should link them in a richer, more coherent view of writing for each other, for students, and for policymakers. As digital tools and media expand the nature and circula- tion of texts, composition studies should pay more attention to craft and to composing texts not created in response to rhetorical situations or for scholars. In recent springs I’ve attended two professional conferences that view writ- ing through lenses so different it’s hard to perceive a common object at their focal points. The sessions at the Associated Writing Programs (AWP) consist overwhelmingly of talks on craft and technique and readings by authors, with occasional panels on teaching or on matters of administration, genre, and the status of creative writing in the academy or publishing. The sessions at the Conference on College Composition and Communication (CCCC) reverse this ratio, foregrounding teaching, curricular, and administrative concerns, featur- ing historical, interpretive, and empirical research, every spectral band from qualitative to quantitative. CCCC sponsors relatively few presentations on craft or technique, in the sense of telling session goers “how to write.” Readings by authors as performers, in the AWP sense, are scant to absent. -
Sunday Morning Grid 9/18/16 Latimes.Com/Tv Times
SUNDAY MORNING GRID 9/18/16 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Cincinnati Bengals at Pittsburgh Steelers. (N) Å 4 NBC News (N) Å Meet the Press (N) (TVG) 2016 Evian Golf Championship Auto Racing Global RallyCross Series. Rio Paralympics (Taped) 5 CW News (N) Å News (N) Å In Touch BestPan! Paid Prog. Paid Prog. Skin Care 7 ABC News (N) Å This Week News (N) Vista L.A. at the Parade Explore Jack Hanna Ocean Mys. 9 KCAL News (N) Joel Osteen Schuller Pastor Mike Woodlands Amazing Why Pressure Cooker? CIZE Dance 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Good Day Game Day (N) Å 13 MyNet Arthritis? Matter Secrets Beauty Best Pan Ever! (TVG) Bissell AAA MLS Soccer Galaxy at Sporting Kansas City. (N) 18 KSCI Paid Prog. Paid Prog. Church Faith Paid Prog. Paid Prog. Paid Prog. AAA Cooking! Paid Prog. R.COPPER Paid Prog. 22 KWHY Local Local Local Local Local Local Local Local Local Local Local Local 24 KVCR Painting Painting Joy of Paint Wyland’s Paint This Painting Cook Mexico Martha Ellie’s Real Baking Project 28 KCET Peep 1001 Nights Bug Bites Bug Bites Edisons Biz Kid$ Three Nights Three Days Eat Fat, Get Thin With Dr. ADD-Loving 30 ION Jeremiah Youssef In Touch Leverage Å Leverage Å Leverage Å Leverage Å 34 KMEX Conexión Pagado Secretos Pagado La Rosa de Guadalupe El Coyote Emplumado (1983) María Elena Velasco. -
CHILDRENS Dvds – As of JULY 2014
CHILDRENS DVDs – as of JULY 2014 CHILDREN'S TITLES (including Parent Collection) NRA Abraham Lincoln PG Ace Ventura Jr. pet detective (SDH) NRA Action words, volume 1 NRA Action words, volume 2 NRA Action words, volume 3 NRA Activity TV: Magic, vol. 1 TV-PG Adventure time: The complete first season (2v) (SDH) TV-PG Adventure time: Fionna and Cake (SDH) G Adventures in Zambezia (SDH) NRA Adventures of Bailey: Christmas hero (SDH) NRA Adventures of Bailey: The lost puppy NRA Adventures of Bailey: A night in Cowtown (SDH) G The adventures of Brer Rabbit (SDH) NRA The adventures of Carlos Caterpillar: Litterbug TV-Y The adventures of Chuck & friends: Bumpers up! TV-Y The adventures of Chuck & friends: Friends to the finish TV-Y The adventures of Chuck & friends: Trucks versus wild TV-Y The adventures of Chuck & friends: When trucks fly G The adventures of Ichabod and Mr. Toad (CC) G The adventures of Milo and Otis (CC) G Adventures of Pinocchio (CC) PG The adventures of Renny the fox (CC) NRA The adventures of Scooter the penguin (SDH) PG The adventures of Sharkboy and Lavagirl in 3-D (SDH) NRA The adventures of Teddy P. Brains: Journey into the rain forest NRA Adventures of the Gummi Bears (3v) (SDH) PG The adventures of TinTin (CC) NRA Adventures with Wink & Blink: A day in the life of a firefighter (CC) NRA Adventures with Wink & Blink: A day in the life of a zoo (CC) G African cats (SDH) PG Agent Cody Banks 2: destination London (CC) PG Alabama moon G Aladdin (2v) (CC) G Aladdin: the Return of Jafar (CC) PG Alex Rider: Operation stormbreaker -
Villa Clara Vencerá Las Dificultades Y Obstáculos
