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Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Human' Jaspects of Aaonsí F*Oshv ÍK\ Tke Pilrns Ana /Movéis ÍK\ É^ of the 1980S and 1990S
DOCTORAL Sara MarHn .Alegre -Human than "Human' jAspects of AAonsí F*osHv ÍK\ tke Pilrns ana /Movéis ÍK\ é^ of the 1980s and 1990s Dirigida per: Dr. Departement de Pilologia jA^glesa i de oermanisfica/ T-acwIfat de Uetres/ AUTÓNOMA D^ BARCELONA/ Bellaterra, 1990. - Aldiss, Brian. BilBon Year Spree. London: Corgi, 1973. - Aldridge, Alexandra. 77» Scientific World View in Dystopia. Ann Arbor, Michigan: UMI Research Press, 1978 (1984). - Alexander, Garth. "Hollywood Dream Turns to Nightmare for Sony", in 77» Sunday Times, 20 November 1994, section 2 Business: 7. - Amis, Martin. 77» Moronic Inferno (1986). HarmorKlsworth: Penguin, 1987. - Andrews, Nigel. "Nightmares and Nasties" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney: Ruto Press, 1984:39 - 47. - Ashley, Bob. 77» Study of Popidar Fiction: A Source Book. London: Pinter Publishers, 1989. - Attebery, Brian. Strategies of Fantasy. Bloomington and Indianapolis: Indiana University Press, 1992. - Bahar, Saba. "Monstrosity, Historicity and Frankenstein" in 77» European English Messenger, vol. IV, no. 2, Autumn 1995:12 -15. - Baldick, Chris. In Frankenstein's Shadow: Myth, Monstrosity, and Nineteenth-Century Writing. Oxford: Oxford Clarendon Press, 1987. - Baring, Anne and Cashford, Jutes. 77» Myth of the Goddess: Evolution of an Image (1991). Harmondsworth: Penguin - Arkana, 1993. - Barker, Martin. 'Introduction" to Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Media. London and Sydney: Ruto Press, 1984(a): 1-6. "Nasties': Problems of Identification" in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the MecBa. London and Sydney. Ruto Press, 1984(b): 104 - 118. »Nasty Politics or Video Nasties?' in Martin Barker (ed.), 77» Video Nasties: Freedom and Censorship in the Medß. -
The Picture Show Annual (1928)
Hid •v Digitized by the Internet Archive in 2015 https://archive.org/details/pictureshowannuaOOamal Corinne Griffith, " The Lady in Ermine," proves a shawl and a fan are just as becoming. Corinne is one of the long-established stars whose popularity shows no signs of declining and beauty no signs of fading. - Picture Show Annual 9 rkey Ktpt~ thcMouies Francis X. Bushman as Messala, the villain of the piece, and Ramon Novarro, the hero, in " Ben Hut." PICTURESQUE PERSONALITIES OF THE PICTURES—PAST AND PRESENT ALTHOUGH the cinema as we know it now—and by that I mean plays made by moving pictures—is only about eighteen years old (for it was in the Wallace spring of 1908 that D. W. Griffith started to direct for Reid, the old Biograph), its short history is packed with whose death romance and tragedy. robbed the screen ofa boyish charm Picture plays there had been before Griffith came on and breezy cheer the scene. The first movie that could really be called iness that have a picture play was " The Soldier's Courtship," made by never been replaced. an Englishman, Robert W. Paul, on the roof of the Alhambra Theatre in 18% ; but it was in the Biograph Studio that the real start was made with the film play. Here Mary Pickford started her screen career, to be followed later by Lillian and Dorothy Gish, and the three Talmadge sisters. Natalie Talmadge did not take as kindly to film acting as did her sisters, and when Norma and Constance had made a name and the family had gone from New York to Hollywood Natalie went into the business side of the films and held some big positions before she retired on her marriage with Buster Keaton. -
GSC Films: S-Z
