Glossary of Terms
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Know Your Body Know Your Style
KNOW YOUR BODY KNOW YOUR STYLE Our bodies are classified according to certain specific types of silhouettes. You will learn about your body type, the clothes that favor each silhouette and those that should definitely be avoided. Your body shape may have traits of two types of silhouettes. Stand in front of a full-length mirror in your underwear and carefully study your body shape. Regardless of whether you are slim or plump, your body will tend to predominantly conform to one of the body types described below. Knowing your silhouette, you will be able to know what type of outfits that will make you look great, and which ones you should avoid as they throw the shape of your body off balance. 2020 Playfication Learning, LLC © PagePage 1 of 1 8 of 8 HOURGLASS SHAPE This type of female figure is typically considered the perfect figure because it is the most proportionate. It is the most versatile body shape and practically everything that women with this figure wear looks good on them. However, you should avoid falling into exaggerations that unbalance your body. You have an hourglass figure, when your shoulders and hips measure the same, and your waist is narrower. You have a balanced and symmetrical body. Clothes that lengthen your body will accentuate your figure and make you look great. What to wear: 1. Wrap dresses and “A” shaped skirts 2. Dresses with a defined waist and knee-length skirts highlighting your curves 3. Solid colors 4. Two-piece dresses 5. Shirt dresses with a waist belt 6. -
Business Professional Dress Code
Business Professional Dress Code The way you dress can play a big role in your professional career. Part of the culture of a company is the dress code of its employees. Some companies prefer a business casual approach, while other companies require a business professional dress code. BUSINESS PROFESSIONAL ATTIRE FOR MEN Men should wear business suits if possible; however, blazers can be worn with dress slacks or nice khaki pants. Wearing a tie is a requirement for men in a business professional dress code. Sweaters worn with a shirt and tie are an option as well. BUSINESS PROFESSIONAL ATTIRE FOR WOMEN Women should wear business suits or skirt-and-blouse combinations. Women adhering to the business professional dress code can wear slacks, shirts and other formal combinations. Women dressing for a business professional dress code should try to be conservative. Revealing clothing should be avoided, and body art should be covered. Jewelry should be conservative and tasteful. COLORS AND FOOTWEAR When choosing color schemes for your business professional wardrobe, it's advisable to stay conservative. Wear "power" colors such as black, navy, dark gray and earth tones. Avoid bright colors that attract attention. Men should wear dark‐colored dress shoes. Women can wear heels or flats. Women should avoid open‐toe shoes and strapless shoes that expose the heel of the foot. GOOD HYGIENE Always practice good hygiene. For men adhering to a business professional dress code, this means good grooming habits. Facial hair should be either shaved off or well groomed. Clothing should be neat and always pressed. -
Instructions-BUTTON-UP-DRESS.Pdf
BUTTON-UP DRESS ISSUE 39 SKILL LEVEL In the Folds patterns are designed to inspire and encourage modern makers to create garments that are beautiful both inside ABOUT CONTENTS and out. Through selected techniques and construction details, IN THE In the Folds aims to encourage thought-provoking and ABOUT IN THE FOLDS 3 memorable making experiences - helping you enjoy each stitch in PATTERNS FOLDS the process. PATTERNS GARMENT OVERVIEW 4 Techniques may differ slightly to the home sewing methods you (INCLUDING FABRIC SUGGESTIONS AND NOTIONS) are used to, but in some cases industrial finishes will give you the cleanest and most professional finish. SIZING + GARMENT 5 MEASUREMENTS Seam allowances are marked on each pattern piece and detailed (INCLUDING FABRIC REQUIREMENTS) in each step. You will notice that in some cases the seam allowances meet each PRINTING THE PATTERN 6 other at different angles at the end of the seam. This is so that PRINTING PLAN 7 when you press the seam allowances open the seams will sit flush with the edges and will help you get a really clean finish. CUTTING YOUR FABRIC 8 In the Folds patterns are designed to include thoughtful Consider using fabric SUGGESTED CUTTING PLAN 9-10 details and interesting techniques so that you can enjoy the from your stash before process of making the garment as much as the end result. going to buy something INSTRUCTIONS 11-20 new. I dare you. If we slow down and take in every stitch, we can better You might be surprised GLOSSARY 21 our skills, appreciate the amazing things we can do with by what you find there. -
Stocking Templates (On Page 4 – 9) at 100% Scale