Diésel y dengue: retos de este minuto www.vanguardia.cu Santa Clara, 14 de septiembre de 2019 Precio: 0.20 Pág. 5 ÓRGANO OFICIAL DEL COMITÉ PROVINCIAL DEL PARTIDO EN VILLA CLARA Editorial Villa Clara vencerá las difi cultades y obstáculos Al concluir la Mesa Redonda, Nada detendrá la marcha de la Revolución, pues somos un pueblo Explicó que si la necesidad donde se explicó la actual coyun- de «Patria o Muerte, ¡Venceremos!». impone los apagones, ya existe tura energética que atraviesa el una planificación ordenada, país debido al recrudecimiento siempre tratando de causar las del bloqueo de Estados Unidos menores afectaciones, para lo hacia Cuba, el presidente de los cual la población debe cooperar Consejos de Estado y de Minis- con medidas extremas de ahorro. tros, Miguel Díaz-Canel Bermú- Como está hoy el país, hasta una dez, recordó al Comandante de la lámpara encendida de manera Revolución Juan Almeida Bosque innecesaria conspira contra ese y su célebre frase: «¡Aquí no se propósito. rinde nadie!». Asimismo, el presidente del Y esa evocación histórica, Poder Popular detalló las me- seguida por ¡Hoy son tiempos didas que se adoptan en el sec- de Patria o Muerte!, resultó el tor estatal, las cuales llevan a mejor colofón de un diálogo paralizaciones de servicios no abierto, franco y transparente esenciales y a un control estricto con el pueblo, para explicar con del poco combustible de que se lujo de detalles y total apego a la dispondrá en los restantes días verdad, las complejidades de una de septiembre. situación energética que, aunque Mientras, el miembro del Buró eventual, pone a prueba la capa- Provincial del Partido, Osnay Mi- cidad de resistencia y victoria de guel Colina, insistió en la labor po- cada villaclareño y cubano. -
We'll Have a Gay Ol'time: Trangressive Sexulaity and Sexual Taboo In
We’ll have a gay ol’ time: transgressive sexuality and sexual taboo in adult television animation By Adam de Beer Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in Film Studies in the Faculty of Humanities and the Centre for Film and Media Studies UNIVERSITY OF CAPE TOWN UniversityFebruary of 2014Cape Town Supervisor: Associate Professor Martin P. Botha The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town Declaration I declare that this thesis is my own unaided work. It is submitted for the degree of Doctor of Philosophy at the University of Cape Town. It has not been submitted before for any other degree or examination at any other university. Adam de Beer February 2014 ii Abstract This thesis develops an understanding of animation as transgression based on the work of Christopher Jenks. The research focuses on adult animation, specifically North American primetime television series, as manifestations of a social need to violate and thereby interrogate aspects of contemporary hetero-normative conformity in terms of identity and representation. A thematic analysis of four animated television series, namely Family Guy, Queer Duck, Drawn Together, and Rick & Steve, focuses on the texts themselves and various metatexts that surround these series. The analysis focuses specifically on expressions and manifestations of gay sexuality and sexual taboos and how these are articulated within the animated diegesis. -
Female Sex Study
Teen Sexual TV’s Newest Target Exploitation The Prevalence and Trivialization of Teen Sexual Exploitation on Primetime TV Parents Television Council Special Report July 2013 Acknowledgements Thank you to the following individuals and foundations for their generous support. Donald and Michele D’Amour William E. Simon Foundation Stuart Family Foundation Dodge Jones Foundation Mr. & Mrs. T. Bondurant French 2 Parents Television Council Special Report July 2013 www.ParentsTV.org The mission of the PTC is to protect children and families from graphic sex, violence and profanity in the media, because of their proven long-term harmful effects. www.4EveryGirl.com The mission of 4 Every Girl is to combat the sexualization of girls by advocating for a media environment where young girls are honored, valued and represented by healthy, respectful images. FOR MEDIA INQUIRIES PLEASE CONTACT Kelly Oliver KELLY OLIVER pr, inc. (703) 307-9404 [email protected] 3 Parents Television Council Special Report July 2013 TV’s Newest Target: Teen Sexual Exploitation The Prevalence and Trivialization of Teen Sexual Exploitation in Primetime TV What young women believe about themselves and how they feel in the present moment were shaped by how they were treated and what they were exposed to when they were girls. " Report of the APA Task Force on the Sexualization of Girls (pg. 3) Executive Summary Although findings across numerous studies report the negative impact of frequent exposure to sexualized media images 1,2,3,4,5 there is an absence of literature addressing the impact and/or the prevalence of sexually exploitative images in the media. -