GSC Films: S-Z Saboteur 1942 Alfred Hitchcock 3.0 Robert Cummings, Patricia Lane as not so charismatic love interest, Otto Kruger as rather dull villain (although something of prefigure of James Mason’s very suave villain in ‘NNW’), Norman Lloyd who makes impression as rather melancholy saboteur, especially when he is hanging by his sleeve in Statue of Liberty sequence. One of lesser Hitchcock products, done on loan out from Selznick for Universal. Suffers from lackluster cast (Cummings does not have acting weight to make us care for his character or to make us believe that he is going to all that trouble to find the real saboteur), and an often inconsistent story line that provides opportunity for interesting set pieces – the circus freaks, the high society fund-raising dance; and of course the final famous Statue of Liberty sequence (vertigo impression with the two characters perched high on the finger of the statue, the suspense generated by the slow tearing of the sleeve seam, and the scary fall when the sleeve tears off – Lloyd rotating slowly and screaming as he recedes from Cummings’ view). Many scenes are obviously done on the cheap – anything with the trucks, the home of Kruger, riding a taxi through New York. Some of the scenes are very flat – the kindly blind hermit (riff on the hermit in ‘Frankenstein?’), Kruger’s affection for his grandchild around the swimming pool in his Highway 395 ranch home, the meeting with the bad guys in the Soda City scene next to Hoover Dam. The encounter with the circus freaks (Siamese twins who don’t get along, the bearded lady whose beard is in curlers, the militaristic midget who wants to turn the couple in, etc.) is amusing and piquant (perhaps the scene was written by Dorothy Parker?), but it doesn’t seem to relate to anything. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
Theater Playbills and Programs Collection, 1875-1972
Guide to the Brooklyn Theater Playbills and Programs Collection, 1875-1972 Brooklyn Public Library Grand Army Plaza Brooklyn, NY 11238 Contact: Brooklyn Collection Phone: 718.230.2762 Fax: 718.857.2245 Email: [email protected] www.brooklynpubliclibrary.org Processed by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier. Finding aid created in 2006. Revised and expanded in 2008. Copyright © 2006-2008 Brooklyn Public Library. All rights reserved. Descriptive Summary Creator: Various Title: Brooklyn Theater Playbills and Programs Collection Date Span: 1875-1972 Abstract: The Brooklyn Theater Playbills and Programs Collection consists of 800 playbills and programs for motion pictures, musical concerts, high school commencement exercises, lectures, photoplays, vaudeville, and burlesque, as well as the more traditional offerings such as plays and operas, all from Brooklyn theaters. Quantity: 2.25 linear feet Location: Brooklyn Collection Map Room, cabinet 11 Repository: Brooklyn Public Library – Brooklyn Collection Reference Code: BC0071 Scope and Content Note The 800 items in the Brooklyn Theater Playbills and Programs Collection, which occupies 2.25 cubic feet, easily refute the stereotypes of Brooklyn as provincial and insular. From the late 1880s until the 1940s, the period covered by the bulk of these materials, the performing arts thrived in Brooklyn and were available to residents right at their doorsteps. At one point, there were over 200 theaters in Brooklyn. Frequented by the rich, the middle class and the working poor, they enjoyed mass popularity. With materials from 115 different theaters, the collection spans almost a century, from 1875 to 1972. The highest concentration is in the years 1890 to 1909, with approximately 450 items. -
Series Opens
VOL. XLIL, NO. 313. (Olassilled Advertising on Page 12 ) < MANCHESTER, GONN; THURSDAY, OCTOBER 4, 1928. (FOURtEEN RAGES) PRICE THREE CENT'S ■ . • * J I • ••• ^ \ , YANKS QUEEN MARIE’S SON BUT WATCH THE BABE! ELOPES, IS REPORT FO R m SERIES OPENS Romance Again Invades FAMINE STALKS Noted Physician Explains Royal Rumanian Family; Ideal^Weather Greets Fans at Baseball’s Prenuen l^lar- IN UKRAINE AS Why Spirit in Moderation, , ■ s. ■ . ' ' Name of Bride is Kept a aoviUe and M e ^ ffit Hoiners — MaranviOe Makes Helps Old People— Aids Secret. ALLCROPSFAa Sensadosal Catch of Fool Bali; Rath Doubles in First I Budapest, Oct. 4.