www.fabriceditions.com Follow us here to see more exciting projects and ideas. STOCKING #mycreateit Finished Size: 10 in x 21 in (25.4 cm x 53.34 cm) Supplies Needed • 1 Yard Fabric Cut (36 in x 42 in / 91.44 cm x 106.68 cm) • Iron-On Appliqué • Coordinating thread • Removable marker • Tape • Scissors • Basic sewing supplies • Sewing machine • Iron, pressing surface and press cloth *Project made with these items from: (items sold separately) 588584189 – CI-FQ22-HOLWHM2 FQ22 HOLIDAY CHECK BLK 595341839 – CI-APPL22-TRUCK APPLIQUE TRUCK Before You Begin Read all instructions before beginning project. Before cutting, press fabrics with a dry iron on cotton setting. Use a ¼ in (3.81 mm) seam allowance and sew fabrics with right sides together (RST). Print the Stocking Templates (on page 4 – 9) at 100% scale. Cut and tape together. Follow manufacturer‘s instructions for appliqué. Cutting 1. Fold the 1 yard cut of fabric RST, matching selvage edges. Position Stocking pattern on fabric as shown in Diagram A. Trace around pattern, pin and cut out matching pairs, leaving pairs layered for sewing. One pair will be the Stocking Front and Lining while the other pair will be the Stocking Back and Lining. Dia. A 42 in (106.68 cm) Fold RST 36 in = = (91.44 cm) Fold Black Check Cut 2 - Stocking templates © 2021 Fabric Editions, Inc. page 1 2. From the scraps of the Black Check, cut a 1 ½ in x 6 in (3.81 cm x 15.24 cm) strip for a Dia. B Hanging Loop (Dia B). -
Care Labelling Guide
Care Labelling Guide This chart is for guidance only and should be read in conjunction with the ACCC Care labelling for Clothing Guide which specifies the mandatory standards for care labelling based on the Australian/New Zealand Standard (AS/NZS) 1957:1998, Textiles—Care labelling with variations and additions made by Consumer Protection Notice No. 25 of 2010. In Australia, care instructions must be permanently attached to articles, be written in English, and be appropriate for the care of the article. Additional symbols may be used to clarify the instructions but symbols alone are not sufficient. As a minimum, laundering instructions include (in order) four symbols: washing, bleaching, drying, and ironing. Drycleaning instructions include one symbol. Professional Wet Cleaning symbols are included for information only as they are not currently recognised in Australia. Washing The washtub symbol tells you how the garment should be washed. The number inside the washtub is the maximum wash temperature. A bar underneath the washtub indicates that the garment should have mild treatment or washed using the Permanent Press setting. Two lines underneath the washtub indicate gentle or delicate treatment. Normal Permanent Press Delicate / Gentle Hand Wash 95°c 70°c 60°c 50°c 40°c 30°c Do Not Wring Do Not Wash Bleaching The triangle symbol gives information about whether it is safe to bleach the garment. Any Bleach (when Only non-chlorine Do Not Bleach needed) bleach (when needed) Drying Tumble Dry - Cycles Normal Permanent Press Delicate / Gentle Do not tumble dry © 2013, Drycleaning Institute of Australia Limited Tumble Dry - Settings Any Heat High Medium Low No Heat / Air Line Dry - Hang to dry Drip Dry Dry Flat In the shade Do not dry Ironing The Iron symbol provides information on how the garment should be ironed. -
She Has Good Jeans: a History of Denim As Womenswear
Bard College Bard Digital Commons Senior Projects Spring 2018 Bard Undergraduate Senior Projects Spring 2018 She Has Good Jeans: A History of Denim as Womenswear Marisa S. Bach Bard College, [email protected] Follow this and additional works at: https://digitalcommons.bard.edu/senproj_s2018 Part of the Fashion Design Commons, and the Fiber, Textile, and Weaving Arts Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Bach, Marisa S., "She Has Good Jeans: A History of Denim as Womenswear" (2018). Senior Projects Spring 2018. 317. https://digitalcommons.bard.edu/senproj_s2018/317 This Open Access work is protected by copyright and/or related rights. It has been provided to you by Bard College's Stevenson Library with permission from the rights-holder(s). You are free to use this work in any way that is permitted by the copyright and related rights. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. For more information, please contact [email protected]. She Has Good Jeans: A History of Denim as Womenswear Senior Project Submitted to The Division of Arts of Bard College by Marisa Bach Annandale-on-Hudson, New York May 2018 Acknowledgements To my parents, for always encouraging my curiosity. To my advisor Julia Rosenbaum, for guiding me through this process. You have helped me to become a better reader and writer. Finally, I would like to thank Leandra Medine for being a constant source of inspiration in both writing and personal style. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Glossary of Sewing Terms