Finding Aid to the Historymakers ® Video Oral History with Michael A
Finding Aid to The HistoryMakers ® Video Oral History with Michael A. Schultz Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Schultz, Michael, 1938- Title: The HistoryMakers® Video Oral History Interview with Michael A. Schultz, Dates: October 5, 2004 Bulk Dates: 2004 Physical 7 Betacame SP videocasettes (3:15:08). Description: Abstract: Film director Michael A. Schultz (1938 - ) directed the feature films Cooley High, Car Wash, and Krush Groove, as well as the television shows Chicago Hope and Ally McBeal. Schultz was interviewed by The HistoryMakers® on October 5, 2004, in Santa Monica, California. This collection is comprised of the original video footage of the interview. Identification: A2004_193 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Film director Michael Schultz was born on November 10, 1938, in Milwaukee, Wisconsin. After graduating from high school in 1957, Schultz attended the University of Wisconsin, where he spent a great deal of time watching foreign films. After dropping out of school, Schultz returned to Milwaukee where he worked in a steel mill from 1960 to 1961, eventually returning to school, studying at Marquette, and graduating in 1964. After graduation, Schultz attended Princeton University, where he was given the opportunity to direct his first play, Waiting for Godot, in 1966. Schultz's work brought him to the attention of the Negro Ensemble Company; he joined the group in 1968. The following year, Schultz staged a production of To Be Young, Gifted and Black, which launched his success; he re-staged the play for television two years later. -
The Broad Presents Winter 2017 Season of Diverse Public Programming
For Immediate Release Thursday, Jan. 5, 2017 Media Contact Alex Capriotti | 213-232-6236 | [email protected] THE BROAD PRESENTS WINTER 2017 SEASON OF DIVERSE PUBLIC PROGRAMMING Lineup includes Un-Private Collection conversations featuring Thomas Houseago with Flea, Tony Oursler and Tyler Hubby with Henry Rollins; lecture with artist Ellen Gallagher; performances by Trisha Brown Dance Company and L.A. rap/noise trio clipping.; and film programs to animate the Broad collection of contemporary art Clockwise from top left: Thomas Houseago, photo by Ari Marcopoulos; still from Cooley High, 1975; Ellen Gallagher, photo by © Philippe Vogelenzang / Trunk Archive, courtesy of Gagosian Gallery; Trisha Brown Dance Company, photo by Kat Schleicher; Flea, photo by Clara Balzary; Tony Oursler, photo by Magasin III; clipping., photo by Brian Tamborello; Kim Gordon, photo by David Black. LOS ANGELES—The Broad announced today its winter season of public programming, which will include multiple artist conversations, dance and music performances and film screenings. The winter 2017 public program lineup includes three Un-Private Collection talks, the popular artist conversation series that began in 2013 before The Broad opened. On Jan. 26, Los Angeles artist Thomas Houseago, whose 15-foot tall Giant (Cyclops) sculpture is currently on view in The Broad’s Creature installation, will be in conversation with rock bassist Flea at The Theatre at Ace Hotel. The talk is sponsored by U.S. Trust, Bank of America Private Wealth Management. On March 16 also at The Theatre at Ace Hotel, The Broad will present an evening of film, conversation and music, featuring the West Coast premiere of Tony Conrad: Completely in the Present, followed by a conversation with the documentary’s filmmaker Tyler Hubby and Broad collection artist Tony Oursler, moderated by musician Henry Rollins, about Conrad’s influence on artists including those in the Broad collection.