— Romance has More Than Four Million and Fourth Innings— ’The Game, Play by Play. again invaded the royal family of Rumania with the possibility pf New York, Oct. 4.— Medical No runs, no hits, no errors none melodramatic consequences, accord Peasants Face Stanation; scientists, seeking a way to increfise TODAY’S UNE-UP the “ spaa of life,” were told today St. Louis New York left. ing to rumors received here today -Yankees: Ruth up. 'Strike one call by Dr. Samuel W. Lambert, presi Douthit, cf .......... Pagchal, cf from Bucharest. Government Rushes Aid High, 3 b ....................... Koenig, ss; ed;. Ruth doubled to center. It was Prince Nicholas, son of the late dent of the New York academy of Frisch, 2b ....................... Ruth, rf a high fly that caught Douthit and King Ferdinand and Queen Marie to Stricken Areas. medicine and a man of high stand Bottomley, lb ....... Gehrig, lb Hafey out of position. Gehrig up, and the brother of former Crown ing in his profession, that alcohol Hafey, If ...................... -
SFSFF 2018 Program Book
elcome to the San Francisco Silent Film Festival for five days and nights of live cinema! This is SFSFFʼs twenty-third year of sharing revered silent-era Wmasterpieces and newly revived discoveries as they were meant to be experienced—with live musical accompaniment. We’ve even added a day, so there’s more to enjoy of the silent-era’s treasures, including features from nine countries and inventive experiments from cinema’s early days and the height of the avant-garde. A nonprofit organization, SFSFF is committed to educating the public about silent-era cinema as a valuable historical and cultural record as well as an art form with enduring relevance. In a remarkably short time after the birth of moving pictures, filmmakers developed all the techniques that make cinema the powerful medium it is today— everything except for the ability to marry sound to the film print. Yet these films can be breathtakingly modern. They have influenced every subsequent generation of filmmakers and they continue to astonish and delight audiences a century after they were made. SFSFF also carries on silent cinemaʼs live music tradition, screening these films with accompaniment by the worldʼs foremost practitioners of putting live sound to the picture. Showcasing silent-era titles, often in restored or preserved prints, SFSFF has long supported film preservation through the Silent Film Festival Preservation Fund. In addition, over time, we have expanded our participation in major film restoration projects, premiering four features and some newly discovered documentary footage at this event alone. This year coincides with a milestone birthday of film scholar extraordinaire Kevin Brownlow, whom we celebrate with an onstage appearance on June 2. -
Mexicoindians Armtod^End Their^Diines Evangelist To
. .,v ,, ,^ • ■ •• - ' "•,' ,-■ ■ r ' - -' ISBT PRESS RUN AVERAGE DAILE CIRCULATION OF TUB EVENING HERALD for tbo month of Jnnoi 1926> 4,837 (EIGHTEEN PAGES) MANCHESTER, CONN., FRIDAY, JULY 30, 1926. VOL. XLIV., NO. 256. CUuMifled Advertising on Page 0 <5> * POPE BANS PROTESTANTS In the Midst of Florida Hurricane AT GENERAL AUDIENCES EVANGELIST TO London, . July 30.— Mayfair '■ + - ♦ : MEXICOINDIANS Rome, July 30.— Regulations women are nothing if not meti- forbidding the admission of culqus. Protestants to general audiences FACE INQUIRY Bare legs have again come ARMTOD^END with the Pope were put in effect Into fashion. Colored powders today by Vatican officials, as the to match the gown are used on result of the incident yesterday the bare legs and a thin line is when a British Protestant re ASTO^MRY painted down the back of the THEIR^DIINES fused to kneel during an audi leg to simulte the seam of the ence, as the Pope passed. stocking. Fifty Protestants were today Decides to Appoint Special denied audiences with the Pope, Aimee McPherson Is Sub Crisis in Conflict of Chnrch despite the fact that many of Deputy Attorney-General; them had been sponsored by the poenaed to Confront Wit TIG WOMAN’ WILL and State Due at Ifid- American College. Bergen Fights Release of nesses from Carmel Who ‘STICK TO TRUTH’ night When Clergy ESTATES MELT IN Prisoner on BaO. t Abandon Edifices. May Identify Her. Jane Gibson Declares She Is Trenton, N, J., July 80.— Got* BANKRUPTS’ COURT Los Angeles, July 30.— Aimee Hurricane gales were lashing the photographer as w cll as the palm trees when this picture of Miami's ernor Moore today decided that a Mexico City, July 30. -