Glossary of Sewing Terms Judith Christensen Professional Patternmaker ClothingPatterns101 Why Do You Need to Know Sewing Terms? There are quite a few sewing terms that you’ll need to know to be able to properly follow pattern instructions. If you’ve been sewing for a long time, you’ll probably know many of these terms – or at least, you know the technique, but might not know what it’s called. You’ll run across terms like “shirring”, “ease”, and “blousing”, and will need to be able to identify center front and the right side of the fabric. This brief glossary of sewing terms is designed to help you navigate your pattern, whether it’s one you purchased at a fabric store or downloaded from an online designer. You’ll find links within the glossary to “how-to” videos or more information at ClothingPatterns101.com Don’t worry – there’s no homework and no test! Just keep this glossary handy for reference when you need it! 2 A – Appliqué – A method of surface decoration made by cutting a decorative shape from fabric and stitching it to the surface of the piece being decorated. The stitching can be by hand (blanket stitch) or machine (zigzag or a decorative stitch). Armhole – The portion of the garment through which the arm extends, or a sleeve is sewn. Armholes come in many shapes and configurations, and can be an interesting part of a design. B - Backtack or backstitch – Stitches used at the beginning and end of a seam to secure the threads. To backstitch, stitch 2 or 3 stitches forward, then 2 or 3 stitches in reverse; then proceed to stitch the seam and repeat the backstitch at the end of the seam. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
All-Time Favorites
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New 3 Season Jacket Trousers – 3 Great Fabrics
® LIBERTYUniform SOFT SHELL JACKET/LINING NEW 3 SEASON SHIRTS JACKET TROUSERS With Softshell Liner P. 3 OUTERWEAR Law Enforcement, Security, EMS, Fire Department, Corporate Liberty’s BEST ALL SHIRTS RAINWEAR THE BETTER COST EFFECTIVE Well priced & Well Made P. 5 JOB SHIRT FD Blouse Coat with ™ FABRIC Matching Trousers COMFORT ZONE MADE IN THE REVERSIBLE (Hint: Nanotex® Certified) P. 20 P. 13 3 Must-Have Garments U.S.A. P. 14 & 16 P. 14-15 TROUSERS – 3 GREAT FABRICS P.16-17 2018 EDITION - XI WHAT’S NEW AT LIBERTY UNIFORM? 3 NEW OUTERWEAR 1 HIGH-VIS PRODUCT LINE Liberty has added some great new waterproof jackets to our line: Liberty offers an expanding ANSI 3 compliant #575MFL 3-Season ANSI 3 jacket including a product line that is value priced with great soft shell liner/jacket attention to functional features and quality: #574 Convertible Jacket #524MBK & 524MNV – Reversible Police Windbreaker (see pg. 7) #578 Soft Shell Jacket/liner #561MFL – Windbreaker The separate soft shell jacket #578 can be zipped (see pg. 8) into #574 jacket to become a removable liner. (See pg. 3) #566MFL – Polar Parka (see pg. 4) #575MFL – 3-Season Jacket with Soft Shell liner/jacket (see pg. 3) 4 THE FINEST SYNTHETIC FABRIC #586MFL – 49” Reversible Raincoat with IN THE UNIFORM INDUSTRY Removable/Reversible Hood (see pg. 5) Direct from Burlington® Worldwide, maker of the finest uniform fabrics for military and law #587MFL – 30” Reversible Rain Jacket with enforcement, Liberty offers our exclusive COMFORT Removable/Reversible Hood ZONE® shirts and trousers with USA made fabrics. (see pg. -
T-SHIRT DESIGN B
EQUIPMENT AND MATERIALS 1. Supplied by the technical committee: a. Time keeper and judges T-SHIRT DESIGN b. All necessary information for the judges and technical committee 2. Supplied by the contestant: a. Rendering of the T-shirt design PURPOSE b. Supporting materials for the To evaluate a contestant’s creative, technical presentation portions of the contest and oral presentation skills and recognize i. Visual presentation materials should outstanding students for excellence and be on a standard tri-fold table display professionalism. ii. Additional materials to provide context are optional; ex. Printed T-shirt, First, download and review the General props, etc. but display should not Regulations at: http://updates.skillsusa.org. exceed the width of the standard tri- fold display. ELIGIBILITY c. All competitors must create a one-page Open to active SkillsUSA members enrolled in résumé and submit a hard copy to the career and technical programs. technical committee chair at orientation. Failure to do so will result in a penalty designated by the official CLOTHING REQUIREMENTS scorecard. Class A: SkillsUSA Attire: • Red SkillsUSA blazer, windbreaker or Note: Your contest may also require a hard sweater, or black or red SkillsUSA jacket copy of your résumé as part of the actual • Button-up, collared, white dress shirt contest. Check the Contest Guidelines (accompanied by a plain, solid black tie), and/or the updates page on the SkillsUSA white blouse (collarless or small-collared) website at: http://updates.skillsusa.org. or white turtleneck, with any collar not to extend into the lapel area or the blazer, SCOPE OF THE CONTEST sweater, windbreaker or jacket The contest consists of two parts: • Black dress slacks (accompanied by black 1.