Battle Extremists All Through Night
,v* ' p, 11- -A m ,'.5fV • »Tf * "^“■ 4 1 Wn THE WEATHER gVBT PRESS RUN V ; ’ • AVERAGE DAILY CIRCULAXIOX Fore«««t br V. 8.- Wcatkfr BsMaa, OF THE EVENING HERALD X N ew H a v e a . fur the mouth of March, 1927 Fair and warmer t<mli^t; Wed* 4,996 i^esdajr local ahowem^ PRICE THREE CENTS VOL. XLL, NO. 164. Oaaaifted Advertising on Page 10. MANCHESTER, CONN., TUESDAY, APRIL 12, 1927. (TWELVE PAGES) ' ’ns NEWMINiaPAL D .S . CABINET ’.o N, Y, To Perris Flight HAS THE LAST WORD BUILDING GIVEN PUZZLED YET Petitions are coming from qround the world, to Gov. Alvin Easy, Bennett Asserts T. Fuller of Massachusetts (left) <that he spare (the lives of BATTLE EXTREMISTS Nicola Sacco and Bartolomeo Vanzetti. Sacco (above) and OVER TO BOARD OVER CHINA Vanzetti are pictured in the insets. ‘After Flying Over North The Rainbow \ ______ ALL THROUGH NIGHT Selectmen Formally Accept Pole, This Trip Will Not If Nationalists’ Answer Is MEETS COMRADES Over 200 Anested In Shang Structure For Town; Side Be So Awfully Hazard Unsatisfactory What Shall BEHEADS 5,000 hai and 3,000 Rifles of walks, Sewers and Lights ous,” He Says. O WeDo?Istheihestionto Chinese General Punishes Sol diers Who Deserted to the Reds Captured— Guerilla Make Problem. Be Settled Today. Cantonese. By JAMES L. KILGALIJBN. '" " ’ 'Si' London, April 12.— General Warfare Rages w City; I. S. Staff Con’cspondent. I Washington, April 12.— The per Sun Chuan Fang, who fled to The Board of Selectmen, acting >^■5.II c ; YORK plexing question of what “ meas the North of Nanking, Is now as town agents, last night formally (Copyright, 1027, by I. -
Click Here to Download The
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Home Mcr. Org Box Office 0161 200 1500
POP-UP/ INSTIGATE ARTS: IDENTITY home box office Sat 8 Oct, 18:00 – 21:00 Drop in mcr. 0161 200 1500 ART A one night only, mixed-media pop-up org exhibition with performance, noise, film and intervention. home homemcr.org/identity EXHIBITION/ RACHEL MACLEAN: GALLERY TOUR EXPERIMENT/ PARADOXPARADOX BY WOT U :-) ABOUT? Sat 29 Oct, 14:00 PROTOVOULIA Preview Fri 28 Oct, 18:00 - 22:00 Join artist Rachel Maclean and Mon 10 – Fri 14 Oct, 12:00 – 20:00 Sat 29 Oct - Sun 8 Jan curator Bren O’Callaghan for a Drop in Main Gallery guided tour of Rachel’s work. Brazilian duo Rafael Abdala and Jessica Curated by Bren O’Callaghan and Goes join forces with nine Greater Sarah Perks Don’t miss I’m Too Happy, a season Manchester artists for a long-durational A major solo exhibition of entirely of films curated by Rachel Maclean, experiment on improvisation and the new work in large format print, taking place Oct – Dec. See film creative process. Drop into the gallery to film and sculpture by acclaimed seasons (overleaf) for details. see these artists at work. Scottish artist Rachel Maclean, homemcr.org/paradoxparadox who will represent Scotland at the 2017 Venice Biennale. Maclean uses Also get your hands on the first HOME PROJECTS/ MARK LEEMING: green screen techniques and the major publication of Rachel BEARDED BRUTES fairytale genre to examine the murky Maclean’s sweeter-than-candy Fri 11 Nov – Sun 22 Jan boundary between childhood and adventures in our bookshop and online at cornerhousepublications. Bearded Brutes is a collection of vivid adulthood, resulting in an unsettling photographic portraits bursting with org/rachel-maclean foray into a netherland reminiscent colour, sparkle and, perhaps unsurprisingly, of the candy coloured palette of beards.